well, like, then the vlog and everything is fine, it went every year, there is a team that will shoot , it has always been like that and will be everyone wants to be this team that was put up. watch in sports projects on the tv channel. belarus 24. maybe i'll give you a little first. e, firewood would be this fire, and then you will kindle it e when you communicate with people. you have to catch who you are talking to and speak with them in a language they understand and understand . these movements are similar to the work of a jeweler, but jewelers make beauty. and we save lives all in the interests of their state patients. why do patients travel? well, this brand is the brand of belarus is the quality of knowledge, understanding and arguments, as well as questions that lie on the surface in the author's project markov nothing personal. do not miss the new releases on belarus 24 channel. what norms are in force

today and for what period they are fixed today, the norm is valid, firstly, i want to make a reservation right away that we will be talking about personal goods sent internationally postal items in relation to them today, and the norm is 1,000 euros, as for the self-supporting e norm and e, 31 kg, respectively, this norm was extended by the decisions of the eurasian commission, a until the end of march 2023, and in case there are no changes have been made. it will be changed to 200 euros and 31 kg, respectively, except for the cost of the norm and the weight norm of 31 kg. there are restrictions. e. i mean, certain prohibitions and restrictions on the transfer of certain categories of goods. and in

particular, of course, the main ones are a ban on the transfer of weapons to all. the components of narcotic drugs are psychotropic substances , including e, including in medicines , as well as a ban on the transfer of alcoholic products, tobacco products, smoking mixtures, potent. uh, hmm explosives are a destructive zone, and goods, uh, which are subject to rapid deterioration, this is an incomplete list, and all information regarding prohibited and restricted goods is posted on the website of the state customs committee, as well as on the website of the national the operator was cut down by the mail, because e was introduced , these prohibitions are not only possible by law, but also by the legislation of the universal postal union. in addition, restrictions from other regulatory authorities may apply, for example, this is m-m seed products, which are very relevant for shipment by our citizens . vasya spring period. she is also limited. uh,

certain regulations of the phytosanitary veterinary control. and in particular, the transfer of these seeds must be accompanied by a phytocendental certificate. here it was earlier it is stated that the norms will be reduced from october 1. why was the decision made to extend the validity of higher elements, and on september 23, the eurasian economic commission at its council adopted this decision; it was due only to support the population in the face of sanctions pressure and avoid a possible shortage of essential goods. but to which countries, for example, belarusians most often send parcels and from which countries the shipment comes to us, but the priority direction is when sending parcels by our citizens are the united states of america canada as well as the eu countries and according to the link that the citizens of the republic of

belarus receive, they are mainly sent from the people's republic of china, this is, in principle, hmm, it is trade online trade orders from online stores, and private parcels are also received from the country the european union also israel and canada including yes, and if there are any restrictions on sending or receiving, here are the parcels from any countries. here is what concerns geography today , and customs legislation, as well as other, uh, regulations, and does not provide for any restrictions for the shipment of goods relative to countries. i mean , where do you want? yes, of course, please. all her little things and all the details. some are so

beautiful they are breathtaking. some are awkward but together they are one. together, not harmony looking at them you feel aesthetic pleasure. do you feel that belarus is closer? khlebus igor evgenievich head of the military band service of the armed forces head of a state institution honored collective of the republic belarus exemplary performance orchestra of the defeated forces of the republic of belarus let's talk about creativity, let's talk about music let's talk about the award for spiritual renaissance hello

on the air program say, do not be silent in the studio of victoria popov and tatyana shcherbina and away. we have a military conductor today. igor khlebs, good afternoon. hello hello, i wish you evgenievich most recently for a significant achievement in the field of musical art. active participation in the social and cultural life of the country, the team was awarded a special award of the president to a figure of culture and art. you reacted to it in a military manner with laconic restraint and said that it was not you, not the personnel, who received the award. the crown will not appear on the head. here is a quote. we are all sincerely glad and proud that the head of state and our listeners highly appreciated our creative activity. this is really a great pride and a well-deserved victory of the whole team, as before. work hard

and work for the good of the country, we have already figured out how we will dispose of, uh, money reward. uh, we are planning to buy new synthesizer keys to buy a couple of microphones in the orchestra for my soloists. well, something on trifles, maybe this award. eh, there is a reason to tell about how your career as a military conductor actually began. and in general, music for yours has begun. well, probably because i don’t know how it happens with those people who don’t go to music, maybe everything that was connected with music there on television or on the radio is somehow different for me, so that it evokes inside well, some experiences probably connected with this is that my parents gave me, let's say, uh , college music school, uh, on the weather, i studied at school, and on the weather, it's already a choice. say go to the

military path. it's, well, my choice. i decided to be not just a musician, i decided to be a military musician, a military conductor, that's why i entered the military conducting faculty at the moscow conservatory. so he became a conductor after the moscow conservatory in the direction, so to speak, then just a turning point in 93. i came to the order of the minister of defense of the republic of belarus is already a young republic then and that's how i ended up in minsk, your choice. yes, and on new year's eve i gave away the mammoth, looked high, tried on the weather, you'll be playing at the faculty for me. here. if yes, well , naturally, of course, but, probably, almost everyone has the choice of the head of some profession, after all, parents have more influence on this. because our children have a

hard time choosing their specialties. no, well, there are all sorts, therefore, yes, then, of course, it was just like that was created long ago in the fiftieth year and at different times, these orchestras were led by talented people. i count musical conductors. i had a chance to communicate with alexander fedorov in the second year. and i remember that we met about the fact that the orchestra recorded the anthem of the republic of belarus still sounds in the morning. uh recorded the orchestra. yes, it was different. of course he doesn't like it. he is now living creatures here. long live, in my opinion, mark orchestra on nemiga yes, he is now in charge now he is not working, but he teaches at the institute university culture. he is teaching there now. he loves the orchestra very much. he comes there often to visit and we did in the twenty-second year. here are creative evenings, right? yes sincere smiling

cheerful. and you what qualities lack playfulness, probably the same, because i had good teachers, sunny hmm emotions, somewhere even stricter, because i’m still the head of something not just an orchestra, the head of the institution of an entire orchestra. i'm like in an institution. there is an artistic director from the conductor, who spends more time. e with an orchestra, but i can't to say that i am a despot there and or yesterday. no, well, at the same time i like order. that is, you can even good night, the kids went to bed already the artistic director of the chief conductor of the orchestra. this is colonel maksim kochetkov. and as soon as we figure out the work, you line up two colonels. yes, but formally you are its leaders. yes, of course, he is a subordinate, but we always try to work

in tandem and together he is the main one, on duty, of course, well, so that they understand, i am the head of the institution. i have an institution. that is, they still have their own accounting, let's say, then this is all the administration is the orchestra directly to the orchestra. here he is the artistic director of the orchestra in charge. i am for everything. i am also music, then the next song, which we have chosen from the performances of your orchestra, is dedicated to you. let's listen. stand face to face and military music plays on the parade ground military conductors look thoughtful the sea

composed about the fish, forgetting the slavs farewell to anger and the courage of the illuminated war. hello everyone, an officer of the orchestra comes out to always fit, stand face to face and music the military is playing on a raft from our anniversary concert, a recording is further there by all the conductors who were the chiefs of the artistic director before me. we invited us to the stage. vladimirovich himself and yevgeny dovzhik and sergey nikolaevich kostyuchenko were also there

. yes, this was our idea. yes? well , of course in this song, the truth is fiction. will the military always pull up, of course always. well, he's actually in the public eye, because the conductor is always ahead of the line. here, even if a regiment is being built, there is a division of the orchestra in front of the orchestra, in any case the conductor is ahead, and he is the first, that is, he is always visible, of course. uh, everything is like everything in a song , that's why the song still lives in one interview. you said that the notion of a military musician as a fan of only marches with a talented band is erroneous. and here it is just like that , you can play anything from the classics of the roads. well , that's probably the main problem. yes, it's stereotypical. uh, the perception of a military band, what, yes, is there such a thing? well, nevertheless, as it were, the main one, of course, for the orchestra for the military, including for and for us, for what we were originally meant to be. well, of

course, this is, uh, military ritual - these are parades. these are parade reviews, these are evening checks. well, naturally. uh, some of the ceremonial events that take place in any division are, well, concert performances. yes, well, as if already keeping up with the times, of course. these were waltz marches, now many with time and technically orchestras. richer, yes, they have a window and electronic rhythm section instruments, they have more options, so now, in addition to waltz and marches and orchestras play any music any they are capable of professional confirmation of your words. let's watch a video of how he can light your orchestra. well, let's

well, now i understand why alexander mikhailovich anisimov wants to see your orchestra at his new year's philharmonic performances, because it's impossible to tear yourself away. uh. we are regular participants in the festival in moscow, the spasskaya tower, a very famous festival, such a large-scale grandiose one, and this, in my opinion, is the year when we didn’t go because of the pandemic, when it started, but we decided to to congratulate the directorate of the festival on the new year. and there further hmm was like this. i went out and congratulated, as if we sent them to the screens, it was very nice. we are always looking for something like this. you know, it’s not easy to stand on camera and congratulate. but to come up with something like that, that is, it was such a specific congratulatory card for such people in minsk were often performed. i would go to you

all performances actually, we perform often. now i will know and you will be the first to send an invitation, but here i am , this is a greeting card. like this you don't perform often. well, yes, it was specifically for these purposes, about which i said, but the parade ground concert in general is, let's say now, a modern and very bright element of this kind. e hmm military band activities. and now it’s not only the military, now even civil city orchestras, which are a couple and not professional , because they are often so amateur. they're already doing it, too. here's what we do. we, probably, the audience drew attention to how beautiful your costumes are and in the form of running headline in the russian newspaper for the spasskaya tower festival in moscow, belarusian musicians arrived in the form of a sample of the 17th century. well, in fact , this is just a new form, which, well, say, just here is a sample of the 17th century. we have been

looking for a very long time. uh, these are the military formations, let's say, that were on the territory of modern belarus. that's it at that time and therefore it is very often confused. you have it as a hussar, it’s far away, not a hussar because the hussar uniform, like the russians, but on the cord is short, i don’t remember how called. here are these jackets they have, and we have a long one, and here are these winter capes, which are with a fur collar. this is also taken. that's right from there. that is, we did not just come up with it, how did you come up with it, that is, well, this is some kind of collegial decision in the ministry of defense. yes, let's say this is the initial general staff. then it was easier in belokon. he, too, by the way, was in the studio. i watched this program too, he was very fond of the orchestra, and he constantly brought something to the orchestras. and so he said to you some form is needed. here. well, it's not even a uniform. this is a concert banding. well , it is clear that in this form we are unlikely to

come out on february 23, may 9, but purely for such events, yes, and well, let's say so under his strict guidance. this is what happened. well, it seems to me that the starmaster just won this paradon of the format, as he thinks. we , at the concert after the award of diplomas , the orchestra performed in this form on stage. yes? let's now watch the performance of the orchestra of your orchestra and the company of the honorary guards at the spasskaya tower festival last year.

well look listen you can endlessly simply captures. and what is your impression from the performance at the tower festival specifically about this performance, here is our last performance last year. there 's a very interesting, uh, history there. in what sense, uh hmm, after all, it's all built on the theme of the kupalinka, we started the plast concert. e with valynka. well, like the music that was written for hmm duda. there is such a belarusian instrument and there are very few of them in belarus, we they replaced the bagpipe, and it looks like a bagpipe, and we are under the dome, because further if you

look, there is also this leitmotif of aquapalinka. he continues on. i was very simply offended in the twentieth year, when people sang this song on the square, they attracted people and said that this song is known, so we expect that they will come to us. yes, and i and we decided that no. we will not give back the polinka. and all the music was written specifically. uh, under this plan is a concert and under this performance. that is, this is such a synthesis, you know, and guys, the terms guard of honor, they are always young there, guys, and it’s just to go to marches, they always want at least something that’s driving, you know, so that it’s the rhythm of sex, so that the bass guitar and here they are with us very without experience and let’s say. so skillfully, we come up with the whole thing together. that is, i just stand there, and we accompany the company, the company walks around. we play, we

do it, everything is relatives. and you're in synthesis, because the year before last let's put it this way. uh, there they generally went to jazz. but i would like to know, after all, not even from a technical point of view. what was it like to perform in moscow and from the point of view of the situation, what do you think about this twenty- second year was it? well, yes, yes, let's say yes, it was difficult, but nevertheless, nevertheless, everything went very well, always very reverently. if you are talking about this, when you go out to red square there is such and such, of course, it is always very exciting to worry about, uh, was it local ? how did you feel the mood of the audience? well, that is, even the absence of, say, european orchestras is wonderful. and it was a festival where there were european orchestras. yes, recently. here we are not felt like some other reaction no there always. it’s very warm that

the nineteenth year of the orchestra’s life was different , that is, well, you had performances abroad, but now you don’t have all that. how do you deal with it please this year. we flew to uzbekistan to tashkent and performed wonderfully at the peace trumpet festival. such a festival, it is annual, it is within the framework. e, sco, e, the shanghai commonwealth organization orchestra has already flown to china for the peace trumpet this year the peace trumpet is taking place in india, i don’t know if we will fly or not, but there is will invite politim, that is. well, there is a window. we didn't, well, we didn't feel it on ourselves. here is the absence of these foreign europeans of russia in khabarovsk, we were there, the amur region festival. well, the spanish tower has enough touring activity for us. subscribe give us questions and suggest

guests we are in touch. and you can't seem to find it anywhere else. it's easier for us, right? well , why in this if you have already tried the hand yes, stuffed with the fact that there is no time to do this. no, maybe this is still a question, in this particular case, not for me. yes, let's say, but, because we just don't always turn, probably, it turns out on television there or something else, maybe, so i did n’t just shift it, so to speak, to others this wine. well, is this also possible or not needed? advertising. no, we need it, we definitely need it, of course we need it precisely in order to educate our youth in our country. yes, up to the draft age, even the military to educate it through here. uh. let's say through music.

yes, that's love for the motherland for a long time. let's break, after a short pause we'll be back back to this studio, for now subscribe to our telegram channel and ask questions. we are in touch. and on the air say again, don't be silent, and our guest is the head of the exemplary demonstrative orchestra of the armed forces of the republic of belarus igor khlebus igor evgenievich as soon as you are allowed to give commercial concerts. have you ever come across invitations to weddings, corporate parties, other celebrations, well, yes, such proposals arose, but we often refuse them more often than not; we refuse weddings well, because you

you know, we are people in uniform, and yet the status and position, we can hardly afford to play corporate weddings somewhere, we have enough of all kinds of personnel. and uh, let's say, well, some groups that are happy to respond and hold these events. why not? here i imagine the corporate event of the belteleradiocompany, would you be at the decoration? yes, maybe, like this, yes, here, maybe, you can, in such large companies, they considered on your website that among your tasks there is also methodological assistance to the military bands of the armed forces of the republic of belarus on the issues of improving the repertoire , increasing the level of performing skills. how often do colleagues turn to you for help and advice. well, yes, this is precisely due to the fact that my position is not only the head of the orchestra, but also the head of the military orchestra service, and precisely as the head of the

energy construction service. i, uh, provide methodological assistance to the orchestra precisely on issues of special training. and that's it for musical themes. they turn always they turn and i puzzle them. and where do you get it from? do you have this experience of knowledge? someone, of course, of course we have. eh, let's say. well, all conductors, almost all conductors, who, with education, they arrange all the instrumentation, teach them this, and there are people in the orchestra in my orchestra that write these arrangements, they come. by the way, here they come to the training camp. i give them a task in particular. that's literally yesterday. they all came with songs. uh, olivier eliseenkov. we deal with him agreed. he gave us collections. we gave everyone such a task, they came to our orchestra and played their works. it kind of goes on too. let's say training and

experience. i think that they are watching these, like competitions of military bands - this is such a story, after all, behind the scenes, it is the specialists who are most often present at these surrenders precisely in the service repertoire, where there is a parade ground concert. that's where we're trying to go. it's all in different cities. e in different parts of belarus some kind of festival to do with the altai song in general, we have it with a soldier's song. yes, but it is considered, as it were, well, let's say, there are non-professional participants. that's why we are there our participation specifically of my orchestra. only in quality, again, let's say there is a number. well, as some, as a guest. this is what we ask you perfectly. see. you said a lot of all sorts of orchestras and this beauty must be shown by this, they don’t listen. here, you understand? here we already say, in a year

this festival takes place as part of the competition. i i think that this is already a big peace. well, the beginning is good, but the russians see it . pleases, yes. and believe me, a lot of people come and naturally. it is shown simply. missed. well, advertising is not enough for advertising, we should probably think about it. hmm , we should think about it, we need to find specialists among our viewers who can in this regard. yes, and you, igor evgenievich, yourself have some favorite composition performed by the orchestra, which you are the leader of. well, that's right, that's quite a favorite. well, i like them all, because we let it all pass through ourselves, that is, the program speaks. well, well, here, i’m right now right away, so to speak, that i like something in a modest soviet blue

scarf, or listen to the classics. well, if we do a concert, let's say, dedicated to the ninth of may there, and we decided, yes, that we will do this. here is a very chamber, well , concerts, that is, with the same little blue. e handkerchief. uh, naturally, i will put everything into it and i will like it, so, well, from the last i really like our arrangements. uh. this is bulba's bathing suit that we play what we played at the spasskaya tower festival. this is music. i love. i like the songs of our belarusian composers of the same eliseenkov igor mikhailovich lychenko, which we also performed, everything depends on the arrangement, then on the instrumentation. there is some song that you, so to speak, purr under your breath in yourself, when you are in a good mood, that this most often happens

in different ways too. yes? well, it's different here. so something like that easily, maybe military, especially when you are in a hurry somewhere, and you go like this and to help you. you can sing some kind of mars there to yourself, right? or you grab something on the go, somewhere some kind of melon. hmm, a rehearsal melody every day and usually. some kind of melody from time to time. here it is in your ears, like neighbors all day long and you will drink some particular one. that's what i can't call it. well, a lot of favorite music, because just love music just recently. the belarusian team became the champion of kvn and together with it on stage came out. uh, people's artist of belarus anatoly ivanovich yermolenko, and now he performed a pop absolutely hit, which has 552 million views on youtube raspberries there, here you could do something like that. here is a completely youth pop. yes, of course, it was now the time of remixes. i see you also aspire to

the classics somehow. well, it should all fit. we have it all. believe me, she was hooked and even a raspberry, but it just needs to be able to do everything before our eyes, but it’s true that there are musicians in the team who work with you for 30 to yes there is there they served, but they could not quit music. yes, well, of course, that, of course, if a person has served. e is in this orchestra, and we believe that he can still be useful, so to speak, and is able to do so. of course, we will not refuse him. he will stay with us. what are you holding on to? well, there are many orchestras in belarus. we have already talked about this. so. here you understand. i just catch myself on the fact that this is not for the sake of money, yes, well, not for the sake of the diploma itself, that is, people. eh, musicians, they suffer. uh,

if you don't practice, if you don't give concerts, if you don't perform, they suffer, they have to work, they want to work. well, they like to work, so they stay, but the majority stays, and the youth comes. so now i have, in principle, more than half of the composition. he is young. uh-huh despite the fact that vladimir nikolaevich eskevich is our people's artist, we still have him. this is the most we need in such a situation. yes, yes, and well, for 3 years he has been with us for a very long time in a live orchestra, there for more than 30 years it is well, yes, let's say, so we have him unquestioned authority is e 60. uh, there are too young people. that's why it comes i wonder why i don't go to the bolshoi theater, for example, or to the presidential orchestra? why are they to you? well, here, too, you know, from the presidential administration, such things also come to us,

perhaps in the same way as young people. you know, constantly being in some kind of search, they must look for something for themselves, but they don’t come to us, they try with us, then they go to some other place, then they try to return someone stays at well for a long time, but basically it’s people who say that's ending there. universities and by distribution are looking for some, let's say one team orchestras, if it suits us as a professional. of course, we offer it precisely, because, well, we create a lot, we work a lot. uh, we play a lot. that's why they go, because a lot of practice. yes, a lot of yourself to show off touring. yes , yes, yes, but i have children, i have four children, the eldest daughter. she has achieved some success in music, but lately she has been working with children, how to please

the public in the near future already in a new status talking about the spiritual renaissance award well , yes, first of all, of course, we want to very much hope that we will be able to hold our concert on our birthday on the first of april. we have already started working on it. here, according to the ideas, you know especially how it’s not necessary to invent, but they will appear themselves already appeared already my workbook is already slowly filling up with invitations to travel to the performance, therefore, well, the nearest one may be, god forbid, it will turn out, we will go to our business center at the belarusian embassy in moscow, they also love us very much invite us this year, we, too, maybe to eat with them. well, it only remains for us to congratulate you once again on your high award, to thank you for your work, to be happy for you that your

orchestra is replenished with new young people who say they want to work, go to concerts with you and wish. good luck. we tatyana shcherbina and victoria popova say goodbye for today. goodbye. goodbye. and now igor khlebus is speaking. i want to thank you again. e. to your musicians, e to your orchestra, for giving the maximum efforts to ensure that we receive such a high award. thank you very much. well, to all viewers to all listeners, come to our concerts. we will be glad to see you.

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