in books they live at home, the voices of people are distinctly heard in the past. everything that mankind has accomplished has been preserved, as if by magic on the pages of books, by reading, a person survives centuries. shadows brings a generation together.

in childhood, everyone was an inventor and dreamer of these incredible stories about the flight to the moon of mighty warriors and extraterrestrial civilizations. moreover , they invented it so skillfully that they themselves willingly believed in them. and when they believed in these stories, even adults, it was an incredible happiness, the fate of the hero, about whom the speech will be incredibly sadly tragic, and at the same time, comical. he was not like everyone else, he was not understood by society. we are in the studio theater of film actors who opened their forty. the first theatrical season is a premiere production. the same munchausen, what is the author's view of the director of the picture and what is the paradox of the protagonist, we will find out very soon with you. and this is the fashion for culture. the theater-studio of the film actor was created in

1980. the corpse formed from the acting staff of the film studio belarus-film was subsequently replenished with graduates of the state theater and art institute and actors from other theaters during its operation, the theater has become one of the most visited stage venues in the country with its own repertoire and its audience. at the same time , it should be noted that this is the only theater of this kind that has survived in the post-soviet space, on its stage , many works of world and russian classics, as well as modern authors of belarusian and russian drama, received a creative life, and in 2011 the theater team was awarded the title of honored collective of the republic of belarus for the next theatrical season. it began with a premiere performance. the same munchausen directed by tatyana patsai on her account performances, both in the leading theaters of belarus and

in theaters in russia tatyana good afternoon. good afternoon, the famous baron munchausen has written many stories, more than one film has been shot and more than one performance has been staged. why are you so interested in this story? maybe in your life. you met the visionary inventor who inspired this production for you. it seems to me, on the contrary, personal story that is with me. uh, it’s very interconnected, because since childhood i loved to fantasize and i was often accused of some kind of deceit, but in fact it was just such fantasies that i myself believed . this is how crow house believes e in everything that happened to him, and even when i with my actors, well, i talked about this topic whether it was or not. whether he dragged himself by the pigtail in that battle or did not drag it. this is based on my personal experience. i'm sure that when would if i got into this situation

with a horse, i would very much like to get out of there and here. i started to drag myself. and if my horse stepped on a bump at that time and got out. i would be sure that it was i who pulled myself out by the pigtail, so i think that this is most likely because i don’t treat the munchausen defense as a dreamer, but as a person who sincerely believes that with it's happening for real. i consider him a very e, positive spiritual person who brings joy not only to himself, but also to others. play of the same name, by a soviet and russian screenwriter. grigory gorin tell me, as a rule, what the audience sees on the stage is always different from the original work. and what is your author's author's vision here, i saw, of course, something of my own there. naturally. i , well, so rudely pulled out. probably from gorin's play, what was close to me was

what was clear to me. and probably the biggest thing i relied on was this. the fact that uh, it seems to me, mmm, in general, creativity is creativity, it should be, uh, cheerful life, affirming positive to carry, good to carry purity to carry morality. that is, i live like this myself, and therefore, in my work, naturally, i will leave an emphasis on this. therefore, in gorin’s play, i again saw this and staged it for the sake of it, and it seems to me that the actors, too, uh, hmm, imbued with this my e- er attitude, and we all together did very well. it seems to me that the main character of the picture seems to be such a pure joyful somewhere playful thing, and baron munchausen is such a rather contradictory person, maybe at first glance. it seems that he invents for himself some additional date at 30, the second of may, for example, and pulls himself by the hair. and

what is this paradox of the protagonist in your opinion? you see, it's a paradox for me. no. for me, he is a completely holistic nature , absolutely harmonious. eh, what he invents. uh, thirty-two. uh, we somehow even with andrei belenok, an artist. uh, this performance. we conceived his world, that is, the scenery. yes, this is the world in which munchausen lives. this is the world of the researcher. this is the world of a man who is not on the head of fantasies builds his own. yes, thirty -two. he's a man, he's an educated man. curious, inquisitive, doing research that he knows, uh, a lot of science, so for me, uh, he's not m-m. how can i say not eccentric colleagues who rush from one there to another, but quite a very, uh, intellectual space man in each of us lives the same baron munchausen, it happens that over time he disappears somewhere. what do you

think this performance is for adult youth i think for everyone, because everyone in this performance, probably, due to his age, he can find something of his own, because here are my three children who watched this performance completely one by one perceive those who are older in a different way. i think a completely different perception, and everyone should, in my opinion, have only one positive emotion, that one must be able to be happy. their entrepreneurial energy can only be envied. there is a proverb among the people, old age is not age. it's no potion, people retire, who stays

still at work? and who does the gardening? here we built two museums there, one of them is what people did in rural areas, we want to make such a covered area, what men did in rural areas. they found peace and harmony far from the bustle of the city and are immensely happy about it. well, probably this is my second homeland in this, because i am laying here. uh their soul their money trying and looking and kids. my grandchildren are drawn here. i love my village very much. i'm proud of her, this is a village. she gets more and more beautiful every year well about how modern politicians live, see the project of the same name on the tv channel

belarus 24. finally, at least someone i ask what you like in your free time, says, fishing yes, this year i went once. and i also love. here they will have to answer the unexpected and difficult questions of the alup, who discovered america in 1492 . where did he swim? excuse me, two one and it's far away, linden is good. this is, linden, like your answer. what was the name of the heroine heroine the wizard of the emerald city the very girl who along with the dog carried away by a hurricane? i now open your eyes to this work. it seems to me that intellectually entertaining shows in the tower have the name of which winter clothes coincide

with the name of the figure skating element, watch on belarus 24 tv channel. firstly, he committed a grave sin, taking his own life by accidentally cleaning the gun. it can be said the death of a soldier at a military post. well, you can justify any suicide, the one who shot himself clumsily handled a weapon, the drowned bad swimmer, but that’s not it, the main thing the church cannot recognize as true. the so -called exploits of the baron. they are the result of imagination and exorbitant self-conceit. who is this baron munchausen and where did his incredible stories come from

? baron munchausen himself was the author of the first stories about the adventures of the baron . who knows that the nobleman actually existed karl friedrich and the vulnerable von munchausen german fraer family. mr. russian service was born in the family of a colonel 15 years old. the man went to military service, and when he retired, he spent his evenings telling incredible stories and it was then that the tales of the merry baron were heard by the german writer rudolfarih raspe and transferred them to paper. so i saw the light of his work. the adventure of baron munchausen the same munchausen that the play is about is not at all a liar and a playful narrator, but a universe of fantasy and positive thinking his love for life and everything around him spiritual freedom does not fit into the world of ordinary people tragicomic performance filled with jokes and eccentricities

helps to take a look on the world through the eyes of munchausen, his creative energy and attitude towards the joy of life will charge the viewer with positive and perhaps make someone a little happier . deep psychological subtle serves the high art of the theater with all the heart and talents donated by nature. alla grigoryevna good afternoon, good afternoon performance the same munchausen tell us about your heroine and what is her role in revealing image of the protagonist, this is for me a woman who does not know how to love. although, she doesn't

think so. this is a vindictive woman. this is a woman. fixated on herself and it seems to me that she is not something that does not know how to love. it seems to me that she doesn’t like people at all and her goals are mercantile, and before creating this role, it was for me to understand why she became like that, what led her to this, because such a person could not be born, naturally, like all of me came up with a whole story of her life, which is behind the scenes, which is not on stage visible, but it helps me to fulfill my role and makes my heroine alive, and it seems to me even understandable to the viewer. what is this performance about for you personally about love, of course, this is the first word that you can say what it is about and the second about people. which exist

forever in the defenses of the munhausen - it does not matter. this is a woman or a man, about people who know how to create their own life, make it beautiful and raise it to the skies, very soon it will be 30 years old. how do you serve the theater in the film actor's studio? yes why do you like this one so much theater? this is the first theatre, where i entered the professional big stage, the first theatre, where i played one of my favorite roles, the main role. e, zhenya sundukov, and in the play you are my dear, which walked on the stage of this theater, then this theater is dear to me by the people who work here, who surround me, the viewer goes to the theater to get real live emotions. that's

when everything develops the game of actors, the atmosphere in the hall. here. here he gets these emotions. what do you feel after you finish? do you feel the energy of the spectator in the performance, sometimes there is a spectator from whom you don’t get this energy in return, and sometimes there is a spectator when you are kind of tired, but in such a good mood. you're leaving because there's been an exchange. we somehow connected with the audience together, breathing together, munchausen's last performance was very interesting in this regard. i even felt the breath of the hall of reaction, all of the hall. there are a lot of roles for our game in your practice, both in the theater and in the cinema. well, was there a role, uh, that was a challenge for you, maybe not everything was easy at once. all roles are given to me. it's not just that i get the impression that i start each role as if for the first time from scratch, because you

start, like you feel what you want to say, and you start like, well, you don’t know how not to say anything at all , correctly not read correctly? no no no and express what you came up with what you want and only in the process of work. eh, some kind of folding of what you think from the very beginning begins. i also get a job when i see it in its entirety, when i begin to run it in its entirety, when i started the first scene and went through the entire performance. then i see the development of my image and the final to which she comes. today's creative positions of the theater are determined by the desire of the team to keep pace with the times. the theater is at that time of creative maturity when it can set itself the most difficult tasks and successfully solve them. what the story of the brave baron teaches us to be brave resourceful not afraid

to be different and sometimes it can be easier to take so much humor seriously things, and his iconic quote is a serious face. it's not a sign yet. mind, all the stupid things on earth are done with this facial expression. so smile has become the most quoted and retains its popularity. more often today. smile lord, be honest with yourself and do not forget to follow the fashion trends of the cultural life of our country, alina was not at war with you. and remember, you be cultured. it's fashionable see you in a week before new cultural meetings.

sitting in one place the children sculpt something there for me it was so natural that i am here, when i sculpted this horse, i look at one looking at me, the other becomes, and i was blinded by authority. i instantly took off. you name maximalism is something ironic, that is, as if on behalf of maxim, well, after the modernist period, it was quite normal to spend time with the books of georgenikitsian. rembrandt is a tank, these are the usual figures that we are used to everything, in fact

, there are centuries around not only. we are looking at the work. well, the work looks at us about people. i love you immensely they like to rob something and robert what he likes, look at the belarusian project on our tv channel. if a fight is inevitable, you must be the first to speak like it is and always learn to work in real conditions. this is not good. this is not bad. it's just a fact we are a wonderful country. we have a wonderful state, wonderful vertical of power, but there is no ideal propaganda genius, puppeteers in that they offer us a solution to problems that would not exist if these very puppeteers were not next to us, the problem must be solved, and not and hunting from their presence is a simple formula for both

political and personal happiness, the author's view. igor fool on the main events in the country and the world. do not miss the new releases of the propadanda project on belarus 24 tv channel. hello, hello, sport, like life, consists of questions. and the answers to which you will find in our program. my name is gennady anatolyevich on the air and intellectually sports show head game.