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children's books are a whole world in which all the most interesting and unknown is concentrated. remember how, as a child, performing something magical was filmed from shelves another book and enthusiastically set to reading. and the world around you just ceased to exist. today we will visit a truly fabulous place - a writers' book club, where we will get acquainted with one of the belarusian children's authors, elena, and find out what is the magic of a children's book. and why after a while, many adults again return to their favorite works with you. alina is not a war. and this is the fashion for culture. the book is invaluable to the child at all times and despite the fascination with

gadgets, it still expands it. idea of ​​the world acquaintance with natural things with everything that surrounds him at the beginning, the child gets acquainted with the book thanks to his parents, grandparents, and then he himself begins to learn the world of letters of words and thoughts. by reading books, the child develops his thinking. it will be both thought and imagination, it teaches biting, it makes you think and analyze. among the most famous children's authors, they are the first to come to mind. samuil marshak korney chukovsky mark twain sharpens lingrand hans christian anderson great storytellers of all times and peoples, and on april 2, on anderson's birthday, they even began to celebrate international children's book day. the republic of belarus is also rich in authors here. children's literature originates from ancient times from

folklore in a fairy tale. the plot and kolobok turnip hen ryaba and other works are understandable. even to the smallest listener, because, as the russian and soviet writer alexei nikolayevich tolstoy said, a fairy tale is a great spiritual culture of the people, which we collect in a stream and through the helmet a thousand-year history of the people is revealed to us. elena anatolyevna good afternoon good afternoon. tell us who first introduced you to the book and was a guide to the world of fiction . this is my grandmother. i spent my childhood in the countryside, and my grandmother was a school teacher. and, of course, she taught students. and she really wanted her granddaughter to be the same

so smart, so fond of reading books, and i remember very well those evenings when there is a blizzard outside the window, and my grandmother and i are on the stove, and she tells me fairy tales, probably for everyone in life these are the most significant moments when you listen to grandma's tales, when you hear your mother's lullabies with this, you grow them with this, you go to the big world to write children's books. you have to be a child at heart. and how do you go about the process of writing a book, do you immediately know what the book or it will be about? some spontaneous action i take the liberty of claiming that we are all adults we are also children, because in our hearts we still remain the same trembling, the same sensual people. and of course, the world that you learn in childhood surrounds you

before, but the big things that you are going to do, everyday life, which you are very busy with. it seems that they make you an adult and for me this is the feeling of the world, its fullness, its diversity and becomes the subject in order to create works. you have a quote to write books for children. it's to be a bit of a wizard. what is the magic of a children's book? ah, me it seems that magic is our dreams. we think that something incredibly fabulous is happening, but in fact, we just want it to happen in our lives, and after all, there are so many works, but the classics of our children's literature, which and not only children's science fiction, e works, which later became a reality so

fantasy, fantasy is what you want to happen. and what accompanies the success of a children's book, in your opinion. i think that there are a lot of terms here, very important has how the book is framed. that is why we writers greatly appreciate our co-authors , illustrators, who help children's books come to life. and when harmony happens what the writer wrote about, and how the artist illustrated it, is how the reader perceives it. sometimes in my books there is an even greater miracle than i imagine. i’m because the artist presents my heroes so wonderful, so wonderful, and when i see these illustrations, i simply gasp delightfully from what i see, but

do you hold creative meetings with your young readers and their parents, when a book is being prepared for printing by a writer or an artist, and publishers are employees of a printing house, we all make great efforts to ensure that a book comes out, but as soon as a book is born, it begins to live its own life, and uh, of course same for writers of the meeting count. this is a very important thing, because you see the eyes of those to whom you drew your book, you see their feeling of their emotions and it is very pleasant that i am a writer. e turns out to be such an environment that i accumulate these emotions and rarely readers suggest to the writer. and how could the plot be invented differently, and often

such meetings with the reader become a continuation of some stories. today, new information forms are being introduced. the presentation of material, for example, quest books, that is, the book ceases to be just a book, as such, with a fascinating interesting story. here's what you think about it. i not only think, but i also implement these projects, for example, uh, our joint family creative project under the pseudonym evan just. eh, this is my match. these are two books great performance for sonechka and francis skaryna is visiting and in these books after each chapter there are exciting quizzes. riddle contests, that is, readers not only get to know our heroes, but also become an accomplice of those stories

that these heroes live, of course, it is very important now how books sound in audio, for example. uh, here is one of my e creative works included in the school curriculum oak his raven and free of charge by our famous artist oleg vinerovsky. book. it sounds in the recording and therefore this is the consonance of the text and language allows you to understand, uh, how our belarusian book is belarusian, beautiful literature, how to love your national in my childhood, the main topics were the themes of goodness, humanisms, mutual assistance , empathy, and what do modern belarusian children's authors write about? humanitarian values ​​remain unchanged for the writer, the writer, because he creates a work not

only living in one country, but he writes, so is it worth the people of the whole earth. that is why the books of writers are translated into other languages. this means that the value the work of a writer is important for every reader in the 21st century, the book is being replaced by virtual space, in your opinion, how does this printed book still manage to maintain its popularity, it will remain behind the book, this is popularity, because the book is what you can return what you don’t waste your valuables, after years the book is that unique feeling that the world of book characters and the book itself gives in general, so i really want such family libraries to be family values ​​​​that are passed down from generation to

generation. the book is not only amazing stories about the adventures of the bold and brave, it is also colorful drawings that will be our imagination and will be remembered for a lifetime. this is the work of the artist illustrator, a guide to the world of children's literature, thanks to which the lines still incomprehensible to the little reader acquire bright and magical images. ekaterina pershina has been engaged in the art of illustration with her vivid drawings for more than 10 years. she decorated about 15 books. ekaterina is an artist. illustrator of the popular educational publication estore olympic peas for skin the worst mother with her, as well as comics on safety in the section for the youngest of the magazine young rescuer

ekaterina hello. you are an illustrator of children's books, tell us what are the features and distinguishing features of illustrations of children's books from other genres. uh, this question is probably easy to answer and difficult, because firstly, all books are very different, even among children's books there are very different ones, let's say, both in depth and in some message on some idea, but i i think that in in children's books, you can still trace some kind of, uh, hmm, a feeling of kindness, some very familiar sensations from childhood. some very touching and some very deep feelings are usually called children's books. how are your illustrations born? so you get acquainted with the text and what is happening, then each book is its own little world and each book. we can say that it turns

out differently most often. eh, i'm thinking about some styles in my head. how am i how will it be drawn? how it will be implemented there with the help of a computer, or with the help of some live materials, that is, in total i have some kind of idea and reading the text. i am already, uh, convinced that yes, exactly. this is what i will draw with pencils there , this is what i want to draw there like this, but here i want to try this and most often i read the text. eh, this is generally the longest. e, you can say, e stage e of the creation of the book, because i seem to go into this text, as if into some kind of space and feel there somehow, as if i am inside, whom it's harder to draw good characters or evil ones. hmm, it's very difficult for me to draw evil characters, because for some reason i always think that all characters should be cute. i even have some evil characters there. always asking me. eh, somehow strengthen them more. uh, uh, they have such

an evil disposition, and it always somehow hard for me . and when even here i draw some kind of yaga and there, roughly speaking, and it still seems to me that i need to make a pomelie. share how your creative collaboration with elena estelmakh came about. it actually happened, a miracle for me great, because elena anatolyevna called me herself when she offered me to make a book about french with karina, this was our first joint book and since then. elena anatolyevna and i have probably already made about five books, children's books - this is about magic and a miracle happens. you illustrate a miracle, is there a place for a miracle in your life? you said very well and speaks about it periodically yuri borisovicheyn, a wonderful person, the creator of hedgehogs in the fog of many other works. he always says about the need to always remain a child with such curiosity to look at the world and

when i grew up and became a big adult, i realized that i can do it by itself. that is, i’m walking and i notice some things there, i don’t know, there’s a beautiful tree there, there ’s something in the puddle there. that is, i am not such a small researcher who every day goes to the usual places, but sees something, something, something special. every age the book is interesting in its own way. that's what this is her children's book magic, in your opinion, magic books in general. well, for me, i can say, you are such an experience that i always thought that the book is such something. here it is for some reason so small flat but nevertheless you open it, and there right there is a whole world in it and every different world. that is, i was very struck by it and it seems to me that you are opening. and you don't know what's going to be there, it's also a kind of exploration journey. today, belarusian children's literature continues

to develop fruitfully, replenishing not only with new works and the names of young talented authors, but also with innovative ways of presenting material, albert einstein was once asked how we can make our children smarter. his answer was surprisingly simple, but he said so wisely, if you want your children to be smart, read them fairy tales. and if you want them to be more, read them more fairy tales to me people fortunately continue to follow this valuable advice. it’s not easy, rereading well-known works about kolobok ivan tsarevich or the princess and the pea. come on and creating our own new ones someday we will become old enough to start reading fairy tales again. do not rush to grow up, read russian literature and follow fashion trends in cultural life. our country with you was alina him war and remember to be

cultured. it's trendy see you in a week before new cultural encounters. everything you wanted to know about everyday life and to be an illumined minister. you need to consciously make his decision and understand that you will need to follow certain rules. it happened in our family because we have such a temple 31 years faith of truth to serve god

about the healing of soul and body by the word of god makes every family of people who live in a state of joy. you are human, this is not a job. and the ministry, that is, children listen to the end of their days, there is no such thing, so she retired, but secret icon paintings. i love doing everything myself. i try to make my own board. if there is an opportunity for me to ground it myself, i need gold, then, if we don’t do all this, then it takes me about two weeks to make an icon somewhere and show it in spiritual and educational projects on belarus 24 tv channel.

in this edition of the day, the men's pursuit race in raubiches in the women's village dinara olimbekova won a bronze medal