it is the formula of peaceful communication that time, in fact, becomes a more important resource than money, today it became clear what is really happening and what it threatens. we must develop our own strategy, that we must do lessons and once again learn lessons from what we see around the world is changing very quickly, we learn the opinion of experts in the editors' club program. we need to make sure that we provide for ourselves with everything, whether it’s bad, good or little, how much, but we must be the most sufficient. don’t miss new releases on tv channel belarus 24.

when you are at work, do you think wherever you go ? how about what to do next? when especially, if there is a lot of time, that is, from morning to evening, some kind of intense work, if you devote a little time, then maybe some other things distract you, but the first is simple, setting up. you can think about anything. yes, but the setting is a prayer. already prayed somewhere, the temple came to the icons and venerated. and in general, as it is written, it is customary to pray to famous icon painters before work a savior not to a man-made image. here is some. maybe if i write. the icon of the saint also means a prayer for the saint. this is a very short prayer

rule before starting work. well, that's all, there is a very good tuning, tuning. you have already tuned in to work on the letter and start in the register of the profession, in principle, there is no icon painter, there is an artist. there is a craftsman. yes , the state. yes, but i signed up anyway , iconography, but i say, write through the dash the artist and the canopy. i have a brother. uh, cousin said he works in a bank in banking system. oh, he tells me he confessed that i could not imagine that my sister could work in the temple. well, for him it was something beyond the norm, something very unusual. and now everyone already considers it natural and normal, as if such a profession is, uh, as if on a par with all other professions. how many, for example, even in belarus there are icon painters, it is

possible to get caught counting this number. this is a very small number per number of inhabitants. and minsk is clear that there is more like a capital. and if you take, uh, other cities, in general, here is christianity, this is a way of life , they told me that there are such unspoken rules that an icon painter has no right to write anything else. that is, he has no right to paint portraits, but professionally engage in painting there. ah, but i probably agree with this, well, on vacation, when i'm relaxing and somewhere in the inlet i can take. uh, oil paints to pee nature is something to pee for yourself . well, i don't go deep into it. we do n't have a set time because i came to this time to work finished in it, it's like i have freedom in it.

choice of course, daylight. i'm better. than artificially artificial, if i work with flowers, artificial color. it distorts a little. you can look at the work in the morning and realize that you made a little mistake on the shade of some kind, it will be imperceptible to others, but i see that this is not the shade that i needed and i can finish at nine in the evening and at 6:00 p.m. and when i'm inspired, well, there is already a need to look at such a certain time it happens that, and there is one when the coating is on. e icons are coated, there are many hours of coating, drying oil, and then. sometimes at night you have to stay to look at how it is, and how it absorbs a stalife. that is, we do not have varnishes, we have exactly natural drying oil, how about how to use the ancient icon painters is it heavy in heaviness? what do you want in the workshop

alone? well, even if you're in the company, but it's sitting, painstaking work. you must sit still. and you must do it carefully, that is, not all character is enough for such activities, various everyday affairs. they absorb a person and need a little bit of themselves periodically. all the same, to pull out a little to rise in material life. in any person. it is necessary to look differently at the life of the other side from a different angle. two icons each of the intercession of the most holy trinity is the

icon from which the iconostasis began. we came here in 2005. for the first time in minsk, i was still studying. uh, learned to build sergeyeva. laurel is not finished yet. and so, i was offered, and i agreed to paint the icon of the intercession. time passed. and i thought that probably, other people will work on this iconostasis then vladyka philaret headed the belarusian church, and he said who started it. let's continue the first row thoughtful. so it will be on one side of the iconostasis. it will be st. sergei 's life from the other side, when stas is st. seraphim's life. we worked for quite a long time, since ali together, it took us somewhere 10 years quietly with interruptions. maybe some traditionally,

like the russians, the iconostasis has developed, so we and began writing from the first row. the first row is usually a free row. this is hmm, well, as the rector deigns, there will be such plots, but there should always be a savior of the mother of god, and an icon in honor of the savior always goes to the right. eh, who? eh? named? this is the church of the intercession, and therefore the protection of the mother of god, e, is present in this nastase. this wing was alexandra's. and this wing. this is the part of may, that is, this is seraphim of sarov, this is the royal family - this is the angel leading john the baptist into the desert for the second row, he is huge and there the iconic one is two meters, about 20 cm. that is, not every temple has such huge icons, they really can’t be written big, so you

need to put special ladders there, just like my partner. she is short. she said, it’s not my icons that are so big, i ’m not very handy to write, and she left it to me all this row that you see, except for one icon, they wrote it on sergey lavri’s panties for us. ah, all the rest of the icons are, uh, my work. but the third row is the holidays. here are the holidays. this is already on alexander wrote. when i look at the icons, i no longer have the feeling that you are written by me. i can watch, as spectators and as a person just praying on the icon. it’s interesting not even not people who are not professionals, but simply, but parishioners who say that the stasah sets them up for a state of prayer, that they were in different churches and saw different icons, and uh, we

are told that they like these images. they are the ones that cause some kind of peace and tranquility and a feeling of such a presence of god of some kind. well traditional they are traditional, here are their icons, uh, and andrei rublev can be found? uh, here are other russian economists, that is, we relied on traditions and people from this whole work. himself comes to some more integral state more hmm collected here, perhaps, such criteria. get ready for belarus 24 starts a new season of an exciting show. i know on the air,

season 6 of the intellectual show. i know i can't wait to start the first round. in the first game of the 6th season, the smartest gifted schoolchildren from belarus will meet on the intellectual field, and to reproach is to reproach for something, but to discuss. well, it's like talking to another person about someone or something. er, that's why i answered. no, i don’t know the answer to this same question, but i know that a hummingbird is a bird that feeds on plant nectar, they are ready to surprise and captivate the audience with their knowledge. this is a french dish. well with france well not worded, chicken. i do n't know for sure, but i do, and that's why a lot of lakes don't miss it will be interesting. rules of order and priorities make friends against a common enemy, how important it is to make a decision based

on knowledge of not the case of distortion. lies and manipulation are those effective methods of influencing people that have been tested for centuries. how to find a reasonable way to balance the conflicting interests of the enemy, it is still better to know in person. although the world is preparing for war, or is this another author's view of ksenia lebedeva on the policy of double standards in the project. watch this different on belarus 24 tv channel. and we are not berries at all again, but also nothing. here is the heavenly beauty of the red rabbit, right? what a beauty. a here is the symbol of the year, yes, we go in pairs.

grandmother was a believer with us, she constantly came to the city. she lived in a village in the villages there was not a single temple and she sometimes came to the city. especially if these are big holidays and i always went to the temple, but we didn’t go, we didn’t go, maybe from childhood. i knew the prayer of our father there. but i didn’t know anything else, and my grandfather died and i had to order a funeral service there, and

somehow we quietly began to walk. but some holidays, uh, i was interested, in fact, and then back in magazines began to print. proverbs of solomon and something from the old testament, and i read it, and it somehow fell on my soul very much. here is some wisdom. eh, some depth of this text. i really liked it, and therefore this is the church. she attracted me with some more beauty, and divine services with aesthetics, probably, and as an artist, this is important. this is the space of the m-th temple, uh, and the paintings and removed the decorations of the icon. it's all very, probably, so it fell on my soul. and when i entered the first course. i decided that everything is me

i will definitely read everything. what kind of orthodox faith is this? and what is its essence, and to study, as it were, the basics, and i went to sunday school with the children, when i came to sign up , they told me who you are signing up . and i say, i myself want to learn. and, well, as if people were surprised that, well, i'm an adult, but i say, i don't know anything, so i need to learn something, uh, something to read that you recommended, and i became with to walk with children when i studied at the university, then, it seems, they even offered me to stay in the workshop write draw the thesis i had such a screen for baptism. she was painting on fabric. and that is, the frame was stretched, they cut me in the workshop, just there very talented things the carver was in vitebsk

, he did not cut the frame, and i painted two sidewalls for me. these were some kind of ornaments, and the center was a baptism. well, it's how it was meant to be. uh, like a screen that covers a little. here is the font, protecting it like this . it was the ninety-sixth year. many of us in the group have already gone to the temple, and we had several works specifically intended for the temple. and even the guys painted an icon. that is, this time. it was something out of the ordinary. we had a priest present at the defense of diplomas. i really wanted to study at the academy after university, maybe to finish art either in st. petersburg or in minsk . that is, to somehow continue my studies as a painter, one priest says why a painter is better than an icon painter - this is somehow now developing very much and will be in demand

rubbing sergius lavra. the best schools. now i have started collecting documents. i found out what documents are needed. i have already started doing some icon-painting works. i entered for the fourth time, but i entered why, because i left sh-teaching. that is after university. i also taught for 4 years. i left teaching and went to sergiev posad to a workshop. so, when i was in the workshop, i worked, i also went to additional courses at the tikhonov institute. i already understood what kind of work is needed for admission. i started to actively develop them, and in belarus it would be for me. i realized that it would be very difficult for me when you already understand that you have entered. this is an unusual joy, that education, which was the previous artistic, but it helped me a lot, that is , working with paints. and these relationships are

color and pattern. it all came in handy, then it was not at all difficult for me, for example, the course is taken from the guys. the girls have their own teacher. eh, teacher. all of course, with er, some small ones. e work began, it all gradually, not that we are icons there right away we began to write, we will do everything for him to paint, as we take an egg, it is necessary to separate the yolk from the protein. i separate everything like that, then white wine is added, by the way, an italian tradition, and in russia they used kvass, sour kvass, somewhere. i add one by one and i even add a few drops of lavender. some people love it, others don't . but i like it as an antiseptic. that

is, this emulsion does not deteriorate. now we will rub some paint lapis lazuli is afghan there is baikal if oil paint is a pigment with oil. ah, for example, watercolors are pigment arabica, that is, soluble glue, then at egg pace, these are emulsions with pigment. the lapped chime is also lapped. in order for them to have such a hitch, you can rub it not on glass, but on a stone. well, marble can be rubbed, so i take a spatula. i usually collect with a palette knife,

but i saw how you can immediately collect a large amount of paint with a spatula very quickly , quite a lot of layers need to be put. it's in one like a layer there, like gouache. for example, it seems to look like gouache, but still it is a slightly different paint and very transparent layers are obtained, well, due to this, and then the paint is gaining volume. it seems to have a little from the board of such an invoice. here pskov icon painting is characterized by the fact that there are a lot of emulsions and it seems that the paints on the glass are such a huge amount of paints. when you write, uh, you put your energy into the prayer of an icon, and it fills up with this, and very often i have people. they say that this is how the image attracts, that is,

reproductions of such things, it will not. so emotionally to have such a response. this is a living feeling of an icon of living colors. the more interesting they are. when you put them on the board, in volumes, the texture works, there some artistic laws begin to work. you sit quietly there, drawing, uh, writing, and the atmosphere is created anyway solitude. it is somewhere very close to the monastery. it is necessary to think silently, uh, and not everyone can withstand even then you begin to live with this icon. you go to bed. you think about this icon, you get up already thinking about this kitchen? we are not painting a portrait. and we create a certain image. hmm, thinking about the first image, therefore. the icon painters of life greatly influence

the image that we will create. the temple was built in the early nineties and everyone says that it is a wooden temple. no, it’s blocky, the simplest, it was temporary, and we thought that we would have the intercession church and this one, probably, would have to be cleaned, but it ’s so good to be in it, to pray, such intimate very services, that, in principle, the hand didn’t rise take it apart instead, it was repaired. oh, and our iconostasis was plywood. and when i say that we are changing the iconostasis, he says, how is it being changed to on stas, even the iconostasis was already there. so accustomed already to plywood reproductions. there were people, uh, who bought icons for the temple. it's just that, as a gift, there were

two athonite icons. this is the mother of god of the savior and we decided that, probably, we will put it here. you are a horse. here, and the rest must already be added on the background in greece, they wanted to completely order constance, and i wrote the savior in advance, also in this style and the commission came to sleep. there, well, there were also secular people. we just didn’t decide to order someone else, or i’ll still write. well, i figured i could probably do it. this, i think, is such an honor and a task. here i had a task, as it is written and the artist is , well, not to break out of the limits of this style. that is, these greek icons were painted by greek monks, and it was necessary to keep this style lika, e.g. that's why he had to look at these photos more and, uh, look at

his file cabinet a little bit make sketches to compare. uh, something came up all the human factor. he still says. yes, even in this, although they say that here it is necessary to distract from oneself and generally write. according to the canons, there is no such thing in econopis. the removal of the canon is the concept of tradition, traditionally so it is customary to write. so we noticed that even icon painters, when they paint their saints. they are similar to them portrait data is read for some reason. i once wrote baptism, there are angels standing lord, john the baptist, just here is the feast of epiphany, all the angels, they say that all tanya all look like me, even if you don’t specifically strive for this, because he understands you are your own hands. you see many faces there, you see, and since this is not a

copied work. and you, as it were , write from your inner state, therefore, yes , you repeat yourself somewhere and the growth is the same height, those who are small, they will write a reduced figure, i always write high. no , i like tall. well, because it says check and juices, and the program of the iconostasis itself. this is our pastor. there are even rules icon painter, and such that even the rector deigns, that is, the first row of the iconostasis has always been taken, here. what the rector wants, or some parish of the temple or some saints revered, uh, over time, such a system has been developed that there are royal gates. on which of them can the annunciation be depicted as an entrance to salvation? this is the first holiday coming, uh, there might be. uh, the way the liturgy is served and hmm. there can be

saints, here or evangelists. here, but it 's like another impossible. here there are several options. it is chosen there and usually on the one hand on the left hand of the mother of god by right and the savior is already constant, as we have a temple, e built and here there was an appearance on the springs he and the mother of god therefore took such two thematic compositions one appearance of the mother of god e, which, as if with a rod, points to the source, breaks through the source. against the background, uh, the second composition is the appearance of the archangel michael, here is a miracle, where the source also leaked, and well, these are such large compositions, and i’ll come on, then i’ll depict them, and the top of the second row is with us, uh before the jesus row is called the entrance of the kingdom of heaven. so let's say standing by the

savior, when you write an image anyway, but such a prayerful one. uh, it should be tuned to the image, because hmm and the expression and hmm the image itself. it will be so, it turns out some kind of mood region inside. no, how calm you are there, balanced or you have a lot of problems. you are distracted by thoughts. here i am when work is not not, i can not listen to anything, not look. listen, yes. here, i need complete silence then complete concentration goes. at work on the image that's yes, of course, as far as the most iconographer is his inner world. anyway, he goes to work, because it is impossible for an icon painter. that's how to be an unbelieving person. e to live in a secular life does not adhere to church traditions at all. well, it won't work, so it won't be a taikona, which is needed for prayer. it is an icon

designed primarily for communication with god, as if you were looking at it, your sense of reality changes. that is, it helps, as it were, prayerful fellowship. here such a hmm function, here i was talking all the time about our florence, such was such a theologian, he always compared the cone with the window the window gives light to the icon, as if also a window to another world. here is another sense of reality. we call the place kruptsy the holy intercession church when i worked here. i realized that this is the place where i want to stay and work. that is, i say, i am in my place, absolutely in my place, this is some kind of god's mercy and such a craft. no matter how difficult

the feeling that you are in your place, but here does not leave. we have a pastor. he treats us like professionals and consults with us based on the conscience of each person and on professionalism. so here's my boss. it's just extraordinary. and it's not just a house. this is family. this is thanks, of course, to the rector, who makes it possible to form such a family atmosphere. eh, homemade. here is a fellowship of helping each other. i really love these grains. this is the church of the intercession, our complex. the same holidays are also epiphany, these extraordinary services. eh, this is it the impact of the icon and the hymn and the divine service itself. this is all beauty. it certainly inspires a person. here it

gives some such here, then i from energy for life. that's why yes, this place is extraordinary. the tradition of cooking dishes from grated potatoes it is important for every inhabitant of belarus, and it just so happened that since the end of the 19th century. this dish certainly came into use of every inhabitant in the course of studying the

inventory of the expedition. our cultural institutions, our colleagues in the regions, recorded 235, and unique recipes. and, of course, the basis of the famous recipe. eh, dishes, that is, this potato is a well-known action. yes, it's fried potatoes. this egg is, well, some kind of minimal actions, but at the same time, each region turned out to have some local features of these recipes, and this is primarily connected. some special fillings that are offered to danicas are fillings, they can be not only meat, not only vegetable, let's say, although it is very common. uh, such exotic toppings, for example, in the form of uh zucchini in the form of beans,

even in the form of cottage cheese, but cottage cheese is unsweetened. and here it is for potato pancakes. and, of course, the peculiarity is that this dish is invariably provided with some kind of, uh, let's say. so addition in the form. uh, sour cream sauces are some kind of additives, therefore, in every area. yes, there are many local features, first of all, this is also connected with local names, because in every place, in my opinion, potato pancakes are called green bonds. there, more precisely e potato pancakes like topliniki, well, there are many variations of them. there 100 twenty, in my opinion, we counted this is also a local feature of our culinary tradition, the recipe that we paid attention to when preparing, it is primarily associated with historical roots, when hmm, let's say uh, it was necessary to feed a christian family and cook there are a lot of potato pancakes,

if they were left they were left in a clay pot, and then heated in this pot , and such a technology turned out when potato pancakes are ready to stew in this pot and again served on the table. this is the most classic such a historical let's say traditional recipes for potato pancakes for e belarusians, and today, of course, the mastery of the host, which is taken as a basis, and the traditional recipe and each of the hosts. she, of course, brings some of her kulin. erny, zest, some secrets belarusian winter

all its little things and all the details. some are so beautiful they are breathtaking. some are awkward but together they are one. together, not harmony looking at them you feel aesthetic pleasure. do you feel that belarus is closer? dreamers of these incredible stories about flight

to the moon of mighty warriors and extraterrestrial civilizations. moreover, they invented it so skillfully that they themselves willingly believed in them, and when they believed in these stories, even adults, it was an incredible happiness, the fate of the hero, about which the speech will be, incredibly, sadly tragic, and at the same time, comical. he was not like everyone else, he was not understood by society. we are in the theater of the film actor's studio, which has opened its forty. the first theatrical season is a premiere production. the same munhauser. what is the author's view of the director of the picture and what is the paradox of the protagonist, we will find out very soon alina is with you and this is a fashion for culture. the theater-studio of the film actor was created in 1980. the corpse formed from the acting

staff of the film studio belarus-film was subsequently replenished with graduates of the belarusian state theater art institute and actors from other theaters. during its operation, the theater became one of the most visited stage venues in the country with its own repertoire and its audience. at the same time , it should be noted that this is the only theater of this kind that has survived in the post-soviet space , such as creative theater on its stage. many works of world and domestic classics, as well as modern authors of belarusian and russian drama, received life, and in 2011 the theater team was awarded the title of honored team of the republic of belarus for the next theatrical season. it began with a premiere performance. the same munchausen directed by tatyana patsai on her account performances as leading theaters. larusi, as well as performances in russian theaters tatya