formed from the acting staff of the film studio belarusfilm, it was later replenished with graduates of the belarusian state theater and art institute and actors from other theaters during its operation, the theater became one of the most visited stage venues in the country with its own repertoire and its audience. at the same time, it should be noted that this is the only theater of this type that has survived in the post-soviet space, many works of world and russian classics, as well as modern authors, have received creative life on its stage. belarusian and russian drama, and in 2011 the theater team was awarded the title of honored team of the republic of belarus for the next theatrical season. it began with a premiere performance. the same munchausen directed by tatyana patsai on her account performances, both in the leading theaters of belarus and in theaters in russia tatyana good

afternoon. good afternoon, the famous baron munchausen has written many stories, more than one film has been shot and more than one performance has been staged. why are you so interested in this story? maybe in your life. you met a dreamer the inventor who inspired you to this production. it seems to me, on the contrary, a very personal story that is with me. uh, it’s very interconnected, because since childhood i loved to fantasize and i was often accused of some kind of deceit, but in fact it was just such fantasies that i myself believed . in the same way, the munhouse crow already believes e in everything that happened to him, and even when i talked with my actors, well, i talked about this topic. e was or not was not. whether he dragged himself by the pigtail in that battle or did not drag it. this here, based on my personal experience. i'm sure that when i got into this situation, i would scan, and i would very much like to get out of there. i would be tired of dragging myself. and

if my horse stepped on a bump at that time and got out. i would be sure that i myself pulled out the pigtail, so i think that this is most likely because i don’t treat the munchausen defense as a dreamer, but as a person who sincerely believes that with it's happening for real. i consider him a very uh, positive soulful person who brings joy not only to himself, but also to others , the performance is based on the play of the same name, by the soviet and russian writer and screenwriter. grigory gorin tell me, as a rule , what the viewer sees on stage is always different from the original work. and what is your author's author's vision here, i saw, of course, something of my own there. naturally. i, uh, well, so rude to say pulled out. probably from gorin's play, what was close to me was what was clear to me. and probably the biggest thing i relied on this. the fact that uh, it seems to me, mmm, in general,

creativity is creativity, it should be, uh, cheerful, life-affirming, positively bring goodness, carry frequency, carry morality. that is, i live like this myself, and therefore, in my work, naturally, i will leave an emphasis on this. therefore, in gorin’s play, i again saw this and staged it for the sake of it, and it seems to me that the actors, too, uh, hmm, imbued with this my e- er attitude, and we all together did very well. it seems to me such a pure joyful somewhere playful thing is the main character of the picture, and baron munchausen is such quite a contradictory person, maybe at first glance. it would seem that he invents for himself some additional date of 30, the second of may, for example, and pulls himself by the hair. and what is this duct from the main character in your opinion? you see, it's a paradox for me. no. for me, he

is a completely holistic nature, absolutely harmonious. eh, what he invents. e, the thirty-second number e, we are somehow here even with time as an artist. e of this performance. we conceived his world, that is, the scenery. yes, this is the world in which he lives munchausen this is the world of the explorer. this is the world of a man who builds his yes thirty-second number not on bare fantasies. he 's a man, he's an educated man. curious , inquisitive, doing research that he knows, uh, a lot of science, so for me, uh, he's not m-m. how can i put it, not eccentric colleagues who rush from one there to another, but a completely very, uh, intellectually built person. the same baron munchausen lives in each of us, it happens that over time he disappears somewhere. how are you i think this performance is for adult youth, i think for everyone, because

everyone in this performance, probably, due to their age, can find something of their own, because here are my three children, who watched this performance, completely one by one perceive those who older differently older. i think a completely different perception , and everyone should, in my opinion, have only one positive emotion, that one must be able to be happy. they were brought to belarus by work, study and love. my name is alexei verkhoven. i am opera siphon conductor. and i came from russia. i want to do an internship as in belarus , and after that i will start working as a doctor.

each hero has his own unique story and his own view of belarus, but in fact, the theater is the bolshoi theater of belarus. we see from russia exactly the same way as you see marinka in russia; for us, it’s, well, the bolshoi bolshoi theater with a history with a reputation, belarusian people for a very long time even the belarusian anthem begins. we are peaceful people in belarus. very nervous people. very loyal people calm people. yes, desirable, uh, industrious. see in the program a look at belarus on our tv channel. if a fight is inevitable, you must be the first to speak like it is and always learn to work in real conditions. this is not good, this is good. it 's just a fact we are a wonderful country. we have a wonderful state, wonderful vertical of power, but there is no ideal propaganda genius, puppeteers in

that they offer us a solution to problems that would not exist if these same puppeteers were not next to us, the problem must be solved, and not gasp and groan from their presence, a simple formula for both political and personal happiness, the author's view. igor dura to the main event in the country and the world. do not miss the new releases of the propaganda project on belarus 24 tv channel in this project we look at science subjects from a different angle, at your flight 300 radio. this bridge is such a science of truth ten in the middle, it is natural that restoration is a synthesis such here and one collector returned, a small one. i painting in the process of restoration left kuta managed to reveal. uh, the author's autograph turned out to be

italian mastok on foot half of the nineteenth century, and also we get answers to questions that are important to us. how acute it is here in a nutshell alka and dementia and do the elderly themselves and their relatives understand that this disease is a very important recurrence factor i always say if the patient has decided to grow old. this is inevitable, we must not think about old age, but think about tomorrow. that's when you will not be a science mania, watch on belarus 24 tv channel. firstly, he committed a grave sin, taking his own life by accidentally cleaning the gun. this

you can say the death of a soldier at a military post. well, you can justify any suicide who shot himself ineptly handled weapons. here, a drunken bad swimmer, but not this, the main thing the church cannot recognize as true. the so-called exploits of the baron. they are the result of imagination and exorbitant self-conceit. who is this baron munchausen and where did his incredible stories come from ? baron munchausen himself was the author of the first stories about the adventures of the baron . who knows that the nobleman actually existed karl friedrich and vulnerable von munchausen was a german freier family, mr. russian service was born in the family of a colonel, 15 years old, a young man, went to military service. and you spent your retirement evenings telling incredible stories and fables, it was then that the tales of the cheerful baron were heard by the german writer rudolfarih

raspe and transferred them to paper. so i saw the light of his work. the adventure of baron munchausen the same munchausen, which is discussed in the play, is not at all a liar and a playful narrator, but the universe of fantasy and positive thinking his love for life and everything around him spiritual freedom does not fit into the world of ordinary people a tragicomic performance filled with jokes and eccentricities helps to look at the world through the eyes of munchausen his creative energy and focus on the joy of life will charge the viewer with positive and perhaps make someone a little happier the performance is involved magnificent cast honored artists bssr and the republic of belarus as well as theater and film actors, one of these is alla prolech, honored artist of the republic of belarus is amazing,

deep psychologically subtle serves the high art of the theater with all the heart and talents given by nature. alla grigorievna good afternoon, good afternoon performance the same munchausen tell us about your heroine and what is her role in revealing the image of the main character, for me this is a woman who does not know how to love. although, she doesn't think so. this is a vengeful woman. this is a woman. fixated on herself and it seems to me that she is not something that does not know how to love. it seems to me that she does not like people at all and her goals are mercantile, and for me it was before to create this role to understand why she became like that, what led her to this, because a

person could not be born like that, of course, like all of us, i came up with a whole story of her life, which is behind the scenes, which is not visible to the population, but it helps me to fulfill my role and makes my heroine alive, and it seems to me even understandable to the viewer. what is this performance about for you personally about love, of course, this is the first word that you can say what it is about and the second about people. which exist forever in the defenses of the munhausen - it does not matter. this a woman or a man is about people who are able to create their own life, make it beautiful and raise it to heaven, very soon it will be 30 years old. how do you serve the theater in the film actor's studio? yes why do you like this theater so much? this is the first theatre, where i entered the

professional big stage, the first theatre, where i played one of my favorite roles, the main role. e, zhenya sundukova. uh, in the play, my dear you, who walked on the stage of this theater, then this theater is dear to me, it was destroyed by the people who work here, that surround me the viewer goes to the theater to get real live emotions. that's when everything develops the game of actors, the atmosphere in the hall. here he gets these emotions. what do you feel after you finish? do you feel the energy of the spectator in the performance, sometimes there is a spectator from whom you don’t get this energy in return, and sometimes there is a spectator when you are kind of tired, but in such a good mood. you're leaving because there's been an exchange. together we somehow connected with the audience, we breathed

the last performance together. munchausen he was very interesting in this respect. i even felt the breath of the hall of reaction, all of the hall. there are a lot of roles for our game in your practice, both in the theater and in the cinema. well, was there a role, uh, that was a challenge for you, maybe not everything was easy right away. all videos are given to me. it's not just that i get the impression that i start each role as if for the first time from scratch, because you start, like you feel what you want to say, and you start like, well, you don’t know how not to say anything at all , right not read correctly? no no no and express what you came up with what you want and only in the process of work. eh, some kind of folding of what you think from the very beginning begins. and i also get a job when i see it in its entirety, when i start to run through it in its entirety, when i started the first scene and

went through the entire performance. then i see the development of my image and the finale to which she comes to today's creative positions of the theater are determined by the desire of the team to keep up with the times the theater is in that the time of creative maturity, when he can set himself the most difficult tasks and successfully solve them. what does the story of the brave baron teach us to be brave, resourceful, not afraid to be different, and sometimes it can be easier to treat serious things with a table and humor, and his cult quote is a serious face. this is not yet a sign of intelligence, all the stupid things on earth are done with this facial expression, so smile has become the most quoted and retains its popularity. today more often, smile lord, be honest with yourself yourself and do not forget to follow the fashion trends of the cultural life of our country

alina was not at war with you and remember to be cultural - it's fashionable see you in a week before new cultural meetings.

good

evening dear friends. we are on the air for the next 20 minutes, we will rest our souls and visit one of the most beautiful places on the map, we will not forget about the intriguing film, significant dates and current news. and, of course, we will recommend the most interesting projects of the channel. belarus 24. my name is yulia burlo. i promise it will be, as always, interesting. on january 17th, children's invention day is celebrated all over the world. it is symbolic that the date chosen is the birthday of one of the prominent american statesman, diplomat, scientist, inventor, journalist, benjamin franklin . you can hug even a stranger. but what amazing dates the outgoing week is marked with, we will find out right now in the date of the week heading. january 16, 1947 in grodno was born

bright composer, cavalier of the order of francis, skaryna, people's artist of belarus leonid zakhlevna began his career with a music school. where his father forced his son to go every day after school, the boy had to play the button accordion at home for another hour, later the music became the fate of the composer, leonid, while still a student at the conservatory, began writing songs that were performed by famous belarusian singers viktor vuyachich yaroslav evdokimov eventually appeared chamber choral music songs leonid konstantinovich is often called lakes of dobrynya are the land of mine, and all the flowers of july have become the fa the anthem of the festival of arts

slavyansky bazaar in vitebsk soloists of the belarusian opera and variety sing for bread, and on the song who i am grandfather bearded more than one generation of children has grown up leonid zakhlevny, artistic director of the honored team of the republic of belarus ensemble folk music conversation of the collective, thanks to which the belarusian musical heritage is known from korea to china through all of europe and to venezuela leonid za khlebny was the youngest of the titled authors the only composer in belarus who received all possible awards and titles at the age of 50 years old on january 18, 1882, in the town of belsk, grodno province, an architect , doctor of architecture, honored professor, was born.