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me in a restaurant among his friends were pavel arsenov mikhail roshchin gennady shpalikov marina goldovskaya alik boy. well, you must admit that the forest is half a century listed in such a company he was born in a family of moscow intellectuals. father is armenian,

georgy nikitichkov, long-term editor-in -chief of tolstoy theoretical journal of soviet music. mother revika is a translator from german to english. her father and grandfather nikita and our halter writer and nikita as a joke. i have two cunning bloods - armenian and jewish time are deceiving. this is not the truth of a more soulful, honest, sincere , sympathetic, truthful person. it is difficult to imagine plus religiosity. what else? men's eastern type beauty slimness smartness charm that's how he was nikita

georgichkov, my dear friend in the position of director belarus film in 1961, joseph dorsky, before his death in 1964, managed to make some fateful infusion into belarus film. these were shots, directors invited from moscow. artists and actors among them were cameramen anatoly zabolotsky alexander nezhinsky mikhail ardovevsky yuri marukhin and andrey kirillov and nikita khubov. this is what these two were supposed to do. in minsk, shoot a picture that should have become their graduation work such a picture was the third rocket scenario of a

front-line soldier. vasily bykov falls into the hands of a front-line director, richard viktor. and here is the entire pictorial fabric. the entire video sequence of the film was to be filmed by a young cameraman who had not been fired at all, who did not know the war.

peter's fire prevents everything was filmed with such truthfulness that the pillar of italian neo-realism, the film director. joseph odessantis said i would give this film all the awards of all the festivals in the world. but the marshal of the soviet union, the main ideologist, of the soviet army ferociously, i would go to the cinemas where they show the third rocket i would send tanks, but it cost a diploma. the guys defended perfectly. andrei kirillov left for moscow, he had a job there, because his father was in charge of the camera department of the geek, and nikita was stuck in minsk for the next six years. this was

the most fruitful period of his work. here he showed himself to have discovered in himself the gift of not only a cameraman, but also a director, while still a documentary filmmaker and writers, and in those years there was a very favorable cube setting. as an operator in collaboration with other operators, as a script filmed film after film, which was noted at film festivals at all-union international ones, it was a picture of observation of the brest highway, uh, intercity bus drivers. it was the observation of the miners. soligorsk weekdays of salty zaboev and it was a picture even you know not of a film, some kind of advice, some kind of

documentary poetry, but a picture on old hayfields, which nikita shot together with another, talented cameraman. from the same santa is only in zabolotsky. here i am asshole behind me. i have a habit of introducing some of my talented friends to others so that they create something together, unite for work, and so at first i combined humovo with

zhenya gleb with the composer. they dispersed . it happened in such a way that when klimov showed him his song. after the salute, there is silence. khubov says, why are they shouting in chorus of seventy people in general about silence. it should be secretly almost a whisper to sing mark bernes and both wound up and got to the point that they were at the table. i ended up pouring half drunk and vodka in the sink and quarreled and cubes left, but on the other hand, when i introduced nikita to zhenya grishina, they loved each other, and neither treated zhenya so tenderly, who was completely unadapted to life. so loved his music accepted it without any amendments. nikita started with a feature

film frank talk. note the film is a full-length documentary. this is a very rare volume for a documentary film. he met some company of young people, six people all born in forty-fifth in the year of the end of the great patriotic war, and he managed to win them over so that they spoke very frankly about their dreams, plans for teas, and this became, as it were, the basis of the film. pavel how old are you, 22, do you think it's too little? it seems to me that you consider yourself beautiful a little. i would, of course. there is a very

interesting film, but i understood its source many years later, when nikita in his house in the center of moscow in a worker lane in the house, 4, apartment 5, i saw on his desktop a small photo of the amber frame. gennady shpalikov, who recently committed suicide. he was a friend that nikita was captivated by his films. i'm walking around moscow, and i'm 20 years old. i decided to create the same film, but a documentary for the sixties. they were born on the same day, boys and girls, all

snub-nosed, all squeak, they tied tags so that you could at least somehow distinguish them from each other after 20 years. they will become completely different. probably they will be better than us, i want to believe in it. in 1996, the director, the wonderful director viktor, went astray, as if continuing khubov's film of the sixty-sixth year, frankly, the conversation took off the picture of 30 years of waiting he had collected. the characters of that film had nothing left of those hovering hopes , the plans were some kind of dull dull people who had not met for these 30 years, you probably know why, because they had nothing to

boast to each other about anything planned in their lives very smart, such a nostalgic very sad picture is very every time the years fly by so fast that i'm here, that soon already, although it’s still quite a long time somewhere, how many 6 years are left before retirement, then i’m afraid, i would like to stop time. retired, what you still lack. live your pleasure. big

kubov orlov it was then that nikita told me you are the first person in minsk who has an idea. it was about my proposal to make a film about the budget of the city of grodno wallet. work has begun . for some reason, it so happened that all of our shubovy paintings were mercilessly cut down and made some kind of ideological remarks. i don't know if time has changed or maybe the requirement has changed. and you may have changed. we are our worldview, at the very first discussion of the films grodno wallet, which had already been filmed and shown on two films, such indications such

nitpicking such demands immediately began that the director of the film was a debutant. slava babich categorically refused to change anything in the film. and then , naturally, a burr, the director of the rectorgrad of the old school, jumped into the course of the advice. and he said, let me throw people. rose cubes said no. we are ourselves, which means we are ourselves it was he who wanted to save at least something from the filmed film. valuable new interesting fascinating, what was already in the credits of the directors is listed, it was his debut, the first and only film in minsk as a cameraman. grisha mosalsky, but there were cubes in grodno on all the shootings and staged, in fact, all the episodes of this picture, although he is honest only

one of the authors of the script. he allowed us to do one single experiment. i came up with an episode so slightly provocative, i filmed an episode of cubes in the city center right next to a monument to lenin of a robbery type director. babich breaks the bench by minskers passing by, not paying attention to past past past. why yes, because it is not their personal property, we explain the announcer's text and there was an episode next to the stick. we froze a metal ruble right in the center of the city near gum. and here are hidden cameras, we watch how people walk by, realizing that this is a ruble, if it can be picked out, it can become

his personal property, they leave, they come at ease with their feet, picking out with their heels, when we showed this material a hundred in the hall. yal laughter like i don't know from comedy and chaplin. well, of course, this episode with the bench was shortened. the observation of this film was cut out somehow, cut short; it was lengthened due to winter views, beautifully filmed remarkably beautifully. everything you wanted to know about everyday life and to be an illumined minister. you need to consciously

make his decision and understand that you will need to follow certain rules. it happened in our family about the participation of parishioners in divine services because we have such a church, and that we already have such real ones in the church. 31 years. by faith with truth, listening to god about the healing of the soul of the body by the word of god makes every family of people who live this and gives a state of joy to a believing person. it's not work. and service there is no such thing. on pc i love the sun, i try to make my own board. if there is an opportunity for me to ground myself, i’ll dig

myself and i need gold, then, if we don’t do all this, then it takes me about two weeks to make an icon somewhere, we’ll tell you and show it in spiritual and educational projects on the belarus tv channel for 24 hours, you can have time a lot in 7 days. more in our project. you will learn about the key dates and events in the country and the world that took place during the week in just 20 minutes, there will be time for some of the entertainment, exciting movie projects. watch on our tv channel every friday

evening. i often ended up in moscow on business, and then, of course, we sat at the table in nikita khumov's house. and then one day he introduced me to my mother, who at that time was translating zweig into russian, then he met his wife. with larisa pancake, as he called her larisa blinova is a wonderful actress, as she amazingly played in the film nikita the traitor. be sure to watch this film, but at that time she was already filming less and directed and still directs in the sandals studio. these are girls with big legs

who repeat the school of isadora. duncan which she brought, as it were, to the ussr in the twenties of the xx century and now larisa to this day leads this school of girls in sandals, we sit for a long time with nikita at the table. here it spins daughter. dasha is looking at us there, observing something. here larisa comes to class and dasha immediately runs to her and says, mom, and dad with friends. they bought nikita indignant at this denunciation. says pancake to his wife. who are we educating? for her, uncle volodya is a friend of her father's youth. she is still for me, dashenka baby. although dasha is already a grandmother. she is now the general producer of the channel, while not

some in moscow, she took me to the circle of her friends of the moscow gods to him after four hours of soaring there sandu philip demolished now we went to the central baths to 12 in the restaurant uzbekistan and there at different times on different days off our table neighbors were, then the armenian director pavel arsenov by that time, who had shot a very interesting film triangle, then an alik-boy artist, who is a drummer to anyone else unknown georgian ensemble. oreiro is not to be confused with rurero buba kikabidze, who had just returned from his first business trip abroad, then walked around the garden ring, went into the basement to eduard limonov, who sewed nikita trousers, again went again walked in 70th sundays at 8:00 am. at the end of the old arbat, where it rests on

smolenskaya square in the cafe rioni, served, khash, hot fat at the door the director stood and let in only his cubes, of course, he was one of his own, we also came in the company of vladimir vysotsky evgeny yevtushenko all with his entourage. after 2 hours at 10:00 the cafe was closed bohemia dispersed, and at 12:00 it turned into the usual soviet catering cafe booze. it was not served there, you could bring it with you, and here is the operator garik tutonov, trained by the operator 's hand, a bottle wrapped in a newspaper , poured all this in a very dosed way, so to speak, and once in bliss from it. two three or four cups of hot khash, nikita told

me here so well friends that i would like to die here, to which our neighbor on the table , the swimming coach said, nikita why don't you die in my swimming pool, you can invite me here and his minsky friend volodya and here we are in a swimming pool in warm water in winter with cold noses sticking out above the water. swimming a swimming pool on the site of the cathedral of christ the savior blown up in 1931 and on the site where the cathedral of christ the savior now shining over moscow on march 8 will be restored. international women's day nikita's invitation to the creative evening was akhmadulina, we come, it turns out that before her performance there is another lecture by some nutritionist, we sit silently, listen to the conclusion of useful, food,

no, any food is harmful, in general it is harmful to live. nikita draws a conclusion. so a bucket of yogurt prolongs life by 1 second. after that, on the sacred stage in a white blouse in a black skirt bella takes off a little khmelnaya on march 8 and begins to drink opushkin. wine laughed friends met mischievous feast of poetry feast of a beautiful woman. the holiday of spring is our holiday with nikita, we twice went with nikita to zagorsk for the whole day before, and now the trinity sergius lavra went to churches, prayed in the chapels, prayed, there were services. nikita explained to me the meaning of

some icons. i want to visit my father, he says, we come to the armenian cemetery, directly opposite the vagankovsky cemetery, we approach a modest monument to its place. nikita says it's for me the last days of november my friend he testament. i am all our walks. i describe the feasts, because all this time we have not closed our mouths and shared our plans with each other

, interrupting each other, arguing from metal. that's why i told you all this, it wasn't just walking. these were some acts of creativity intoxicated on working in minsk every 2-3 months, the cubes left for moscow well, to the family to dasha's pancake, he brought boxes of banned or semi-protected documentaries from there thanks to. nikita we learned names and films finish the artovaz. she is the land of people, the beginning of fragments of an unmounted, but already forbidden picture forever. the disgraced sergei parajanov, kiev frescoes, he enlightened us. in

may 1967, minsk celebrated the 900th anniversary of its, so to speak, existence, being proud that it is older than moscow, but in parallel, in the same year, the 50th anniversary of the great october revolution was celebrated and there were also posters and slogans all around , according to our scenario. nikita is filming a holiday album; he did not know the minsk intelligentsia well. and i use my acquaintance to drag me to the interview in the frame. people who are no longer there, now it was my friend of the acting department valery moroz

, a designer, an aleksunsky tv director of a huge rural area, a tv presenter, journalists, or eleonora and zevskaya. i’m sick, my city is blooming, my handsome man is down and my heart is on the fate in the mid-sixties, the hype, again the military theme responded to this topic in the sixty- eighth and mouse-hum. well, they responded somehow in their own way gave an impetus. i say nikita imagine. veterans should come to some village. who liberated her in 1944 and the kids are getting ready

to meet it all, that was enough for him. we wrote the script. there was a film staged and filmed by a thin early morning, a deserted road veterans should come here by bus. and on the eve of the shooting of the meeting of the veterans, the mothers of the village are ironing shirts, dresses, pioneer ties, the pioneer leader went to grodno the day before and got a manicure. well, how will they film it with the pioneers, and here early in the morning there are pioneers, a transformant, mountains, a drum, bread, salt, all the smart ones lined up come bus. some people get out of the regular bus . there are no veterans. they are waiting on the sidelines

to come, the next one you understand that there are fewer and fewer pioneers coming to the bus stop. it’s drizzling and only one boy comes, who keeps saying all the time, anyway they will come that no one will come and only we knew the authors came up with the finale, nikita is worth this boy. and a column of tanks breaks out of the forest with smiling tankmen in open hatches on the towers and a stunning resounding such powerful march of the grishman sounds. the hero is not late. this is where it was born the name of the film heroes neopali.

i must say that the producer and organizer of the filming was my dad at that time the chairman of the executive committee of the former sapozhkinsky district. he organized regular buses on this road, where buses never ran. he organized tanks for schoolchildren, accommodation and meals for the artists of the group, the settlement of the film director's friend, his son nikitka, in his own house. in the orlovs' house, they already called him nikitka at my house, but unexpected echo movies heroes are not late

will sound in 2020 in a year and a half after departing irrevocably from my friend. nikita's life is better than a playwright. we are not allowed to predict. how our word will respond. oh, how right grandfather fyodor tyutchev was. here's what happened to our heroes are not late film, filmed in 1968 in the spring of 2020 . i hear a phone call, an excited female voice introduced herself as jadwiga asks me question after question. was my father orlov alexander viktorovich than the chairman of the executive committee from sapozhkin? was i ever there at that time, was i a film director, but i answered all questions i was positive and then this woman told me the following story, it turns out the boy

who was expecting heroes, this is her brother vitya kolvin. in the sixty-eighth year he was 10 years old, after 10 years in the seventy-eighth he died and in the same year he died and his father, mother remained the only breadwinner in a family of six , four children, a grandmother, and she weeded beetroot on the collective farm, a half-starved existence. dorgon village and it turns out that my dad then the chairman of this executive committee, having learned about the disastrous state of the family, arranged this woman. to work in a bakery and this is jadwiga on the way from school to my mother at work, there was always a piece of bread and jadwiga

adds, and my mother anna told me to death, yadenka. contact vladimir alexandrovich son alexander viktorovich, i know that he is a director in minsk, he lives, look for him there. tell him about his father. but i say, everything was shy. and so, he says, i saw you in several programs i love and remember, and he says he decided to recognize your phone number and he decided to call you. here's how echoed our word, said with nikita film heroes are not late 52 years ago.

from february to october 1970, except for august, i lived in moscow. work was underway on the film all the royal rada. i fell into the hands of a book by the general lesligrous of the americans, who told about the passage of the atomic bomb project. book in america. i was very interested. there were so many interesting episodes. i thought. and what was being done in america at that time. who made this bomb? yes , there were mostly physicists who fled from countries occupied by the nazis from europe to america or collections of enricoffers by robertapenheimer. leo force edwardailer. i thought, wait like that. in germany, it was clear from the book what they were doing, and

who was there for the project, walter wojsäcker werner heisenberg was ottogan and in the soviet union julia khariton boris was engaged in the chamber of isa kikoin. yakov zeldovich, generally lived in minsk, and so the idea came up to create a non-parallel to the race to create an atomic bomb in the usa in germany and in the ussr, and there are so many episodes blackmail stealing some secrets they confusion, some generally incomprehensible situations, so many interesting things that i called together from the authors, nikita khumov and elumilova, and we somehow intuitively separated began to write these separate lines, and put everything in a separate folder three different fonts on a typewriter three different handwriting typos of

additions and divorced the beautiful name enricofermi, when the first explosion of the atomic bomb occurred. i saw it all, my colleagues in physics saw it and thought. or maybe we are creating such a deadly weapon in vain, we doubted, and the farmer told them colleagues stop complexing at all, in the end . this is just beautiful physics and here is a folder with the name this is beautiful, physics. puffy puffy puffy. every day, it remained to find a director. and what do you think they found and interested on april 25, 1970, nikita's birthday of course, we are in the severnaya hotel where i then lived, we are setting the table , we are waiting for the director, and this director has just

seated the entire soviet union on tv for several evenings to watch his series adjutant his excellency yevgeny tashkov and this evening we decided tashkov invite the fourth to our already quartet with the author and we are waiting for him. didn't wait. well , i guess i couldn't come. couldn't call. what mobile phones 70 year turned out to be on this day the life of a playwright. on april 25, 1970, the wife of tashkov, a film actress, committed suicide. ekaterina savinova here we have troubles with the death of

paul calmed down, the royal rati broke his face. misha kazakov can't take pictures got into a car accident in kazakhstan tanya lavrova with the poet alzhas suleimenov everything smoothed out for us. we boldly left for minsk khubov began to break through his new film. excellent physics. the end came in the fifteenth year, i transferred a thick folder with all our sketches with written scenes to our literary museum in my personal fund. on this, our word creative commonwealth ended. well, the truth is, from time to time, the echo of our old works back in minsk, as it were , popped up from the shelf, the film khatyn 5 km, where, next to the director igor and olesya madamovich, we are also listed as the authors of the script.

having filmed several films at gorky's studio as a director, the body of a traitor, with to which the flying hussar i change the dog for a steam locomotive playing some bracelets wrote scripts after scripts one another more interesting, but somehow other colleagues bypassed his more successful more such punchy ones and removed them in the ninety-eighth year. last movie. the game of bracelets , he stopped fighting for this cinematic battlefield years passed and he retired to the suburbs in the village of snegiri snegiri is a village, as it were, of artists of

the bolshoi theater well, there were already bird composers, there, uh, winged, artist innocent marshal, the end is not far away, you could see the hanging the road in the ability of chubais in general. or the famous and rich muscovites are already there in nikita's house in the center of the living room is a huge stump of a sawn tree. it was like a table that he laid for me and allowed me to read at the table and i read these sons roared. come on, nikita, i'll take the film to belarus. such scenarios are interesting it is so sad. i spoke late, my dear late. then he stopped writing the script, because they were read and praised, but they did not conclude contracts and, accordingly, did not film it. he began to write. essay wrote,

two amazing facts, amazing generalization. it was lermontov and chekhov who also wrote gogol, but literally in the last conversation he was afraid to send me a message, my dear. wait, i'll go through with one more time, i'll edit the other one. somewhere in the year 2010, he called me and asked me to get him an antonovka seedling and send it to moscow. he said, my dear. i miss belarus so much, and even if it can, this tree will remind me of the years of my youth, of our work with you, in general, of

belarus, i have several times traveled from minsk on grodno on slutsk on molodechno stopped near these bazaars, where antonovka seedlings were sold nowhere. i repeated this the next year, again began to interrogate one person said, he says, you know, you are unlikely to find it, because he says this variety is degenerating in our country, and instead of antonovka you saw it. how do you crave this can give a sapling of linden? the literal sense of the word. i wrote to dasha about this and that's what she answered me, read with my mother and cried about the apple tree. and i will still buy it from you minsk i will definitely plant. thank you very much. if dasha and i succeed, when she comes to get this apple tree and plant it bullfinches

, i imagined everything, how he sits under the apple tree, my friend nikita gnaws hard. autumn antonovskaya apple and somewhere from afar sounds zhenya grishman's song twist of the popularity of the year from our film. festive city of love, my city, my handsome man, you are in our heart forever and sit, nikita whom i love and remember, and in his soul he will sound all the time. phrase eternal phrase in his entire subsequent after the minsk life my youth, belarus

i belarus songs partizan pines, as the fog of the song signed, my youth