and unearthly forces helped him, see the intellectual entertainment project tower on our tv channel. in the hands of the book throated side by side, choking with a skin word. the most marvelous and worthy respect for a person and creativity is books and books live in the dunks of milan reporting to different people.

appreciate bypassing for our dry belarus 20 shatyrs i don’t know which book of records to include such a fact, here are three siblings, all three in art and two of them senior and junior people’s artists of the ussr of the union of soviet socialist republics we are talking about yankovsky brothers. rostislav nikolai and oleg

, well, i will talk about who i know, whom i have known for so many years, starting from 57 and until his death for almost six decades, rostislav ivanovich yankovsky. 1863 kalinovsky uprising well, i knew that the yankovsky ancestors. firstly, there were also gentry, and secondly, they were exiled to the east of russia as participants in the uprising of 1863. and, of course, i immediately called slava and said, slava is a role for

you. you haven't played this yet, who m-m. i i say, shlyakh now needs to be played. yes? you know my words. i know everything about your ancestors. you already told me, everything is there. here, yes, the script gave him the script gathered. he says, yes, that's it, i play it. everything is fine. well, i calmed down, so the shooting continues, friend. during some of our conversations , he asks him how things are going. i tell him volodya, you know that i am seriously ill. well, a person fell ill, fell ill, you’ll get better at the age of 60, that he fell ill there, you think, he fell ill, i’m still filming, i somehow call him there again. he says, volodya, i'm going to bed in borovlyany, i feel very bad. look for another artist. it's easy to say, look. i know very well all the

acting brethren of the minsk theaters, so to speak , and there is simply no second such artist, and i said, slava, i have what to shoot, i have options for filming different series from different episodes. i'll wait, but he insisted look for another artist. i didn't look for anyone. in the summer of 1957, a new actor appeared in the russian theater in minsk. well, i then started working on the film red leaves and my boss. vladimir vladimirovich korzh sablin said, this one is necessary, what kind of artist appeared there some yankovsky well, i came, i met him when he was 27 years old, then he came to the shooting.

well, korzh, of course, loved to discover new actors, he thought this would happen to senkov. there was already such a stage prepared for screen tests and you know who was yankovsky's partner nina urgant ivan urgant's grandmother is believed that viktor turov discovered nina urgant for belarusian cinema, a lot of her, then he shot in his films. no, for the first time, nu urgant invited vladimir vladimirovich koshe to the belarusian cinema. sablin here the photos are here, just as i opened here yankovsky with nina urgant, neither on the urgant film red leaves. well, for some reason, korsh did not fit urgant, but yankovsky korzh well

, he understood that, probably, the young artist would not pull the main role, he invited him to the episode. in my film dedicated to the centenary of leather, saber, together with him yankovsky recalls this, that he says, the korsh told me to do that i’m not standing in the doorway here. here. i'm so happy somewhere, here i'm watching someone. here i am running somewhere, what for? i didn't understand what was going on i need to do, but when they say, i looked at the finished picture. i say i understood everything, that it was all storyboarded, that it was all thought out, that it was all in general, foreseen, he thank you.

keep 10 paces behind you. clear yes , clear. that's how it started. the road to the cinema and, probably, with this film also began, as it were, my road too. in general, in the cinema, because before that i only worked as a dove on the film mycologist steam locomotive as a solid assistant on the film our neighbors. well, so that from beginning to end on the film it was, of course, the film red leaves. here i consider, that jenkovsky. well, how would i

start with this film, or what? on his way to professional cinema, he was filmed a lot at our studio at other studios, but still, of course, the theater remained the main thing for him. yankovsky in such a composition, rostislav nina, his wife,

his son igor, whom they had already arrived here, and their younger brother. they all settled in the dressing room of the russian theater and in this dressing room. slava spent almost 60 years in this dressing room in the last time of this room. and then four people lived in this dressing room, moreover, there was an electric stove on which nina, a native of the caucasus, cooked dinner. not only that, we all gathered there, we all gathered, we didn’t lay, you can say tables there, although now i remember thinking to me, well,

how we are there nine people eight people, how we urine, we could fit there right there. eh, son, a little one, all this is right there. well, of course, soon yarkovsky received an apartment, but nevertheless in this dressing room. everything was like that. glory jr. his brother olezhka, as he always called her, introduced him to his performances. in the irkutsk story in the drummer, but according to the recollections of slava, oleg all the time grumbled acting is a stupid profession, and he even got up as a dental technician, but even more football players, and finally, unable to withstand the pressure of his older brother, who still wanted to lead him into the acting world . he fled to saratov to the middle brother to nikolai. and there the elder

brother was no longer there. and olezhka as he says. slava has already stopped wanting to be a dental technician and has become interested in football. he became inveterate football player, and to such an extent that at school he became a loser. i say came there and tried it. slava says he tried to pull him out. so, from this football somehow direct everything somewhere, and then he said to kolya to the middle brother. kolya, let's arrange it. e to drama school. come on, get ready olezhka let's do it, he began to prepare, as slava says very reluctantly, but somehow he came to the exam, and so he says. yes, you become so good you will still read, how is your name yankovsky. and so you are already accepted, it turns out that nikolai yankovsky passed the exams. nikolai yankovsky has already been accepted. but oleg did

not give up anything. here he was told that the enrolled and middle brother nikolai decided to sacrifice, as it were, his acting career. and this place in the saratov theater school i gave to my younger brother. well, here's another one. a life plot, because such plots that life lays out at the table will never be invented by any writer, playwright, better than the playwright of life. we educate first of all involuntarily we educate a full-fledged citizen of our society, how to maintain a balance between the state and each individual. we came to the parliament there in order to defend the interests of our voters, the interests of the country. now, when you are betrayed, it's the same as if you are punched in the hands of forgiveness. you can, but there is no hug. in my

opinion, the more control, the better the law, the better the law is not to let go of the helm of fate, you try in these situations. you become stronger. you already see things differently. probably for you and me, what should we do to save two children in our country and in the countries of all, probably all countries of the world. who is a fellow belarusian and why we are still called pomyakovs today, more than ever

it is important for each of us to know our origins, and how to preserve the historical and cultural heritage and pass it on to the younger generations, we will talk with the director of the center for research of belarusian culture, language and literature of the national academy sciences of belarus alexander milk about the greatness of the belarusian people and not only look at this weekend in the project fashion for culture only on our tv channel. of course, in vain my fellow directors.

absolutely stunning creation of rostislav yankovsky on the stage of the russian theater for almost six decades, he outplayed all the best there is. uh, what was in general in theatrical dramaturgy, whom only he was not. he survived the manifestation, well, of all feelings, he was a villain, satan, a seducer, a sincere cunning. changing images. he became a general to ministers from the tsar, a proletarian intellectual, the son of a murderer peter's official bureaucrats of his characters

acted at all times in all eras. the skill has been honed year after year. some acting techniques were improved, what i remember i saw, well, not all, probably, but, probably, his most striking performances. it certainly was traumatic. uh, the role of victor in the once noisy performance of irkutsk history. this play of watermelon entered the theaters of the entire soviet union, of course, macbeth directed by boris lutsenko is a performance that, as is customary now, speaks to the ears staged the whole of moscow because moscow was breaking into these performances. uh, newspapers and theater magazines choked with enthusiasm for this performance. this performance

was shown with great success in germany on the golden lake two on a swing, which he played there with a brand, then self-confessed. it was a very interesting dinner performance, where two

french courtiers. there, then, the prime ministers, the minister of finance, two such cynics sit and talk, in general, they decide the policy of the country. power and money. here they are together, what kind of king is there? here they decide here, and the play was called supper, interestingly, the dishes were all just a museum. well , food. there was also a corresponding fine, refined performance. it was very interesting. it was yuri vladimirovich who was his partner. you seem to have put it in the sense that jacquema sulia, and jean vincent, are devoted to you in body and soul. your lackey what do you mean they work for your department? what else is

interesting, when he came to our theater, slava zelenoda, he had a lot of anecdotes and stories related to some central asian roles events this year. and what is this, listen, in general, not someone came and spoke with some kind of asian central asian. listen, this is comrade, what are you doing there, huh? in the banya, staged by boris lutsenko, he played stanko optins and spoke such a means of trasyanka with a ukrainian accent. it was such a mocking image. eh, an optimistic bureaucrat official, he was like that even when hmm was already there five years before his death. eh, in a review. i read that yes, in a panic, hank yankovsky showed himself in fireplace in episodes of a comedic nature.

i think, oh, people, well, you poisoned everything. have n't you seen his optimists in the bathhouse? that's where the storehouse of humor was, he was subject to the terrible role of peter peter when he tortures his son, we are talking about the play christ ioantchrist merezhkovsky directed by boris lutsenko oh and finally, it was a role in the stage version. films of the famous film by ingmar bergman, strawberry meadow, where slava played this , uh, the main main role was a very touching production, such and especially, of course great. the

casting finale was invented by the director, when all the characters of his life line up, as for a collective photo. this was the final scene of this performance. and slava would come and sit in the center. and just like that, the show ended. applause of course, no one bowed there like this applause sounded for a long, long time in this collective photo, in the center of which was a wonderful artist. listen to everyone, yakovsky people's artist of the soviet union well, there was famusov in woe from wit and there was panic kokhanka in the play of the same name, right here we had a small conflict with slava. look at war and peace tolstova love natasha andrey there throwing pierre bezukhov but all this is happening against the backdrop of the great patriotic

war of 1812. great film gone with the wind scarlett red butler but against the backdrop of the civil war, remember even vysotsky's song on the table deck of the lord marked deck you replaced it count when you drank water, and what refrain, and at that time bonaparte crossed the border. here, as i see it, any local, significant history must necessarily have some kind of historical background, preferably tragic in panic, from my point of view, it was all written out very worthily, but at that time suvorov was already storming warsaw in a few months , this king will throw off the crown and cease to be

king. and in general, the great commonwealth remained to exist for several months. so i wrote a review ordered for me in a scale magazine for this performance, where i praised everyone, but said that this hmm historical tragic background is not enough to somehow highlight this one in general, a local story, but the glory, accustomed to the fact that he is always only praised and, probably, a little twisted by someone in the theater. well, volodya did not care about the performance. i briefly reminded him. here is what i just said to you and finished. i say the words tell me, but what is not true in my review? he was so silent as he says. no, no, it's all true.

subway have you seen such weather, in general it seems, everything tasty, right? nothing, what is it? herring at last the performance before sunset was beautiful, again, acting work.

do i agree to marry inkin peters to live with her in joy and in sorrow until death separates me, how i agree right now i want to take and crush my beloved joy. you are my happiness. you are my joy, lord, and it’s good, how good it is to live in the world. oh my god. and with the performance, i had to hear somewhere to go on tour, yankovsky literally came from his hospital bed and went on tour. with this

show. just like in a hospital bed. he somehow went to the opening of the film festival, falling leaves in the same way with hospital bed. i came to shoot in karelia in shchors. in my series, the damn cozy house. it was november 10, 1994. well, i don’t know, if they stopped by the house in their house in minsk after the borovlyans, then, probably, for a very short time. or maybe, i don’t remember anymore, maybe they came straight from the hospital, they came straight to me to shoot. i saw him. he was thin, pale with a kind of yellowish-matte skin color, haggard. but i realized that i had done

the right thing. i knew it was the best. the treatment of actors is a role to be played and the best medicine is to let him play this role. who said get up? i am a simple soldier. i will remain the same as you. ah, the same rebels, there i grab someone else's lead. and you already swallowed mine. can't you see that i'm wounded by the guards, slava asked. where do we start filming? i say, over there in the bedroom, then over here in the kitchen. and here i say, no, this room is such a walk-through for good. nina, his wife comes up to me volodya

. can we take this room with slava. here he says, here he will rest. there 's a sofa here, right there, so-and-so, i say. yes, of course, please, and they went in there, closed the door, probably didn’t give him any medical, maybe some physiological procedures. i do not know. but after a while, when we put the light on, everything went out. glory in this uniform in this hairstyle. this is a mustache, gentry down, hanging here is a saber, and i understand that even his haggard appearance is necessary, everything worked for the image. well, you know , the director’s profession is such that even when something is bad for someone, if it’s good, then it’s good in other people’s beds too early heals. in the forest, comrat should lie down on the damp

earth to breathe in the spirit of the forest. pulls out bullets chloe heals wounds. what else do we need a soldier? let's go buddy. and one more little detail. actors appear for filming. there the first replica of my assistant oksanka throw the text oksanka there with a squadron a squadron on horseback at a trot march. appears on set. donata with banionis viktor tarasov rostislav yankovsky for everyone, in fact, duet scenes of 23 to 27 pages of text of duet scenes all scenes, all 27

pages, memorized, why did i bring to an example of these three artists, because these three artists are people's artists of the ussr, this is the attitude of ordinary actors to work. and here is the relationship of folk artists, first of all, professionalism to learn the text, then we will talk about everything else, as for a musician at the beginning purely play, then we will already arrange the strokes forte, piano crescendo. diminuendo. you see, first of all you need to know the text. you need to know the notes, that's what people's artists of the ussr are like wolves. we are rewarded by shooting. sometimes we change

the way. confuse god knows how much we are so passed, you know. but before that, we also had a meeting in the film all the king's men, which we filmed at the mosfilm studio, slava played a role. the stepfather of the protagonist the protagonist it was e jack byrne mikhail kazakov a. he played him, his mother's partner was his stepfather, and jack was an old partner in the minsk theater. partners rostislav ivanovich this is alexander ivanovna klimova slava means he was like the owner of this luxurious house, we filmed this in the house of scientists

in an old mansion in moscow hello old man. how is the old politician doing? politician? thanks to the governor culture history architecture everyone has collected this from one project in the nineteenth

century. eh, the helm of a man, of course, golovans with a palas and jumpers, everything left in the yard, after the red love for hormones, and she is especially the number one acceleration of this legend. it ’s like the details of yakim’s doylidism have been toiling for hundreds of years , and today we have the most bodai, chiseled and rare for the belarusian speech of storkness. the earth is a potato on the central resonance, the construction tears off what it is for all the time of restlessness, putin's soul hahali wives of the construction, of course, do not rise chikavye facts and not jakans famous muravans. dymkov film project architecture of belarus on

our tv channel in belarus led to work, study and love. my name is alexei verkhoven. i am an opera symphony conductor. and i came from russia. i want to do an internship as in belarus, and after that i will start working as a doctor. each hero has his own unique story and his own view of belarus, but in fact , the theater the bolshoi theater of belarus we are from we see russia in the same way as you see marinka in russia, for us it is, well, the bolshoi bolshoi theater with a history and a reputation, the belarusian people take a very long time even the belarusian anthem begins. we are peaceful people in belarus. very nervous people. very loyal people very calm people. yes lives. uh, hardworking, see the program view of

belarus on our tv channel. somewhere in the seventies, probably, so at the turn of the eighties, we from then masherova avenue, which means now pobediteley several stops. let's go together in the city transport, standing on the back platform. well, the people around are crowded, everything is there, i asked him so quietly, weakly. well, she's doing something right now. and then slava so he straightened up and looked at everyone i was talking about. yes, but now i filmed in kiev, and in the film volodya is big volodya little ones but she is checking to see if they listen to him, did they recognize him? well, artist,

artist, where to go, and now i 'm rehearsing in the theater. he is there, it means that another role of some kind was called. yes, and now i'm still going there, that means. well, the artist of our business. in may 2009, yankovsky's younger brother died oleg well, and somehow one of the may days

after this news was in the theater and crossed at the checkpoint. slava was with nina and saw me. he grabbed my arm. let's go in the yard was his car driver. we sat there on the way. he says let's go to the cinema belarus to watch oleshkin's last role in the film tsar where is the conflict of the unbroken metropolitan philip whom ivan the terrible exiled for insubordination, and then killed? well, i won’t say what the older brother’s face looked like when he saw his beloved, olezhka, who was no longer in the world, great happiness is the art of cinema to see

silent film artists. sound films before military cinema military cinema after military cinema in our days, here they are all on the screen live facial talented and among them.

started preparing. on the occasion of the 80th anniversary of rostislav yankovsky, he proposed a scenario for this, so to speak, there is a celebration of a benefit performance. how can i write there? i made this script there with valentina erenkova with the director of this benefit performance. well, of course, after that there were thick toasts, of course, everyone wished the artists health and new roles and all. it was still. and now his 85th birthday is approaching in 2015, he chose. and the american play is further silence and,

of course, i offered its production to the director, with whom i worked for many, many years, boris ivanovich lutsenko worked. together with boris, i did something, showed him, he corrected something and asked me to do something else. in general, in the end. we built this stage version for yankovsky specifically. why am i emphasizing this, because boris set two such conditions for me. says the first thing is write it like one of the the script in short episodes of one and a half at most two pages, so that it was like a movie script, and the second condition was that yankovsky was not mobile all the time, because it was already very difficult for him to walk. partner yourself. glory chose, do not repeat to him his unique, just an actress of white sums. i

myself have witnessed more than once when people asked near the cash register, and today the muslims are playing or is there another actress, everyone says no another actress, and then and when we play smart, just then give us the same number as sinkovsky, but yankee plays or there, when he was a little sick, there used to be an understudy, another artist, not today, not anton and when yankovsky well, we don’t know when he’s going to get better, then he will play. this is how the minsk spectator reacted. e to your favorite artists. so far i have named only two , i don’t know, i’m telling you this, as always, only what, uh, did i participate in? or what did you witness? i myself heard these conversations near the box office. for tomorrow or the day after tomorrow premiere? and comes from saratov news that the middle brother nikolai died. i saw slava here in

this state. by the way, what kind of composure do you need to have in general when you are in such grief, when you are already left alone, you understand death took them from the bottom to the top of the youngest, then the middle one, creeping up to the elders, and now nikolai died and he did not cancel the performance, he did not cancel the performance. he played it. he played the premiere, although the whole of minsk already knew that, uh, yankovsky had died, and the second brother, too, and slava played this performance. the final scene was especially impressive, when the heroes mean that he and she are already old slava with a stick. found themselves in this restaurant where they spent their honeymoon once there 560 years ago. and the

music began to play, and he invites her partner to dance to the waltz ienkovskiy slowly rises from his chair, leaning on a stick, hugs her with one hand in the other stick and starts like this, as if dancing from foot to foot, the hall explodes with applause. they stand for a long time, shaking, until they fall silent, applause fades in order to continue the dialogue.

there are fewer people's artists of the ussr in russia; in belarus there are fewer of them. and how were they? slavenkovsky was generally alone.