the reeds of the hoarfrost in the uranian forest are creeping the sun, quieter, and so breathless. at least not cut off het that the alignments on the great remnant of millevich. it's time to cripple matvekov's spiritual stupor, orthodoxy groaned and was put under a draught of weights and trying and

flooding the ear of the twenties with its revolutions of perubudian romances and beards with any manifestations of a cult. at this hour, yak, one of the most tragic figures in the history of spirituality, guessed and guessed the skin time for a new international spiritual remnant of the project under the name of the russian atlantis pyrosovochnaya in the cities and all of their prisoners early. exhibition initiative. the university has been taking creative people for a stretch of 10 years. and kay. the deer is not just a terrorist sensation from the smart sides of the biography of their ukraine. bending together with you noah hai a small, wide contribution about the yeast that is not terrible at the renewal of what was parsed nazmishno was taken off by our mad people of native nationalities in adults of ukraine gather once a year. full russian location and realize the spiritual missionary tasks. what kind of matts do these ascetics set before themselves, they take captivity for 10 years, brother and

project, i really do. yes, i help with gt the philosophical remnant shoots of progeto and shmotli kainshin, our razumovsky rovnyuk project of russian atlantis by the honored worker of culture of the russian federation vital vasiliev. good afternoon vitaly vasilievich questions from the beginning will be connected with the project that you brought to belarus russian atlantis is a grandiose such a powerful name and at the same time. uh, an allegory with the same mythological atlantina and then it contains ancient history, when all this has sunk somewhere into the sea. yes, and it's gone. there is such drama. why choose? is this the title? what is the message like this? yes? go i name the name was born after i visited korea in a different way. as a matter of fact. it is impossible to call this drama the verkhnevskaya flooding. uh, like atlantis lost civilizations of a lost

culture, gone in the shadow of the tradition of the hostel, the organization of our home life of the dead 12 cities 200 monasteries a huge number of temples arable land, as it seems to me, in addition to a certain economic task that the state was solving at that moment, there was also the question of an indicator of a certain flogging of the orthodox community. show him the word, but the basis of the general life of the russian traditional hostel. and, of course, it would be possible , probably, to take the word tikish in the title, but i wanted to, and since we still solve journalistic tasks, we came to devote everything to such tasks. i really wanted to get involved in our project from abroad. and for them , tikish is, well, a completely incomprehensible story. but atlantis russian atlantis they are already guessing here, and this is some kind

of mythological story of russian antiquity, and they are absolutely right. and in this we guessed very well this brand works. we e have a very wide resonance abroad. including thanks to this name, the russian atlantis has the idea to object to this civilization , which was once strengthened. here in the 20th century. firstly, recall about it, secondly , be sure to tell about the main generation , and thirdly, draw. e artists. they are very hmm grateful loudspeakers. after all, the artist this is not just a photographer, but also a documentary filmmaker. whose work flashed on the screen er, visited the exhibition and disappeared, the artist makes such a throw. the image of frost is a throw into eternity, he claims to write a masterpiece, as an artist several times. e from etude

gives birth to some new new paintings while continuing his search, and then, er, the artist is constantly exhibiting. he constantly carries his work to different cities. and here is the reproductive function of the popularizer of the narrator. here it is, in our case it is very profitable, very useful you have such a polymer project. that is, you collect a group of people and travel to some places. still, it is approximately exhibition, because the logical conclusion of each plan, firstly, is the final show. and also because we have collected a huge collection of more than a thousand canvases. well, in our project there is not a penny of any money, this is a principled position. we don't take, we don't take grants, but help from sponsors is the first thing. artists, if you hear the ringing of pennies in our pocket, he will stop trusting us and we will be left without quality artists will go to the housewife of our

projects, well, which has nothing to trace. here they are ready, so to speak, to pay us for the services rendered. and for god's sake, there is something not on our knees, we need high-quality artists, and whose work will then serve these educational purposes of ours. this is the second time. we cannot take money, because our main general partner is the russian orthodox church, which provides us with free accommodation , free meals, cultural programs, transport for transfers. and if really the monastery or the priest who hosts us spend the last penny , so to speak, e from our arrival we take away for the device of this reception, they will find out that and we are here, it turns out that we are dividing behind our backs grants we receive performing funds. so i came here with outstretched hand. help share, then come on, but here are these muddy muddy relationships. we do not want everything to be absolutely transparent to the monasteries. it is interesting

to work with us. because we are coming with a pure soul to figure out what is christianity, what is orthodoxy, we we come there in order to glorify and glorify the church. this place is specifically to glorify. the small town in which the grandfather's monastery, or temple, is located, the second subject of participation in this project, is the artist. he sees yes. we, so to speak, do not hide, do not hide, do not enrich ourselves at his expense. ah hmm. he donates his painting to the monastery. the painting will be exhibited. uh, maybe they'll put us up as a sponsor. we have mothers who call me vitamins. if you have not been with us for a long time, but in my orphanage, but the problem is you have to go. e to the sun. if crimea is somewhere, but there is nowhere to get money. here are some pictures for sponsors. we should go and call us ourselves, but we are also interested in receiving the gift of these

paintings, so that later we can continue our exhibition activities for large, serious exhibitions. in the museum their exhibition halls. every year we fire 10-15 e shots all over russia, which is also very important in our project, that it seems to me that we still bring some benefit to society. e is that the objects of our attention are precisely small towns, forgotten cities of the city with the richest history of the cities may be the difficult fate of the outskirts. here is such an information occasion. uh, attracting attention , some kind of magnetic currents that we form around our informational event. they. it seems to me that last year there was something like this, for example, the kalyazinskaya belfry, but i will not talk about turkey where we started. yes, this is, as it were, a separate story , the nakolei regions were introduced into tourist circulation, where it is located,

where is the gate of the east, where is the dramatic story associated with fatepov's army, which quartered in a white field immediately literally. uh, six months later, and the mayor of the city of kalyazin invited us to talk about the unique monument that is dying, but the symbol of russia and its not sinking. and this is the collisin bell tower, which at that moment was collapsing, we arrived. we carried out the glider. we have attracted a lot of public attention, and quite a lot of money has been allocated for the conservation of the kalizino now, the bell tower, in general, it has been repaired and converted. e into a luxurious object of tourist attention, a lot of those. e, examples can be given as e information. the occasion serves some specific applied tasks, and i can say without too much banghava that our fate in

this is also your personal, because, well, you know, what they call you like that , you won’t like such a pr person and you are a journalist in your own right a little active person. that's about this and e activities. so, where did they work? how we started, as in our environment. i'm actually uh musician 7 years music school 5 years, uh, music school 5 years conservatory 17 years, only music, then this was not enough for gitis. received and graduated from the faculty, well, there was not enough education. i would now go somewhere else, it would turn out to remove the mind i teach her pr at the university, for example, in parallel to say in public relations pr. but it seems to me that this form, uh, involvement in the society is work with the consumer of information. eh, the ability to influence the consciousness of all good eternal. forgive me for the high-sounding word. this is very, in my opinion, grateful important

class. i’ll say that wherever we go, where there is some kind of parish, father, a real ascetic. there are many other people, there are many examples. we can bring how the monasteries of the parishes become hmm so energetic. uh, the basis of some unusually interesting finds to solve some problems. well, today we talked about father fyodor, uh, who is the rector of the temple of the monument. well just uh, performance is an academic example of how a person is. can e move history, how it can influence society. you are a lot where they were announced, of course, all of russia there and abroad. well, somehow in belarus they say you are here, here, yes, what attracted you. or hold some here, maybe already plein air. here are the performances. we really want to have hope. we are very grateful. rather. we

are very grateful to our partners and partners who promise us prospects for further development. here are the possibilities. we really want to work in belarus on the planets. time is what it has become, and we are trying to quarrel. and by the way, they did it ukraine, as we understand it, and tried to do it in the twentieth year, but extremist forces. we cannot afford indifferent observation of what is happening in the slavic world. if possible, we should unite to become each other's back and skillfully. uh, and seriously prepare to repel those. we still have not so many foundations of pillars on which our culture stands, the given consciousness of the nation. political economic is the russian orthodox church. eh, christianity in general, as such for me. excuse me maybe i'll say in general, stupidity, as an

orthodox person, i have to fight for the interests of my mother. e, the russian orthodox church, but i think in any case religion, but which makes you think, which makes you look for answers to some difficult questions, which are a canopy under which a person can find solace. e shelter, e, difficult moments. this is a very important element in our life. if our project will help belarusians and russians to become interested in each other's history and culture, you said that despite the different confessions there, the main thing is to god was in man, which is very important for our territory, because we have mixed families. yes, and you have a family, probably, yes, you have an islamic world. we have bishops father nikolai of bashkortostan well, we are so apprehensive, but on the territory of a muslim country, and we had an artist from afghanistan in our team, we

apprehensively think, perhaps, to offer him an open air. here, uh, including near the islamic mosque. he says, you have removed all this task from me. we will definitely not just run a blender. we will go there to meet him, and he provided us with meetings with the mufti, and we had absolutely phenomenal experience of unity on some kind of spiritual moral foundations, uh, which, on the one hand , khudozhnikov turned into this inter-confessional problem. and this is the powder keg. you understand that tatarstan buryatia bashkiria dudes. if, god forbid, some tyrant there, and trample on banners against the way of life of a huge part of the population professing others. i say so, religious principles, what happened? glory? god has, we have such priests as father nikolai bishop, and slovak kumertau with whom we

have worked very successfully for several years in a row next year. so we are planning to go there. somehow they confessed, and then everything is that she is so diverse slavic. yes, that's who your parents' family is, and ukrainian. eh, and she has such ukrainian roots, and dad is just from the cape. hmm, in principle, since childhood, i was brought up on this estate of two e, slavic cultures for its diversity. this kaleidoscope of beauty song music culture, father. i had her play like that. mama danced ukrainian dances have not received. the main thing, of course, is the upbringing and craving for art, first of all in the family. i think that if this grain is, uh, influence, so to speak. it is enough to remember andrei voznesensky's story of some kind of ideological moral that gets into his head. i am 14 years old, where

such a behavioral line is being built, and a 14-year-old teenager who came to peredelkino at the invitation of boris pasternak when andrei mm asked a question. and why did you spend time on me, i'm so sorry for the fact that you invited me. he says uh you know such was the time when alexander nikolayevich skryabin gave me his attention , which completely turned my mind and formed my personal at the age of 14, if during this period of puberty i was looking for some ways. and if a child receives such a hint, such an environment of adults. uh, when he builds his behavioral line in some special systemic, uh, coordinates. eh, those are very good results.

25-25 and we are not berries at all again, but also nothing. here is the heavenly beauty of the red rabbit. yes, what a beauty, but the symbol is the symbol of the new year. yes, we go with marshmallows in pairs, and the herring, as it was to all the merciful, it is. how many spoons command me belarusians, watch a good knapsack with svetlana borovskaya on our tv channel. with the heroes to do ticking

a little bit, well, transform your past life in the village. and here are the real ones, so we tried, to make it beautiful next to us, so that we would enjoy our present life in the village. i know that in the future , about 10-20 years, our carriage will be a large object on the territory of belarus, and that's what buddha is not two streets again, i do not live from victory with who i am on the very right and stumble them here with a pile, water is everywhere, many masters live with us. antonina yakushek. zoya valera lives with us. here i am, the master of the heat in the world, we dance the folk process in the house. just love you. such a visual my

dear piece, baby you are not such a visual edge starry covered the tail project on the tv channel belarus 20 shatyrs to the police to the prosecutor's office in the guardianship authorities. vanya let him call. what do you want under her skirt mummy's boy. i interfered with your relationship. i agreed with andrey when i become a wolf, where i will receive a passport as a wolf, not a poxyvist becomes really. you will become when you pass the test on the wolf. i was in pain. now i'll hurt you too.

our program is not about politics, our program is still like this. about spirituality, after all, many people talk about it. we cannot bypass such a topic as the slavic world. yes, but everyone would like to keep their identical one. and that's probably such a stumbling block, yes, how do you look at it here, so that it doesn't absorption here to be afraid. yes, of course, you need to be, in general, a prepared

husband, probably a specialist in order to answer such difficult difficult questions. it seems to me that after all , the national policy of the ussr was quite, uh, logical, correct and respectful towards the nation. i 'll look at this whole stalinist building or, let's say, remember the american er, earthquake or the tashkent earthquake , we come to tashkent and we see the microdistricts that leningrad was built built muscovites built the people of kiev, when that's a common world, deciding. uh, questions of the general structure of life and where everyone was left, including a niche for their own self-expression in order to preserve their own culture. we lived as some kind of common, very friendly family, which each of these family cells at the same time managed to maintain its own self-identity. therefore , i am answering your questions. how to relate to

the fact that now there are fears that we will be raked up there under me, our hands will be twisted and driven to some regular camp there, and some new societies. i think we have already gone through this experience. we have already gone through this school and a sufficient number of smart people both in belarus and in russia who are hardly ready to step on this rake again, everything has changed in the sense that i used to talk with artists in your carts like that. and international compositions, yes, and including people from america from europe. and as of now, you probably already know this today, of course, from europe and the anglo-saxon world. uh, ties are on hold, embarrassing because we've lost people, we're losing people's jobs. in some way it should be preserved with these

people, but at one time facebook helped us in this connection. now we are completely blocked off from this world, but i absolutely firmly believe that this is a temporary state and sooner or later. we will return, but on the other hand there is no move without good. here we are in belarus in a country that constantly flew by. now it's time, uh, to look inside and take care of your family business. eh, and this is much more important. it seems to me to understand the relationships of the closest people than. there, jumping into a squat there before, and the artist has never been a bourgeois in this society. uh, very rich. unless it's some kind of provocateur who, uh, works on some outrageous topics, uh , to earn capital on some kind of scandal, in general, those who catch the wave, that's how you feel about it. here is someone's line,

not ours. she's just now catching funds. here is this wave. yes, as such people, i don’t get it, of course , they think your tribes are not interested in him under this slogan ours is not ours. eh, i first of all have in mind the orthodox christian culture of the basis of mutual understanding on the soil of christ's commandments. hey, we found ours. if god forbid this is a man, you are the truth. of course, we do not reject him either, but we are trying to influence his consciousness. here are the constitutions. well, god to them in court that or there, maybe you won't? yes , although i honestly, uh, despise many of these figures who allow themselves just boorish antics unfortunately. eh, including similar examples. here is a completely disrespectful attitude to world culture to our national values ​​were demonstrated in the largest museums in russia when they were arranged under the roofs of the floor under

the roof of the russian museum. uh, completely provocative exhibitions that are not good for the youth, let alone the old generation, which was brought up on some spiritual principles. nothing good and useful for u society. e. there are no such provocations in the aart genre. and it's very embarrassing. it is unfortunate that such exhibitions happen in general, the skating rink can get to your exhibition. i understood this as a professional artist. and some other requirements orthodox realist. uh, we, of course, uh, put up a rather rigid barrier at the entrance, we preach exactly academic art, but we are confessors of russian realistic art. and uh, art, which, of course, is somehow intertwined with orthodox life, but with the traditional

perception of the russian world. as such , the program is called here in this case, we are working on a project with the power of faith the power of faith, what do you mean? are you for yourself? this is what is for you, what is the power of your personal faith, maybe then we will move on to in general, our slavic. you know a very difficult question difficult. uh, the strength of their intimacy is due to the fact that any normal person. e at certain stages of life ask yourself this question. is there a power, does he believe in this power, i alone can say that i constantly feel the influence of this power and i received support from people three times at intervals. there seven eight ten years, and from people who called nikolai ivanovnych. suddenly

, some nikolai ivanovich appears; for the first time it was and the head of the end of this song and dance, which he saw in a publication in newspapers, how i create choirs there in a remote garrisoned on the chinese border there, i need such a person. come on , nikolai ivanovich nikolaeva, then the next nikolai ivanovich did not appear when the army began to crumble, when, uh, the nineties , i didn’t see any sense in career support at all. uh, in his military path. suddenly, nikolai ivanovich appears. an officer with whom we once crossed paths, who remembered me and who says, listen, you don’t want leningrad to me. i say. oh well, of course not bad. you don't offer. well, you didn’t ask, so this nikolai ivanovich decided my fate and then leningrad , how do i get to ethylene, how do i get. here,

a certain nikolai ivanovich mikelev appears in some spheres of active social activity. what did the culture of tsarskoe selo go to, who found out that i was speaking in his honor in his offspring, listen, let's get down to festival work. you are such an active guy. it would be nice for us if i recently got a position, if we don’t have a single festival or a single normal holiday, come on let's work and everything and such a movement began in a different way. my wings opened wide for another life, although i remained an officer lieutenant colonel. i continued to function as a military conductor, and at the same time from the year hungry to eat nothing. and then there is the opportunity to earn money on television. good fees. they fell down. my family at least started there somehow , they didn’t pay us a salary for six months, therefore, these abilities for journalism in television to work in the cinema. they got me very cool. saved and nikolai ivanovich e. here we were handed the power of faith. i am everything time i feel, e hand i go hand in hand with

my angels with my patrons. i can't be unaware that hmm is there. will of christ thank you very much for the conversation, means wishes. by virtue of what has already been said to you , meet nikolai ivanovich more often, who would help you in every possible way thanks to his health, first of all, god's help thank you very much and a few words for the belarusians. you know, brothers from the cliffs for me belarus this is a huge plast, uh, which is part of the world culture of this song and musical and theatrical culture. this is literature. believe in the fact that these evil times, and sooner or later they will pass and good things await

us.