and then take a fresh start. i think that we will succeed, of course, in ukraine, too. the world will come to an eternal battle. we only dream of peace. thank you very much dear guests. thank you very much viktor vladimirovich for participating in the program, as today's meaningful discussion showed that the conflict in donbas itself should and could be resolved peacefully , primarily through the implementation of agreements named after the capital of belarus, it was necessary and possible. if only this conflict those who lose the global they did not consider hegemony a point of no return for themselves the passage, which means the decline of western domination, prolonging this war , rather than dragging out the transition to a new system of international relations, gaining time for themselves, but paying with their lives, completely different people paraphrase the words of the british foreign minister edward gray, which he said about the reasons the beginning of world war i pulling this hook. all the states of the world were afraid

of the present, and the united states was afraid of the future thank you but now. authorized to declare the minsk agreements were real the way to the world from which they deliberately turned.

my name is olga nefedova. i am the artistic director of the yanka kupala national academic theater

, an honored artist and just an actress. today i would like to talk, of course, about our heritage about the national academic theater named after yanka kupala okupalovsky. hello hello

and the actors won't work there and so on. well, it’s interesting to read this today after almost 3 years, what can you say about attendance, and attendance, i’ll say that we have broken through this a wall that was built thanks to our former colleagues, which, uh, escalated the situation thanks to some number of, probably, such half-hearted people who, you know, are such indoor extremists. i call them yes, and who will speak, so write any heresy. and of course, public opinion. it is very much. so this is understandable. yes, and at first it was very difficult when few people came, but i personally and each of us who listen to kupala, are immensely grateful to the people who came let's go and walk and look and rejoice together with

us, they live. e of the life of the heroes that we live on the machine, again, on the eve of the interview, i took any day saturday went to the performance, and the piston attraction is one of the premiere performances, i saw a full house. and well, i allowed myself to take off demons. demons can be removed. let's see how many people there are, of course. well, let's take a look. will there be people in the hall and will be very sincerely pleased?

why the wedding and guests of the city cannot come on their saturday come and i'll just take the opportunity. yes, i will invite everyone again, because you know kupalovsky lived alive and will always live, this is the soul of the nations that we are trying to preserve and we are succeeding, but i would also like with your help, our dear viewers. we will have a premiere and the nearest premiere. it is scheduled for mid-april, it's based on shakespeare's romeo and juliet, staged by daniil filippovich, then we will have the most wonderful fairy tale. this is for the younger generation then. and what will happen then, i will not say, come to the theater and see for yourself, by that no less former colleagues hatch their parallel plans in particular.

and oleg garbus recently gave an interview in which, uh, he seriously talks about how free kupala people are, when they return to the building on engels, whether they will play a peacock, that is, play a peacock for them or not play a peacock for them. don't you think that he, to put it mildly, is mistaken when he builds such grandiose plans. you know a person in his essence, he lives in hope. yes, in any situation. even the most terrible and in the most terrible diseases in terrible situations and therefore, of course, one can say in the words of a classic that hope is also fed to young men. let him think so. let him speak if this makes him feel a little better in his very difficult terrible life. that is, you feel sorry for him and understand that he has a terrible and difficult life. i understand that it is terribly difficult. i understand that oh, how difficult it is, and i understand, especially if one of them left of their own free will. i always

emphasize this, yes, but the thought arises about what could have been if it had been unscrewed two and a half years ago. and i think that some of them won't say all but guess. and at least a little feels he knows his former colleagues a little, but i can say that some of them may have regrets, well, that is, you think that he lives in hope, of course, that is, this is not life in a parallel reality , no. he does not see information point-blank. uh, the poster of the kupala theater, when you look at how new the name is on your posters today, we can show the audience that, well, this suggests that there is a corpse that works every day, cleaned up, breathed. well, how you can drive in there to think about where you are. hmm, according to his plans to be, so we have to leave somewhere. i don't think about what they think of me. but because uh, going to

you. i also thought what questions you will ask me. and so you touched on this moment. you know, i don't think about our life together with departed colleagues. perhaps on stage, because the stick has always differed from other theaters in the presence of a soul. and when we are all on the stage, we said, who is more, who is less who is given from there by the soul, yes, therefore, it was always warm and good there, and now it is warm and sincere there. and how can you open your soul, being, uh, on stage with someone who betrayed this place, i personally don’t see this hmm in any way, well, speaking of the performance, then let's talk about this particular production, and the piston is an attraction, and heroine. and yours , which you perform marilyn, she is an incorrigible optimist and abby - this is

our great tamara mironova, she is a pessimist. she looks through such black glasses, so to speak, she is a reality. please tell me here, maybe i'm traumatized in the twentieth year, but i read the text and split. eh, the theater in this in this production may be for many viewers, this is a comedy in its purest form, but for me it was here. such a dramatic moment that when people see the world in black colors , they, well, unfortunately, they realize their mistakes very late, what do you say , you understand, when we were doing this play and it was suggested by our e friend, a wonderful and honored artist of the russian federation actor pushkin theatre. he is also the director andrei zavodiuk. he offered specifically for mironova and for me though the role. e my heroine. she is older. she is just older than my colleagues, who are older than housing, it would be difficult to play this heroine, physically even now, when he proposed, you know, i

did not see any subtext of the twentieth year, because the play she hooked us, and i hope , and this also catches the audience, and in terms of genre , this is for the sake of a comedy. this is my favorite genre. he is the most difficult in the theater, because when everyone laughs, they laugh, then i cry. yes, but hmm, she is with sh. she is in human relations , she is about being kinder, what is necessary to be open to the world, in spite of everything, no matter what the ups and downs, the difficult tragic moments that fate sends, but because here we see the heroine tamara vasilievna mironova , who became hardened, closed herself, repelled everything with the help of my heroine. yes, that is , she again turned her face to the world, and it's time to leave. uh-huh this is about it and talking about it. yes, tamara vasilyevna velikaya will repeat. why because there are scenes when she is this

moment of rethinking, and her attitude to a person to your heroine. she plays it so amazing that the hall is really crying. after 2 hours of hatal, when our people applaud the belarusian artist, i am always doubly pleased. and how pleased i am, how pleased we are. thank you very much for the love, personally to me to the theater. kupalovsky to tamara vasilievna mironova to all of us. thanks a lot, we need this. you know what else that kupavlovsky - it was always a fig in your pocket. oh, the productions of nikolai pinigin of recent years. it was always a little like that , uh, with how much the intestines, how they themselves often liked to formulate theater today. eh, can do without this dooley or all the same? well, in general, you are thinking about introducing some kind of sharp social into the repertoire, that is, you understand the question is interesting. uh, so the 20th year bombarded everyone with these

muzzles, and which were about to gather. yes, i just want ordinary human happiness, but i want to talk about good real relationships about the soul, but, and life without any duley under, uh, some kind of trick. uh, prank, because we. well , unfortunately, it led to bad things. it is very important that olya and you are a maramiron in the audience with applause. indeed it is very pleasant. it's worth it. and you and the actors of the dome theater. you feel this audience support, maybe not only at performances, maybe it is expressed in some other way, of course, it is expressed when people meet me somewhere in a store or there on the street. they just say, they say some good words, uh, because you are so good, but at first. eh, there was this part

people who cursed, of course, yes, the meeting, where are you and that's why there is a hell that i had to go through for which i still don’t understand, but hmm the negative of all this. well , there were more good people and good reviews that said thank you for staying. thank you for not getting involved. for the fact that you didn’t go, you didn’t start working with shreds, for the fact that you kept kupalovsky just, they say, some good warm words. i'm always grateful because, but that's what we're probably working for. yes to carry this light that will give us from there, and he will share it with the whole world, so i am very glad, but we can say that these words of gratitude, audience, support, audience, love is here. is this an echo of political strife, or have you already worked out, uh, in the theater, your new repertoire and developed a spectator who goes specifically for you, who loves

the updated kupalovsky, which we already said breathed cleared, uh, which the art of drama values ​​​​above all . and i never dissected. yes, i'm not a journalist. you know girls about how how it is, how he loves me, how whom? yes, like uh, in general, i can say that, probably, this love. and e century knows, because we have known each other for a long time. we always talk about it. i love to give. e you interview. the only thing. yes, and before the twentieth and after the twentieth this is understandable, but i can say that i was loved on the radio. yes, that is, i have repeatedly said that i became famous thanks to my range and so far, in my opinion, no one has surpassed. uh, djs, leading girls who had so many talk shows are interesting, so i think that for some, love stretches from time to time, as if the first fm radio stations

aired the next ones too, and someone joined after going through these millstones of the twentieth year. today a young director daniil da works for you. the lion's share of the repertoire. here she is under his production, and but he does not become, so to speak, well, the main director or this. it means that you are looking for another person who could be in charge, because while he is hume he is young he is talented, but at the same time, uh, he is 27 years old and in order to understand what theater is and become the leader, after all. eh, you understand, but it’s not enough to make a certain number of productions or performances there, you also need to understand where to take it all, right? how to communicate, how to guide? and this he just because of his age is still learning. and maybe he will, maybe someone else will. eh, if a person is

more experienced, so we can say, this is how we grow up, of course, and not yet the lion's share. and yet we try to divide in half, because we are very glad that he has we are. and he has a certain uh, his own vision, uh, this vision is not mine. i can say yes, that is, i love. i don’t know the classical theater, chekhov. i love where the soul breaks, yes, that is, i love performances like this, but it has its own form. she is also very interesting, but er flood. eh, like. e kupalovsky, only with such an unusual form of genius, but this is also impossible, you understand, therefore, a person must grow up a little to gain experience in order to understand that theater is necessary. well you said you work at two directions, that is, you are cultivating, but if some powerful, bright personality suddenly appears, e. another person director, then you, consider this candidate, does

this mean that e time? uh, when the theater is created and everything in the theater revolves around one director, you understand, you can say that uh, it has passed, but it will be wrong because anyway . yes, it is clear that now there are much fewer people, and our corpse. she is still forming a corpse, but we have not yet collected we all have only 35 people, and there is no middle generation. unfortunately, the middle generation - i'm another actress - there are no men, and therefore we are open with us . uh, the so-called auditions. yes, the selection goes into the corpse and the formation of the corpse is a very complex and very lengthy process and god will give in five years. we somehow form more or less. at the same time, i will say that i am grateful to my fellow male actors from other theaters. this is volodya ivanov this is andrey smooth, and

who helps, who is happy, but participate in rehearsals and productions that just came to the aid of both the theater and me personally at this time, well, i won’t say that you understand hmm if there is a collective management of the theater, yes, here is the question, returning to which you asked me, then everyone will drag his side. it will be swan cancer and pike of course yes, but because all the same, the theater is an ambition, uh, except for talent. yes, it's a complex character. hmm . of course. yes, so there must be someone who, uh, encompasses all this. distribute will direct the definition for this you need brains, but serious brains and a clear understanding of where to go? and how are we going? yes, that's why, uh, the search for the main director. we are open, we communicate too many lessons

taught the twentieth year will not be such that a man has come, yes, and let him be a genius. eh, like no one ever, like all the directors of all our cosmic worlds. yes and you know, i don’t have a theater for you, this will not happen, because it’s too uh. expensive mentally, i mean, too expensive. it turned out . revival took too much health, nerves, personally mine. you once said that she would consider the figure of vladimir pankov simply by personalities. it was a year ago when we talked. uh, now there are some interesting collaborations that are present . uh, i won’t voice it yet, so as not to jinx it, because as volodya podkov he is immensely busy, and even more immensely in demand in russia in moscow, so he, of course, will not come. and for this reason, here, but there are a few more people. uh, with whom we

communicate, which of course, uh, they will be given the right to stage performances in our theater, and then we we will look, that is, there. not there, ours is not ours to our liking. i mean, because we need to take. hmm, kind of invite. from russia, again, why are we talking about russia, uh, so that no one would say that these are there again, as if it were russian and russia a, because i already said, but once again i remind you that when the disaster happened , and when we collected to restore the peacock. e, i personally applied, and through the ministry of culture to the directors of each theater in belarus, i asked them to come and for a while, and to take control without leaving. e your positions, yes, and his acquired. perhaps there is a warm place with their legals, but just to come, like the actors of the older middle

generation to come and help restore kupala, no one responded. no one dared to lead, at least temporarily, the performers are obliged to the national aka. theater named after yanka kupala well, what you say is right, no one dared to take on this responsibility, you see, there is such a thing . parents before the one who raised you like this, i believe that kupalovsky he still was and will always be the most. just a personal heard that today the legs are ready, of course , when everything settled down, they all crawled these isaps. and just like that, and we listened to the demons' music perfectly or they congratulated them to the width, and he literally broke the news. although i used to write. it seems to me that not a very

successful song for the da vinci group and this is the director working with the director of the direction with us what we were telling, great man of genius. i really liked it , too, along with the performance, we will interrupt for a short while reminding. y. we have a telegram channel. say, be silent, subscribe, ask questions and suggest guests we are in touch. say it again, don't be silent, and our guest is the artistic director of the kupala theater, honored artist of belarus and just a beautiful woman olga nefedova. olga, we know yours, not only she, you told about it. known. your personal drama story, how you saved your mother valentina dmitrievna from death. eh, 3 years old. you spent time with her in hospitals, maybe that's why you have such respect for older people and their values. what stories, that is, we never heard from ourselves there that

you said, fu, nasty scoop, die, what do you think? of course not. e the fact is that we are all brought up in the opposite way. yes, as someone says, it’s possible, and not only parents, but also schools of universities a were involved in our upbringing, and therefore we had respect for the older generation, and my mother died not very old and it was only 68 - it's just was a mother, as for every person. who has. eh, here, here, love for a mother or father understands what i’m talking about, this is the most important thing in life, the person who gave you life, how could it be otherwise, but i don’t understand how it can be, otherwise it’s just , perhaps i will answer this question. i don’t know, she told me somehow, yes, that as a student , maybe even earlier, this fashionable bang of carlson, now we’ll show it on the screen, she put it

not with hairspray, but with sugar syrup, the main claim to the ussr was a terrible shortage like if they filled the stores with everything they needed and hairspray, so that it would still remain until now perfume french perfume yes but uh there's something else hairspray, so sugar rubbed it into the scalp. it's actually funny funny now. and when it seemed, it was very, very cool. yes, as it were, but at the same time there is. if you put yourself now, and yes, me then, if i may say so. i have a lot of perfume french. yes, i have hairspray, but i was happier then, you know,

because i was younger or had confidence, at first, my parents were alive. yes, uh, friends were alive. those who left prematurely early, and it was not that everything was ahead. no. i still remain an optimist. and it just wasn't that many disappointments, you know? that's when i ask myself the question of why i understand all this. my mother and i often argued, as with one of my husbands, that they called me in unison a flower. yes, then there is no way to look at the world with rose-colored glasses. but the situation when it happened to my mother, this mesothrombosis is terrible and all life is in hospitals. it was then that these pink glasses, as there is such a common phrase, were also broken now, with the glasses inside, and in the twentieth year, as soon as i glued them, well, figuratively speaking, yes, as if i put on these pink glasses again. they broke them and pressed them into my eyes. i got blood. that's why, of course,

probably, all this in order to well, life is a test, to understand this no denying, but at the same time, olya, i am convinced that you remained in rose-colored glasses. that's the paradox. yes, you didn't get embittered for a second, like this character, you understand, when this independent exodus of my colleagues happened, then yes, again, it comes back. although already as he says, my friend, what is chewed tasteless. yes, already, as if forgotten, we live on. why didn't you get embittered, uh, over time? yes, this is your question for vika on the eve of my 50th birthday. yes , i don't know what to say. maybe that's how i see life. ah, probably, but you understand about being angry, at what at the fact that people uh live with their lives, tried to rip out my soul, and i did not give it. yes, which i kind of get angry at, i didn’t give. i didn't let it happen

to me. i did not allow myself to be crucified, according to popular belief. i didn't allow it. i can take care of myself, you know? thing is, i'm hmm i've already said, again , maybe it's going to be a little obsessive about myself, yes all the time, but i'm aware of my actions with my thoughts i was taught this from childhood. i was alone in the family, i already told her, so there was no one responsible for me take. i didn't have siblings, yes, and that's why i was always told, olya , you can tell what she will do. olya is her father. olga called me. yes, olga thinks there is more, well , somehow they invested, so i hmm why is mine saying angry? and not in the last attraction that it will probably be worse only for yourself. yes, the answer is always a fighter, or you are now a fighter in rose-colored glasses, or you now wear glasses only on special occasions. no, you understand, probably a fighter in pink, cracked, glued, glued

ones. that's right, but this pink one, uh, because what else can i say that i'm never the first i never in my life can confirm this, as well as the enemies who have left, who have not gone. and i never wept. the intrigue never attacked anyone, but when some hmm representatives, and the rat of this whole community tried to bite me. i won't let you do that. hmm, i can take care of myself. well, then, that's why the representatives of the older generation, which they still are. unfortunately, after 3 years, they are dismissively responding. e. here you still have the good old, evening performance, yes, all to you. let's see a small snippet.

they all dispersed. you beat the living to be guilty. it seems to me relevant and very poignant for all time. the well must be alive. actually, the closer you are to the theater , to the family, to society , to friends, to life, you have to be, because in one way or another, you have to be vessels. we recalled operating here for the twentieth year already, that almost 3 years have already passed there. we meet with you on the canon of your personal holiday of your personal birthday year. soon it will be 2 years since you assigned to each other the kupala theater it's hard to cope with your desires or thoughts

to quit everything send everything to hell. you know, i 'll be honest, it's very hard. that's great. mega, it's hard because the theater is any theater, and the national academic theater. this is a huge structure. it's like water. and where is the artistic director or the main director? again, uh, there was a huge staff of helpers. now there is no one, and there are very few of us. after all, there used to be 70 sometimes 90 people, but in a corpse, uh, and uh, this made it possible to rehearse several performances. now we can't do that, because we have every shed of gold. well, as i understand it, let it be time to replenish this resource. daniel has now taken a course. he is also around him, probably, some kind of youth revolves. i don't know is it difficult , did you cross it, you know

, the line, when young people were pecked at for the fact that they come to you there communities. eh, she was shy, you know, tension. i didn’t ask, apparently yes, because when we started the restoration of the peacock, this is it, and so from the side of our fellow students, apparently. eh, perhaps there are no teachers, which, yes. although why was it permissible for me until now? this question simply guarded these performers of the main roles. i remember how you told me, yes, what happened, and you know now guys. here are those who came to us and stayed with us. they understood that i have always said and continue to say that we are not engaged in politics, we are engaged in creativity. yes, and apparently they are themselves. uh, being still rather not small, but young. they are already adults anyway, yes , people, but they understood this and saw it with an example, for example, after all, anyway, we lived

some part of our lives together. here they are strengthened. they have something to say to them. hmm well , that's all it was nice to hear and it was nice to look at the youth in your premiere, which i watched the piston. and you know, i 'll tell you that it's the guys who came . last year, we invited guys from moscow. they didn’t speak russian, but they are magnificent, you understand, here they didn’t know the language of the belarusian language, but if we recall our luminaries of the same accordion of filippov’s novel well-known actors, they didn’t know, they were also russians, they arrived, and they were the most worthy and worthy actors of the kupala theater, just like the guys who, six months later, are in their educational process. uh, the whole corpse took part. i am grateful to the young actors who helped. uh, we don't have a personal part. unfortunately, it's a nice trend. listen, ivan dyatlov will sing

a guy in belarusian and we will perform on tour moscow actors will revive this suggests that we are all slavs are all the same, you understand? i will not remember now and walked, to which i glorified, but belarus and belarus will not be given, vladimir kostyukhin. here, i'm sorry. to be so primazesh lightly. i am also russian, yes, as it were, who had to take responsibility for the topics that broke this trend that belarusians are leaving for moscow now moscow is here, and it still happened. if someone i'm already so right, right now you said, yes, and i already hear. they are probably just hiding from the mobilization. there has never been anything like mobilization and the guys have arrived. daniel followed them. we looked at them. that's the point is that they agreed, they came first to talk, then just wonderful guys came, yes, but there are muscovites who

were with us now in muscovites. this zinovy ​​mongolia recently gave an interview. e, in which he called the death of the theater his personal injury, you understand, he is not there in the winter of margolin why is there a personal injury, and why was there no personal drama when he left for moscow long ago why wasn’t there when he left everything and went. uh, talented man and drove uh for more ruble to moscow and got accustomed there, why didn’t he seem to have a personal drama in relation to all the art of belarus, that’s the question. i have such an answer, you understand? or, for example, i personally have a question also to the revolutionary anatoly which he will play woland instead of nazarov who left is absurd. well, newspapers are written by businessmen. i didn't call. well, they write that woland will play, that is, you understand, it turns out that these are the questions. uh, the morality of choice they have in

relation to belarus, which they left long ago, having gone for a long ruble, of course, and there are no questions about themselves in moscow. well, the most important example is god with him , cattle with the earth, as you understand , everything has already been passed. yes, and everyone knows the cat, what kind of character he is, but the most striking example, which i can’t help but give, of course. uh, this is just a person who personified, uh, uh , the belarusian culture, yes, which was for the belarusian language, which we even once grappled with him in the theater. and when i spoke russian, uh, in general, pasha kharlandchuk, who did not speak, uh, russian, who said that this is russia, yaks there, yes, a tra-ta-ta tra-ta-ta. and that russia occupied all this e russia, where is pashenka now in the provincial theater with sergei bezrukov , to look for a fastening theater in moscow, of course. here, draw your own conclusions. look at

your heroes. maybe fate is punished like this. yes, you know, uh, i think buran is not fate punishes. showy because if those people who went, again, for the pits of kupala, but for the pits and so we will call, if you knew them closer, as people you would, perhaps even on the edge. the fields didn't pass. what they did in their private lives and in the life of the theater, how they broke the fate of those who came. what intrigues were woven, and which then imagined themselves, uh, the mother of all belarus or there, as it were , something else, you understand? it says that this is the essence of man, that's all. and who gave them the word? where does this come from? ol happened to be

an actor? well, very average uh, mental ability must lead uh people to broadcast something tell politics nothing in it do not understand at all. where does this come from , this applies not only to actors. now i'm not what i'm going to intercede. and this applies to everyone else, when they wrote and threatened me, but at first i opened some kind of dental technician from smorgonia, which i think who these people understand that you are writing to me. who are you who gave him? who gave to someone else, no one gave. this is the global work that was carried out, and immediately to you the soviet union is no longer a secret, as it were. everyone knew about it and is aware of brainwashing, but the fact that everyone of us, uh, may not account for non-parents. neither there, no matter how country or place, nothing holy, and this hmm education of great

vanity. this upbringing is about what i am , although you are zero zero and the words have become worthless, you know. well, here, it turns out, everything that he said. pasha who is all this explanation for today? yes, because life is not completely different, the facts show us, the saying. there is one about the fact that god is not a bottle, he sees a little. yes, for what is apparently for a huge number of misguided people who considered him suddenly for some reason their own an idol and follow him or follow them. he just very quickly showed us from above that people should not stay in this delusion. yes, and there they regretted it. here, what are your idols, after all, it is not in vain that it is written do not make yourself an idol. uh-huh well, not in vain. well , then again i want to pay attention to what is still necessary in order to talk about politics. well, at least a little here to understand this topic. yes, this is tantamount to what

you understand, so i lived, i apologize again about this with my mother in different hospitals, uh, and 3.5 years almost to the day. this is equivalent to the fact that i'm an actress, but i'll buy a white coat of medical equipment, a hat, gloves , a mask, i'll buy a scalpel, because i've already read so much about the place of thrombosis about the intestines. i'll rush into the operating room, push the surgeons aside, and perform the operation. this is as absurd as what happened. it’s just, well, olya again answered intelligently and adjusted her pink glasses. you know, for a while, let's take a break, i remind you. we have a telegram channel. that's what it's called. say don't be silent. subscribe and ask us questions suggest guests we are in touch. on the air say again, don't be silent, and our guest is the artistic director of the kupala

theater, honored artist of the republic of belarus olga nefyodorova. olya, there are now heated debates in the belarusian society about whether it is necessary to return to their homeland those who messed up in the twentieth year and now want to return. that's how you feel about this agenda, not everything is so unambiguous. yes, unfortunately, this is what they did wrong in 1920 and the fact that such a proposal has now been received. here is the president and commission was created. for someone it's good, i will again speak on my own behalf about myself and about the place where i work, i have been serving for 30 years. i can’t imagine how i will go on stage, and with those who tried to destroy

the theater with their conscious departure, knowing what will follow, i can’t imagine how i can talk about the soul about friendship from the stage to the audience with those who betrayed me. they were not not so close, and i repeat once again that it was never a family. it was such a clan system of heaps, communities. i think it's impossible. hmm i think olya well, i agree with you and natalya marinovaya, this is the director of the tv channel and belarus 3. she was also visiting us recently and said that it is premature to return such colleagues, but it is premature, and political scientist yury voskresenske said that those people who want to return, but who filled up their sites in the twentieth year, they will not return to their places. well, we have many other sites, because maybe let them return, but not to the theater. that's how no one wants such a production, other places, girls, you know,

no, too little time has passed and too much meanness. e in those who have done this meanness too much meanness. uh, to come back, that's all. they will do dirty tricks, all the same. yes, the events of the twentieth year are not something for me to write. i don’t even want to remember, because, and we lived through it, we went through it. then we live, create , work, enjoy at home and together with the motherland , but i had such a desire to write a book, perhaps it will come true god willing someday to retire, when there will be a lot time, let's look at your childhood very childish photo. tell me, please, i , uh, think that little has changed, at least the expression on the face. here it is, uh, remained with you preserved. like looking at this

photo. now you understand that a fighter and artistic director of the kupala theater will grow out of this mogilev girl or not? ah, no, no, you see my childhood clean little eyes, right? such a song was not ethereal, but you understand, i don’t know, but how is it that i didn’t imagine myself such a main one in my childhood, in addition, vika you know me beautiful. when i start to say something about me or say something about me. after all, i answer right away that i have never had career ambitions. uh, i'm taking my place. i have been and will be an actress for me. this is a gift. i am grateful for him that i can carry this color. if i wanted to be an artistic director, yes, if i wanted to be someone else, then, do you really doubt that with my energy, with my positive, i got used to charisma, i would no longer

be at 30 years old you understand, but i i clearly know that it is not necessary, of course, i bought a house, far from minsk more than 30 km. this is a farm, where did you find it? happiness is that i grew such zucchini and didn’t really dream of any kind of art. but you just understand, this is, as it were, a war, this is such a quiet, but very terrible war. and when you ask yourself a question if not you, then who is m-m ol well, you said that you are an actress, what is the essence of acting and is it possible to blindly trust the actors who, for example, go to the presidency , this is a very such question, of course, with a twist. i understand what he is talking about, and having those examples that we have when an actor became president nothing good came of it. it seems to me that based on the life practice that we observed. i mean both the american president and

the ukrainian president. this is probably some kind of supreme satanic moment of vanity , you understand? when a person, uh, besides his ego, and what follows? yes, enrichment is there, but the complete admiration of that country. yes, there is nothing more to it. that's all. that is, it is some kind of injury, yes, a person. his ego grows so much. it's not even an injury. century. it's just a need to feed this one of your satan. you understand this one, yes, which is called vanity, yes, to saturate me with little that i seem to know in the theater. it’s not enough for me that they know me in the post-soviet space in russia, such a huge global one. i need to be known by you it's not enough for me to be known i want , well, this is alexander sergeevich pushkin about

the fisherman and the fish fairy tales all the time, if they could do this, then they are good actors. i don't know what kind of actor rain is, because what i saw, in general, a long time ago in childhood. yes, they were westerns. i don’t remember just zelensky, he was an actor. uh, well, normal average. i won’t say that you understand brilliantly, but yes, you see, he seems to be a good strong actor. the fact that they became president to me, this last experience , is a sad, terrifying experience. eh, it's not just his desire. after all, this is the desire of this team, which moved him, you know, and who stood behind him, and now we understand this very well, of course, like this. that's all, olya, and we also noticed such a trend in belarus there are a lot of artistic directors, in culture you are in volodar chukovskaya youth theater tatyana panova vilenka variety theater.

is it such a fashion trend or, as always, a woman , what fashion trend? we would love to do our own thing, and again and again this is unshakable, my saying is that if it appears, the one to whom, and hmm, who will be able to lead the national academic theater, knowing the culture knows the hand, knowing the needs of the viewer, yes, i am very pleased. i passed this on to the ride. own forests i don’t know how to grow blueberries and zucchini there, what else to act in films. yes, not here, because the defense is kept here. for some reason still. i don't shoot in my country, but you know, this is not a trend. this, again , is not me, then who is there if men do not have enough. the power of responsibility that becomes

a woman thank god that we have such women ol but i know that at least. you had to sacrifice the fact that you don't like to get up early. you are a classic owl, but now the theater is calling. well, like a pipe, what is called and you need to be there from morning to late at night, which is still on the scales. that's when you become, it seems to me the leader. mm, more compromises coming. probably i'm not such a correct leader, yes, which again i say that if i wanted to be a leader, then believe me , they would have been by their 50 years for sure. yes? i’ll just explain how you play a false role , then any actor needs time to get together, there’s no such thing, so that once, i ’m now saying that you are solving a play, there i’m talking to a playwright director, then hop-hop went and played. no, it's impossible. so this is the setting i er, what is called for the day? you know, brush aside

to solve some issues, so that tomorrow they won’t even touch you, as questions of a production nature, let’s call it up to the theatrical and personal nature. yes, that is, uh, roughly speaking, if the dog needs to be taken to the veterinarian, then i will do it now or later, but not on this day, not the day before, because i start to type in type in type, because what is happening is this well-worn buzovoy word magic on scene. yes, you understand, and this energy is part of my life. it is sent to me from there. and i give through myself. if you are empty, if you are not collected, if you are again deceitful, yes, you won’t share this miracle called theater, because what is theater, it’s energy exchange, and why it will always be, because people come spectators come, and we give energy. you give us back, we have a cycle going on, huh? and something happens we

start to think to breathe live differently, you know, and so i going back to your question and consciously putting everything aside and i'm going to. this is what i miss a little, because i could tune in more time to this or that role, even a small one, but i really believe in your energy. i hope that you will also take this out, because there were many situations in life. when you could make sure that rose-colored glasses are up to you. i really wish, of course, the theater and new actors, er, and a strong corpse and repertoire from the audience, of course. today you are already on such a pleasant way to this and let everything be difficult for you. and we thank you for today's conversation svetlana smolonskaya. victoria got to say goodbye to you. goodbye. goodbye. and now olga nefyodorova is speaking. i want to appeal, probably, to everyone who is watching this now. a wonderful program and sees

me personally. come to us at the yanka kupala national academic theater and enjoy the play of great actors, they are with us. remember this. just take a part of our soul and give a little bit about yours. we love you and hope that this is mutual. come, we are waiting for you. steel muscles, stone character and indestructible

will to win, but for me the gym is already , uh, like drugs? i don't even understand how you can, well, don't go to the gym. it's like brushing your teeth, how to eat, how to drink water to go to work, but it's already sitting inside, and it's already, as it were, stronger, this is the craving for the hall. yes, this is stronger exhaust. this is the life of an athlete, fitness trainer, former tailor and beauty salon owner with a choice. uh specialty. i would like to be a partner cutter fashion designer, because at that time, well, there was nothing in the stores that, let's say, wanted everything, this is the way a woman is about him. we want to be beautiful. and it does not matter something in the country and will be painted and

hairstyles will be seen on friday. the editors' club is the most important brand in belarus for all these 30 years. this is the economic world. security is primary, oddly enough secondary, because it is largely determined by the state of the economy in the country , the time of opportunity and the construction of a new information model of the future. we are gradually , step by step, moving towards what is to be a program rules have been implemented are often not respected and often happen. so, what wins is the one who does not follow any rules at all. we must build new ways of communication. we must build a new economy. this bet is on a new generation. the bet on belarus has been formed. indeed, belarus has an intellectually open dialogue about the most important social and political events in the country and on the international arena. see in the project

the club in the ranks on belarus 24 tv channel. i was very scared who you don’t remember anything, who you are such a go baby? i deliberately damaged your car. i was told that my car had a cut brake hose. only you wanted

to kill me. watch the series. remember me this weekend on belarus 24 tv channel. if you haven’t thought of your dream trip yet, then we always have a couple of great options. this is the highest mountainous settlement in belarus , which, moreover, became famous, we recall the lessons of history, as the first capital of the grand duchy of lithuania, guides and leading our country in 1519, thanks to the zealot orthodoxy to konstantin ostrovsky, the temple acquired the shape of a ship, this photo is in 1914 . this is how the temple flew out with a cross in the same way and has been preserved, lay interesting tourist routes of the complex, there is a mini zoo, therefore, i propose to communicate with residents who are not afraid of winter and

share their first impressions, because it is lighter for them to travel with us. on belarus 24 such a mysterious and such a forbidden pinnacle of extreme sports, and a unique opportunity for co-creation of the artist and the audience, we will feel the magic of circus art and we will see him behind the scenes, watch the project of fashion for culture this weekend on belarus 24 tv channel

. live main news at noon in the studio sergei lugovsky hello, watch the episode. the president frankly on the most topical issues, a large landing of foreign journalists is unilaterally hampered. now lithuania is officially ceasing cooperation with belarus to ensure an uninterrupted flow of transport across the border.