so what is it, belarus business and developing hospitable bright and festival picturesque and monumental and team we

introduce you to active people who live in belarus to understand and feel it, you need to see it with your own eyes. hello dear viewers. before the tv channel belarus24, watch us every day, after all, we do, belarus is closer. one of the copies of the world-famous joconda

was in the prada museum in madrid for many years; there was no interest in it because there were hundreds of copies of the mona lisa. until the canvas was touched restorers. in 2012, it turned out that a dull black background appeared on the canvas no earlier than in 1750 and hid a foggy landscape, just like that can be seen on the original, art critics came to the conclusion that a copy from prada of his students while the master himself was writing the original the secrets of what other world masterpieces the restorers managed to reveal, we will definitely tell you today in science addiction. my name is ekaterina beretskaya. hello. in the next half hour, i propose through the prism science to touch great art. stay with us and you will find out. a forced measure or method of prevention, when the picture requires restoration, duplicate, clean , rewrite. what restoration work

is carried out by the masters of the national art and how science and the laboratories in the museum help them look into them very soon. translated from the latin restoration of this restoration. let's study the history of the issue right now. the word restoration itself comes from the latin restoration, which translates as restoration, although restores art objects. as a last resort, without these works. nowhere. after all, time goes by and masterpieces do not get younger specialists restore the monuments of the sculpture building. and, of course, paintings are a direction. one of the most important specialists in art for the preservation of the restoration of historical and cultural heritage is the restorer, who must have technical skills and a good knowledge of history in the field of art. well, it's time to introduce our restoration guest

world masterpieces and not only in the studio of science addiction. we will speak as deputy general director of the national art museum in belarus vladimirovich good afternoon. good afternoon sergei vladimirovich evening deputy general director for general affairs and restoration of the national art museum is the chairman of the museum's restoration council, a member of the council of the belarusian cultural fund. and right away, here’s what i want to test on your scare, restoration is the majority of those who use such science, and at the corner one without the other is a lot today. i am for everything up to a true ten in the middle is natural that restoration is a synthesis such here and science here and bridge here a purely technical walkie-talkie of specific workers. and actually, the technology helps so much. and you now let's, uh, deal with our

nuances and the first epic some experts treat that a fragment of moscow having fallen down can not damage the restoration can inflict skoda however, everything that is, uh, is more than esperoists. it seems that they are left - this is a chance for fragmentation into a new life. tell me , after the restoration, the masterpiece will take place yourself masterpiece. the fish, of course , the restoration is absolutely not a shkodela subject, but only a larger one. his masterful historical vartasti from this washed one . initially, and the largest restored restorers go to onion supracionics and hummingbirds, it will be necessary to carry out restoration and conservative measures for skin drooping on a skin museum object, especially

the irrigation of the unified state examination is the stage of restoration, what can be fished, what cannot be ruined and based criterion nor on skoda is glad to have grown that there is no eika and the picture, entrance restoration. yes, some work begins, they gladly accepted. the decision and the restorer submitted his certificate directly to the restorer. now , the sector of physical and chemical investigations has also taken over the museum. what am i, before following , guilty of interfering with the ulas itself on the restoration walkie-talkie. this means that the museum object from the cob. i'm like a subject of restoration, let's say for work such as x-rays, chemical one-piece follow-up samples are taken.

how to identify somewhere for what materials, and it was a great, damn it, relief to understand, let's take a specific fragment of the sacred remnant of the image in our collection of welshmak images of orthodox catholic sufferers and they have been updated and rostered in our exposition of exhibition activities, we take a specific image of the rule. these are temple images and what fun the tyntinsky temple, and in this temple, you yourself understand , dark soot candles were lit to store, then i'm a brother of the eighteenth there c-19 on the cob from that day jump, oh, the fun of tens of years, or even hundreds, because of this hour, new layers appeared more. on the other hand, i often throw it away, they didn’t eat it, they were no longer updated naturally by the author. and inshae mastabaza here, in each

particular outburst, it is not known who did it, and you are not cuckolds. we are such breaststrokes, we take. we look at it with transparency and it turns out that the author's layer is hollow. she is the author’s layer, you have already stocked up a few more layers for you, and here is a simple task before restoration, what are we working on? we go to the author's layer with smoke, they are all the later layering of tini chapaev and then with a skin specific lunge everything climbs from a whole e- shira-chinnikov onto the butt of the gauge, the author's layer. we bachem that her not pashka from his wife is absolutely normal, as a rule, the author's layer for everything. this is the most recent past, and we want the visitor to look around, that here is an image, for example, here is the eighteenth year, and then we go to the author's layer, but at the same time

a restoration passport is cut on the skin object. and the idea of ​​teenage fixation in all events. it means eh. there is in java let's say, samples of a specific museum object, before the restoration works, some special elements work for the processes, and in principle , the history of the existence of this object is buried for our documentation for our museum archive, and you can open and look at everything that has been working in the winter, but some hummocking -to put it straight, let's say, we reach the author 's property, which means that removing the later layering already back is a bit of a step-by-step process , it often happens that we also end up with the image that was. well, not expressive and a slave. there are such

juicy farms of stacks, say, there are 17, all summer i would have become a snail. what was the name of the golden age of the belarusian icon. mostly images of the seventeenth year were presented. and amai, the skin backside of their images, once underwent restoration, and it opened in all its prettiness. it was important for the witch in special outbursts . it happens that you can look at some area of ​​the later layering and howl at yourself, as if they would act that this cup was earlier this troch of the later skin specific effusion. direct toils the decision of specialists, engaging in this processor 100 once. well, jump pictures, you know, restoration assignments are being confirmed by restoration radios. what for a specific

opening to require offensive operations one, two three. there, on the points, it happens so often that in the process the restorer dodges before the restoration is happy with a request to see it again. new news is opened, for example, a layer and such fragments are opened, the kepotro will be dedatkova dimming. it's true. once again, they are elected, they all freeze, they rotate, that they let them rob, fall down or flare up, because it’s naturally important not to sand memorial and to show all his left -handed traits from this lies the term of work, some images can be cut down there in a month and a half in two, and not some fish, half a year, there are attacks and skills that strain objects for a long time. we have a museum of one ikeast specialist i.

polychrome sculpture, but to understand this is a sculpture, a sounding temple boiler room, which was painted and the tails of this chruspis on the table, it is especially, folding, carpotly, brother, and one sculpture of such a growth can be robbed for a couple of years, but restorers cut with more parallel from time to time. there are not several times to troch and sleep and pink yes, and, as it were, pass from one of the truths, you have the other, that you wanted to look at the villa and we have such a machine, because they have already visited my trunk as correspondents. let's watch the report. this is a painting in the laboratory of the national art museum. received from a private collection, scientists who are engaged in x-ray research and answered all the questions of concern to the customer

. this picture is a copy, completely different. this is an english artist of 891. this is a work, but it is stored in the gallery. there in england, in my opinion, but it is much larger and everything else, so this is the subject of a sick child, very much the parents do not know what to do and the doctor is also sitting here thinking. well, because i don’t know the owner, yes, it’s interesting the state of the work of history is called the doctor of the english artist luke fills, he wrote it in 1891, and unlike copies, it is much larger in size, except for pictures of the laboratory often come icon. for example, the same, for example, church

servant well, what should he do to look for restorers from him, and he sometimes gives such work, just, as i call it a painter. they change it in such a way that later the restorers find it very difficult to do all this when they come in for restoration. scientists take pictures, and then draw up a passport of the work, which will later be used by art restorers. following me too, yes, the staff of the headphone museum is also pursuing. here in the laboratory, that is, such a laboratory for the whole museum works on restorers. this is our main profession, that is, when a work of restoration arrives. she must first come to us, we will, uh, examine her with infrared ultrafine rays and then give her to the restorer. what changes there, some damage

, some something, the restorers have already repelled from this further in their profession , they open some of their own already. after the verdict of the scientists, the restorers understand what layer of varnish has been applied to the painting. how much has been done and the restoration of this, and this is a big responsibility, i don’t know such nuances, you can ruin the picture. here is an x-ray, which is just a portrait of the artist. well, we are already determining on the x-ray, we see that the artist first drew one version. he didn't like it. he made the second option already final. this is also interesting. the fact is that we have a lot of things to deal with, even in our museum. they bring uh work, under it is another completely different x-ray

of national art explore world masterpieces produced in belarus belarus is intellectual and the whole country we are in this once again made sure we are building an innovative future technological potential. so laser technology chips and microcircuits are completely based on domestic components, our specialists successfully enter the instrumentation of energy in military robotics technologies and even in orbit, all this experience of our own competence in various industries and today allow us to get out of sanctions pressure with dignity and help our ally in this project ether. watch on

belarus 24 tv channel. there are four columns on and set machine guns to shoot tv channel belarus 24 presents a new documentary journalistic cycle, in which the story is without distortion and fiction. you will see for the first time published german documents in the military chronicle and materials of investigative cases on the crimes of the nazis against the belarusian people, high-altitude injuries of famous settlements have been established . subjected to destruction, including together with the inhabitants and the memories of witnesses of those most tragic events. there was no water and such a ray was a crumb.

this is drug addiction today, we are studying the intricacies of the art of arrest, we find out the role of science in this process. and so, what else we will definitely tell about them, they say little, but save the canvases without them. it is simply impossible who becomes a restorer, the truth behind a layer of oil is secrets. what kind of painting

the masters and plots literally revealed, how their paintings changed their meaning after the restoration will soon be in the program. specialists grinding yes, i know that her restoration specializations. here tell us about our national remnants i-what process specialists and kolki on the corner to speak specifically about the national remains of the museum, i can say that this is the most exuberant restoration service in our ukraine, that the menovites are busy restoring their historical and cultural costumes of museum items, all items of museum significance. today, 27 specialists leave the warehouse, but these are both restorers and, uh, workers in the sector of physical and chemical research, about which i said, these are chemists of physics. e are engaged

in 130 museum fragments with a specialization, then today there are 10 such specializations structurally four sectors one sector - this sector guards the belarusian bridge. restorers. i'm engaged in the restoration of polychrome sculptures, i formed this specialization in tempera painting, another specialization in deer painting. this is the big alignment, our national remnant of the picture is a deer painting, the volume of a walkie-talkie. wow with the restorers. and those specializing in elections explode. this is us, damn it. these frames are special frame restorers, because the guard frame is so itself from the fish.

dress in the return line there are two specialists graphics and which graphic curds restore and bring them, uh, order, because here is the most fractional pashkoji. no, papyra clippings

are different, straight yellow darkening to clarity. god forbid there, some biopashkotnyu. all i clean up for this and robs with high brightness, but for all the holes in the skin sweep. maybe there is some kind of mystery lurking, sometimes it’s smart and that , it happens that the fish part the picture, who the author of this picture is unknown in the process of restoration , the layer is compressed and the autograph is opened, the author you had such. well, these were the attacks returned one collector, not a great painting in the process of restoration of the left way. it was possible to identify. uh, the author's autograph turned out to be an italian bridge. so on foot half of the nineteenth year, which is so self-accepting and increases the capitalization of the curd on the reflection and after the mouse, for example, and are ready to share

the exercises. we educate , first of all, not a warrior, we educate a full-fledged citizen of our society, how to maintain a balance between the state and each individual , we came to parliament in order to defend the interests of their voters, the interests of the country. now, when you are betrayed, it's the same as if your hands are punched, and you seem to forgive. you can, but there is no hug. in my opinion, the more control, the better and better the law is not to let go of the helm of fate, but through the complexity of the difficulty, you try yourself in these situations. you become stronger. you already see things differently. this is probably the only thing for you and me that we have to do to save our heart times. and act in good faith

in my business, i will always pray for every child in our country and in the countries of all, probably all countries of the world, let's talk about the values ​​of friendship, happiness and plans for the future. watch the new releases on the belarus 24 tv channel . we are in the funds of the national art museum of the republic of belarus , here we keep, with information, painting , graphics, decorative and applied arts. not only, for example, the belarusian museum of modern art. somewhere most of their focus is this. and we seem to have russian art and western european art. well, we have and adapted premises. there are such specialized

premises, which have only recently been rebuilt. now we have, as it were, clematics, everything was handed over last year in december, and here are these eight storages, where we are now. this is one of them and the new exhibition halls were also part of this restoration complex. this is generally lengthy, depending on how much more damage the duration depends on, and it is already the restorers who determine there is no urgent restoration and the main thing is done and the rest is shifted to some later period, these things endure, but the bulk of the restoration. it goes to the exhibition when you go. to be declared there is a list of the curator there is a must. and then we watch these works from the work of the curator. she does not go funds together with the restorer. they examine these works according to the list and look, what can be in this, what cannot be issued. what are the deadlines for the exhibition project. can certain works be carried out to

these deadlines. this is already decided by the restorers. and, for example, from what can be given out, it is given out to this restoration, and therefore , since the exhibitions, we have about fifty exhibitions. every year the flow of things is very big enough and the restorer. they mean, they have to work, of course, long-term projects, which they put on a chair that requires certain processes, did the process, lay down, made the process consolidated there, then he looks at how it went. maybe just keep going, that's why there are things which stretch the legs. yes, and naturally. here, during the break, he does some other things. well, very much so it happens. uh, the curator seems to be watching that without this work he has an exhibition, well, it just falls apart and something has to be done. well , the question is, what time frame is usually always done in a year, because some short time frames. well, sometimes we don’t give out some things. well, we put it on the mark, and they continue to hang in the rest to wait for their

turn, because we could not even give it to the deadline. we meet the restorers it cannot, because we donate not only to internal museum exhibitions, but also to other organizations, there is some kind of organization. there, the same russian museums ask the things we look at. well, you know, extradition. it is related to transportation, and what kind of car was not, and still a burden for manufacturers. it should ideally be able to carry these loads. and if we see that there are some processes, because you know there are not only 300 here. the storage apparatus depends all the time. it's all about the hands. this made by artists. not every artist adhered to the technology of painting, and they can reach us in a different state and there may be different sources of income for the museum of these things, especially old things, and therefore this is connected with the way it was made. and if you see a restorer, then

the process is lengthy and we don’t give out all such things, since our department will be preserved, if the work requires restoration, then, of course, it immediately falls on the chair by the restorer. and if the work can wait, then conservative rapids are carried out, or the strengthening of these plots. what work comes back and keep waiting in the wings in turn, when you can return to it. something about restorations is expensive, that restoration work is required for how to pierce them, and tools and consumables, a scalpel, a variety of pnzliks and pain folded objects are now needed for restoration and a microscope. how could it have been pushed through from that day to look into the very depths of that blue cottage cheese, science is gone before restoration, it becomes more and more folded into such amusing wines, belarusian

fathers, restorers. at the measure of maximum , they collapse on their own, and at the stately one, and that, the fact that the leaf fall of the zeros, and our restorers thermalized the new building, we called it the solution of the cynic. our museum was torn off by new bridges on the table of minting. restoration furnishings and everything, this is aimed at making this work more viciously. this is very important, but also that the museum is buying the great bed of consumables and restorers. uh, ours can’t spit that here are the problems with consumables and adhesive solvents. well, there is an excerpt, yes, yes, well, to the germans, i’ll mark everything to the maximum, that, well, on kolka this is important and your colleagues dyako and sergey vladimirovich, you know, they treat you for one thing

with kamania, and we spend an hour on the onion tradition looking around in the program. one of the most unfortunate examples of painting restoration is the restoration of the work of the ilyas. garcia martinez. his painting of jesus christ was a landmark in the small spanish town of borja, an 83-year-old parishioner of asessilia, jimenez decided to transform the image. however, it worked out. this is extremely unsuccessfully. into a real scandal. the restoration of turkish world -famous ancient roman mosaics resulted in 2015, the masters undertook to refresh the masterpieces. however, at least 10 images of monumental decorative art began to look much worse than they were, but still more often work. after restoration, it looks better than the house. sometimes even masters manage to find something that has been hidden for decades, for example, the work of jan vermier , a girl reading a letter in an open one.