pure knowledge, understanding and arguments, as well as questions that lie on the surface in the author's project markov nothing personal do not miss the new releases on belarus 24 channel. who are you? hello, where are you, goat?

remember me this weekend

the temple is a place for communication with god, and for razmovy with brothers-in-law, they left our ayash neck and the roof of the museum. this is a fact, not which both the church comes to the church for aesthetic stumbles, and from the dousing of the potash temple, meat glory and my status as a historic cultural chestnut. there are not only walls, and what survived the war both walked napoleon stefan baturets and nikolai

the other and left-handed threats behind the museum hallway faces. saints. i wrote mash as high as the class of ship light and silence in belarus, there is little temple in the yakiya like one to one and it’s guilty to be. aisha's ears in the criminal case architectural remnants of the advice of aki and blessed by metropolitan filaret to whom, prayed for the image of the great history for the capital of the arts, and not returned and undisputed nineties in the belarusian sacred bridge we did not grow with a museum with checks, but with the rector of the community for everyone tuzhlevy joy proteirey games korostelyov architect according to his aduction, father igorevich. we are with you in st. euphrosyne church in the complex of your cathedral. and in fact, this temple is very important for the history of belarus because it was built one of the first in the nineties and

many people remember the legendary tent. where did you come from here to this baptismal church. and it is also very important in one detail. this is a very important detail of the iconostasis. you consider it a masterpiece. tell me why vladyka metropolitan took care to ensure that in various temples appeared in the districts, no one could design, the architects did not know what a temple was at all, they did not know at all and only temples, only the second moment was destroyed, and the iconostasis. uh, no one knew how to call anything. everything had to be started from scratch. here i am an architect. i had a question about who would design and we settled on the architect nikolai mikhail for children, who just went to church, yes, that's all. that is , he at least saw that there is a narthex here, that there is an altar, that there is an iconostasis, and so on. and then there was a tough question even among in our midst is an architect. yes. and what kind of temple should there be in belarus in minsk well, in the capital of belarus what architecture

should be, if we were not, as it were, research , of course, such scientific ones there i studied when at the institute, of course, we studied the history of architecture of belarus, and in the temple these are monuments of their era, of course. it's very cool. this is pseudo byzantine style. i didn't want it to be any different here. i wanted more to have byzantium, but it didn’t quite work out, then they suffered for a very long time master plan. they drew options for me, of course, i didn’t sit at the drawing board, i didn’t draw anything there, but the creative workshop worked. yes, but that's how much, how much they didn't give me master plans drawn anything i didn't like, until on a piece of paper. i'm just down there somewhere down there was just such a curvature, drawn and from i grabbed it. i say, this is what we need. we will return with you in the ninety-seventh year, then, with the blessing of metropolitan philaret , an architectural and artistic council appears, and you

were just a member of it. tell me what was the main goal and what at that time you prescribed the task. we not only look at the architecture, so that it doesn't exist there at all. just badly done. we are looking at this. naturally, yes, but even behind the iconostasis, because we have professional icon painters there, and we are considering it, because it must be completely canonically verified. yes, this experience has been verified for thousands of years, what for, where should it be located, when the priests, because of their desire, began to redo everything somehow, as you want, and that we look at this to make sure everything is canonically verified, so that there are no mistakes. yes, no mistakes. it is harmonious, it is immediately clear that everything is in its place. but when it hurts the eye, the fact that the wrong icons are placed will cut off the eye, and it can be seen

that this is an obvious mistake. and how many, in principle, parishes then turned to the council in the nineties in order to receive, uh, some kind of blessing, so that you would suggest how best to build churches. was there any among the young priests? atash what faced then uh they began to open new parishes and father, who, by education, we suppose. i don't know who the plumber is there, i don't know who the electrician is there. and suddenly everyone decided that they were architects, they had seen enough pictures, there were all sorts of things and so on and so forth a small temple with 12-13 domes. as much as you want, there are steel here are these and the heaps were made a lot of mistakes. so the temples were erected, well, ugly ones are just ugly, but the fact is that in the russian empire, for example, yes, the largest temples, almost certainly, sovereign

he signed the emperor, they showed him there, they examined it, and he gave permission for the construction of such and such a temple , for example, if and then catherine the great she, uh, laid a lot of money in our cathedral in petropavlovsk, so that it would be restored so she really wanted, because which is why catherine's church. she called it her time. vladyka the metropolitan saw this, and then he gathered just e people architects from believers this one was created i know an artistic council that still works there are still some controversial moments. eh, when they arise, it is not only our owner, the metropolitan in minsk, uh , who calls us to resolve this. well, in other dioceses, too, there are some issues, but our council, uh, decides, because in the council , really highly qualified professional architects were in

the nineties, uh, again from scratch. and you say that a lot of things started from scratch, and to formulate such a concept as a belarusian icon painting belarusian orthodox art, because e information. i think there were very few after the soviet knees, they began to look around ago, after all, they locked themselves in this clearly belarusian icon, and there are the 16th-18th centuries. how is the people? folk style such as there and so on. here, a very important moment was, after all, the assumption temple a in moscow yes, the main temple in the kremlin the most important temple then. the e of moscow rus e was built, and the belarusians did all the decoration. they were also called to moscow, now they are somehow jealous and don’t really like it. it could not be that the carvers were the best in russia

, and the icon painters, as it were, did not exist. we are not we see those belarusian icons that were at that time, and this is an icon of byzantine writing, of course, byzantine. this is not a replica of the classics, we attribute to the tver school. there yaroslavl school and so on. i don't know there. yes, they really are different, there are different colors and chromaticities. but i think that there will still be research ahead, after all, and to find our belarusian icons , which are just in the byzantine style, after all , we then decided that we would take a step back, no matter how classicism he brought forward at all. hmm, a different spirit, but i would even say a spirit, because , for example, in the catholic church, where classicism prevailed, but they call it paintings, but religious themes were considered, so this picture is, as it were, for the illiterate population, which tells about

biblical stories in pictures , after all, uh, the renaissance rises high, but there was a tragedy, after all, instead of god, they put a man. but you are a supporter of what you are after all, when the likna, the icon is ascetic , unemotional, or yet when, but itself an icon of a lush belly with some kind of reportage plot. still, there should be that same emotion in the icon. well, this is the difference, about which you asked, just here it is visible on the cross. here is a crucifix, if you look at a crucifix, for example, in the western church. yes, but there it is correctly anatomically depicted, that is, the lord was crucified. yes, of course, the government is a body and so it portrays. this is how they portray him. that is, they depict human suffering. christ yes. and if you take our crucifix, it has straight arms.

so it can't be anatomically so it can't be maybe because his death is also depicted there, as victory over death victory over the devil. that is, the spiritual is depicted there. it can be said that the component of the lord is that he is the son of god, after all, god then remained to take, together all the documents and archives that could be found about just orthodox art in belarus, but didn’t you still have a desire to resurrect it by the bottom of the barrel? all the same museums that carried out in the eighties expeditions. they took away and saved, uh, icons in ancient temples. maybe it was still worth it to start with this, or you still a supporter of the fact that since this is already a museum exhibit, then do not touch it. i'm not even that it's an old museum with exhibits. i believe that it is necessary to preserve those icons that can simply die , because after all, icons that are on the verge of death,

yes, such icons, they still require a certain temperature, humidity, and the like, there must be certain conditions. and yes, we just have flowers, which we would have such icons that are revered by people at prayers, as we say icons, but if you take vladimirskaya there, for example, otherwise it is returned to the temple at a certain time and or, for example, the smolensk equestrian mother of god , so there, for example, but still scientists made such conditions that this icon, but be preserved. why does the lord of gift give us icon painters here are new icon painters. after all, if you take here is the icon of the lord there, yes, or the most holy god any icon, yes, how they are at what high level they are made. they are beautiful beautiful icons. but we do not worship the icon, but we do not pray to the first image, the icon of the mother of god of kazan help

to me. we do not pray like that, the most holy theotokos save us helps us. we pray to the first image and these icons are valuable . even those that are printed are printed on a piece of paper. this is also an icon. this is none. it's not just paper. this is truly an icon. she highlights there is such an important. here. we love the mother of god very much, she is small , she is completely made of stone. and even in a rural temple far away, even in a rural temple, where some local craftsman wrote clumsily. yes, on the icon it is a miraculous icon through it the mother of god lord or any saint, any saint through it helps people who the only thing that is needed in front of this icon is this heart. uh-huh, if you

really turn from your heart, and you will get help. no. well, it won’t work like a museum , when icons are put up, we have to look at it first of all, like on the face and not, well, already in the second in the third, look at writing there, uh, the plot and so on. here, where do you think how to watch, how to read tea icons, when you got to the rublev museum yes, in moscow, yes? well, what is the ancient temple? and the tenth icon ancient icons but here i felt that i was not in the temple, that i would repeat myself in the museum again, the architecture of the temple is ancient, this is really a church. it was the church of the icon of fun, and this church, which operated for many centuries, but i felt there that i was in a museum. why from there is a sharp difference between the temple, we come to the temple and understand that we are in a place. there is no this world, it is something else. it is something

other. this is not a museum. this is not a club. this is not theater at all. this is completely different and our chants are not classics. it's completely different. this is not a concert. right. you say, because they wrote tchaikovsky rachmaninov already beautiful, there are all the nightly accusations or others, but they were not accepted in the church, because there it should sound completely different and does not affect the emotions of a person. it calls the soul of a person to prayer with us. performed by rachmaninoff , you know what i caught myself on. i stand at the throne and i have birch trees in front of my eyes. there some birds flew there, what am i there? i mean, it's emotional. there, brilliant composers are brilliant, everything brilliant is written there. i just saw what they probably invested and what they wanted people to perceive these works, but we have to see god differently, they are

birds or birches, there and so on the iconostasis you consider it a masterpiece. tell me why in the early nineties, when i already said that we were faced with the fact that the architect did not know anything and did not understood what temples were and began to study from scratch from the beginning. and what is something like that and what kind of temples are there like that ? by the time there were artists and architects there and who are all who worked there. these are really professionals who knew what rekona is, how it is written, they restored ancient icons. they knew everything, so, of course, they turned. uh, many immediately in the restaurant workshops. this iconostasis was cut just like that, but they were cut like once from the registration workshops the master cut. it's the way it's done. uh,

carved from bog oak moraine oak. this is such a strategic material. ah, the treasure of the country. and this was the belgeo organization, which was just with me, we met with them. they say, you know, we have in stock. uh, it means a bogus spirit, but to take and make some chairs somewhere from such a strong material, he says, we don’t want to, but the church still doesn’t belong to any one person or group of people it belongs to everyone here the door opens all this you can come who wants to. this is a treasure. you can say the countries of the people and therefore they gave us just the mule and the arc. and here, as you can see, it's done. this is carving. this iconostasis. he is the first among the new iconostases, and the icon was painted, pavel zharov is my colleague.

we even worked together on a project at an institute, he is an architect, but the man also became a very religious person. and then just then the lord awakened in him the desire to study the icon, so, uh, here we are we are now in a historical place. firstly, this is the euphrosynian church itself, after the year 914, the first one that was consecrated in the city of minsk. yes, there were iconostases that restored the old ones. stas from some temples were transferred to other temples. there they are, they worked with them, and so on. that is, today we see just an example. eh, how did you start from scratch? did you manage to deduce any one formula in the nineties, how the temple should look like from the inside, see, look, we can get into different churches in belarus, be it small wooden ones in a stepyanka, which are modestly decorated. or, for example, to come to

father fyodor in all respects, a temple where you really admire the paintings that are around, on the walls of the marble floor - gold after all. eh, is there any middle ground in this and is there any single formula? how a belarusian church should look like today there is one moment at which many people know and talk about it, the grace of god we were well, such a remembrance in petersburg there, i was still an architect, not yet sacred. i was there, but we already went to church with my wife and they told us where, naturally, we wanted xenia to see the st. petersburg chapel there, yes, we came to this smolensk cemetery. so we go there, and here this little blue wooden church of the smolensk icon of the mother of god yes, i remembered for the rest of my life. at that moment we went there to the temple. and here is what is called the grace of god and his love, and yes, straight, as in

jelly, that is, dense such, as it were, matter such there was no super gold there. there was nothing like that. there was another there was the grace of god therefore, the temples are different. yes, indeed, cathedral churches are, of course, this face. well, why do we say that it is yes indeed. important for the city of minsk, after all, minsk is the capital and there should be a temple where, and many piscops can gather here easily to serve instead of a lot. of course it must be we, too , you see, we try to make it it was still worthy of a cathedral, and a simple little temple, it may be simple, but this does not mean at all that it does not play a role in saving a person. yes, maybe even more. maybe even more, if believers still, uh, come here to the temple, and look, that's 360 ° around

you. is it possible to say that everything he sees is precisely the belarusian domestic production, that our economists really found our little things, that their own writing has its own face, they are recognizable and make it is at a decent level. and what? there is no need, for example, for the same icons to apply to russian workshops. yes, you know that at the beginning, vladyka metropolitan philaret he advised to turn to the russians. yes , but there was immediately such an amount that we understood that we simply would never pull it. i am honest about how it happened. i really didn't want to. so you know how they are doing now, i won’t name any organizations there, so as not to offend, uh, they do it mechanically. that is, if the machine that drinks, for example, but from one column, second, there are mechanical and so on. it's all clear that there is no soul, there are no hands.

yes, that's how the machine does it. we walked with her for a long time until we got caught, yes, to the temple and there was made an icon case, and we, of course, poured a little water there with a mask, which means when you saw all of me like that, then from mikhail himself asks who did this to you . so he says, and here is the uncle, there is a bearded man standing there. that's what he did. well, then they approached this bearded uncle and we say that you know that we have such a temple, of course, you don’t you know, there are all grieving joys. and it turns out he knew. yes, and here it is. e desire that there still be a hand, a living hand of a person. yes, to really live it. yes indeed we have it. in general , i think that it does everything. the lord does everything. here to get to collect money, without doing business in order to build this temple in general, it was impossible, it was

impossible. if he didn't he did it, he did it. i generally thought that i would not live and never see this in my life. well i thought that walls okay, we built there somehow painted there. there they are yes, and so that such beautiful kiot, and that's all. this is true. well it was impossible to be. if the lord had not sent this man those icons that we see here with you today. it's , uh, congregational gifts, or that's it. and you can say, exclusive, unique, made especially for this temple, and this also has its own concept. this face is not even minsk on the face of the country, therefore, of course, icons of a certain level. here we see monks neolipia and its icons are simply magnificent. yes, this very kazakhstaz, indeed, this is something that needs to be invented. it's all all

these decorations there, it 's really a gift from god the lord there, of course, i understand, it inspires how to do it. and what to do? as for, for example, these icons that we have on the walls. this is also our economist olga igorevna chernyak, she reveres her. but one of the best icon painters in belarus . here we have a huge responsibility burden of responsibility is a cathedral . this face is not even the minsk diocese in the belarusian zirhat. that is, this is the republic. and since this person must be worthy, of course, you are icons and that's it. this is the decoration. they must be worthy, and so long ago we opened a monument to metropolitan philaret. now he blesses not only minsk but everything, belarus being at the holy spirit cathedral. but will uh, new architectural structures new shrines appear already this year, maybe it will be a new

temple icon or again a monument. the lord told me that there should be culture here. i don’t want to forget the memory, but euphrosyne of polotsk and even more than that have already begun to work and we even had a mock-up here for a long time. too in classicism, but i didn’t want to be here, because it’s still important for me that since we took pseudo byzantium for example, yes, if we took pseudo byzantium, but somehow the architecture should correspond and just mantumi to monumental art even the mosaics that will be there or the murals. yes, so that everything is harmonious together, including the sculpture, because the sculpture of euphrosey of polotsk, which now stands in polotsk, was offered at its time and even made for us. because when i saw her this grandiose huge sculpture, i

said the sculpture although i could have taken it for free. but you understand that she would take directly on herself everything of the cathedral would be lost. yes, i then advised saying that this culture should stand in the center of the city on a nice large square, as it turned out in polotsk. a maybe even uh, let's go to the art academy, because you know young studio students. there are young people who have a lot of new good ideas. here is their creative potential, zeal, they must be used thank god that there are people who invest money in order to return some non-belarusian saints to their homeland, this is great.

our participants will surprise with their knowledge not only their peers, but also adults about the person and the world in the fifth grade. we went through that the moon attracts water and because of the moon happens ebb and flow option. yes, because i read that nefertiti was the queen of ancient egypt, in order to get into the super final they need to be smart. i am sure that 1 mm is less than 1 m 1,000 times, because

a is 100 cm in one meter, and 10 mm in one centimeter, have an excellent memory and think logically. i answered no, because i know for sure that anchovy is a purple fish or purple color invented by the phoenicians, and it is a shade of purple. as far as i know, watch an intellectual entertainment show. i know on belarus 24 tv channel. the circus is so mysterious and so forbidden, the pinnacle of extreme sports, and the unique opportunity for the artist and viewer to co-create, feel the magic of circus art and see its behind the scenes, watch the culture fashion project this weekend on belarus 24 tv channel. their

technologies are our comfort and safety today any specialist who works regardless of the sector in which he must have the skills of energy-efficient technologies that save energy every time he comes to work. this is my chess game, because i work needs to be planned. they tell complex things in simple language. here comes the imitation of the sun's rays and the light that imitates the sun heats the panel that converts the energy of the sun into the energy of heating water for the house.