preparing for the festive fun of shrovetide , this joyful atmosphere is already gradually joining the solemn and repentant mood of composure before the start of great lent, remember the hour of death and forever, you will not sin, the holy fathers said in antiquity. and these words. they are said for all time, therefore the fun of maslenitsa should not be unrestrained, but should become a time of joyful communication with one's neighbor. today, as on other memorial days, it is customary to visit the graves of their deceased loved ones in sacred scripture, the human body is called a temple the holy spirit, therefore, believers reverently treat the bodies of the dead, and the cemetery is a holy place , it is customary to decorate the graves of christians with a grave cross. and when we visit a cemetery

, the correct commemoration is a prayer commemoration of a believer burns lamps over the burial place of their loved ones performs a prayer service for the dead pray in their own words some invite a priest to serve a memorial service especially for the deceased obedience. dear brothers and sisters, today we pray fervently for our dead loved ones. and prayerfully, we commemorate all the departed orthodox christians from time immemorial, we will remember with you that god does not have the dead, but all of him are alive for the prayer of rest. this is a nether cloak, but a bright appeal to god in hope. for the future universal resurrection from the dead. this is our warm intercession for our loved ones, evidence of our love for them, the merciful

lord to our departed close repose, and we are diligently responsible for trusting god to make our earthly journey. yes, god knows, you studied latin, right. well, yes, we had the first six months latin, but it was a long time ago and not true. this is how two teams will compete for the main prize and the title of being the best, that is, and the circumference

of the circle is 200 m. you can’t eat it. no, what 200 m -1 is the answer, we will find out. watch in the intellectually entertaining tower project on our tv channel. 24 days do not switch. around the world business and developing hospitable bright and

festival picturesque and monumental sports and team events we introduce you to active , energetic and inspiring people who live in belarus and do everything for its

development, belarus can be different in order to understand and feel. she needs to be seen with her own eyes. belarus 24 tv channel is on the air, watch us do witches every day, belarus is closer. when he left the arena forever and settled in sevastopol on tikhaya pugachev street in house number 19, he nevertheless came to minsk every year to be treated by the best doctors and the best clinic. well, what about the honored artist of the bssr well

, besides, nearby, molodechno, brother, sister , parents’ grave, in general, motherland well, in minsk own apartment on the corner of bogdanovich shuruganova and we are the former circus pasha bykov of the universe, and i who not only loved him, but also remembered his unique number. he is a clown juggler acrobat fyodor gulevich from an early age i have been fascinated by the circus and from an early age i love the clowns of the honored artists of the rsfsr heinrich rockman and gennady makovsky, i filmed the clown of the honored artist of the rsfsr zhenya maykrovsky in my films.

in my books of honored artists in the ussr, i shot clowns alexander voronetsky and fyodor gulevich in my film. also the circus shared with all of them. i have all had feasts, i have visited them at home and with age. over the years, many have left their money and flew away forever, but it was all , as it were, my peers, but the blow was not one of the duets that considered me theirs, well , perhaps a mentor of some kind of guardian. clown fyodor gulevich, who did not live only 3 months before his 70th birthday. a resident of the city of molodechno, strong borisovich chipovsky

, was engaged in modest, inconspicuous work; pens. well, this profession has now become unnecessary, just like, for example, filling siphons with soda or developing eight-millimeter amateur film. these professions simply disappeared, not a necessity, but in their youth chipov's illusionist in the circus on stage, but a circus. no, it doesn't let go. at his house, there lived a monkey and the guys recalled that even at one time the teddy bear lived with him , which chapovsky probably tried to train, the circus would not let go. this is understandable and in the mid-sixties molodechno in the palace of culture of the railway workers. he announced the set circus team. the guys have come. girls.

about 100 people to see him in this circus studio. the chipovsky circus circle recorded everyone. he knew that everyone would drop out from time to time, and so it happened that there were less and less of them , a sixth grader, curly blond, fedya gulevich and a student of a music school were especially stubborn. such a strong strong guy. sasha voronetsky, they were engaged in selflessly once when they painted the hall where this circus studio was engaged and it was impossible to breathe because of the fresh painting. guys. taken out of kitchen oilcloth spread on a flower bed. they threw their little fingers in there. here is the arena for you, in the open air, and the rehearsals of the rehearsals of the rehearsals of these two guys , contrasting in appearance, went on , chapovsky defined them as acrobats and in the center. what is it when there are some complicated

acrobatic ones. uh, posture tricks are being done. so it looks parodic and funny. here it is such an excentric. and so he began to prepare them for this, began to pull them, as they say. and this couple of guys, didn't realize yet that by signing up for this circle to this circus studio. they chose not only their profession. they chose their fate of difficult pain. in the ussr, the flourishing of amateur performances, folk theaters, folk choirs, folk ensembles and chipov's, having gathered these boys and girls, ensured that his team won the title of a folk one, and not

their well-knit program was shown on all stages of molodechno was shown in all sdk rural houses of culture, and now this is the program of the national circus, molodechno has reached such a level that chapovsky realized that some of his pupils have outgrown the level district house of culture, that he, as a coach , cannot give them anything more, and he ensured that the team looked at the leadership of the minsk state . several of these amateur artists were summoned to minsk and settled in a circus hotel. and a rehearsal, long, months-long work began. artists retired, behind the scenes of the minsk

circus, these young graduates of the chopovsky school taught acrobatics, juggling, walking, tried dancing balance. well , everything that could make up some kind of circus genre, because it was still incomprehensible. where these guys will pull, what they have as they say, it will go well. and now their acrobatics went well, but in parallel with their personal activities, they joined the behind-the-scenes work of the minsk circus. they cleaned animal cages. the manure was raked out. they swept the arena. at dawn they walked the horses around the arena. they went out in parades, prologues and vypilologii in

children's matinees played all sorts of dwarf bunnies. they took out props to the masters, learned to work with long, and when the air ventilators were working upstairs. that's all the basics. which circus performers must master the future there is no other way to become circus performers, only through this putty through all this dirty work and our guys, before leaving, there is a gap there to the orchestra. this is what we went through . this is the circus school, i assumed the position of chief director of the minsk circus in may of the sixty-eighth year. i suddenly heard a call from the school. as the chief director , the teachers complained to me, or the class leaders of this school, that voronezh gulevich did not attend school. they turn out they haven’t finished school yet, that is, for

rehearsals for training. i dropped out of school. i promised the head of the class and the school that i would carry out educational work, and here i called these beautiful guys. charming young, well, who really constituted a contrast, such a slender, blond, fedya , a powerful biting force. sasha was like that and made the children a strict suggestion that they should study, well , they somehow finished school, and i began to be interested in their work, i looked and looked and i see that they are doing well. here is such an acrobatics. and then i remembered what i had read memoirs of valentin kataev where the french wrestling sessions were described in great detail. which were very popular pre-revolutionary circus? i

invited voronetsky yagulevich or leonid mikhailovich blintz to my place. this old circus performer of yours was a very witty and very good coach who mastered a little bit of all the circus genres. but interestingly, he himself was a witness and saw these sessions of french wrestling. i offered the guys a few tricks such that this is their acrobatics, this french wrestling, so that it looked, as personally so their first reprise was born, as if the championship of french wrestling. then they remembered the children's fun wallet. yup , the clown is out. to the arena does he see the liquid shell and

tries to grab it unnoticed by the audience, as they say, but he does not know that the wallet is tied with twine and another clown is pulling this twine, who is hiding behind the barrier, and this one is looking for this wallet. the guys came up with so many ideas in general. that when we first played this reprise at a children's party, the children and the audience. just like they say pines rolled, probably children, then they borrowed this joke from our clowns. as a director, i have always been very impressed by

clowns in national groups. well, for example, the uzbek akram yusupov rode into the arena on a donkey, you know, the hajj bee, nasreddin is like that, but, but he climbed under the dome to the number of the most difficult number of the tightrope walker in the tashkenbaevs, he walked along the rope from site to site under the dome, the clown himself said, this is it the path leads to that girl on that site, there were still streamers here to the rope did not dangle. and this is the track. which girl leads the one in the hall, then went down and left on the island. azerbaijani khasrof abdullayev wearing a lamb hat, so very typical for old azerbaijan, came out and sang couplets. very popular in baku and stuff.

that shushing madame parrot, right? what is the one that all the tickets choose then, the armenian clown okopozunyan went out into the arena, and, as it were , played out armenian jokes that were very popular then, and we thought that our guys were gulevich and voronetsky. gotta do costumes appeared as national clowns, and we selected the costume. yeah, embroidered shirts are good canvas pants. fine. and then they generally refused right away here, which means that some kind of straw bryl or a hat is so worn out here. yeah. what else is a scythe props. rake something there still such also saw. i once, as a goblin taught the guys to jump on sticks, just attacking and it was clear that this stick, on which they jump. you just need

to attach a blade from plywood. here you have a braid ready, and here it may be, their way out. even in arena, exit reprise third. opa, the fourth reprise was invented and delivered to them by me in its entirety; it fit into the song of pesniar's towels. here yanka rode yanka freckled with such freckles fedya gulevich made him on this fake horse, which means alena was leaving to wash the towels. the canvas was written to hang down the river. and who is alyona well, of course, a big guy. sasha voronetsky they play everything exactly according to the text of the song towels. that's all, the pantomime was staged, but no matter how there was a final and suddenly remembered.

we that at that time in the press was very fashionable company. take care of men not women of men. well, then, as it were, everything became clear and sashansky throwing up his power. yes, the shoulder of this slender yancu, therefore, had to shout in a female voice. beware of men. sasha so for the first time at the rehearsal shouted that he broke his voice and shouted out in some hoarse cock's voice. well, that was pretty funny too. well, circus, what can you do goal? take care of men gradually owning, different circus genres. it has already been precisely determined how they are such a national belarusian clowns. well,

bulbash such, of course, they included to expand the repertoire and such old classical reprises and this repertoire from the reprises of their grip. in two departments and in 70, they took place, as it were, a debut in the odessa circus, but, but we expected them with a repertoire already run-in in 1972 in minsk, and that's why we were preparing a large national program for the fiftieth anniversary of the formation of the bssr in 1972 the program, in general, almost entirely, consisting of numbers released in the minsk circus and this program

, my youth, belarus, which i staged was a huge success with many months of long shows and it became the basis of the third belarusian team. when the reprise was already enough for them for two sections, but i, who was used to creative searches, somehow called them to me and said, guys. well , let's maybe somehow look for some new reprises. let me help you. let's come up with something together, then so they agreed. but they did nothing, nothing. i called them. so the second time, in my opinion, maybe even the third, and once, during such a conversation, fyodor suddenly

said, said, you know, in the soviet union 73 circus 73 7 mobile chapiteau church we won't make it in our lives. to visit and work on all these arenas. and if somewhere in some circus, after many years we will arrive, and the second time with the same repertoire. you will already be replaced by a generation of spectators, who were children will already grow up, and then there will already be other spectators , other children. allegedly, he hesitated, thinking maybe they were right, and then fedor finished me off with a second argument. here are your favorite lev zinoviev and valentin kosterenko signs of their clowning they play as soon as they are out of the gutsei. this is the state school of circus art of the gutseri 30 years ago. with this argument, fedya

, as it were, finished off my resonation, and more i with my navassions. my so to say, well , you can almost say the students of the wards no longer molested matured. the guys got married, fedya married nadia belenko. we had a very nice room. here is a sharp wheel, you know, on which, having crucified, they seem to ride around the arena, and that was about. here is such a double sharp wheel with partitions, but in the air and on it hung four girls, and the wheel was spinning and the girls were doing all sorts of exercises, all sorts of tricks , and then the wheel turned over and was already spinning, so the girls were already hovering. it also showed some of their complex tricks, a very interesting spectacular number. once

when i was filming this number for a film, as well as the church, suddenly the cameraman, i say vanya and turned the camera over, he turned the camera over. and what happened is that this wheel is spinning, and the girls are in teethers. suspended like this spun under the wheel. but when he flipped the camera it turned out that the girls in teeth are spinning with their feet up, contrary to all the rules of gravity, but belenko is not necessary. i never discovered the secret of this phenomenal trick to other circus circuses. their daughter olesenka was born, who grew up, grew up, also became the russian church now in america , the number of hoops that revolve around

her slender body. culture history architecture collected by this project in the 19th century of the role of a man, of course, the head of the jumpers all left especially number one acceleration of this legend to the hetalandian details to the foliage of yakim has been toiling for hundreds of years, and today the most boday, stale and rare for the belarusian speech of storkness is potatoes on the central resonance of the design.

the editors' club is the most important brand in belarus for all these 30 years. this is the economic world. primarily security, oddly enough secondary, because it is largely determined by the state of the economy in the country , the time of opportunity and the construction of a new information model of the future. we are gradually

moving step by step to ensure that these programs are implemented; the rules are often not respected and frequently observed. so, what exactly wins is the one who does not follow any product rules at all. we must build new ways of communication. we must build a new economy. this is a bet on a new generation. the bet on belarus has been formed. indeed, belarus has an intellectually open dialogue about the most important social and political events in the country and on the international arena. look in the project club editor on belarus 24 tv channel. supposedly. the clown is bald, stooped, always dull forever, whining, how long he was in minsk, i don’t

remember my number. he, in my opinion, did not clowning any and did not do anything. then, probably, some other circus moved, but it turns out, once he offered our clowns looking at their strength for their work, he says guys, what if you take a grip, an ordinary village grip and a cast iron. and try to throw it, that is, juggle the cast iron to one another. guys, somewhere they found a cast-iron, somewhere they found a grip in the village and attached a stick. become throw and suddenly one day they came to me with an application for the purchase of cast iron grips. there means, different-sized cast- iron grips. i signed, of course. firstly. this

fit into the image of such village lads as bulbashes. secondly, the world did not know such dishes as cast-iron pots, and they bought these cast-iron pots , they were then still sold in the suburban shops of selpo around minsk, and my wife and i even bought them. a dozen of these cast-iron pots , which we now serve sometimes we bake something there and serve it as exotic, which means guests you know, these pots are quite heavy, and those heavy pots are heavy , you can imagine what muscles you need to have in order to throw a big stick, with a big long grip . this is a pot. yes, not just that he was turning over in the air flying. and so that the partner will definitely fall into the grip. the work is enormously

hard. i sometimes lingered in the circus and saw how at night. with the lighting on duty , the guys were juggling with these pots, there was no music, no orchestra could be heard. pots, how do these pots fly? well, of course, it was born by itself, and their exit reprise for this clowning in a huge pot in a huge similar cast-iron pot rolled out this cast-iron lid was fedya with a large wooden spoon, threw back the lid from there, jumped out like on a spring sasha and work continued, a large cast-iron was taken away. they were throwing pots with these and finally in the final.

sasha called with his grip on the pot, standing in the arena. and fedya at this time is another trick pot. note means. how would you pick up and threw the auditorium with a grip, and everyone shied away, i understand that this silver chugunov is flying right at them. the squeal was incredible, but this cast iron was tricky, it was foam rubber. and with this reprise, they entered the history of the soviet circus for about a quarter of a century, they worked together. and these pots rang in the arenas of almost the whole world. nobody now. i know the modern church quite well. nobody this number this

reprise. this is a trick. this juggling is not repeated. yuri vladimirovich nikulin, at the entrance to his dressing room, hung here on the door frame a japanese mask with a nose in the form of such a long rubber hose of the phallus. and when someone went there, this rubber hose would surely slide over his face unexpectedly. well, of course, and it whipped me when i came in, yuri vladimirovich shared. uh, with my guys in the voronezh hut, some secrets of craftsmanship. he told them something , he praised their pots very much, and

in front of me there was a conversation about the kazakh reprise . the fact is that i called the guys to him, guys. well, after all, you will do something, some kind of sharp satirical reprise ambiguous subtext. well, remember how, for example, during the brezhnev era, leonid janvarov became on one coil. on the board he hung one medal for himself, put two coils, and balanced the board over them , hung himself a second medal and so and so reaching five coils. coat tails, and sorry on the ass. he also had medals, there was nowhere to hang people. the soviet understood everything about what was at stake. well, here's the circus, what can you do? that's funny. yes , it’s just ridiculous and they came up with, uh, a fake reprise, it turns out, which was milked with powdered milk and nikulin.

he says he came, then someone speaks from the ministry of the food industry, in my opinion, even the minister speaks and said, well, how is it that yuri vladimirovich is stalling in the country's food program, and here jokes mocking powdered milk should not be played. you guys said nikulin is here to exclude you have enough reprise. uh, you don’t need to play it in moscow in our church, but go along russia play wherever you want as much as you want, because the reprise is very weak and very funny following on the same wave of success, after the tour. hmm, just a very bright tour, uh, in moscow in this nikulin circus on holy boulevard, that they are on tour under yura vladimirovich himself? all over the world, for example, in the heroine, they received at the fortieth festival.

this is the first festival in importance after the festival in monte carlo. they got the golden elephant golden, not the silver neurose golden. after that got 89th title of honored artists of the bssr, well, you know, except for the clanging of gorshkov in the arenas of almost cities around the globe, except for these here are no financial awards. artists from foreign tours did not receive any rewards - all the currency earned by circus artists , ballet dancers, musicians, virtuoso instrumentalists. all went into the mysterious bins

of the motherland, never seen by anyone, fool. sees the benefit, smart its consequences. in this case , the actor was our soviet state. they saw the benefit of depriving musicians from artists and foreign impresario of currency. the producers saw the poverty of half-starved soviet artists, who received a daily allowance for food of six dollars a day , 6 dollars. how is it possible to live abroad on six dollars, the artists were talking among themselves, they should ask to go to south america , to mexico in mexico, they say seven dollars , they pay per diem, this is how our soviet artists lived abroad, the consequences of this benefit was a drop in the prestige of the country. well, unless

the authorities thought about it to take away the artists. how did the circus ballet dancers of the soviet people survive on six dollars? i ’m already summarizing that there was a huge cumulative experience of circumventing the legal ban on all kinds of restrictions, fedya showed me one of these boxes, which they took abroad , some hidden braces were taken out. some invisible latches were pulled out , some mysterious hidden donia double walls were opened, where they hid. non

-perishable food canned cereals, why because the customs of the host countries did not allow the transport of food products no. no no, the soviet artists. it was all your know to talk about it funny. i can talk a lot about this in detail about how our girl is an airwoman. working in general, she received 2 rubles. 60 kop. a bottle of vodka cost 3.12, and a foreign artist who simply took out a microphone and put it on stage received 6 rubles. 2.60 and 6 rubles. for a few. you see, this is how artists were humiliated in soviet times. now about the main thing

. when duets break up, not everyone is as happy as nikulin’s shuldins, our clown duet in recent years joint accumulated negativity, which eventually resulted in a gap. they did not understand that they were not separated, that they were a couple. like siamese twins voronetsky guliyevich. they share a room. the general program is the general repertoire. general props, general image. they didn't understand it. sasha went to saratov where his wife's father was, uh, a ringmaster. fedya joined various clown groups and did not come to minsk. i didn’t see it,

then i went to my daughter in america, where, with my miserable solo repertoire, i also tried to get a job somewhere, worked as a barker grimaced at the entrance to the supermarkets, the old patient returned, and here no one needs him anymore. and it all fell apart because of the ambition of two feisty wives. and not so long ago in february 2019, at the celebration on the occasion of the 60th anniversary of the minsk circus , we were invited by veterans of the minsk circus to

this celebration, the red carpet through the entire arena. i follow me first. pasha bykov then sasha voronetsky, then backstage at a banquet. sasha and i began to talk. and at this time, fedor was just in the hospital. here i lay on the cure for the next one and i'm sasha sasha says, well, what do you have to share now so many years have passed since you broke up? would you visit fyodor, he is very seriously ill, as if sasha almost with malice yes, he went all ambitions ambitions is not clear already. what to share, what to share to share?

for some reason, we were closer to fedor than fedor was with sasha, or what? somehow, the sincere one somehow asked the soviets for some revelations, and then you know, every time we came from our sevastopol, we would definitely meet. we last saw each other in the fall of 21 years. we are at home. it's literally for there for half a year somewhere before fedya flew away without a return. i remember the old circus , i remember that it was enough to write a pencil on the poster for kiev.

there nazarova bugrimova durov and everything is a month and a half ahead, already lags, and now there is no surname, no, surnames, that hippos crocodiles are advertised, ah, sperm whale monkeys, yeah and a green parrot animals white tigers striped elephants green zebras pink panthers, that is, you understand, no, there are no surnames. fedor had a sore throat oncology, you know it's strange, of course, that the oncology struck the throat, because there was no scream in any of the repressions, but these were mostly their reprises. all pantomimes were there, there was no tension in the throat. well, i read somewhere in some book that oncology is among creative workers. this is not a medical disease, let me read it out.

the wording of oncology is a disease of unspoken grievances of soul experiences for many years, tormenting a person, this is a symptom of the presence in life of unsolvable problems from a feeling of helplessness. and so i think that fedya feels this his helplessness of the mistakes made in life and these accumulated unresolved problems of introspection, i think, so they tormented him, as a person who subtly felt the situation and himself in this situation. and these are all experiences. it was necessary to approach, approached, approached, accumulated in the body and approached. to the throat and that's what's left?