victor confess, do you not play, do not act in the theater, do you teach, what are you doing? i generally like to relax, but i do. of course, i'm in nature. i love walking around the city looking at people. i like to travel by public transport, usually metro tram trolleybus. i love rather feel, how to say, rich air in the countryside. my guest is a very busy man. he serves in the theater, acts in films, teaches and heads the union of cinematographers. in general, i don’t know how he manages himself, but he found

time in his busy schedule and came to us. today. my guest is the actor director and the chairman of the union of cinematographers of belarus viktor vasiliev viktor good morning viktor in the cinema was very unexpected for you and it happened. she was once still a teenager. what an amazing story this is. i was then 14 years old, i was leaving the entrance, and a normal full-length feature film was being shot nearby, and the director noticed that he was missing, apparently, some kind of frame. yes, in front of the main stage, and the eagle saw me and said, be so kindly, - says - come out of this door close and run away. well, somehow we keep it all in our memory. we are so used to the fact that the movie should be played. i went out and looked at the clock. looked around, all around sighed decided to swing. stop. i only asked

to leave. i did the same anyway, in the end. he said cut everything. that's it. leave it like that, it's called ignorance of the profession, thinking that if you play externally, then you hit the target, in fact, but nevertheless, probably, these seconds became decisive in your life. a well, yes, there is, but we never dream of being what we become. yes , fate, she leads. your mother worked at a secret military enterprise, your father played in an army ensemble with such genes. you were supposed to be a military man, but not an actor. is n't it so military? i would like to become, but i was drawn more to medicine. i loved to engage in, how to say, the study of the human structure. well, it so happened that e still won, how to say the mind. ah, survival. that is, i went to cook, and i very grateful, because i learned a lot,

there are a lot of valera's image. yes and character - well and of course. ah, well, responsibility. this is a big responsibility. this product is people. this is food. this is a lot of useful skills, of course, of course. well, nevertheless, in your life you are twice. he served in the army, how can that be? it was accidental, because i’ll say right away that someone mixed up in the military registration and enlistment office, which means the year of birth, and the last name , first name, patronymic converged and the kid from the ural polytechnic institute was not called for a second time. and i was called up , it turned out that after serving in the army i entered the institute starting. uh, how to say to study, at the institute they called me back to the tankers. i don’t understand anything about this at all, and the commander. when he said that it was necessary to get into the tanks. what are you, but how is it that he looked at me like that? at first

you think that i'm kidding, and then i realized that something was not right here, so to remain silent in the unit until the end of the 45-day period. i say, i won't stay for 45 days. that's it. i became like to say, e reserve officer, although i came to the recruiting office said that i'm not alone sir. i should not have this post because. i'm still studying to be an actor. yes , they waved at me, the rp said, don’t fill my head around the reserve officer and wait for your call. that's so good for the military theme. we 'll be back. um, i know that your common surname helped you get into the theater institute. it's true that the commission mistook you for a relative of the actors vasilyev. well, in fact, it's true, yes, it 's true, because ask the tax and mind about what uh, eh. your surname is associated with some people

who are very important in art. i say, well, yes, of course, it is connected. well, i'm here a little, of course, i was cunning on the one hand, on the other hand, i was joking and warming myself, especially a lot of lining. they laughed. you were born in sverdlovsk but most of your life you lived in minsk somehow ended up in belarus by accident quite by accident we went on tour with the theater then you served in which theater i served in the ural theater and with this theater we went to tour. we were driving, so we came in the direction of kiev, belarus, and there was such a director, a glagolin on taganka, and he told me, he says, young man, show yourself, at least in minsk you must move, move and grow. i showed up in minsk at the russian theater, but then they didn’t take me, here, and vitas gregolus is an alternative theater. he immediately came up to

me and said, i would really like to work for us. i came from tour. and it so happened that he got married, i came to a belarusian girl. i went to the theater and they immediately took me, and i played it and it's great. it was a unique theater, but i wonder when you agreed to this proposal, vitas grigorinus. you assumed that you would stay here for the rest of your life. to be honest, no, all the same, in my thoughts i had to move , move, develop, go somewhere, and closer to moscow, closer to leningrad. but then leningrad was called closer, because interesting things happened there every day. there was always a desire for something new, but this is the nature of a student, that is, to learn to learn to learn to know at a certain age. you are starting to realize. and then , of course, of course, i wanted to know, now

you serve as a youth theater, this is your third theater in minsk, the fourth in your acting career. here is my theater to change the price, this is your creative hobby, the desire for change or the reason lies in something else. you know not to change something else, uh, a person always understands that there are some circumstances in life. this is the first of its circumstances. not theatrical, not related to working with partners there. no, no, no, but there is more. there is another team. this is important for me, after all, the team and in this theater i am very comfortable, so to speak , in the sense that i can play what i can play according to my age. we will conduct

excursions at the enterprises of our country every day. we learn something new for ourselves many projects, of course we love to experiment. we have gathered. here all people are creative, without it it is impossible, we will learn the history of the development of production. we produce according to the recipe of 1970 and invariably produce it manually and of course, let's talk about the achievements and results of the work, that is, try to reach the final, that is, to get the product that everyone wants with dignity, we must treat the dairy industry with dignity, because well, in fact, this is the most difficult production of all food production, which comes from childhood it is made of soul. this is full compliance with all stages of production on

the belarus 24 tv channel. here they lined up all of them in four columns and left the machine guns to shoot. the belarus 24 tv channel presents a new documentary journalistic cycle, in which history without distortion and fiction. you will see for the first time published german documents in the military chronicle and materials of investigative cases on the crimes of the nazis against the belarusian people, hundreds of previously unknown settlements have been established. subjected to destruction, including the inhabitants and the memories of witnesses of those most tragic events. the way it was, but we

didn’t have an ear, and it was better that it was a c grade. your path to the big cinema was quite long.

if you don't count, there's your tryouts in adolescence and his first big film role. you got it at 34. that's why you somehow treated some with doubt or hmm just didn't work out with movie roles very difficult. they got me. i would like to say, the first even mine, but let's say the test in a movie for real. uh, it is necessary to pay tribute to sergey zaevich sergeytovich, he advised me, and not knowing me. he just looked at me in the theater, looked, apparently, came and dedicated , says, here vasily take i remember this moment, yes, and here i am the first video. i played something at golubev golubev's is that your military was such a story was? yes, i played a policeman without an arm, whose fate was a severe concussion and who wanted

to restore order, but remained a man until the very end. eh, journalists consider the role of colonel dubrovsky mukhtar to be your most significant role in the cinema. but you yourself what role means the most successful of his acting filmography. well, if you know so, valera can be scattered back and forth, but still , i still have in my memory, uh, working with carp in film enemies enemies.

a cunning traitor who is both yours and ours, but realizing at the end of the film realizing that there is no way out, he will still come to one, but i, as it were, destroy myself from more than what i do, realizing what am i doing? it's very difficult. it’s actually, like m . e, some kind of role, which means, well, he came, left, said he entered, and with that moment he dialed dialed dialed dialed and the one who scored everything had already deceived everyone. and i realized that he deceived himself, he can't escape fate.

i know that a few years ago you happened to to play the role of gorbachev in the film chernobyl was difficult to transform into a role that was scary , it was scary. valera, first of all, you understand that playing the head of state yes yes, this is not a kilogram, do not confuse salt to eat. you need to think about this so that, first of all, you don’t want to disgrace yourself. yes, the second one doesn’t want to spoil the third character, i don’t want to, how to say, let down the director who chose you. and, of course, i was a little worried, of course, this is still in the kremlin, this is shooting in a historical building of this shooting with objects

historical. are these recordings of exact words, what did mikhail sergeevich say and how did he and how did he do it? yes? for us it is a manifestation of emotions. emotion is an unreliable ally, please show restraint at this crucial moment. and who of us is right will become clear very soon. victor, you not only play, but also shoot. this is the status in which you feel most comfortable as an actor or director, the status of an ordinary person. well, when it means that i shoot something, then i definitely enjoy it. the nature of communication with a person, you understand,

each person is unique, each and even the students who study with me, whom i , as it were, teach, i am grateful that they study me. but they are also unique and the work is unique. why because the word director is like a commander yes, the director is there and so on, but i invest a little more in one thing, if you understand me, i understand you. their nature and circumstances will be all easy, because they are like-minded, and best of all, of course. of course, still play theater to play in the theater, because in the theater you can repeat, but in the cinema you will never repeat. that's how the lord gave you kissed you, that means in a certain place. so you betrayed, what you have inside is what

you betrayed, and in the theater you can fix it, can you fix it? you correct as much as you want or you change , how to say, misan prices or change words or meaning and actors a director and a teacher at the academy of art you teach a course of work of a director with an actor, in short, what is the main secret of a successful acting director's tanderma? of course, you can say, be easier to reach out to you. yes, but i still love our profession. i love the profession of an actor and the profession of a teacher. yes, why a teacher? because i have some kind of knowledge that over the years i, how to say, have absorbed both on the set and in everyday life and in some situations and, uh, talking about it. and you saturate others, you show what is necessary and how it is necessary to behave on the set. coming there for the first time, yes or the second or tenth, but still ethics

ethics of conduct. if you are a professional, yes , if you consider yourself so. m-m to determine the place where you sit, do the text and thoughts, and the rest is all for you, how to say, the assistants will do it, don't run. don't scream. why did they bring me earlier? or i need a separate one, which means there is a lot of roll a few years ago. we were all together in the same bus and that's it. it happened together and dragged the equipment together. here, then, of course, i had a discussion, of course , there was a sound engineer of operators and a director. oh, and the director. there, that means definite, so there is a four, but still everything was together. everyone was talking and discussing. and now, unfortunately, the speed is everything, no one discusses with anyone those, you know, everyone drove the motor into the camera. and i say, but wait, and i can’t just like that, you know,

after all, the art of being an actor in your acting room. uh, there were situations at work where you couldn't find it at all. at the tongue with the director and you refused the project. and what was the situation here? well first of all, uh, i've already said that i love respect for an actor. if you are the director, meeting at the casting, you start to be rude, yes, and disrespectful of the profession, like, so i’ll say, it will be so no , let’s discuss it all the same, i’m diplomatically approaching the director from different sides when we go to auditions, but if the directors who themselves like to say, well, well, they can't be fixed. it's the nature of nothing. not if the river goes, it goes, we rain, and that's why i don't talk to such directors for a long time.

i'm not being rude. i stand, i say, i'm sorry, but i'm not ready to practice. here are such big people, and well, i'm weak excuse me, but the future director. and how often did you have to part with the actors, well, for one reason or another. plus what's the deal? uh can you bear it? uh, drunk actor? yes, you can endure, you know why? because one actor can, as it were, turn himself on and forget everything, yes, a minute, and the other cannot, the other does not pull. here is the trail of his own life. how to say, not the arrangement of a dream, some things are all bad and pulling and pulling. here are such no, no, no, but in general i am. eh, as it were, i'm all farewell , i forgive. i get angry, but i forgive in different ways. and if you look at this question more broadly, these are the actors you would never

, under any circumstances, shoot. and what very conceited, yes? these hating everything around there are such hmm and yourself? and yes, yes, there are others besides themselves. yes, i'm great and that's it. well, great, well, so to speak forever. leave , please, and come here as our colleague, that the collected evidence may not be enough to declare charges and further transfer this case to court by the investigation. most importantly, i heard. i 'll take care of the rest. do you have another very

an important mission in your life is the union of filmmakers, you have been sitting for more than 15 years. haven't been kicked out yet. i know that when you came, and you promised that you would save the organization and stop all conflicts inside. and you managed to keep your promise. it was hard. in fact. it is very difficult, because the team is all creative people, all with character, all with their own problems with complaints, their greatness with knowledge with knowledge. it was very hard with them, how to say start, because i did not know how how to approach them, but over the years what i promised. at least what he promised. and i promised to put

things in order in the union, so that people would not complain about each other, so that people would come and advise, so that they would express their opinion openly. they secretly, so that they don’t write to the presidential administration, they don’t write to the ministry. we can sort everything out ourselves, because, uh, many people don’t know what the ministry is doing. yes, but they also write a lot of songs to the presidential administration. why can we decide everything ourselves and gradually gradually we both i would say the issue has been resolved. in general, as far as i understand. you're an insane workaholic with lots of things to do. i do, but here's how the home relates to your employment. oh, you know, i want to tell you. that's what makes me happy. so it's homemade. whatever the situation in the family were not. i'm here every time i have a moment. yes, i come home and think about making something tasty for dinner for my family and i try. the one thing that the other happens does not work. but what comes and

says, oh, my grandmother made us dinner. is not because how to say hmm here you need to do to feed you can feed the truth with bread, but to please this after all is very how to say. the important thing is to please a person, and victor i know that your wife has nothing to do with cinema. she works at the museum of the great patriotic war. and you made quite a lot of war films . your spouse advises you, and she consults me, and i consult, because she has visual, how to say content right at her work. she hears what they're talking about she sees, and how to say, what provides what exhibits and she tells me that the most interesting thing, of course, is postponed, but the work is not very difficult at all, to work in the museum of the great patriotic war. it's like this is a great respect for the history of our country belarus, but

also for respect for memory. warriors who come and you have to work with them, you need to explain everything to them, they rejoice. eh, what about them and their battles, and their e, deeds about their e, devotion to the motherland about giving one's life for this motherland. uh, how to say states hold this one museum and has the opportunity to tell generations, i think that this is very correct. the museum of the great patriotic war is a very serious organization. victor is your son. yes, he also became a director. he graduated from the gig where he is currently working o at the moment. he finished the script and gave it to moscow, they ordered him a script. he wrote the script, a very heavy script. very difficult one, and he wouldn't let me in on these things. he doesn't initiate anyone at all. he is, how to say, quiet in this regard, but, but

he worked. it means skudienko is his last work. something like 10 lives of a bear, where i starred in khrushchev and is going to make films on my own. so, well, here he is invited to our film studio. if they let him shoot on his own, of course, he will go. and if some commercial organization offers, i think that we should go, because the director must make films. it has to work, you know? here is the word. eh, let him patry about the camera there, let him run and drag the boxes. i didn't have that in my youth. i remember everything. these are those who lazy and who do not want to do anything. so they forced patrice into a camera, just to keep them out, while the rest fly. try go and as i have always been told, it means polk great poluoka. he says, well, what is it, you know the script? come on, shoot this scene. and while i sleep. oh well, here he is. he knew, he feels, so vitenka is there, i would

say, it will work like a fool, yes, and you can take it off. you're correct subject to shoot not the events that are written in the script. but the theme itself, what is inside? well, somehow so victor this year is your 55th anniversary. well, at times like these, it's customary to take stock. and what are you most proud of from what you have already done in your life, maybe i will say casually. i'm proud that i didn't hurt anyone. i didn't do shit to anyone. i tried to make every person who communicated with me, but was something, that means, presented with some kind of joy, kindness, respect for him, maybe this is the most important thing for me. respect for people respect, because every person is like me before said this is a treasure trove. all the world events

of our earth, that is, in the genes through everything passed passed passed passed came to this person. it is happiness that i am with him from which our earth and we all originated. here is the knowledge of the greatness of our country among the people. i always say no fox no rivers, people our program is called the meaning of life for you. what is the meaning of life? i will answer right away, keep the previous ones and add a little something in the future. that's all. thank you please. this was the meaning of viktor vasiliev's life. one of

the main qualities of a person, and perhaps the most important thing is self-esteem . i have been criticized before. i liked the way i play. you are now coming to the performance of my project, for example, to karenina, yet so she is our artist, who criticizes you if this person does not have any authority for you. you laugh and everything is love. she is different. it can be absolutely hmm unpredictable love is a very selfish feeling. how long does love really last? and why did scientists single out is she only 3 years old? i would even say more. see the program of the concept of harmlessness on belarus 24

tv channel. informational saturday morning in the studio ekaterina tikhomirova hello security, joint work on import substitution from the discussion of these, the talks of the leaders of belarus and russia started the day before in novaya ogaryovo.