let's say e he likes to play drums with gong precision so he loves it very much. and my mother, too, how beslanari worked for more important, uh, serials in syria well, how can i say for the series, so how i was born such a family, luck is such that here it is such a family, which, uh, creativity is a family, and my brother is somehow he because the pope always says not in syria not with us. so my brother almost started, as always, the younger brother. wants to show it to the brother who taught him that look, i'm cool. look i'm good what you are love, then i have my brother, how to open a team dance group , the bathroom group is called addon, we did a lot of performance in syria and missions to the arab world, even holland to europe, but when i'm fucking, it's 18 years old, 19, i watched tv or such a talent program. uh, how are you uh, minus glory for tang? you can kiss anything you like, how

many different talents and against each other. and i said, this is how i know america with a gottarant, which the american version lost such a thing, but they immediately saw her, as if he was a tv arabic arabic version like this program. i didn't know how to apply, because i already see the first season on tv. late. uh, i was waiting for the second season, what the hell is watching him. and then, unfortunately , the war began in syria. they were not in syria for this program; they were in june and said that it was syrian. maybe in jordan. even though there will be a casting there and there, the trouble is very scary, because i woke up at 7:00 in the morning, then it was my turn to shoot. it's only at 10:00 at night. that is, it was very tired, hungry, no, energy in general, and then i went to them and saw such stars that i sometimes see on tv. uh , live like in life. it was very how it looks like this 3d real and everything is scary.

and i specifically know what kind of camera, how people in the studio have viewers at 19, but they are few, well, behind the camera, if 300 million people are watching, i know that, so any movement is any word. the effect and then the finale and in the games progress will never end. uh, progress has no faces. so, when this program was won, uh, i had the opportunity that america as an artist is more academic, like blindly, but professional, and not just talented man who loves as he loves, no, i say professional amateurs. yes, but now i'm a professional amateur and i have a diploma. i am a director. and for this you need to use this principle, which took me a place, so the russians chose to study as a director. and you see here how it is necessary to live with money and everything, but i believe that this is true, because uh, the director or the arts - it doesn't matter how where? i graduated from the academy where did i finish the word? which

academy ended? the main thing is to come out inside frame? and what will people drink then? and what, belarus yes for me one word, it is a very important opportunity, both here myself, as an artist and as a business artist. i can realize my idea, which is related to kus here, i can and will find the right people who help me and the truth is not the place and the truth is not right. yes, of course, there is bureaucracy everywhere, but in the end we need the result. e, like, uh, it doesn't matter what happened, it's important that in the end, and at the end of the word, it's good, because i know that everything will be fine.

sculpture it is something beyond the ordinary that helps us to fantasize helps to dream about something helps to escape from the routine of everyday worries, a sculptor is a person who accumulates a lot of profession in himself, a sculptor is both a carpenter

and a welder and ceramist. because my knowledge of ceramics helped me a lot, i still use it in sculpture, but in a different way with a different approach, of course, a sculptor is also a draftsman. he must have spatial skills thinking, but some kind of architectural thinking, when you need to fit your work into the environment, and cities into the environment of some kind of interior. eh, in the natural environment, this is such a specialty that combines a lot. well, get any one that you like, which one you would like to see for a diploma, what kind of you would i don’t know,

maybe you don’t like them anymore her as she at what angle she stands. yes, it may be expand a little, but tomorrow we will approve the topic. what is this topic, how do you call it for yourself? well, life is not a theme, life. that's life. here is the joy of life this theme. and so. well, yes, you understand, that is, i want some kind of, as my research supervisor said, that there must be some kind of problematic. you understand, that is, it voices the topic. well, it should. you have to give some clue to the viewer. not just a monosyllabic something a person who has completed a sculpture, he can go in almost any direction. i always say this to my students who graduate from me, because you are not

limited in anything, you can do great design. you can be excellent draftsmen. you can do painting, a painter can hardly do sculpture, of course, if he has, as it were , a predisposition and talent for this, then he will do it, but it is much easier for a sculptor to go beyond this narrow specialty, which, in general, not so narrow. in fact, a lot. some branches and today's technologies today's development of various industries, er, it offers a lot of new applications for the sculptor. well, this is such a very blessed specialty, which, nevertheless , requires a lot of time for its comprehension, as my father once said that well, at least 10 years, well, at least. these are three to four years of college, 5-6 years of the academy, but then the rest of

my life. well, this is my father's workshop, workshops of the union of artists, and now i'm already working here myself. and well, how are you? you see, there is such a big legacy, there are a lot of realized works on these shelves, probably dozens of times more unrealized projects of ideas of thoughts. well, somehow i feel comfortable here. i here easily exist not to say that this is a legacy. it puts a lot of pressure on me little by little here . some of my works begin to appear. let's just say that's not all. uh, because some things go to the exhibition, then come back. we have a small exhibition pavilion like this gallery in kremchik college, where i teach, a

some things are standing there, but what is standing here at the moment is a portrait of the competition work on shironogo's bios and which at one time was not implemented, but nevertheless, i immediately conceived it as a creative work and did it in the material. this is terracotta ceramic. well, in order for it to be an exhibition work later, very often things that are created for competitions and competitions in general are such a thankless task, because in 95, probably, percent of cases they are hmm and how are you you are left with nothing you are left with some plasticine intermediate thing that does not go anywhere. and that's how i 've set myself the task lately. if you do something, then do something so that at least you are left. exhibition work after the competition here is also a competition project while in

plasticine. and hmm, this composition dedicated to anastasia slutskaya was a slightly non-standard decision, maybe even going beyond the competition, because here two figures, the image of this woman impressed the fact that this is , of course, the image of a warrior in the first place. she took on the role. e such a manager after the death of her husband, and she, e, is presented here in the role of a protector mother. yes, that is, the mother is the defender not only of her children, but also of her land. that is, this is such a heroic image of a woman, and he is presented here, as if her son is her future, which stands out from behind her. still holding his hand, but at the same time, as if he was already ready to move on his own knew

that he would. he draws all the time. well, the historical vision of his country. his patriotism, like a belarusian, is hardly in ceramics, he could find, then vanya suffered a huge misfortune and grief at the age of 14. he lost his mother and that he and i got stronger. get out of this business. he became. courageous strong handsome very much like a mother. i am

only happy about this, of course, my father was always an example, and it was a very worthy example to follow, but it was interesting for me to be in the studio. it was interesting to me. i remember as a child there in the fourth fifth grade, and having visited the workshop there , being inspired by some things or drinking right there, even i singled out some small a piece of plasticine gave a place. and even these first timid attempts later appeared there. yes, and school views. uh, uh, but in general, i always dealt with liquid in school. eh, that's it, time is now tied. as if with this my future i had an example. uh, a very good teacher of one of my favorite school teachers, abramovich. kotikov is already deceased. unfortunately, here, who somehow instilled this love for this business, but then coming to

some other teachers, already becoming older. i realized that something is not something that is gone, maybe be, this moment of some kind of guardianship, which was, again, it was a rather difficult period in connection with the death of my mother, it was somehow so incomprehensible. eh, a stage that i may even not remember for several years at all, what i did, what i did, what i was like, they fell out like that. and after that, a was very bright and for a very long time, a strong passion for ceramics came, again, this is connected, of course, with a teacher of culture. i came. i don't think it's through my father. but, rather, through ceramics, through here to me, and in fact, so i enrolled in ceramics enrolled in ceramics. of course, i realized that i got everyone in the wrong place, because hmm, my hobby is a lot of sculpture and plastic modeling. and it was absolutely not in accordance with the program

to the requirements that were at that time on ceramics at the academy, when i realized what i still like in ceramics, i liked sculpture. and i managed to switch to sculpture. i got to the first year and in the second family immediately. they changed the city to the village, and it was drastic. so chlobys and be a farmer. yes it was hard and sharply two formations, but not a single one was agricultural, i had to study everything on the go here, but why change urban benefits for life in the belarusian outback? draw your own conclusions here and now, how many kilograms of cheese are here. very nice in the area. well , maybe a 100 kg son wakes up in the morning.

i’m from a village on belarus 24 tv channel . let’s pay attention together to the events that became the global catalyst for chaos . extremist activity in europe , provocations to inter-religious hostility - this is legal, then after that it will look for the cause what happened and analyze who tend to talk a lot, but do nothing, europe was multicultural and tolerant only in words the stupidity and fear of liberals does not depend

on the country and passport. but this is different in the author's project is different. watch new releases on belarus 24 tv channel. when you intuitively work on a creative work, some things happen completely impulsively and maybe even some moments of literacy recede into the background. that is, it is natural. and when you try to explain, when you want

show when you want to explain, if there is an error, or if the accuracy, what does it consist in? uh, of course, you need to learn to look at things a little differently , look at your own work at the work of a student. well, it helps, to be honest, many things began to be better understood from the point of view of literacy from the point of view of some skeletons, when i began to explain them, that is , to broadcast, such as these concepts to students. everything just fell into place for me on the shelves, the whole technique. how what, why? and why is that what is in the process of learning? it seemed not so important, maybe somewhere incomprehensible. as our one of the oldest teachers and the best, svetlana grigoryevna gorbunova, says, sculpture is an age-old art. indeed, this is so , that is, yes, many things have to come simply with age, with experience, with understanding, but

having stuffed bumps somewhere. well, ripe for this understanding. so, i think that there is still a lot to discover in front of me in this regard. but when i work on something, it is significant for me at the moment, i put some thoughts and desires into it with my soul. well, it's like a point around which converge all my interests. yes, at the moment, of course, it's nice when the work is implemented and becomes part of it. and something more yes , some kind of space, so to speak, museum or, uh, urban or natural, if it is a park sculpture? if people see it, it's, well, let's say, it warms, because in the end the sculpture should not die on the shelves, but in the workshop it is created for uh people. this is

a working model of the memorial complex dedicated to the burned villages of mogilev area in the village of borki, kirovsky district, with this figure, alexander sokolov and i won the competition. that is, it was, so to speak, the starting point of reference, uh, in the village of borki, since the sixties, there was a concrete monument , which was typical, and in general, for a long time the local authorities had long wanted to make some kind of worthy memorial in its place. and since the topic is very complex, very large, very tragic in the village of borki, on june 15 , 1942, about 2,000

civilians were killed in one day. it was the largest punitive operation at that time on the territory of europe. that is, well, this is a colossal event in our country, one way or another, the topic of burned villages, in a lot of places. yes, but on such a scale, maybe in belarus there is still only the village of ola. khatyn is definitely a symbol. and uh, great work that sums up a lot and tells a lot. but you see such a memorial, as before, it turned out to be needed by modern society. and we managed to win the competition. here with such a subject with such a figure, uh, she allegorical, not portrait. she is , shall we say, not pompous. she doesn't rattle. uh, like soviet memorials, the best they rumble, they don't scream in pain about what

happened here. in my opinion, it turned out to be very humane, and very personal; there are several such philosophical uh, quite interesting. in my opinion, moves e and artistic moves. they are pretty thoughtful. and here we can say that everything, it was created by us, as if the concept of the creative concept of this memorial from the first sketch. uh, literally in 1 month. further, it is only the development of the filling of the identification of the scale. er, well, and so on and so forth. well, the task is very serious. how to make the visitor so that the viewer, uh, coming to this place, seeing what we created there, did not remain indifferent to it, so that it would affect him, so that tears would appear in his eyes. and when i saw that it was. here. i realized that we

succeeded and i am very grateful. e sasha, i kind of think that we have turned out to be a team , this is a great rarity and a great pleasure to work in a team like-minded people. i think that this is what we have done. i am satisfied. i can be proud of her at this stage. i don’t know who i would be if i wasn’t a sculptor, i think that vanya doesn’t know in the same way who he was if he wasn’t a sculptor, and now he is my support, who is my support, and he is my strength, he is organized an exhibition for me.

this table was built provided for picture boxes that will be stored here ready for the exhibition. uh, there are packed works on the shelves on the racks, because the exhibition is a big event of mine, it was not prepared by her prepared for more than one year. and i think that we will periodically, as it were, to this chosen topic. yes, that is, a retrospective exhibition, an exhibition of some selected works that may be supplemented by some other works, and these traveling exhibitions have already been held in minsk and brest, and this year it is also planned in klichev, my father’s small homeland his solo exhibition is, of course, for the future. i would like to think that it is possible that some kind of separate room will appear,

which is possible. it would be conditional to call it a museum anatoly artemovicha, because a-a father himself of his creativity, his work. i believe that this is a great phenomenon for belarusian culture and modern belarusian culture. it's about volume. uh, the volume is very large, because uh, we are trying to present at exhibitions a monumental work in the form of a post, yes, and hmm, as it were, works of recent years. uh, the fact that the father took the schedule very seriously and uh, it was hatched for many years. this is as he himself says, since all his life, some ideas have returned to him and his visited and that he in the last five years. here it splashed out in the picture. and hmm allowed us to form a fairly large exposure of graphics. here you can show. how

does it all look like? these are finished items ready for display. they are just like plastic. they are very personal, they are filled with some kind of deep feelings and philosophical meaning. here are some points that are easy to understand. yes, there are, which can be fully understood only by getting acquainted with the history of this person. in general, each a person will find something for himself in them in gestures. there is symbolism in the absence. uh, how would the faces of these characters. yes, that is, they are again out of time, outside of some concept of sculpture - this is a very long process from sketch to implementation. an artist may even burn out to give up

this idea at some point, become disappointed in something, and the form of expression of a drawing is graphics. it is very fast, that is, it takes just a few hours. throw out her idea. e you count, that is, it becomes starts live like that. here she is as someone imagined her. eh, at first. here it is very cool. well, this allows, how to say a lot in itself, the sculpture and monuments in the city, they fill the urban fabric. they fill the city streets with this content, something that we, perhaps, lack very much.

what the attention of our society should be focused on, one can argue , one can and should argue, is the development of the country, but within the framework of the constitution, this is our main task. what is the sovereignty of belarus? originality of our constitutional system, there is no need to be afraid of this, there is no need to peep and copy anything from anyone, and how to play ahead of the curve in the changing architecture of the world, they have a clear understanding of where and where we are going from here to all of us, what is necessary in order to this way was the most efficient. in fact, belarusians belong to a great civilization, you can call it eastern slavic civilization, a professional look at what is happening from the opinion leaders in the project is objective, do not miss it on the tv channel

belarus 24. to win in sports arenas, sometimes it is necessary to foresee every step of the opponent, let’s go to which city psg is based in the french league 1 football club dmitry paint, that’s right , they will get points for the correct answers, and for the wrong ones, lose them name the length of the marathon distance. anna was the first 42 km 195 m absolutely right alexander what are we playing sporteilus? what is the name of the belarusian athlete or athlete who was the first racket of the world in singles . this is victoria, look intellectually entertaining show head game on belarus 24 tv channel

. we are with you in the botanical garden in winter, fine weather, ice and snow festival ice sculpture. and i, as part of different teams, even twice managed to take prizes, because here the jury is supposed to vote for the audience, as it was in previous years, in general, such a

rich and interesting event. and most importantly, it is an opportunity to still feel the winter. unity with nature snow. ice is generally a very interesting material. it can be said that belarusian sculptures have just begun to master it not so long ago, but international festivals have already been recommended to be held around the world. this tool came to me from yakutia, my colleagues brought such a gift and well, quietly. and the technology has a lot of nuances, of course, a lot depends on the tool on the correct preparation of the ice material. it’s just that he’s so to say, this is something special yes, thanks to his transparency of his inner inner structure, because ice is river ice , there are some bubbles in it, maybe even.