tv [untitled] BELARUSTV February 20, 2023 2:55am-3:26am MSK
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maybe a trio? well, if possible, give a line or still one. well , let's go, thank god card what color does the direct removal of a player from the field mean in football red red card? this is the correct answer. doing a step forward in the final or finished you have already finished everything. you have already won in the fourth period. all periods are played and all questions asked remain. just sum up. having played out in the third period and not leaving his opponent a single chance in the fourth round, he wins the game oleg mikonovich congratulations. thank you oleg i know that you are fond of fakes on
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wood. i think that our trophy will take a significant place in your collection. yes, let's put it all the same, the strategy of walking in threes to the maximum has justified itself. yes, as i understand it, in principle, this is a risk that is inherent in you and your loved ones, probably, you still need to take a risk somewhere, but sometimes you also need luck. and now, perhaps in our participants, just a little bit of luck was not enough. anyway. i wish your teams always win only victory and pleased you and our fans. thanks a lot. but we thank our partners the national olympic committee and the belarusian olympic academy for their cooperation and assistance in preparing the program. my name is viktorovich . you watched a sports show intellectually and the head game pumps not only your body. well, the brain. tv channel
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so what is it like, sports and team belarus, we tell you not only about significant events, we introduce you to active , energetic and inspiring people who live in belarus and do everything for its development, belarus can be different to understand and feel. she needs to be seen with her own eyes. belarus 24 watch us
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worries, a sculptor is a person who accumulates a lot of the profession of a sculptor of this carpenter and a welder. hey, that's a ceramist. because my knowledge of ceramics helped me a lot, i still use it in sculpture, but in a different way with a different approach, of course, a sculptor is also a draftsman. he must have the skills of spatial thinking, and some kind of architectural thinking, when you need to fit your work into the environment, and cities into the environment some kind of interior. eh, in the natural environment, this is such a specialty that combines a lot. well, get out any one
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you like, which one you would like to see for a diploma. i don’t know what you would be like, maybe you don’t love them anymore. everything a beautiful, clean, moody bird made . we need to look for her corner, how she is. at what angle, she stands. here, maybe expand it a little, but tomorrow we will approve the topic. what is this topic, how do you call it for yourself? well, life is not a topic, life is life. here is the joy of life - this is the theme. well, yes, you understand, that is, you want some. uh, like my supervisor for uh, scientific work said that there must be some kind of problem, you know? that is, e in voices the topic. well, it should. you have to give some clue to the viewer. not just a monosyllabic something of a person who has completed a sculpture. it can go in almost
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any direction. i always tell this to my students who graduate from me, because you are not limited in anything, you can do great design. you you can be excellent draftsmen. you can do painting, a painter can hardly do sculpture, of course, if he has, as it were , a predisposition and talent for this, then he will do it, but sculpture is much easier to go beyond this narrow specialty, which, in general, not so narrow. in fact, a lot. some branches and today's technologies today's development of various industries, uh, it offers a lot of new applications for the sculptor. well, this is very grateful a specialty, which, nevertheless , requires a lot of time for its comprehension, as my father once said that, well, at least 10 years, well, at least. this is
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three or four years of college, 5-6 years of the academy, but then the rest of my life. well , this is my father's workshop, workshops of the union of artists, and now i'm already working here myself. and well, how are you? you see, there is such a great legacy here, there are a lot of realized works on these shelves, probably dozens of times more than some unrealized projects of thought ideas. well somehow i'm here cozy comfortable. i am here easily there is not to say that this is a legacy. it puts a lot of pressure on me little by little here . some of my works begin to appear. let's just say that's not all. uh, because some things go to the exhibition, then come back.
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we have a small exhibition pavilion like this gallery in the colleges of the race, like where i teach, and some things are standing there, but what is now standing here at the moment is a portrait of a competitive work on the bios of natural and which at one time was not realized, but nevertheless, i immediately conceived it as a creative work and did it in the material. this is terracotta ceramic. well, in order for it to be an exhibition work later, very often things that are created for competitions and competitions in general are such a rather ungrateful thing, because in 95, probably, percent of cases they are hmm and how would you be left with nothing with some plasticine intermediate thing that doesn't go anywhere. and that's how i 've set myself the task lately. if do then do something to keep you at
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least a credible work after the competition. there is also a competitive project still in plasticine. and hmm, this composition dedicated to anastasia slutskaya was a bit non-standard , it was a decision, maybe even beyond the scope of the competition, because here two figures the image of this woman impressed the fact that this is , of course, the image of a warrior in the first place. she took on the role. e, such a manager after the death of her husband, and she, er, is represented here as a protector mother. yes, then there is a mother-protector not only of her children, but also of her land. that is, this is such a heroic image of a woman, and here, uh, it is presented, as if her son is her future, which stands out from behind her. while still holding hands. but at the same time, no matter how ready he was to move on his own knew
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he would. all the time i painted with ceramics. well, the historical vision of his country. his patriotism, as a belarusian is unlikely in ceramics, he could find, then vanya suffered a huge misfortune and grief at the age of 14. he lost his mother and that we got out with him. got out of this case. he became. courageous strong
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handsome is very similar to his mother. i am this this is only happy, of course, was always an example of a father. and it was a very worthy role model, but it was interesting for me to be in the workshop. it was interesting to me. i remember as a child there in the fourth fifth grade, and having visited the workshop there , being inspired by some things or drinking right there, even i allocated some small place and gave a piece of plasticine. and even these first timid attempts there later appeared on school screenings. eh, here er, but in general, i always did painting at school. eh, that's it, time is now tied. as if with this my future i had an example. uh, a very good teacher of one of my favorite school teachers, abramova chekutikov, already deceased. unfortunately. here,
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who somehow instilled this love for this business, but then coming to some other teachers, having already become older. i realized that something is not what you left, maybe. this moment of some kind of guardianship, which was, again, was a rather difficult period in connection with the death of my mother, some was so incomprehensible. eh, a stage that i may even not remember for several years at all, what i did, what i did, what i was like, they fell out like that. and after that, a was very bright and for a very long time, a strong passion for ceramics came, again, this is, of course, connected with the teacher of sculpture. i came. i don't think it's through my father. but, rather, through ceramics, through here it is, in fact, so i entered ceramics, enrolling in ceramics. i, of course, realized that i hit the wrong
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there, because hmm, my hobby is great sculpture and plastic modeling, but it did not at all correspond to the requirements that were at that time on ceramics at the academy, then i realized what i still like in kiev, i liked culture. and i managed to switch to sculpture. i got to the first year and in the second family immediately. traveling around belarus and discovering new sights, another attraction. bridles. the tomb of the zavishy family personally, it reminds me of something a miniature egyptian pyramid, but not many people know that in addition to it, there are also ruins-estates of the family of zavishes, which are located in pervomaisk, get acquainted with the original belarusian traditions. and we , again, yes, where we carry it, a bald cat makes
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know the level of competition in russia today we hope that these are promising guys. in the future they will show the result of key news and sports facts of belarus it was and remains the flagship of belarusian football. and this, despite a significant renewal of the composition and a change in the coaching bridge and the development of a new generation of belarusian athletes. today we can pay more attention to our hockey, so today we are attracting more children, 40 places are being vacated there for young guys. there is an opportunity to take young guys out of them to make stars. watch on tv belarus 24. when
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you intuitively work on a creative work, some things happen quite impulsively and maybe even some moments of literacy recede into the background. that is, it is natural. and when you try to explain, when you want to show, when you want to explain, if there is an error, or if there is accuracy, what it consists of, of course, you need to learn to look at things a little differently. on your own work on the student's work. well, this helps. uh, to be honest, a lot of things e, i began to better understand from the point of view
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of literacy from the point of view of some skeletons, when i began to explain them, that is, to translate these concepts to students. everything just fell into place for me on the shelves, the whole methodology, like what, why and why, that’s what is in the process of studying, it didn’t seem so important, maybe it’s incomprehensible. as our one of the oldest teachers and the best svetlana grigoryevna gorbunova says, culture. this is age art. indeed, this is so, that is, yes, many things need to come just with age with experience with understanding, and stuffed bumps somewhere. well, ripe for this understanding. so, i think that there is still a lot to open in front of me in this regard. but when i'm working on something for me. significantly, at the moment i put some thoughts and desires into it with my soul. well, it's like a point around which
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my interests arise at the moment, of course, it's nice when the work is realized and becomes part of it. uh, something more yes , some kind of space, so to speak, museum or, uh, urban or natural, if it is a park sculpture, if people see it, well, let's just say it warms, because in the end the sculpture should not die on the shelves. uh, in the workshop it is created for uh for people. this is a working model of a memorial complex dedicated to the burned villages of the mogilev region in the village of borki, kirovsky district , alexander sokolov and i
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won the competition with this figure. that is, it was, so to speak, the starting point of reference, uh, in the village of borki , since the sixties, there was a concrete monument , which was typical, and in general, for a long time the local authorities wanted to make it in its place some worthy memorial. and since the topic is very complex, very large, very tragic, and in the village of borki on june 15 , 1942, about 2,000 civilians were killed in one day. it was the largest punitive operation at that time in europe. that is , well, this is a colossal event in our country, one way or another, the topic of burned villages is heard in many places. yes, but of this magnitude, maybe in belarus there is still only the village of ola. here
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khatyn is a symbol, this is conditional and, uh, beautiful a work that summarizes a lot and tells a lot. but you see such a memorial, as before, it turned out to be necessary for modern society. and we managed to win the competition, with such a theme with such a figure and, uh, it is allegorical, it is not portrait. she is, shall we say, not pompous. she doesn't rattle. uh, like soviet memorials, the best they rumble, they don't scream in pain about what happened here. in my opinion, it turned out to be very humane, and very personal; there are several such philosophical uh, quite interesting. in my opinion moves e and artistic moves. they are pretty thoughtful. and here we can say that everything,
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this was created by us, as if the concept of the creative concept of this memorial from the first sketch, but literally in one month. further, it is only the development of the filling of the identification of the scale. er, well, and so on and so forth. well, the task is very serious. how to make the visitor so that the viewer, uh, coming to this place, seeing what we created there, did not remain indifferent to it, so that it affected him, so that tears appeared in his eyes. and when i saw that it is. here. i realized that we succeeded. and i am very grateful. e sasha, i kind of think that we have a team that is a great rarity and a great pleasure to work in a team of like-minded people. i think that this is what we have done. i am pleased with her. i can be proud of him at this stage.
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who would i be if i wasn’t, i think that vanya just doesn’t know what he was if he wasn’t, but now he sweats me, he organized my support for me. built this table provided drawers for the paintings that will be stored here are ready for the exhibition. uh, there are packed works on the shelves on the racks, because the exhibition
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is a big event of mine, they have not been preparing it for more than one year. and i think that we will periodically, as it were, to this chosen topic. yes, that is, a retrospective exhibition, an exhibition of some selected works that may be supplemented by some other works, and these traveling exhibitions have already been held in minsk and brest, and this year it is also planned in klichev, my father’s small homeland his a solo exhibition, of course, for the future. i would like to think that it is possible that some kind of separate room will appear, which will be possible. it would be conditional to call anatoly artemovich a museum, because a-and the father himself of his work is his work. i believe that this is a great phenomenon for belarusian culture and modern belarusian culture. it's about volume. uh, the volume is very
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large, because uh, we are trying to present monumental works in the form of posters at exhibitions. yes, and how work of recent years. uh, the fact that my father took graphics very seriously. and this has been going on for many years. how is that? he himself speaks with e, all his life some ideas came back to him and visited him and that he has been in the last five years. here it splashed out in the picture. and hmm allowed us to form a fairly large exposition of graphics. here you can show. how does it all look? this is a decorated item ready for display. they are also, like plastic, they are very personal, they are filled with some kind of deep philosophical feelings.
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meaning. here are some points that are easy to understand. yes, there are, which can be fully understood only by getting acquainted with the history of this person. generally. each person will find something for themselves in them in gestures. there is symbolism in the absence. eh, like the faces of these characters. yes, that is, they are again out of time outside of some concept of sculpture - this is a very long process from sketch to implementation. an artist can even burn out to give up this idea at some point, become disappointed in something, and form of expression of a graphic drawing. she is very fast. that is, it is literally in a few hours you splash out the idea of it. you calculate, that is, she begins to live as she is. here she is as someone imagined her. eh,
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at first. and that's very cool. well, this allows, how to say a lot in itself, the sculpture and monuments in the city, they fill the urban fabric, and do not fill the city streets with this content , which we may be missing very much. a good morning should start with proper breakfast. i hope you didn't have breakfast today, because i'm going to feed you and cook a breakfast of champions with you. we will help to make the first meal tasty healthy very appetizing can not wait. proceed to tasting, tomato eggplant mozzarella, sun-dried tomatoes
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egg mussels. mamma mia, a combination of so healthy, tasty and cool products that you just immediately feel hungry and very interesting in italy they use pasta only from durum wheat and a recipe we will not forget very simple water and flour, and an invigorating exercise, you always want your elbow to meet your knee and automatically try to move your knee forward. this is a mistake that you should try not to make. look in the program. champions on tv channel belarus 24 ugly patches of the country on the places of trade and exploits were created remember by ohviar and heroes. e, shag yong maya sens and yunna maya hook great and small yans shackle from the secondary truth and
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beautiful weather, ice and the snow ice sculpture festival. and i, as part of different teams, even twice managed to win prizes, because here the jury is supposed to vote for the audience, as it was in previous years, in general, such a rich and interesting event. and most importantly, to still feel dima's unity with nature snow. ice is generally very material is interesting. it can be said that belarusian sculptures only started to master it not so long ago, but they have already been recommended.
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