[000:00:00;00] president maxim ryzhankov is refusing to sweat students of academicianship under the chance of flashbacks , the shekeronics will be slacking about the military-political situation around belarus in the twilight powers , we will sort out the social and economic shmat, respect for the implementation of youth initiatives, and so self-supporters young people on foot proton places. and we see that public servants are also interested and have always been registered in communicating with young people on an equal footing. after all, it is a dialogue on an equal footing that allows young people to inflict some questions. and we understand that our state case, so to speak, is heard by the youth, they understand and solve problems, the issues that arise in the youth were in the format and will be affected. yes, help with tedding by saving the organization of the belarusian republican youth union at the academy of kilning. well , this is more and more information about

the nineteenth see you. what messages from the past are found today in belarusian shrines? there is the rest of the name, a few letters and a scythe, dashes next to it, as if someone was counting something for a certain period of time, most likely, someone filed something like that about magpie. where does spiritual education begin? we tell children about god, and i devote a lot of time to ensure that children learn exactly what divine love is, how to communicate with children. what is prosphora and how is it prepared in monasteries in the morning, they knead all sides, then we put it up and already during the day or when viewing. you yourself will get out of this dough, somewhere in the 5 liturgy of large

spaces specially liturgical and somewhere around 120 small prosphora, which distinguishes and unites the main religions of the world. it is, of course, very important to us that we offer a spiritual basis for every religion that does so. e hmm, taking into account their traditions and rules. here but in many ways we have a common approach, a look at

the family , answers to these and other questions in spiritual and educational projects on belarus 24 tv channel . i generally like to relax. and i rest, of course, in nature. i love walking around the city looking at people. i love to ride transport is usually by metro tram trolleybus. i like to feel, how to say, rich air in the countryside.

my guest is a very busy man. he serves in the theater, acts in films, teaches and heads the union of cinematographers. in general, i don’t know how he manages to do everything, but he found time in his busy schedule and came to us. today. my guest is the actor director and the chairman of the union of cinematographers of belarus viktor vasiliev viktor good morning viktor i know that your first film role was for you very unexpected and happened. she was once a teenager, what an amazing story i was then 14 years old. i was leaving the entrance, and next to me a normal full-length feature film was being shot and the director noticed that he was missing, apparently, some kind of frame. yes, in front of the main stage, and the eagle saw me and said, be so kind as to say. get out of this door close and run away. well, somehow in memory, all

this is so preserved. we are so used to the fact that the movie should be played. i went out and looked at watch. he looked around, all around he sighed and decided to shout at the top. i only asked to leave. i did the same anyway, in the end. he said cut everything. that's it and leave it like that, that's what it's called. uh, ignorance of the profession , thinking that if you play outside, then you hit the target, in fact, this is a problem. this performance is a profession, but nevertheless, probably, these few seconds have become decisive in your life. well, yes, there is. well, we never dream of being what we become. yes, fate is leads herself. your mom worked at a secret military plant. dad played in the army ensemble with such genes. you were supposed to be a military man, but not an actor. isn't it so military? i would like to become, but i was drawn more to medicine. i loved to engage in, how to say, the study

of the human structure. well, it so happened that e still won, how to say the mind, e, survival. so i went to be a chef. and i'm very grateful, because i've learned a lot, there's a lot of valera's image of the situation. yes, and characters, but of course, uh, well responsibility. this is a great responsibility. these are products. it's the people, it's the food. this is a lot of useful skills, of course, of course. well, nevertheless, in your life. you served twice in the army, how can this be? it was by accident, because i’ll say right away that someone mixed up in the military registration and enlistment office. e, means the year of birth, and the surname, name, patronymic converged and the kid from the ural polytechnic institute was not called up a second time. and they called me, it turned out that after serving in the army i entered the institute

beginning. uh, how to say to study, at the institute i was called up again by tankers. i don’t understand anything about this at all, and the commander. when he said that it was necessary to get into the tanks. what are you, but how is it that he looked at me like that? at first you think that i 'm mocking, and then i realized that i said something wrong here, to sit silently in the unit until the end of the 45-day period. i say, i won't stay for 45 days. that's it. i began, as it were , to say, e, a reserve officer, although i came to the military enlistment office and said that i was not an officer. i should not have this position because i after all, uh, studied to be an actor, right? yes , they waved me, they said back, don’t fill my head around the reserve officer and wait for your call to go. that's so good for the military theme. we will be back. um, i know that your common surname helped you get into the theater institute. it's true that the commission mistook you for a relative

of the actors vasilyev. well, in fact, it's true, yes, it's true, because, and when they started asking me who they said about what, uh, but your name is connected with some then people who have a very large value in art. i say, well, yes, of course, it is connected. well, of course, i was playing a little trick here, on the one hand, on the other hand, i was joking and warming myself, especially a lot in the cemetery. they laughed. you were born in sverdlovsk, but most of your life you lived in minsk somehow ended up in belarus by accident quite by accident we then went on tour with the theater you then served in which theater i served in the ural theater with this theater. we were on tour. we were driving, which means we were passing belarus in the direction of kiev, and there was such a director, glagolin on taganka and he told me, he says, young man, show yourself, at least in minsk you must

move, move and grow. i showed up in minsk at the russian theater, but then they didn’t take me, here, and vitas gregolus is an alternative theater. he immediately came up to me and said, i would really like to work for us. i came from a tour. and it so happened that he got married. i did not come in belarusian. i went to the theater and they immediately took me, and i played her beautifully. this was a unique theater, but i wonder when you agreed to this proposal, vitas grigorinus. you assumed that you would stay here for the rest of your life. to be honest, no, all the same, in my thoughts i had to move, move, develop , go somewhere, and closer to moscow, closer to leningrad. well, then leningrad was called closer, because interesting things happened there every day.

there was always a desire for something new, but this is the nature of a student, that is, to learn to learn to learn to know at a certain age. you are starting to realize. and then to know, of course, of course, i wanted to now you serve youth theater is your third theater in minsk, the fourth for your acting career. here's my theater to change the price, it's like that this is a creative, hobby desire, so the change or the reason lies in something else. you know not to change something else, uh, a person always understands that there are some circumstances in life. this is the first of its circumstances. not theatrical, not related to working with partners, no, no. but there is another, there is another team. that ’s important for me, after all, the team and in this theater i’m very comfortable, so to speak, in that plan that what i can

play according to my age i can play. our participants will surprise with their knowledge not only their peers, but also adults about the person and the world in the fifth grade. we went through that the moon attracts water and because of the moon there is an ebb and flow variant. yes, because i read that nefertiti was the queen of ancient egypt, in order to get into the super final they need to be smart. i am sure that 1 mm is less than 1 m a thousand times, because a is 100 cm in one meter, and 10 mm in one centimeter, have an excellent memory and logically think. i answered me because i know exactly what anchovy is. it is fish purple or magenta color came up with bruising, and it is a shade of purple.

as far as i know, watch an intellectual entertainment show. i know on tv channel belarus 24. we talk about the most important thing in the world of science in the biological sense, a person is never alone. after all, our intestines are inhabited by billions of bacteria, while we think we sleep. we go to work and communicate. they feed, multiply, die. and most importantly protect us in general in the body a person lives about three kilograms of microorganisms, we share interesting facts of scientists who are in the seventies of the last century. we talked about the role of antioxidants publicly ridiculed asking the most exciting questions. and we are looking for answers. how to understand if we do not have enough antioxidants, what will tell us about this in our body, what will scream, everything will scream, but this

should not be expected, it is worth working proactively. watch in the science mania project on belarus 24 tv channel. your path to the big cinema was quite long. if not count there your audition as a teenager and your first big movie role. you got it at 34. that's why you somehow treated some with doubt or hmm just didn't work out with movie roles very difficult. they got me. i like to say the first even mine. and let's say a test in a movie for real. uh, we must pay tribute to sergei zigmatovich. sergey zigmatovich advised me, not knowing me. he just looked at me in the theater, he looked, apparently,

he came and dedicated him, he said, take vasily, i remember this moment, yes, and here i am first role. i played something with golubev . doves have something military, probably, there was such a story. yes, i played policemen without a hand, whose fate was a severe concussion and who wanted to put things in order, but remained a man until the very end. eh, journalists consider the role of colonel dubrovsky mukhtar to be the most significant of your videos in the cinema. but you yourself what role means the most successful of your acting firmography. well, if so, you know, valera can be scattered back and forth, but still, in my memory, uh, work with a harpoon in

film enemies enemies. true, right? i played the cunning traitor , who is both yours and ours, but realizing at the end of the film, realizing that there is no way out, it will still come to one , i, as it were, destroy myself from more than what i do, realizing what am i doing? it's very difficult. this is actually, like some kind of, which means that he came, he said he entered. and i realized that he

deceived himself, he will not escape fate. don't look. i know that a few years ago you had the opportunity to play the role of gorbachev in the film chernobyl , it was difficult to transform into a scary role it was scary. valera, firstly, you understand what to play the head of state. yes, this

is not a kilogram, it’s not a good idea to eat salt, you need to think about it so that you don’t, well, firstly, you don’t want to embarrass yourself. yes, i do not want to spoil the second. uh, the third character doesn't want to, how to say, let down the director who chose you. and, of course, i was a little worried, of course, this is still shooting in the kremlin, this is shooting. e in a historical building, this shooting with historical objects. these are recordings of the exact words that mikhail sergeyevich said and how did he do it, right? i think that the worst thing for us is a manifestation of emotions. even with the best intentions, vladimir vasilievich please, show restraint at this crucial moment, and which of us is right will become clear very soon. victor, you not only

play, but also shoot. what status do you feel most comfortable in, actors or director? oh, in the status of a simple person. well, and when it means that i'm shooting something, then i definitely, uh, i enjoy the nature of communicating with a person, you know, every person is unique, and even the students that uh study with me, that i kind of teach, i'm grateful that they teach me. but they are also unique and the work is unique. why because, well, the word director is like a commander. yes, the director is there and so on, but i put a little more into it, and we are doing one thing as a confederate. if you understand me, i understand you, and it will be easy for us to do all this in difficult situations in and what we shoot under the characters and circumstances will be easy

easy, because like-minded, and best of all, of course. of course, after all, to play in the theater to play in the theater, because in the theater you can repeat in the cinema you will never repeat. the lord gave you a kiss, which means in a certain place. so you betrayed, what you have inside is what you betrayed, and in the theater you can fix it, can you fix it? you correct as much as you want or you change, how to say, the misan of prices or words you change or the meaning you are an actor, director and teacher at the academy of art in short, what is the main secret of a successful acting director's tandem? of course , you can say, be easier to pull up to you. yes, but still i love our profession. i love the profession of an actor and the profession of a teacher. why teachers? because i have

some kind of knowledge that over the years i, how to say, have absorbed myself both on the set and in everyday life and in some situations and, uh, talking about it. you feed others , you show what is needed and how to behave on the set. coming there for the first time, yes or the second or tenth, but still ethics ethics of conduct, if you think you're a professional actor. m-m to determine the place where you sit, do the text and thoughts, and the rest is all for you, how to say, the assistants will do it, don't run. do not scream. why did they bring me earlier? or i need it separately, which means that the roll is not much. a few years ago. we were all together in the same bus and that's it. it happened together and dragged the equipment together. so, then, of course, i

had a discussion, of course, there was a sound engineer the cameraman and the director and the director are there, because it’s certain, which means there are four, but still everything was together. everyone was talking and discussing. and now, unfortunately, the speed is everything, nobody discusses the text with anyone, i know, everything went to the motor camera. and i say, but wait, and i can't just like that, you know, it's still an art to be an actor in your acting. uh, there were situations at work where you couldn't find it at all. his language with the director and you refused the project. and what is the situation? well first, uh, i've already talked about that i love respect for an actor, if you are a director, meeting at a casting, you start to be rude, yes, and disrespectful of

the profession, like, so i will say, it will be so no , let's discuss it, i'm from different sides on i approach the director diplomatically when we go to the audition, but if the directors, who themselves, how to say, well, well , they can’t be corrected. it's nature that can't be fixed. if the river goes, it goes, we rain, and that's why i don't talk to such directors for a long time. i'm not being rude. i stand and say i'm sorry, but i'm not ready to do it. here are such big people, and well, i'm weak excuse me, but the future director. and how often did you have to part with the actors, well, for one reason or another. on the set well, just drinking. plus what's the deal? can you tolerate a drunk actor? yes, you can endure, you know why? because one actor can, as it were, turn himself on and forget everything, yes, a minute, and the other cannot, the other does not pull. here is

the trail of your life, how to say, not the arrangement of dreams, some everything is all bad and pulls and pulls. here there are none. no, no, no, but i am. eh, as it were, i'm all farewell, i forgive. i get angry, but i forgive in different ways. and if you take a broader look at this question, these are the actors you would never , under any circumstances, shoot. and what very conceited, yes? hating everything around there are such m-m. and myself yes, besides myself there are such yes, here, i'm great and that's it. well , great, well, so to speak, please, but come here as a colleague to our colleagues, that the evidence collected may not be enough to

announcement of the further transfer of this case to the court by the investigation. most importantly, i heard. i'll take care of the rest. to win in sports arenas, it is sometimes necessary to anticipate every step of the opponent, let's go. in which city is the french ligue 1 football club psg based in paris, the participants of the program will fight in the battle of the mind, translated from english. this team sports game

literally means a ball of paint. wheels, probably alexander what are we playing playing portreus? what is the name of the belarusian sportsman or sportswoman who was the first racket of the world in singles. this is victoria, watch the intellectual and entertaining show head game on belarus 24 tv channel, such a beautiful city. this simulator simulates an accident. yes, and here it is important to show people how important it is to buckle up. and that the belt really holds several thousand, but in one 35.000. wow, and you will directly entertain them in the face with numbers. excuse me. oh, what kind of belarusian beads do you have here, look at

the good satchel and belarus with svetlana borovskaya on our channel. and you have another very important mission in your life is a union of filmmakers, you have been sitting for more than 15 years. haven't been kicked out yet. i know that when you came, and you promised that you would save the organization and stop all conflicts inside. and you managed to, uh, keep your promise. it was hard. in fact. it is very difficult, because the team is all creative people, all with character, all with their own problems, complaints, their greatness,

knowledge, and titles. it was very hard with them, how to say start. uh, hmm, even start a conversation, because i didn't know how. approach them, but over the years is what i promised. i did. at least what he promised. and i promised to visit. eh, there is order in the union, so that people do not complain about each other, so that people come and advise , so that they express their opinion openly not secretly, so that they don’t write to the presidential administration, don’t write to the ministry we can sort everything out ourselves, because er, many do not know what the ministry of yes is doing, but they also write a lot of songs for the presidential administration. why can we decide everything ourselves and gradually gradually we, as it were, settled this issue. in general, as far as i understand. you are an insane workaholic, you have a lot of things to do. i do. and that's when homework refers to your employment. oh, you know, i want to tell you. that's what makes me

happy. so it's homemade. whatever the situation in the family were not. i'm here every time i have a moment. yes, i come home and think about making something delicious for dinner for my family and i try, then one thing or another you don’t succeed at all. but what comes and says oh. eh folder made us dinner. this is not because how to say hmm, here you need to do something to feed you and feed you with bread, really, but to please is, after all, a very important thing to please a person. e, victor i know that your wife is not related to the cinema. she works at the museum of the great patriotic war. and you made a lot of military films, your spouse advises you, and she consults me, and i consult, because, and she has visual, how to say content right at her work. she hears what they're talking about

she sees. and what should i say? what exhibits and she tells me that the most interesting thing, of course, is postponed, but the work is not very difficult at all to work in the museum of the great patriotic war. it's like this great respect for the history of our country belarus, but also for. respect for the memory of the soldiers who come and you have to work with them, they need to explain everything, they are happy. uh, what about them. and their battles about their uh, deeds about their uh, devotion to the motherland, about giving their lives for this motherland. uh, how to say the states are holding this museum has the opportunity to tell generations, i think that this is very correct. the museum of the great patriotic war is a very serious organization. victor is your son. yes, he also became a director. he graduated from gig, which he is currently working on. o at

the moment. he finished the script and gave it to moscow, they ordered him a script. he wrote the script, a very heavy script. very difficult one, and he doesn't let me in on these things. he doesn't initiate anyone at all. he is such a, how to say, quiet guy in this regard, huh? by coupon it means that with kudinenko his last work, that means 10 lives of a bear, where i starred as khrushchev and is going to make films on my own, which means, well, here he is invited to our film studio. if they let him shoot on his own, of course, he will go. and if some commercial organization offers, i think that we should go, because the director must make films. it has to work, you know? here is the word. uh, let him watch the camera there, let him run and drag the boxes. i didn't have that in my youth. i i remember everything. these are the ones who are lazy and who don't want to do anything. so they