regular and so they say the same enfilade layout. this necklace can be brought out of one chamber in a straight line by the uinshi. however , the bottle of the academy of sciences with a spiral inner attachment was re-wooded for the needs of the ohovroslin institute in the nineteenth city. uh, in the role of a man, of course, head alla let everything be done with the carpet and walks narodnaya a. storm i have just become a real ranger of this new concept of the palace of priluk, and i meet the walking chakra polish until the next minar. yana e, such a romantic especially raised the first to be his country house of the desert, that it came off the park with the great bed er, bytan to the refrigerator and that's it.

such heavy ones are excellent, and the worst romantic agul you are less for me in general the colors of love for hormones, and it is especially the number one acceleration of this legend of the get aladsu, specifically the orders of the shabsky palace, a dumb bottle, sterilized under gray alone, a padlock, and the architecture of sergey has an old order the castle took an unvoiced form , defending the surrender at the courting not to the jaku. i his function was one for hurrying looking at the spirit group and the defense of the portico from the bay, the arches both rest on dropped columns, complemented by a feather , sharpened pilasters and capitals . center composition. the siege is more reversed to the tradition

guards on the egyptian adolescence for the skin, mixing the mass of the base base with a magnifying glass of penetrating pilasters cutter to adek, which created the effect of a pyramid, which sounds at the end of the construction guilty in icons its function, and the hopefulness of the strength is not destroyed. uh, wall clusters of this seriousness and eyes. it must be poenent to live, that i will stand it and everything will be for a long time . putin's soul ruts for the wife of the design, of course, there is not so not visible so be and wow , it will be something like that for me. oh, such a flock of criminal care. let

her wash it like that, but she couldn’t tear herself away from another, because you would have cut a fatal rise, there and for forgery in this terrace. i'm not so spiteful the arch and such should exactly be in the demolished one , so loud to the top it is flattened and outdated. i flattened. i don't know, hard once the top of the arch develops from his post, and he's heading for a wake. you are a constructive shake of the archivolt element. thus, the bells and whistles of the archies will knock out the sinuses of the archies from the keystone, the final element of the called facade. and what, allowing the size to cover the load evenly throughout the structure, the whole arch is a proximal cycle about tsoi, not skills. even fire. she is molested by velma. about us a vice, where i am a resource for her, and the malbes ends somewhere up to the ability to block were introduced for ar.

old and in another way, the arch itself is handy, the more the knowledge of the pseudo-defenses of the shagoki, nerlha, didn’t fall down from the fragments of the kobyan, the more the stridzhate arch, symbolizing the pyramuha of a person above himself and them to her not the highest forces. on the park facade of the two-headed flooded, yes, and probudov’s eye was attacked. round terrace with butovo as a fireplace with two stairs . meadow, elongated near the vertical surgeon, and the forest ends on top of the spiders and on the other in a circle .

minsk which was already a provincial city on that moman, and it allegedly attracted. the way here to the yards and gentlemen, it was their priluk who were not random people. uh, on that momond yak leo and storm, an album of crumbs later anton vorvard. yanas were marshals of the gentry of the minsk province. uh, posada velmirarova mishmarno climbed in for these people, and the scent of levase vocals and they was maximum and, of course, their houses were umenian. and such dreary summer sittings of yana were wide-spread for a meat hat. whoever has that bag, like, uh,

self-politic housing, held out to blame, and i'm just the prilutsky palace and he musyu to be a visiting card for this eclectic family. therefore, she didn’t get rid of the canon from the reserves for architecture at our graduation, and she only parted with the pen and mother and wonka won the architecture returned before that shastya exchanged reinforced concrete. and halloun they became the fact that in the skin form the metal reinforcement was set in front of it, it comes from the constructive magma in reinforced concrete. yong formulated the five principles of modern architecture, the first house on the slopes under the hut , the garden, the others are sumevny, yes, the third is free planning.

it goes without saying that if this mountain is not supposedly superfluous, the more order there will be no foot on the walls. is it true. you shay for all your decor pass. a cornice and he is his saber and he is not one and a half certain elements. i kim, we could help to reduce the bells, our own tractor of such a classic scheme was propanevanized, some kind of detail and our match mind two and a half and this comes off. well, the place there, well , like an ornament, has lost one of the largest vestibules on there is no less, and it was its snotty cultural center, where ali rattlers musicians and artists climbed not a single gold. there are a deck chair, a lure

and napoleon ord's double guests after revolution at the bottle was placed with anatoly for ports. and now another war. the palace opened up to the boys with its analysis. updated in the fifties, stand still and handed over to the roslyn defense institute. academy of sciences in the ussr everything that lives, modern, belarus today , watch on belarus 24 tv channel. this is

the news of the country and abroad. broadcasts of especially important events live broadcasts from the scene current interviews with famous belarusians fascinating trips around the country feature films for all ages on the territory of the countries of finland sweden norway denmark netherlands germany france spain portugal cyprus austria switzerland italy greece romania serbia croatia poland lithuania latvia estonian cable to the express am8 satellite the signal of the channel

is broadcast in the clear and is available 24 hours a day every day be with belarus 24 tv channel and discover belarus vovka vovka just don't tell anyone about this minsk. he pleaded in such an agitated, muffled whisper. he did not reveal the secret of the authorship of the song waves whisper. well, of course, who could know about it in in minsk, only we are two bakuvians, he and i are my senior friend, my variety lyova moller.

a lot of talented and famous people were born in baku lev gave valentin elizariev mstislav rostropovich muslin magomayev richard sorge and he is lev mall in baku jazz masters konstantin singer mustafa vagifzade world-class jazz pianist this composer murat kazhlaev tofig akhmetov tofik kuliyev two pianists who played at different times in the jazz orchestra alexander spasman and then led jazz orchestras in baku and among jazzmen. he's a lev moller and you know there is

rationale for why baku became the birthplace of outstanding jazzmen in baku programs , music programs on the radio consisted mainly of folk music, and national folk music in the side is mugham. what is mugham? one some beautiful poetic phrase, there, for example, that 's beautiful, how pink, russia, and this one phrase. tena is usually a tenor or a woman? there, the sopranos begin to sing with fioritures with melismas and every time. it doesn't look like how it is sung today and how it will all be performed tomorrow and very interested in this range. they looked at him at the opera

there, for example, miss rafizade or non-yazid conducts the operas of the ogly chessmen. and suddenly the soloist, the conductor, puts his baton and looks to the left, and then the old musician sits next to him and the soloist begins to sing. here is this same mugham and the longer he sings, the more skillful all these graces are, the more applause in the hall. moreover, applause interrupts the performance, as in jazz. here is the word mugham. this is improvisation. that is, what is the basis of jazz, and this mugham this is the concept of musical improvisation entered the mind from childhood into the ears, and in the understanding of jazz , the little lev moller, who studied at

a music school at the age of 12. he already played the accordion in the jazz orchestra of the baku house of officers. there is a legend, most likely, a bike that tells that lyova was supposedly at the age of 13 during the war, when the already famous, jazz rose with his orchestra toured in the side, which allegedly for a while tour for several days, 13-year-old lyova with an accordion, and played in the orchestra of these roses are expensive while touring addition. in baku , i think it's a tale. and here lyova went with this accordion of his, played where they invited and where they paid well. in baku, they loved music very much and paid well for it. from childhood, lyova

knew where, how, how much, and for what to play, he grew up , played in different teams, improved his skills. well, the time has come for conscription into the army, lev is sent to serve in the bv in the belarusian military district. it's not just distribution, it's destiny. the soviet army was very fond of artists, artists , musicians, because they defended the honor military unit at viewing competitions at concerts and lyova with

his accordion, participating in army amateur concerts, very soon became a prominent famous, and sometimes even an indispensable musician, commander of the belarusian military district marshal semyon konstantinovich timoshenko with special permission. gave the opportunity to participate in events in the musical events of the minsk house of officers. and lyova was already listed there, again receiving, albeit a small, but salary, and like that. timidly infiltrated into belarusian pop music over the next five years is its future, but we can say that the creator of the organizers, propagandist, ideologist

, music producer lev yakovlevich muler in those years in the mid-fifties in minsk was the dawn of jazz, each enterprise in each university had its own ben its own jazz. orchestra. three or four trombones, four trumpets, drums, keys and , of course, a complete family, five saxophones, two ices, two bodies, a baritone, where did dozens of saxophones suddenly appear in minsk? i still can't understand three such amazing orchestras i heard it was a militia orchestra led by the violinist of the radio orchestra sasha okhrenko. it was the orchestra. e, the palace of culture of the belsians of the prof, where in those years i directed the studio of pop miniatures of jazz, the orchestra, livalinovskaya, the wonderful

singers eleonora zigergaliya kostitsa ella senkovskaya and the jazz orchestra of the belarusian polytechnic institute and lev moller, and at one of the concerts i heard the song of the wave whispers but the composer, lion, moller was announced. how did i think so? i was in baku and heard this song performed by the author. and after this i quietly remarked to him. i say, lyova but the song of the wave whispers it's like a bottomless song, and not yours, only you tell anyone about it. do not speak in minsk. nobody here knows this. well, of course, who in minsk could pass it, and in 1958, after 5 years , cooperation with the belarusian philharmonic with the belarusian stage lev yakovlevich moller.

he headed the belarusian stage from the fifty- eighth year for more than 30 years. he was involved in its formation. the organization shuffled a group of musicians from the collectives, and it must be said that the concert brigades the belarusian state philharmonic had 17. you know, in order to create a voluminous image of a person, like a sculpture. it is necessary somewhere, some, as i think, some to betray the shadows of his image. and let's say. so he ruthlessly destroyed a few obscurations in his image, which he considered necessary insufficiently professional or which did not correspond to his personal interest. at

the very end of the sixties. lyova warned me with such irritation vovka one of the guitarists from molodechno walks here. keys necro - jung antonov offers some of his songs melodies will come to you when send him away. i'm yura antonova as the accompanist of viktor vuyachich on the guitar and the mercenaries have already filmed in my film review. oh, what can i sing? well, then he came to me, well, already, as it were, to a rather famous poet, mold. e , who already had large vinyl discs on the melody farm, she somehow did not dare to approach me, then she was shy, probably died in the fifty-eighth year. in chernigov , i saw and heard a young very interesting singer, whether it was boguslavskaya, and helped her move to minsk, where he arranged for her, he sambl, which at the beginning he led himself, and then he transferred the leadership from my bow

as planned. well, ishmael kaplanov fell in love with the neboguslavskaya, married her and, inspired by love, wrote some beautiful melodies for her. even without the text, when he showed these melodies, i pray molly told me don’t, don’t need your melodies, there is someone to write songs for. well , i probably meant myself and a highly professional team appeared. valentina badyarova. minsk was called it there was vasily roevich alexander tikhonovievich. well received a letter from a certain worker to the ministry of culture that this group does not play our music , jazz and the group did not exist and the highly professional group was disbanded for a year by my lyre then to me. having learned this

from somewhere, he told me that muyler was clearing a place for a creative unit for the group his son, his son did not create a team , he left for israel and became a pharmacist there. well , you know, there were enough musicians in israel, and finally a moller, together with the director of the anatoly philharmonic, came to gomel as a kalandian watched and listened to the last orchestra of the legendary jazzman edroz. and referring to the high cost of maintaining this orchestra for the pro-western repertoire. they drew up such an act that this is how the orchestra was eliminated. it was the last attempt to become the leader of jazz, the orchestra is already aging,

except for this last one more requested. do you know for what for what he did for the belarusian country? this is a show in which there is humor excitement and dexterity, so that it is not excruciatingly painful and ashamed of the past years. it is better for the audience to be in our program, well perpetta ins, let it be. yes, god knows, you studied latin, right. well , yes, we had the first six months of latin. it should have been for a long time and it's not true that two teams will compete for the main prize and the title of being the best, that is, the circumference of the circle is 200 meters.

the editors' club is the most important brand in belarus for all these 30 years. this is the economic world. security is primary, oddly enough, it is secondary, because it is largely determined by the state of the economy in the country , the time of opportunities and the construction of a new information model of the future, but gradually step by step, we are working to ensure that these programs are implemented. the rules are often not observed and often happen. so, what wins is the one who does not follow any rules at all. we must build new ways of communication. we must build a new economy. this is a bet on a new generation. the bet on belarus has been formed.

indeed, belarus has an intellectually open dialogue about the most important social and political events in the country and on the international arena. watch the club editor on belarus 24 tv channel in the project. 8 year i set the task, first of all, to raise the professional level of instrumental musicians. first of all, he shuffled them and transferred them from brigade to brigade. formed teams, provided repertoire. the pessim followed. as they say , he grew these teams. he was aware

of everything that was going on. in each of the e, 17 ensembles in seventeen pop brigades. among belarusian instrumentalists. in those years , there were few who would not have gone through school. here is the task of these pop brigades led by lev moller. he had simple success with spectators and chairmen of the jury of competitions that gave a start to any artist to any group, especially if these competitions were all allied and in october, 196. since the new year in moscow, this hitherto impregnable line of defense of moscow vocalists was ruthlessly broken by belarusians. this was the first all-union competition for soviet song performers, a competition for the best new soviet song

and for the best accompanying composition of military songs, when a soldier sings in the first person. i'm warm in my pocket in a cold dugout my little one has your card there wait for me and i'll be back the time of these songs left in the forty-sixth year, along with the last song of solovyov sedoy and fatyanov. where are you now fellow soldiers all for 20 years. this is the theme of the war participants in the war was closed. but the song with which the belarusians came to this competition, it was a song of a splinter to the words of a veteran poet, the memory of the heart. it was a song from the warring belarus and partisan

belarus. everything was taken into account, everything was calculated. lev moller, night execution in him. paradise and memory hearts, and you can even say that the joker saved the most important trump, he went to the last third round of thirty-year-old viktor lucic, slender, smart, elegant, handsome, and what did he sing? with a smile thank you heart, what can you do? who is the original performer of this song? the chairman of the jury, then viktor told me that after the presentation of the awards of all

means, testifying to the first place, utyosov came to his dressing room. i hugged him and vitya says. it seemed to me that even the eyes of the cliffs were moistened, and he says to me he said victor always sing a song. thank you hearts love with all that and sings every evening. all this was thought out and calculated by lev moller, the third factor, it turns out. the diploma for the best accompanying ensemble was received by he himself, damn it, where lev moller sat at the piano as heavy artillery, the belarusians put

everyone in moscow. to everyone who participated, i can even tell you that iosif davydovich kobzon , probably, until the end of his life, could not ask the belarusians that he received this competition . sensitive to everything new that could bring in some other fresh stream, and in the musical fabric, in general, which was born by belarusian pop groups in january of the seventy -first year, four girls and the most charming infantile in glasses, buttocks came to him. poplavskaya asked him to listen to their vocal quartet nine of her pesnyars in moller skirts. po listened, and now a month later, on february 5, the seventy-first year.

these girls were enrolled in the staff of the philharmonic. after 10 days, leva added the winner of the competition to them. hello we are looking for talents, lyutsina shumitkova, even later added there, poured a pianist into this team. vasily roichinshchik tourist and bass guitar become alexander tikhonovich was also born a vocal instrumental ensemble. the creation of the tonic instrumental ensemble , which until the end of his days accompanied the singing of viktorovich, was the brainchild of a moura from grodno , four girls with

guitars were dragged from the palace of culture of the communal plant to minsk. lyova enlarged the team, added more minsk girls not with guitars, but with a strabo with a pipe with a drummer, and so on the team of the enchantress lyova was born take off rehearsed selected the repertoire made arrangements that were very feasible for the girls, which they were able to perform , so to speak. hello. i just kept this record there and i remember pressing the intercom button. the device shouted the studio falsely called the performer's last name. we are for you guys all the instrumental all the accompaniment. all the pipes recorded, what can we still do with women's voices and pei for you was very demanding at first and always achieved in the profession in

the musical profession of the profession of a musician how it should ideally sound four years after bujacic 1970, also in october. again victory of belarusians in moscow moscow he knew felt the conjuncture he

understood what songs now what rhythms? what are the pace? what voices? what theme should be in the song that we put forward for the competition by making such not very complex and maybe even somewhat old-fashioned arrangements for songs. he nevertheless foresaw foresaw. after all, he was such a perspicacious person, both in creative and everyday terms, that something is coming, some new trend in music should appear after beatlamania, so to speak, something should come to replace it. and it came, it was the horn and the mallet. i knew i already heard that in the student cafe on the campus on the second floor of the cafe with patterns, in fact the student cafe was played by

an ensemble. with the same name, with patterns, they played new rock music, which not a single band had played in minsk yet, because it was new generation music. it was music for young people, the mollyra contributed to the fact that this group, in general, playing, well, in the usual soviet public catering point, was transferred to the staff of the philharmonic. this is also the merit of moller. in april 1974, moller initiated the first

belarusian, as it were, a belarusian variety show. this was, in fact, the result of his fifteen years of leadership of the belarusian stage, another round for its next development under the leadership of the leaders of the white stage. i'm a lion's shoulder moller, moller, indefatigable creative, nature, wrote a lot a lot for everyone who asks in any form in any genre, payment was made by the composer and the author of the arrangements. so there, according to the number of lines that the accounting department counted and paid by bar, what does lyova do and he divides the size of 4x4 and writes two by four,

that is, the number of bars increased after sorry, the rogue bakuvian and our other composers also began to write like this, divide the bars should be and thereby increasing the number of cycles and payment. oh, these vyovka scores. i i got used to the procedures for the notes of glebov's wife , which looked simply printed, and the luvins of the score looked like in vladimir vinokur's sketches and lions. we play it. we don't play it. here, then, this greasy stain wrapped the fish. it's not to play. this is exactly what the legens of the score looked like, and here, from everywhere to whom he didn’t arrange, where he didn’t write from everywhere, royalties went to him, somehow the countryman reproached me, well, who wrote songs there with glebov with paradise with dima smolsky there semenko that i

i don’t write lyrics to his music, please, i wrote the wings of icarus viktor vuyachich from tsar solomon lyudmila iisupova. take care of the men of the enchantress girl from our entrance eduard mitsul. and then either yermolenko sang this song together, well, in addition to the arrangements of the author's music of lev's songs, even under the union of composers , he had such a publishing house, which, therefore , promoted belarusian songs in collections of pop songs by belarusian composers, i had my own author's copies. recently handed over to his fund in a literary museum. but there must have been songs evgenia glebova why lyova really wanted to become a member of the composer's union in belarus depended a lot on gleb. zhenya glebov did not tell the moller.

once he invited him to his house, opened a bar and , to glebov’s amazement, the bar was filled with unprecedented, unheard-of bottles with some names with some imported drinks, which we had never heard of and had not seen, but lev closed the bar and treated glebov ordinary store-bought our vodka. well, maybe that's why glebov did not contribute to the entry molera. lyova approached the union of composers of belarus and the cinema in the seventy-second year a full-length film was released. so the summer passed in the seventy-fifth tv movie, grandfather evsei and the stick in the eighty-fifth cartoon was not late, and again this is everywhere author's copyright for circulation.

well, he loved leva, he loved money and knew how to earn it, he knew where and how and how much at all times all the authorities in the ussr were very afraid that we creators got rich, so any earnings outside the main place of work should have been hidden. i have experienced this myself for many years, working on part-time directing chief. for some reason, the second minsk circus was considered especially shameful to play in taverns in restaurants, and therefore musicians, playing in restaurants, chose a playground for musicians. the most shaded corners wore dark glasses. they pulled their hats down for no identification, but on the other hand. remember 40 years of orchestra. he played duke ellington, in

fact, in a cigar smoke bar in a hot club and a good team player. i must say just the best orchestra in the world of jazz in the history of jazz. second of august 1963 an unprecedented order is issued by a joint order by the ministry of culture and the ministry of commerce on the work of variety groups in restaurants of the republic, the mind is created from the affairs of musical ensembles headed by om who do you think, who of course of course? lion anchor that is, he could in any century in any restaurant of the republic and listen to what are

the musicians playing, and the musicians? in order to maintain the old relationship with music customers, closer to midnight, it was necessary to set the table for the inspector so that he would not pay attention to the fact that they were playing, as thanks them for applications executed by visitors. this is what he was doing. leo should notice that the drinker is a man. lev was never in moderation, as we are all decent normal men. and then one day leva invited me to his house, opened a bar and offered the choice of his wife sveta, a very beautiful woman. she gave me a very tasty lunch. and lyova revealed

his plan to me. it consisted in the fact that we had to create with him some kind of bright song for an illusion attraction, and then i was attached to the circus's attractive activities. i understand where the lions come from? here is this bar with these bottles, unprecedented with unheard of names, where imported things come from, so to speak , everything is on it. it was a deduction from the circus , in comparison with which all his copyrights there , everything is everything, it was a handful that came to his office. he sat down at the piano. he explained to me that it would be a song. for the young natasha rubanova, she accepted an illusory huge

attraction that occupied everything, the second compartment from her father and wanted to completely restructure the work and it was about the prologue under our left a song recorded in minsk by some very pleasant baritone. i don’t remember who, with the sing-alongs of enchantress girls, means to this song in the prologue, she was supposed to appear there with some miracles in the manezh well , here lyova began to hum this song with my text there are no lost worlds and open islands finist the clear falcon will not beat because childhood will not return to the world. there are no more miracles. i didn't see this attraction natalya rubanova didn't bring it to minsk, but leva, of course, went to the premiere. i do not know in some city and said that volodya it was such a time. it was such a sight. in general, it seemed to be according to

his story. very nice. very effective. and leva assured me that very soon i would start receiving royalties, as well as from another illusion attraction, for which we also wrote a song with him , i don’t remember the only thing i know that she sang. luda yusupova and so i 'm still waiting for these author's hmm perspicacious not only in music, but in life in general , lyov's man, as it were, had a presentiment, he understood that something must happen in the country. no, she flourished. everything was fine, but leva, realizing this, that something was coming and realizing that he could not give anything more to the stage on january 31, 1989, the head of the belgosastrada

since 1958, he filed a letter of resignation, well , which, of course, was satisfied. the work experience for a musician who pulled the accordion from the age of 12 was enough. and so leva quietly left the philharmonic and continued to live on a pension and royalties. and it was enough exactly one year after his departure. on january 24, 1990 , an order was received from the ministry of culture of the bssr on the transformation of the belgosstrada, that is, the entire brainchild of the moller, created by him and what

was before him and creating by him for almost 40 years, all this was destroyed at once, in fact , the belarusian stage, as a single unifying structure. it ceased to exist for good reason, a wonderful book, in fact , an encyclopedia of the belarusian pop music olya brillon, has time restrictions. it says thirties eighties. more and more there are teams, each on its own and each on its own, or looking for sponsors to buy an elementary amplifier microphone guitar string jacket. or he pays from

his earned independent fees for artists, especially middle-aged ones - it became, in general, a catastrophe, the end of a career in this situation, very few survived, very many. whether moller observed the death of his offspring , he certainly experienced it, definitely, definitely, but he already lived, as it were, with other aspirations. he, of course, was already securely packed with all his copyrights and was about to leave for his son in israel. suddenly, i suddenly met him in the courtyard of my house, of course, he habitually spread his arms and did not see each other for six months or 3 days, an exclamation. lolko where have you gone? and then vovka said where is there such an organization that called me some institution

that was not far from my house, and which issued some necessary certificates for leaving. i suggested to him and showed him. suddenly he said oh, and you know there are eight kinds of orange yogurt alone in israel, eh. sveta stood by and smiled. i wished them a happy life there; they said goodbye in five or six years at the oktyabrskaya metro station. i was waiting for the train to get to the television station on makayonka, and lyova stood on the opposite side to go to the center. for some reason. i didn't call out to him. i think, ah, i'm in a hurry, and he 's probably in a hurry somewhere, since he's standing here, he'll come, see you again, haven't seen him here again. i am shooting a film for my eightieth birthday in 2018, and the composer. igor

luchinok, and songs to the motherland about friends. of course, i couldn’t help but recall their triumph of splinters ash oyachich moller in moscow in october of the sixty- sixth year and remembered that immediately after their the return of such a triumphant return from moscow took a panorama of these people , the creators of this belarusian triumph. uh, on the amfilade of the philharmonic, where the philharmonic museum is now and the drama begins with the ensemble and goes on to the box, which begins to sing. only a veteran can't sleep there. and these first 3 seconds are a moller at the piano. this is the only video that is left of the sea with us, of course, i inserted the film and i wanted to somehow contact the left and yes,

i turned to the author of this omniscient book oli brelon. and what do you think, olya brillon brought a betm to the moller, her friends, on the city. they were a half brother. volodya mulyavina with his wife. they talked to moore , who remembered how he prepared this triumph , in particular, with an instrumental ensemble of belarusians in october of the sixty-sixth year in moscow, and i again heard it in full, inserting it. this, as always, inconsistent in his hoarse voice levin's story is the film igor luchinok, and songs to the motherland about friends. this was done a year before his death. i want

him to cook i will teach two in this way, when lyova was paradoxically born in the russian muslim side, and the inscrutable ways of your lord died in russian jewish israel. and now, passing through the old , not reconstructed part of the philharmonic, i will not be surprised. it seems to me that now it will appear from around the corner. a healthy man, with such a grayish corolla of floors around his head, a round big head and spreading his arms did not see each other for six months or 3 days, exclaim, where have you gone? yes

, vovka didn’t disappear anywhere here, i’m here for everyone i love, i don’t remember how gentle the sea is. blue magically sunny sunset. and we say goodbye to you, gulls are circling over the wave of sadness of separation to glorify, where you are in the distant autumn , i know you are with me in your heart. they say the waves

will bring us happiness, our separation will carry over and then it will return to me.

the cutaneous voice choked off the cutaneous word like this, but for the grass it didn’t allow us to wrap up our church for an hour and convince ourselves to reveal our meek ones. that's it, let's not go to the folklore expedition with a gift of humor 500, 31. yes, improve and destroy at once for the first look.

let's take a walk, let me and i will. well then i will. knock knock, who are you? did you come dry?

come on, sleeper. we are with you. forgive me, my

dog. well, any vandroga will gladly tell us that on the front and the pakul they left 221 km, they arrived in the eelpouts of the sharkovshchina region, other money. we sat down, a folklore group will set up a swimsuit for us, and i'm with a shed, all this is changed and settled. papuls. it's time to turn from the studio to the decree, where the process of creating a new look is already being sewn on for

a song closed only under a joke, on the right behind the impet last composer sergei sukhomlin. and so myself on the horns to the creator of the duet, tatyana and zhora volchek to everyone i’m sitting soaring you vitali oksana vitaya for everyone who has a cherished hour the mind of knowledge with the program yak to learn how to steal a wife not yak will be refused by many and you need to wash your face to exaggerate the wrinkle kiss quarantines for crushed by different banners traditions on not only listen to the alley. all good luck on your own here on the first guys good afternoon i'm very glad to see you tatyana what do you think about this song. i want to say that the song is very funny, it has a story the cheerful world listened to the team that sang, i immediately realized that , uh, my tanya will help. i just have a song for us family tandem and all. fly she is

a business lady. zhora artists otrea cinema willow channel russia actor pain over 40 roles good afternoon, he doesn’t know, but our daughter would have known for a long time. i will marry my son. i'll sit down to celebrate you like this, but i would soon come to me to commemorate the peoples. so let's not dig rocked these places. it's good to endure my slime access to you, my sweetie is tired.