grandchildren by installing these solar collectors. we get about 2-3 tons of hot water per day. our sensors are probably set at 80-90 °, that is, for our guests, in principle, as practice has shown, these collectors are enough. we stay here and work, respectively, then we look at how the guest arrives. yes, we directly have contacts of interaction with them very often and it is useful to talk with people about what they want, what they want, what they like, what they don't like. well, i do this to some conclusions. therefore yes spent most of the time here. naturally, we think, when your home, yes, take and how to buy both a sister and another sister, then there will be a full-fledged family business in what you do. and it will all be here for a year, time here very often every day, therefore, basically, do not rest, but work

, combine business with pleasure from this work , you just don’t get tired of it, because you constantly work and somehow it has already turned into life, therefore. we combine leisure and work. let's still catch a frame. the concept of happiness is always so vast a person needs more to be happy, but if the question concerns, well, personally, i ’m happy on the table, of course, because we do what we love, do what we want, well, and have a family of healthy children. and this is, perhaps, happiness. happy, can we buy two raccoons?

many of you are familiar with such films as terminator 200-year-old man, or i am a robot with will. smith in the lead role today, machines are confidently penetrating many areas of human life, for example, replacing people in the workplace. how are things on the creative front? according to one study, people rated works created by artificial intelligence higher than those drawn by humans. do neural networks pose a threat to artists, does artificial intelligence claim a dominant role in art or does the ability to create still remain in human power, we will find out the answers to these and many other questions

by visiting one of the most modern innovative art exhibitions in 2023. yes, where one of the participants was he is the most artificial intelligence with you alina involuntarily and this is the fashion for culture. artificial intelligence is the ability of computer systems to perform creative and intellectual functions that are traditionally considered to be a human resource. the field of application of artificial intelligence. today , limitlessly from medicine to the technology sector, new digital technologies are radically changing the nature of not only traditional technical professions, but also actively penetrating the artistic environment and influencing creative processes. due to this. there was even a phenomenon called digital art so in the walls one of the largest exhibition spaces in the capital, the national center for contemporary arts is hosting a unique

exhibition. artificial intelligence, artist or machine, this is a revolutionary collection of over 90 works in ten different categories covering many aspects of our universe. such as nature mythology. the history of architecture exposition is notable for the fact that the works presented are completely created by artificial intelligence. among them you can see the works of real authors, this work, as folk artists of belarus and beginners in the field of fine arts , olesya alexandrovna inozemtseva , deputy director for creative work of the national center for contemporary arts, will tell in more detail about the concept of the exhibition project. good afternoon. hello, we have an unusual interview today. we are also in an unusual place in the cinema hall, where an immersive film is presented. digital

evolution digitalization can already be said to have penetrated our society, and we are within the framework of this digitalization. so here it is by scheduling the organization of these innovative art exhibitions. was it difficult to fill it? but i think the answer is already visible to all visitors. the exposition turned out to be very voluminous. this exposition of ours consists of three components , first of all, the works themselves, which are more created with the help of artificial intelligence. interesting to see how it looks. well , the computer, yes, how the intellect looks at it, not ours, not human, but on the other hand , this exposition. we added, of course, the works of artists when we launched this project, it was an idea for the time being , this is a question that we ask ourselves and ask the audience of artificial intelligence, how much it is able to speak today, that is, how much it works for you, which are presented, which it

presents now around the world. how creative is this, how much is art. and this contradiction, probably an addition. this dispute , these questions, they are revealed in the exposition, where the works are presented. first, here, which were created with the help of the network, and on the other sides of the work that are presented by the artists, how they see this theme. and how do they see artificial intelligence, or, in principle, how do they represent their e, creativity at the moment, at the opening of the exhibition from the mouth. uh, her ideological inspirer curator said that the work of belarusian authors is in confrontation with the canvases of artificial intelligence, in your opinion. this is where their dissimilarity lies. that's exactly what, the depth of their dissimilarity. yes, uh, when the curators and in particular the curator dino was an architect before him, let's say, from a position he built an exposition. she posted in m-m

works so that the viewers. eh, immediately there was a feeling, well, maybe not even rivalry, but the feelings of such opposition work on the one hand, created with the help of the art of the intellect, and on the other hand. we immediately see the work of artists. the same theme, in my opinion. uh, it's laid down. in the very name of our project , artificial intelligence is a person or a machine, and the name itself. we have already made it clear to the visitor that we m-m put him in front of like that, maybe, uh, some. well, not a choice, but probably a search for an answer. so after all , artificial intelligence is a person or a machine of world artistic practice. there are examples where works created by artificial intelligence have been sold at stock auctions for play money. for example , a portrait of edmond dallami. this painting, which was created by artificial intelligence, went under the hammer for more than four hundred thousand dollars. why do you think

works created by artificial intelligence are so highly valued. yes. e work, created by artificial intelligence. now it is already sold and bought by collectors. and here is the example that was given, it is not the first one in 2016 at a specialized auction in america . google representatives have already sold works, and even now the latest news is just recently. it was that artificial intelligence has finally earned more than millions on its work, but to say that these are very large sums at the moment, especially in the art market, it’s probably too early, because for example i can cite that just recently also in the twenty-second year of work. edri workala marilyn monroe has already been sold for almost 200 million dollars, as for artificial intelligence , of course, understanding people understand that, mm , artificial intelligence has come in the arts to creativity in culture and, accordingly, it has come to the art market, so , most likely

now for the most part it is technology support. many, by the way, redeemed works that were created by the neural network. and this money went to the further development of research on the neural network, that is, to creation and so on, and being a collector who is interested in the development of this technology can be one of the investors, but if we take it as the art market, investments in art almost always bathed themselves, being one of the leaders of the national center for contemporary arts in terms of creativity, as far as modern belarusian art today is filled with digitalization and technology. if compared with belarusian art, even literally 6-decade-old range, then very much if we talk about trends in general world, then, perhaps, not so quickly our artists are introducing

some innovative methods of work in their work. if initially even to say the simplest such uses of these e-e technologies. these were the usual qr-codes, which are complemented by work. and we have been taking this practice away for a long time in our exhibitions, where this is supplemented by a qr-code, which tells more about the length of the picture, these are the simplest options, but if we talk about such a full-fledged use of artificial intelligence, of course, i remember, and the project, and maria romanovskaya already in the nineteenth year. she presented digital photographs to the minsk public of the project, which she voiced with the help of artificial intelligence. by the way, this project aroused great interest among the public. it was presented at several venues, and then it was already announced that , of course, in belarusian art, our artists are fully using new developments, including what the network can give. well, our exhibition also shows

that this direction is mastered by young artists who were born and received an education. in principle, they have already formed as a creative person for 20 years. in the first century, of course, they use all this and understand. and he knows how it is to present your assumptions about the future for machines or for people. i believe that the whole world of technology without machines. mankind can no longer live. but behind every machine, behind every program and behind every year, there is a person who contributes this year, therefore, in my opinion, humanity has been and remains and will be the main one. the project was implemented jointly with the forba gallery, the organizers are striving to to show the viewer current projects and

are pleased to become the first space in belarus that presents an exposition created by artificial intelligence. within the framework of the exhibition, a thematic quest has also been prepared, which allows you to get acquainted with the exposition in a fascinating way, and in the exhibition space everyone will find original photo zones for themselves, where it is simply impossible not to take a selfie as a keepsake, the culmination of the immersive film project. digital evolution, created especially for this exhibition from idea to implementation, let's talk with a representative of the gallery, ivan alexandrovich taromsky, good afternoon. good afternoon. why did the gallery choose to reflect innovation in art as a priority? why not the classics and our exhibition was on the apparatus in modern trends on the topic of artificial intelligence so much began to attract attention that we involuntarily thought. that's artificial intelligence. is he

already an artist or is he still a machine, and based on this, they created the concept of this exhibition. two neural networks were used as part of the exhibition. this is a gpt and midori neural network. why the choice fell on them and in general , tell us how it works at first glance, when you come to the exhibition, it seems that here the entire exhibition was made from the dirt between them, but this is just at first glance. so it seems, and gpt is a large linguistic model, into which a huge amount of data is loaded, and about 405 gb of textual information for understanding - this is about plus or minus 140,000 books and due to, uh, the information received. chad gpt can give out textual information in the form of stories and just like software code. and she generates an answer based on your request, using this linguistic model and giving you, uh, how she sees

the concept of the answer to the word gpt chat 40% helped us make our press. the second network is already meters. it is based on a huge amount of information in the form of pictures to study and makes queries, selecting each element from a huge array. i don't even pretend there. how many gigabytes of information is loaded and gives out its vision in a visual format, when we do not have a clear understanding, how we can see it. it offers us various options and on this concept and is formed from most of our exhibition, that is, part of the gps he helped us generate the right ideas. but mijarni already presented it to the visual, a component of modern information technology was used to create the exhibition in fact. and we used much more neural networks, but stopped here on the choice of gt mi journey, despite this, we resorted to

the help of modern designers who used the classically well-known tools, for example, for designing a concept of a self-portrait of social networks of search engines, which are so familiar to each of us, we also resorted to air technology , which is augmented reality. we have immersive, and the work that can be immersed in is called digital evolution and, uh, that's it. here, this stinginess helped us to take ideas a little bit, but the main work was still done with the help of these two gpt. and today machines confidently penetrate into many spheres of human life. so here it is anyway the future belongs to machines or people. i do not think that today artificial intelligence and a machine can replace people, because it is still in its infancy, but no one knows what will happen tomorrow. we can wake up tomorrow and technology is moving in very big steps today and see if the development there in the 1900s and in our time is

by leaps and bounds. as they say, perhaps someday there will be something similar, but it seems to me that it will be more at the end of an assistant, and not a replacement for a person, because after all, who will to create these machines within the framework of the exhibition, surely you have observed the emotions of people. that's what they are more likely to experience fear admiration or do not know joy, in fact. she is probably only one part of the exhibition, near which, and people can become sad when we asked for a media and form an image based on negative scenarios for the development of the future, in the rest, people experience here either amazement, surprise, or joy, some kind of defeat, a wonderful exhibition . still, what is done is that you inspire people, and engender in them, meanings of something. one is beautiful and to look a little wider at this life, we sometimes get so used to the familiar zone, it’s not even a

comfort zone, that it’s scary to go beyond its edge, even a little bit for us sometimes. it's okay. but the exhibition is more about inspiring people to look at this world more broadly, to these possibilities and to the fact that they are surrounded by an important role in creative activities such as music, architecture , visual arts without the use of digital processing and computer effects. impossible to imagine not modern cinematography, not computer music these days. in the literal sense, he became both a bachelor and a brush and a musical instrument, apparently. we are already on the threshold of a new era of creativity, when artificial intelligence and the artist become with the authors, complementing each other in those fields. and skills where they are strongest. however, the more automated the process of creating works of art becomes, the higher the value of the idea

behind them, the idea that machines can become artists or in the future, increases. they can even replacing them looks bold enough. now, when the issues of performing physical implementation or having the necessary technical skills disappear, new ideas are the driving force in the development of art, and the generation of these ideas is the very main function that artificial intelligence cannot take away from the creator be the creators of your life. enjoy and follow the fashion trends in the cultural life of our country with you alina was not a war and remember to be cultured. it's fashionable see you in a week before new cultural meetings.