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belarus and today we want to talk, of course, about our team, about the history of the team, that we are 65 today and talk about choreography, about the direction, what we have directions and what awaits us in the future? hello, on the air, the program, say, do not be silent in the studio svetlana smolonskaya and tatyana shcherbina and today elizaveta bogdanova is our guest , hello. hello. good afternoon elizabeth today on the last day of winter on february 28, the legendary peer is celebrating the anniversary of 65 years. and we, of course, sincerely congratulate you on this beautiful date . thanks to more than 10,000 children introduced to art. this is a dance ensemble, and at

the moment a well-deserved amateur collective of the republic of belarus children 's dance ensemble, the same age as the republican palace of culture of trade unions, that's what you call it, unites about 500 boys and girls aged 4 to 18 years. here are the kids. we took such a photo to show and there are also adults. today , the team, which is celebrating the beautiful date of 65 years, has such a handsome young leader almost two times younger than the hero of the day. how did it happen? how did you get into this position. thank you for the compliments. and also a young little girl of 8 years. i was brought to the ensemble is the same age to the end. i stayed there for a long 10 years until the age of 17, i fell in love , i decided that i would connect my life with choreography , i entered the belarusian state university of culture, i graduated and i was invited to work as a teacher or

, peers, with the world of dance ensemble. it's been fourteen years now. i, as a teacher and already now , as an artistic director, work in this wonderful team, that is, i have been cos since childhood. and here is the experience of having passed the very first moments. yes, himself at an early age you know everything that happens inside, and it helps you to guide, now the ensemble. yes? of course, of course, it helps, because i saw a lot and learned a lot from the previous leader, so, of course, they themselves have come to the same age. this mother brought or was your desire. mom brought it. yes, i did not know the team of the same age. so close in general before that i was engaged in ballroom dancing of the direction, but, as always, the problem is with the boys, the boys leave and the partners are hard for these. i have something with sick dances did not work out, and they decided to take me to try folk dances. i came a little in shock, because for me it was new and unusual, but i was so immersed and there was such a good friendly

wonderful atmosphere that i fell in love and stayed there for a long time. now you are trying to maintain this atmosphere. well, the same age without a doubt. this brand in belarus will not be modest. yes, you have a big anniversary. but that means, accordingly, a lot of festive events, something already, probably. something else is planned. here today and tomorrow concert. and what is he? what other events are there, maybe our viewers will have time to join them today at 18:00 in the republican culture of the trade unions concert. tomorrow is the anniversary concert, march 1, also at 18:00. and, of course, the whole year, as is customary, if this is the anniversary year of my dedication to our team and at the end of may, we will also have a reporting concert, anniversary where we will also show our wonderful graduate programs. you also join the festive events, of course, we always invite graduates. this is our support group. they themselves like to come, they gather in groups of companies. then mark the phrase. this is such as ugra big friendly family. we have

our graduate maria polyakovich, who graduated professionally from the college of choreographic arts and now she is an artist of a good academic ensemble, but at the moment she is on maternity leave and is raising her kids. sveta , please help us figure it out, because in soviet times and now in russia there is also a peer. here's how we can distinguish belarusian peer and russian peer and that soviet peer. you are right, the successors of that soviet coeval in minsk, we are one such honored amateur team, the only amateur team that bears the title of honored. uh-huh yes. okay let's get it first. let's then tell our viewers a little bit about how it all began, how a peer appeared in belarus , let's talk about our peer. yes, and back in 1958, one winter evening, and the people's artist of the bssr marina nikolaevna bezatskaya created this wonderful team. it began with small groups and

every year the scale of the same age ros ros because from all over minsk, mothers, fathers , grandparents brought their children to plunge into this wonderful world of dance. and so the same age as ros ros became her daughter's reception as a further leader. honored worker of the ussr leda adamovna mikhailidi and from the ninety -eighth year the leader was semchenko tatyana pavlovna, honored work of the arts of the republic of belarus, directly my teacher, my teacher and my mentor, who raised me and brought me up and introduced me into such a wonderful life as a leader. we took a look at your social media page. and today. we constantly take part in various competitions. uh, that is, despite the fact that such a long-term, uh, the ensemble has a history. yes, the same age, you still have to prove to those around you your skills from year to year. yes of course definitely. and we keep the brand e we keep our style. and we

study new ones and try some new directions , some new leads in order to be in trend, but at the same time to maintain some of the traditions that have been established over the years. well, for example, the new ones are hip-hop. yes, we try hip-hop, no, but this year we decided to turn it around a bit. a new direction we have a new teacher from the university, culture is also our graduate anastasia tarasevich, and she and the girl are already learning new elements. that is jazz modern. this is a new choreography. we try unusual girl, but insanely interesting. and, of course, the choreography goes forward. and we we must also always try something new , something interesting to develop go forward , of course, there is certainly a future in choreography, and it will be and it is, and it will develop go forward, and most importantly hmm key points. probably, this is what a teacher or leader should have in order to carry this, of course , love for one's profession, professionalism , self-development, and patriotism and, of course,

a sense of humor. uh, among pop singers. there is a moment when they come somewhere with concerts. yes and people come to their concerts and the performer, uh, tries to perform new works , some new songs of the composition. and the viewer asks for the old, that is, already loved. eh, this doesn’t happen with your ensemble that you have prepared something new enchanting, and the viewer says, no, come on, no matter how the production is going on, but we are always on the program, if our reporting concert anniversary concerts are festive with us there is always our, as we say, classics in the program. these are the numbers our chips love and alumni and every generation as the group grows. they know that when they come to this group, the older ones, they will dance , for example, the dance of the tango of the rose, and this is our classic. hmm

, the male repertoire, which always remains, and of course, we always try something new, something interesting, some

surprises left. let's tell our viewers that you give more than 140 concerts a year, in addition to your constant participation in competitions. i mean, it's a big burden. well, in fact, if 140

concerts it needs to be said, every every the second day of the year you have a concert you have a holiday okay? and with whom are you competing today on the patriotic dance floor, let's say, probably in children's groups, but there is very little competition as such. it can be said healthy competition. it should be in the sense that we, and each other, learn from each other. maybe we take something new, that you interact with each other, therefore, in the children's team. and we should, of course, rejoice at the success of others , this is a must, but that’s all the same competition. little of course, it should maybe it should be purely healthy competition, because these are children's teams, but it exists, because there is no competition. and there will be some further career growth elizabeth but you very correctly and beautifully said, and recently we were visiting. uh, the artistic director of the collectives, villinka, tatyana panova that's what she said about competition there are no absolutes in creativity in creativity there must

be a process in motion. the main thing is not to envy. i know how to rejoice in other people's success, and i know how to rejoice in someone else's success. children. quite right. we raise our children the same way. we are always happy. we are quillinian friends. we are friends very often . we meet at public venues. but this healthy competition is good, it is still present, because without it there will be no. just some kind of development of some kind of growth in the future, after all, there is still such a moment that, well, the child participates in the competition, after all. these are children, many of them are quite ambitious and want to win, and then someone else wins, it’s clear that they rejoice in the victories of other people. how are they feeling? do you have any failures of your own, maybe psychologists work with children, or do you yourself act as a psychologist? there is some way to support and comfort them. here's how to comfort a kid who, well, he went on stage in order to be better, yes, we ourselves are educators, as psychologists, of course. we do a lot of work on the guys on the kids, we

set them up. we always set them up so that they are ready that they may not win. we always say guys. be ready. you should seem beautifully dignified, but it may be that you do not win. that is, we speak in advance. we are a little ahead of the curve so that they don't have this shock. yes, that they won't win. i mean, we always say, be prepared. you have to work perfectly beautifully well in one breath, but it may be that we can not take something or not win, and already with these thoughts it is a little psychologically easier to perform. i don't understand it doesn't always hurt like that, of course guys get upset there are, but we always say that without this push, without some kind. this growth will not be further development of the team. this is also necessary. and there is no such thing that when you say, guys, you can. this someone says, well, then i will not dance this time. no, vice versa. eh, for them this is such an inner core, and they are not going to prove for them, for themselves, for themselves, that they can do it, to please us teachers, to show what a great

job we are doing. they get even more friendly understand. we have to do it to them to do it, please, well brag to us or let your pupil be pleased. we talked about competitions. name the last three competitions in which you won, yes, and in this academic year, 22-23 has already come, and we had a lot of competitions. we have become laureates of the first degree four times, this year we also had two grand prix and one grand prix. it was a dream step competition internationally held. we took the grand prix in minsk, and the second, and in the online recording there was a competition, we took grand prix of slovenia, that is, fucking competitions for the year, four first degree laureates and two grand prix. although we always say that we are not a competitive group, in that sense we have a fairly large rich concert activity, and we are preparing for it. yes, uh, any concert is a big expense, big staging and effort. and in order to be a competitive team , and it takes two or three months to prepare directly

for the competition, but due to the fact that a little touring life is a little bit ours, uh, staggered and became not so saturated we decided. and why don't we also try to participate in the competition and everything turned out so well that four first places and two grand prix. uh, congratulations on this achievement. and here you are from your childhood from your practice. remember how you reacted to failures and how you rejoiced at victories, got upset, but i understood that i needed to work even harder, which means that somewhere i did something wrong, which means i didn’t work much. i posted a little emotionally. and somewhere i was not as bright as i should be, so this is a lot of work on myself, that is you get upset, but you get ready and understand that you need to move. then you need to be better at correcting what you didn’t succeed. we, too, some say that and why let's say this group participates in the competition, ours is not yet. that is, we teachers are always watching. which group is ready. and what group can be exposed? what guys

cook? the same guys, not all psychologically. as you say, ready for this contest and ready to lose. that is , this is a lot of work, and my teachers sit down and watch. yep, this is the group. now she ready for competition. and we will dance well. let's show this group, let's say it's a dance. they need to hold on a little longer. they need to be educated. they need to be configured. they need to grow up for competitions. what a wise and hardworking lisa you are, for 8 years she understood that you need to work to work. and what does the collection give this part in the competition? this is some kind of prestige, this is some kind of fees, this is prestige, of course, prestige is an emotional hardening for the guys. this is emotional for us and we understand what it means everything is going right, and we are doing everything right once we first, but children's show business. he exists at all, if he exists, he is somehow different from an adult, or there are also some, of course, he already exists. he 's different, of course, he's kinder, he's more sincere, and he's probably more emotional, he's more touching this

show business. he is, but not the same as an adult, of course, he is different. there's no such thing. like in ballet sometimes history. you can hear that there is no glass in pointe shoes. we don't have that. although competition. we have it, we call it. this is also great within the team, because the groups we have are big and girls. we always have a lot of competition among girls, if we put on some kind of choreographic composition, we understand that it is designed for eight girls, and there are 39 girls in the group. and how do you want out of this situation? yes, and we always say to girls, work work work on yourself if you work, of course we will see him replace him, and we will put you, you will definitely be in the first line. we are in rehearsals, when we breed some productions we certainly have everything girls. yes, they always try everything. that is, we have passed one team, then we talk about the next girls. try it, we passed the second, that is, we give everyone a chance and an opportunity, that is, everyone learns the material the same way, but someone grasps faster, someone is a little

weaker, someone is better. yes, someone has better artistic abilities, so we watch the selection, but dependence during the year at concerts. we give everyone a chance to try, but the competition is big. well done for this. that is, let's say some mom comes and says. here's my crash the best. why is she not participating, why is she not in the front row there is such an environment of parents, of course, they are worried, and they want, because for them a child. he is the best child. it `s naturally. it's okay. for every mother, her child is the best and most talented, but we always tell parents, trust the teacher. if you trust us, then we will succeed with you, trust, if we see that the child is not yet ready for this dance or competitions both psychologically and physically, then give time, trust us. well, here you are an amateur team, but the competition is tough and professional lisa if we return to the competitions and finish this topic already. there may be some rating of competitions in which you would like to participate, or maybe there are some, let's say. well,

you can't say average. well, let's say such traditional competitions, which are less prestigious, have such a rating, but there are probably no ratings in terms of no. now it's enough. in belarus, we have a lot of competitions, of course, there are quite a lot of them. a we look at what competitions, and we can participate, which we are interested in. yes, there are competitions, for example, which are just starting. they are just starting their journey, and we understand that this is a chance for other teams. and for others it may be private schools or some small groups to try we go there, as they say in these competitions. we are now giving the opportunity to participate in another team to overcome, and a peer can become the organizer of a competition himself and whether we become yes, we didn’t have such a practice, but how i always say, we are ready for such a practice, if there is any proposal, why not among the concerts in you share some prestigious not prestigious. that's how the competition is. yes, yes, we can already say, well-deserved

teams for already famous ones. and there is only for beginners, and concert activity. here are some sites where you would like to participate without fail, and from some suggestions. perhaps they would have refused. in principle, we never refuse a concert. there only if we no in the country, we are on tour, we are always happy and accept every offer. and it's very nice when he invites us. it's really honorable, it's prestigious and guys. really looking forward to the concerts. they live concerts for them concerts of concert activity. this is what they live by, they prepare for every concert. sometimes we are teachers at home. so another concert, after 2 days there is still a video shooting there, we are like children, that is, they have a psychology such children recover very quickly, they are ready for a new victory. there further therefore, but you know very many performers say that the metropolitan audience is spoiled. because various e, artists and ensembles and groups come. but when you come to the region, the audience there is more grateful, you

noticed something like that, that you are more gratefully received in the regions. they are in the capital. yes, there is such a thing, it is felt a little, they are different, but they are waiting for you, and not differently, especially. if we are the children of the children's team come, yes, they perceive differently , their eyes burn. they even bring flowers to concert and give to children. that is, yes, she is a little public. she is different, of course. well, then, before the pause, let's open a little secret of how today and tomorrow you will indulge in the minsk audience at concerts. yes, and the concert will be interesting with us, many surprises have been prepared, and there will be good joyful moments. there will also be a little note of some, probably, sadness, but i won’t reveal sadness either. the water of secrets, because, and there are moments where even parents are probably looking at their children. they will probably cry somewhere, but there will be ours classic numbers of our productions, which are popular, there will be something new, therefore, at the end there will also be a surprise for the guys in the final.

offer viewers. yes, yes, dear viewers, we are waiting for you all, so be sure to today at 18:00 and tomorrow on march 1. we are waiting for you at the concert. and now we will break for a while, after a short pause we will return to this studio again, for now subscribe to our telegram channel. it's called say and don't be silent. leave your comments. ask us questions. suggest guests we are in touch, and look for all our episodes on the belarus 1 youtube channel and on the website of the bell tv and radio company. on the air again, say the program, do not be silent, and our guest is the director of the dance group, the same age as elizaveta bogdanova elizaveta in the second part, immediately a question for backfilling. how to get into a peer? do you need blood, not for yourself? good question . every year in september, we recruit young little boys and girls from 4 to 6 years old. we invite everyone. we always have

ads on instagram and in the subway ads on on television, sometimes we start advertising , so we are waiting for everyone. and as i say, he is in thieves. he is vlad, but for his own, because, and we have a whole generation coming, we have seven coming. i start. we have a family, a baby danced, a grandmother danced a son and the fourth generation of grandchildren dances. for such guys, for our own, as we say , we have a good one, of course, we always look forward to being in our team, of course, of course, such cases as our graduates, guys, created families. ah. got married got married, uh, and are already bringing their children in their children to our team. and you said that you are waiting at the casting, uh, kids from 4 to 6 years old, that is, there is no such thing. let's say, well, we have up to 18 years. yes children in the team, that is, fifteen-year-olds cannot come either.

of course, they can come, but we say that it's already too late for you guys, because, in the meantime, you will enter the program, while you learn the repertoire material. in the meantime, you will join the team, you will already have to graduate, therefore, we always say that there is some uh, training in another dance group, and he's all done. there are literally a couple of folders to hone everything. yes, of course, we consider such children unconditionally. there are children who danced in a group in another city, and they moved to a place, let's say for the work of their parents. they want to continue, of course, we give chances , we consider children of 10 years old and eight years old come with tovki . yes, everything is individual. yes, adults. these are those the most grown-up children are from 4-6 years old. yes, our children are changing. here, is it enough just one desire of the child, uh, to dance , or do you need some kind of innate talent , there are always different children coming to us. children who certainly have some kind of choreographic data talanki there are children

who do not have choreographic data, but they want to dance guys come 4 years old quite small, and they sometimes don’t even understand where they came from and on what scale the team, that is, they lead to first with parents. that is, we must first of all interest parents, and we always say, if the parents want, but the child does not want. the child will want to work with us later, but if the child wants, but the parents do not want, this is hard, because parents do a lot, and then it will be hard for us to keep it. well, the child is in our team, so everything goes. families, that is, even in cases where the child does not want, but the parents insist, you can, let's say, sculpt and educate, of course, you had such cases to dance. yes, i want to say that i myself when i came, i didn’t have some wonderful chic choreographic data, that is, well, you wanted then, of course, i wanted to and we are already starting at the age of four. we guys teach to work, work and work, then there will be

a result. we have already said that some adults who have already grown up bring their children, and there have been cases that people who come from the same age as their children. they say that categorically they will not bring their children to you. no, we haven't heard that. i hope there's no such thing when our guys want to tie his choreographic life in the future professionally. we always dissuade them a little, because we understand that this is a huge and big work. but when they want and say that they come to us as a teacher, what? we want to connect, and we want to professionally. of course, we are very happy and proud and understand that it means that we do everything right. you have 140 concerts a year. you tell children from the age of four to work and work and work. that is, you steal their childhood from them, and then not. it's hard for you professionally. if here we have amateur, there was just honey not so, we kind of say that there will still need to work twice as much. if you are ready, that is

, in order to go into this profession, it must be loved, that is, there must be love completely. here, though, we're talking about dancing. now listen to the song attention to the screen. today is a holiday for the girls today will dance on fire. the girls stand aside handkerchiefs in the hands of the wooden ones, because there are nine guys for 10 girls statistics, you yourself have already said that when you were engaged ballroom dancing, in fact, as they got into the same age. yes, in view of the lack of the male half, and in peers, how are things going with this. well, in principle, as the song says, of course, our male, half of it is slightly

less than girls. this, well, this has always been, of course, but we are waiting for each boy to grow up, and we instill a love of dance, therefore, boys. with us they are asked, because everyone is valued with them. no, we always stop it, as i say, if it grows, someone has a crown, we get better. we are her correcting. yes, therefore well, there was, in short, there is. if a guy comes he has more yes he has more chances elizabeth we are long. let's have already talked about your work, let's see, finally, your rehearsals are these energetic ones on which you work a lot four. above sharply once like this really sharply and here is

another fragment of the unburied. it seems to me that at the second rehearsal it’s somehow easier and someone is even phoning there, at least

they smile honestly. fine. tell me how you choose the repertoire. so we watched , say, two rehearsals. these are two different directions. and on the basis. whose preferences. you form your dance programs. uh-huh and we are a folk group, of course, first of all, and our repertoire is based on folk dances on stylized dances, choreographic pictures and sketches. we understand that the choreography is moving forward. and, of course, the guys. it is interesting and i want to try something new, so we also try something new , some dance styles. yes, there are no folk dances here, therefore, yes we have, which are their choreographic compositions sketches, but the basis is folk and stylized dances, by the participant of the same age. which directions are more to your liking. we have such a set, probably correct, competent work. we instill love in our children. we always put our compositions to the choreography dance right away. they are very interesting. i mean, they have a story. yes, they have ideas. if this is a younger

age, we always put on some game dances so that they would be interested, that's why we have dances so staged. independence folk - is the dance stylized or some a choreographic composition or something that is contemporary to them in every composition of the dance they are comfortable with, they are interested in, you can say that there is such a dance style, a peer always says and they said that we are an intelligent team. and when we go on stage or dance something. some kind of independence, well, there was no composition, but they say, this is immediately visible to a higher peer. he is intelligent, our supply is intelligent. well, here we are always usually they say, an intelligent collection, but there is a business card dance. here, which is only the same age performs and which is why dances recognize the team. yes, we have a lot of such compositions, we don't have them. yes, not even however, of course, it's hmm for the older group it's a tango. the staging is everyone knows that this is ours everyone loves her and everyone is waiting for the generation of girls starting from the age of four to grow up to

quickly get into the older group and dance this dance. yes, tatyana panova, whom we have already driven out of quillinke. so she said that they also work in tandem with their pupils with their wards and their the guys are peeping and there are already some tricks and movements, there and on tiktok in some others, say, on other youth dance floors. you have something that your uh pupils come and say elizabeth today, yes, let's dance here's a pawnshop , for example, yeah, yes, there are plans to come, of course, the pupils say, but we are looking to make sure that it really looks organic in the concept or a strange venue with this idea with a concert or an addiction plot. yes, of course, well, you already said that you are an intelligent team and we today we are talking a lot in the sense of the belarusian society. and the education of patriotism among children and the younger generation is a peer, a patriotic team, of course, of course, we were shocked in our collection in our

55 years of life. yes, we are a patriotic group. of course, we stay, and love for the motherland, love for belarus, love for the belarusian culture for the national belarusian culture , of course, we know that the same age is a frequent participant in state events and, well, a participant in such events after the twentieth year and in the twentieth year. well, like this let's say, they say, slang came to you and your pupils. you know, i won't say what happened. probably, because after all we are a children's team and, probably, it will be wrong and cruel for something to come to children. yes, there were cases when the children of the security forces. uh, the tide taunted them both right uh-huh and in the garden. i personally don't know, no, we don't have that. we don't have that, and so on. well adults. uh-huh you're not fine. not affected no, probably everything is going right, and we are so carrying the right

but our energy, yes, and our patriotism that do not dare after the events of the twentieth year from the team, no one left. no, they didn’t leave, almost everyone stayed. they stayed with us and yes, we participate in all concerts, if we already touch on the financial side of the issue for parents. hey, your pupils. here dancing is expensive costumes. even for sure, everything is at the expense of the parents or, uh, someone sponsors a well-deserved amateur team of the republic of belarus, the same age belongs to the federation of trade unions. and we are very proud that we we belong to the federation of trade unions trade unions do not offend their own. yes, we are very grateful to the trade unions of belarus that they support us. they help, uh, they sew costumes for us, if necessary, costumes are sewn, chic beautiful rich, because when we come, they also immediately say to some kind of venue or concert, peers have come. what kind of costumes do they have, so thanks to

the federation and our administration of our republican director's palace. alexandrovna yes thank you very much well

we have already said throughout the program that only minsk residents can study as peers. well, because there are no branches based in minsk, but you told eliza an interesting case when we were preparing for the program , we discussed the issues that some schools changed and even changed cities to stay the same age. yes, we have such a practice, there are guys who a went, let’s say they went from smolevich and then they changed an apartment , bought in minsk just to stay at the same age and not stop eating in many schools, the second shift. and, of course, she is a little children, but a little uncomfortable to adjust when the second shift, of course because we have classes. there is never a second shift , and our children made their parents decide to change the school to the one where there is a first shift

right up to this, so as not to quit or miss. i understand this interest. yes, well, you have already said that, in principle, with the material and financial base, and the country is worried. you are doing well, thanks to the support of the federation of trade unions. well , i would like to improve something or develop there, maybe open the same branches republic, you didn't think about it. we have an arabian branch, and the brest palace of culture of trade unions was also opened in brest, which was also called a peer, plus it was organized and invented, and the chairman of the federation of the union of mikhail sergeevich orda and this was an interesting idea, and for the sixth year now, a team of the same age, plus in brest, he has your leader your repertoire. but it was opened and invented as a branch of our team, and it exists and it works. well, i think there is more to come. i think more will appear in all regional centers and, god forbid , other regions are also possible, because well, things are fine. and if you have such

a direction as charity concerts, then we know that some artists are in order to collect some kind of charitable assistance. e sick kids. there is the same alexei talaev. uh, he's coming to donbass. here , too, someone travels with him to concerts. you are engaged in such activities, while we are always open to such activities and are ready to accept such an offer, but not always. perhaps there is an opportunity in terms of our workload. well, let's say in the seventeenth year, when we went to sardinia to italy yes , we gave concerts there and all the proceeds were transferred, and in borovlyany he gave to the children. well, it’s clear that now, let’s say, festival international life, it has been put on pause by covid and political economic isolation. they did their job, but tatyana asked a question about fertility concerts, if now there are no thank-you concerts in belarus and for belarusians. what do we currently have no moment, but we are always ready and open to consider the offer. if they will and

make such yes, these charity concerts. here is a concert activity from a peer. she gets paid somehow. that is, children receive some kind of fees for this . as children are not paid, because we are a children's team, that is, yes, if they are professionals, contracts are concluded with it, and everything is paid. we are a children's group, therefore, if there is some kind of payment, but our payment, well, to the palace for something like some kind of concert, then, of course, immediately this is financial assistance. she goes down on costumes for hmm professional recording of a soundtrack on video content for international trips they are paused , but, let's say, trips to the russian federation , here we showed photos from smolensk , what year it was in 2022 in may we went to the competition in smolensk where took first place old first place, this is our junior group. they went on tour for the first time. that's why we always love such festivals. and the concerts where they take place enough not far away, where we can try out the guys and

see if they're ready for more big tours or if they still need to grow up. hey, how do you manage kids? how many escorts because? well, these are children. they are. and here on a long trip. well, it is clear that every child is restless with his own character. well, they still need to be organized somehow. how are you coping, and coping in teachers. we have our own specific rules, some kind of tactics. and our guys already know if we are going on a trip, or we are preparing for a concert. we have everything mobile phones are removed. children know this, that is, we put away the mobile phone. or we collect them in a common even some kind of handbag, it is customary with us so that the children tune in and understand. and how do they dance, what do they dance or, let's say, where are they going? that is , we have that mobile phones in the morning and evening in order to contact parents. well, it's interesting, that is, you said it, the younger group. and this is their first gas present coming there. petya says, mom dad, i'm going on tour tomorrow. mother clutches at the heart, and parents do not go on

such trips. if there is an opportunity, let's say, there is a place on the bus or , for example, the host organization allocates us, let's say there are 4-5 places, then we try, when the younger group goes on such trips for the first time. of course, we take 140 concerts a year to help parents, and vacations do not always happen in the summer, but we try to take a group for two or three weeks. after all, after all, children go on holidays, someone to the country, someone to their grandmother, someone in general, and to another country on vacation and rides. and we try to build our plan during the year and what awaits us, for example, tours, or what kind of concerts and parents we say in advance that, for example, june july, please be in minsk because we are planning a trip there or competition or we always participate, the third of july is independence day. we always warn. we, our guys know that they are all in minsk

. change, yes, that is, there is already 1 month to lose. parents are also with us. we immediately announce the parents. they just ask. tell me your plans for the upcoming, let's say summer, and we say such and such a month you have free these 2 months. you and your peers are not an issue. they work, honestly, in any case, uh, elizabeth, you reassured us, and i think those parents who, after our program , are thinking about bringing their children to the same age and there are tours and vacations , yes, and we have costumes no know, not to be thrown, of course, but also new trends new directions make themselves felt, so we have a paid team. that is, we have paid groups. we pay, yes , starting with the charity group and the main cast. we have payment, mm, therefore, the group we have, as it were, paid parents pay for classes. all the rest. of course you have worth. yes, it is definitely worth it, because when parents see their children on stage in beautiful costumes, and in beautiful

musical accompaniment there is a soundtrack, yes, that is, beautiful video content is recorded, then they understand that everything is not in vain. well, the child is developing. firstly, a sense of beauty is instilled in him physically - this is a burden. yes, that is, the back is straight , scoliosis disappears. oh well, as if it's a kind of sport too. well, here's a little in a different manifestation, so here from which side you don't look, but really. here i will tell you there is one story, and last year i talked with my mother with one she brought her daughter to dance for 4 years. and i once asked how you got there, even interesting. if possible, we always communicate as teachers, well with parents and ask, especially with kids, so that they are interested in what they like, what could be better, and we talked with one mother. we say how? well, that's why an anthill? and she says, they came there, uh, to the doctor and the doctor said, yes, they have a disposition to scoliosis already at the age of 4 in the girl, and she says, so what to do, and he says. see, that's all. you will be fine. with the back, it means that there are peers,

and we will also make a short pause in the medical direction of this. they remind us for a long time of our telegram channel, let’s say it’s not silent, sign the proposal of the guests. ask questions. we are in touch. together with our guides, you will learn something that you would never have guessed to google, one of the most famous names of the belaya vezha tower, although in its history it is white. she never was. by the way, who didn’t know this particular tower is depicted on a five-ruble bill of legend , historical facts and many unusual sights of belarus , a certain purpose when an arrow or a spear gets here. they slide off, change direction, and so on, the face of the warrior under more reliable collision protection, indeed.

such a blow was allowed, walking along the embankment you can meet many curious and legendary characters jack sparrow oh sorry captain jack sparrow a journey that will remain in memory for a long time the first time i see a bison they were born. because this year belarus 24 fashion is different fashion for contemporary art. fashion for ecological culture and we also do not forget about the classics, instill a sense of beauty and get aesthetic pleasure. see every a week in the fashion for culture project.

on the air again, say the program, do not be silent. and today our guest is the artistic director of a well-deserved dance group. a peer of elizaveta bogdanova, you yourself, elizaveta, have already said that you grew up from a peer you were raised by a peer, and he , in fact, you remained in him, that is, you connected with him your future fate. and if it weren’t for a peer, it would probably have been something creative anyway. and although, when i studied at the university of culture and graduated choreography. i knew that and the world of choreography , the world of a dancer, it can be shaken in the sense that it is traumatic traumatic , there can be some kind of sprains, right? or some kind of injury, where in the future you will not

be able to work as a teacher or as an artist, too, maybe, and based on this, already in the fourth year. i realized that i probably need to get another profession so that i can have it. i love to develop and learn and decided. will be something completely different to finish and enrolled, parallel to the second higher, and at the university of physical education at the institute of tourism and graduated from the institute of tourism, which is already graduating from the fifth year as an operator and travel agent. she had two diplomas of higher education in one area, and in another, but nevertheless connected herself with the choreography of the heart. here it is pulling. well, if you connect, let's say, then rism with trips, then elizabeth can combine. and i even tell you as a tour guide. if we go somewhere to him, i study, let's say this country or mountains, and the children are sure to be told perfectly. you can save your legs. everything is fine. let's see in the final, a short video with the participation of your pupils and then ask a question. we performed at the minsk

arena, sang the anthem, put on a bracelet for the president , there was no excitement. at first it's scary, then you go on stage. you stand like that, your jeans are healthy, and in the end it doesn’t get scary, then being a belarusian for me means being, uh, brave, proud, independent of anyone and loving your homeland, it means supporting the country, loving it for me a patriot is someone who knows who history is his side. here, who is always for his country. here even die. right here. no, i don't love my country.

hallelujah when you see such guys, you understand in our belarus yes, pride, but nevertheless, the same age sang the anthem with the president. it would seem that. well, much higher, but still what is the future? what plans for the future to develop to learn to grow to try something new to preserve, be sure to go forward, but do not forget all the traditions and tell and explain this to children and ask, of course, the patriots elizabeth let's dream up. how do you see your peer in another 65 years? so energetic and purposeful but interesting intelligent and going along with modernity. well, here's what

the children from this video said, and their someone. well, let's say it directs their thoughts e, or they themselves understand all this. it comes from the family. that is, this is some kind of complex of everything, yes, that is, no one spoke there. eh, petya, you say this phrase, dashenka, you say this, and so on and so forth. yes, it all comes from the family. and everything that the guys said, they gave interviews. they are completely yes, that is, they were not memorized some phrases or for the sake of saying, you will say, only they said this on their own, how they feel, because we knew what questions would be. it is the children, really, who speak sincerely, or elizabeth she, after all, is after this forum of national unity. uh, these kids woke up like stars. yes, they didn't get excited. no, of course, no, no, no, we do not accept the idea that this is immediately no they are. share to us. and, of course, when you see the words of gratitude from your parents, even tears, and they say, because of your thanks a lot. for that's all for it, it's very, very nice. when when

is the next time, yes always, that is, there are only these concerts for them, they are waiting for them just with him how long it took, rehearsal. that's how long it took to prepare for this forum, in general, the rehearsals went on for a week, but always when there is a rehearsal. yes, the concert is a definite change. we are looking at things that may change in the process. yes, they even called me elizabeth but the first girl hmm daria dyagileva she was originally supposed to come to the anthem alone. well, they said you have such children, you need them some. let's also write to my parents in the morning at 9:00 am. so so so. seven people still sing, and i eat everything parents. and as i say , everything was fine, we’ll do everything , so it’s very nice when you see one child and they say, you have to move out as many more, at least seven children you have are really amazing. uh, that's how you manage to reveal these talents and touch the best, uh, strings of the soul of the guys.

that's how you do it individually, probably, the approach, depending on the fact that we have a large team. we try to make anyway, the approach is individual to each. we are not only teachers. yes, we are also friends. if these are trips in some moments, we are even mothers for them and fathers are our teachers. therefore, we educate everything in the complex and always also tell the guys. trust us, trust the teachers without fail, and with each other. here is between the guys. yes, what kind of relationship, that is , let's say mentoring, when older guys look after the younger one. yes, we have it. it's been a long time since avrovedniki have known from a generation that the eldest the group looks after the middle ones there is the middle one for the juniors for sure. yes, that is, what , let's say, well, parents can't pick up the child after the rehearsal. yeah, and one of the elders says, well, like, i’ll take dashenka home, we have one, and that is, we always have help, we already have parents, and they unite and make friends. we even have and when

a peer graduates, yes, it definitely graduates, the peer brings the parents together so much that the parents then become friends throughout their lives, meet families, come to the wedding of their children. which great team big what a pity that i don’t have a big family for four years . elizabeth once again congratulates a peer on a great anniversary, success. good luck to you, your pupils in your graduates, parents and those boys and girls who are studying now, we were glad to see you and we hope that once again you will be just beginning in our life. it's definitely still ahead. we are tatyana shcherbina svetlana smolonskaya. we say goodbye to you until the next broadcast. goodbye. goodbye. and now elizabeth dannogo speaks thank you very much. we are waiting for each of you at our concert today february 28 at 18:00 and tomorrow the first of march. come it will be very interesting and many interesting surprises and we

are waiting for every young dancer boy and girl from 4 to 6 years old in our team. come and you will have an amazingly unforgettable interesting and eventful childhood. appears

in belarusian this is due to the fact that we have already closed the main niches by our manufacturers, that is, the total number of already belarusian drugs is more than 1,800. and in connection with this. now more complex drugs. it takes more time to master them. that is, now it is already going, or something, of a better quality, that is, the social direction has been closed. all this is provided by belarusian enterprises. now more technologically sophisticated drugs are being mastered, if you look at our market in percentage terms. what is the share of domestic drugs in recent years, in terms of. this is usually parity, here is 50 52% of belarusian e in packages, if we take on average it is 670%, but if we separate

the retail and hospital segments 70 in the hospital segment, and even up to 90 in individual healthcare organizations. this already depends on the healthcare organization on average. this is a good indicator, of course, many countries of the world do not have such a developed frame industry, that is, for our country with such a population as ours we have a very good number of preparations a good number of factories. that is, we have been actively developing the export direction recently towards export. we'll be back, but lately, more and more often in all industries. we are talking about such a concept, as import substitution, you, your industry is also no exception. how secure are we here and can we talk about security in this sector as well, starting from raw materials, ending with equipment and final products. well, here it is necessary to take into account such moments , that is, practically, well, in fact, if we start from

the production of the substance, that is, the active components of medicines, in fact, all production is concentrated in two countries, china and others. large countries are an exception, they also buy substances there, and the situation with the spread of coronavirus infection has shown that it is necessary to diversify a little. and we are also coming to this now , development and production substances are being worked out, but not a single country in the world will be able to produce all the pharmaceutical substances only at home, especially our small country, so there is more direction. e part of the substance themselves diversification of suppliers. uh, well, well-established logistical connections work that way, eh materials.