on the territory of the mogilev region , the remains of an ancient human dwelling, a sculptural composition, barklabovskoe, were discovered. the chronicle appeared in bykhov on the day of belarusian writing in 2013, on one part of it there is an excerpt from the notorious chronicle, and see the other image of the icon of the barklabovsky mother of god in the project of the city of belarus on our tv channel. watch modern belarus today on belarus 24 tv channel this is the news of the country and abroad of especially important events. live coverage from the scene interviews with famous belarusians

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cannot be saved by a gallant light nakhamodern on from the kladana order without feathered plasticity of the facade and the navat landscape to give water to the thinned rybnitsa french walls, the palaces must become the new threon of the baroque belarus and aki is hidden by this zhanotsky arches of the refined architecture of the architecture of belarus shushensky palace was carried by the design of

one of the most fashionable architects near its chassis, tadevusha, solution, according to your everyday life invisible with genies, went freely in velma and ended only on the threshold of the bolshevik revolution mach was connected from the ailing female of prince drutsky. lyubezka, the palace project is already like zucchini before the palace. the small trianon on the territory of the residence of the french kings in versailles, the bottles are shuffled, the agulkha was guarded by the winshaga, and the budva bottles tied were to stand at the junction, with and during the step. have an inexperienced baroque from usinhashe youthful classicism. the shushensky palace of the trotsky lyubetskys is one of the accompaniments of the vermetic butt near the track, a reminder of the neoclassical style, come, new, hour, end, 19,

stage, the era of potassium in fashion was modern e, formidable types of historicism. it can be said that in this palace we will sleep exactly on the table the axis of vibrations. i hit the end of the 18th mine. nineteen hundred hundred. no one would ever ask what, and so, of course, but it is and refuse to his mahchima. might be the lord's mouse today. we can just think of making peace that stumbled upon the architect. uh, the idea to create something like this here in belarus, something like this has been made up, of course, not the whole royal chic balance. perhaps one of his pavilions is the so-called new triano, and it is not demanding. five it was the illusory house of the palace cut down for the mistress of louis xv , the famous madame de pompadou. i am at home with this new trianon yago-stipality.

his ingenuity stumbled upon the architect throughout europe , rabich, that the step-like and makhchima-shushensky palace is an analogy under the agency of the red trianon . on the side of the criminal aposades, three uzayems, the connected gray central volumes are pushed out of a light unator, the volume was lower than the side ones and the trunk on the head facade , a portico with a network of columns and an anichny order , as if flanked by the head facade of the plots . amal square wolf. the windows of the upper surface inside the portico may be the same in

width allele, more low windows the wall inside the portico was dissected vertically-shitermalastra door and window openings for a mile. columns under the trimmed seal covered with molding near the central part and she ended with a rounded wall, yakaya was pronounced, and for the coat of arms, the janish warrant. well, all the same, he is so rare, he is heavily iconic in shindarichnaya. a well-trodden deer. looks like a lid to me. they tried on the first. there are knylyury to konnelyury - these are such grooves. which stretch on the entire trunk in this column and here i am robbed in all the decks of two in the center. it fell for everyone. and it’s different or not, the sections are divided, this is such a scale, largeish elements do not

fall into such. such a marshall staircase and here and upstairs behind the stock exchange surfaces. and these are serious osts. reception for everything, yes, increasing any architecture of any object. this means that the scale can stand there and it’s simple for me, of course, filmed, another race. here it can be seen that the goodness increases at the vetruve and it was customary to intersell the column. i am in the sample of the bottom old jean-tire, and the ionic order. run. increased. i am playing such a column, divided into three hours. setting up the trunk and the capito base itself is trampled on

a plinth slab on a square plan. the capitals of the currencies are double spiral ornalists. currencies curls look, and from the side, bars radiate along each other with shafts of swami. the editors' club is the most important brand in belarus for all these 30 years. this is the economic world. primarily security, oddly enough, secondary, because it is largely determined by the state of the economy in the country , the time of opportunity and the construction of a new information model of the future. we are gradually moving step by step to ensure that these programs are implemented. the rules are often not observed and often happen. so, what exactly wins the one who does not comply at all no rules. we must build new

ways of communication. we must build a new economy. this is a bet on a new generation. the bet on belarus has been formed. indeed, belarus has an intellectually open dialogue about the most important social and political events in the country and on the international arena. look in the club editor project on belarus 24 tv channel. this is a show in which there is humor excitement and dexterity so that it is not excruciatingly painful and ashamed of the past years. it would be better to be a spectator in our program. yes, god knows you studied latin, right. well, yes, we had the first six months of latin, but it was a long time ago and not true. this is how two teams will compete for the main prize and the title of being the best, that is, and the circumference of the circle is 200

m. you can’t eat it. no, what 200 m -1 is the answer, we will find out. watch in the intellectually entertaining tower project on our tv channel. the morning layout of the residence had an irregular sign; facades, and from the park facades the front doors were placed in sacks in the palace, made up of rough, not great simple-looking chambers , decorative decoration more than any primed on

the cross-washed lines of light cold colors of stinginess of plastic kinsmen from the traffic rules of carved aspiration and high-mouthed grace. vaughn, according to the requirements for the interior, the classicism was in fact, like the stubborn objects, the solidity of the structures , the alignment of the lines, the conciseness and at the same time. in this chance, the interior has become larger light and stremany. and we, damn it, simply and lightly often show off, egyptian, greek oborym bloodworms are simple. it seems that he thought about the udovnik teasing with crystal clearness, and he crosses out a simple and orderly geometric vessel to walk as much

as possible. the shushenskaya chamber is pink and aloe-skinned from theirs, being a variant of the same theme, they are not common in raj, the wholeness and unity of the facade of the yaki, goes out to the open space is perceived with the farthest ease, the largest plates are interpreted, two the attached columns cover up the support of the little supporter. i come with it is mined with the harmony of simply light-minded forms. shushensky khlebensky prisoner in second place

was the gentry's network of sharks. i was broken, it seems like a chic park. uh dekupa put his hand, stanislav yandeva, a belarusian botanist, the end of 18, pressed this tradition. yet there was pyrogenicity and again. here was the russian-lyubetsky, related to the meat stapeons, the dalekampu and others understood the non-horseness of the fact that their architectural works stand here, well, a masterpiece, uh, until 1939. this is a good idea, belarus hospodars lived here calmly and yes, piston hachasu. you are already the shoemaker of the lord yes, and the shushensky trianon with their miniature measurements brought honest windows into the palace and the ocean give me a reason to believe the wondrous lightness lies far away, characteristic of the eighteenth standing park

pavilions. and in the same jazz, the rigor of formulas and conciseness stole him with the outstanding pattern of classical architecture. the architecture of classicism at yakir is once paslyar, nisansu swivels up to a nimble asparagus antiquity, you escorted the social order of a monarchical state, classical wine sales were under the armchair logic and you command the status quo, the basis of architectural relatives to classicism was the order, proportions and forms are closer to our antithesis pleasure, similar epochs to pobudovyh. young gets along with such a gin that without obscuring the indiscriminate structure with serving, but whether it becomes a thin and streaky accompaniment of plastic, the drutsk lyubetskys are allowed, fuck the savannah box

of gledzhan and is distinguished by the smoothness of the form moment of an architectural fish, without disturbing its plastic closure. loopedness of the facade and calm stability are the main elements of the illusory décor line and luminosity, local svyatolov revealing objects and landscape plans in different ways, what brings the spacious composition of the volume of the bottle closer to the composition of the stage slug? evidence of the head facade was designed to create such thinned forms and the ionic organ here is not horseshoe, it is so, but pristine, handsome and not nato so wide tall my shape is the architectural decorations of this two columns along the center of the column breaks off on the version, but so are

the gables of the nefront. i can’t call such a pediment the furry phantom of a small one, melting the fence according to the version of the cornices and go all this to the lateral terrible milk. well, we don't have that often. the architecture of the palazza , paradoxically, turns out to be rocky lightness and classical rigor in a round, yagoba. at the creation of the industrial sveta, the face of the artificial lake was yakoy, separating the palace, and to get not the garden of the zhikharme, the shame was drunken by the pointer rich of the tedrutsky lyubetsky, that the induction was neighing, that the fish were mayan seating gold rings are carried away on their butt by magnates and

the rich. shlyakh silence at the nineteenth centenary under a shalib to give chic sittings for a regular layout of bottles with symmetrical crows. uh, facades with columns. all this accompaniment accompanies the style of classicism, and the based volume of the troshki is put back, and, uh , cut into the attic, so that you can look at this before european french architecture, uh, the twentieth century shmat razol uh, trying out a balance for trivality. and, of course, foot war. eh, another share. e, popped chill and shmakey elements. they simply did not live through this or haletie. after the end of another noun war. at the palats , various administrative installations were located; we invigorate the military chastotka, after i disbanded

the palace of steps, orders came to her. at the moment of giving. yon address of goods and goods for needs, city of the city a. only here it’s not for stoloto nigga, the administrators of the ordinary nest are guarded, look at the wall, you see, you’re a classic for that and a classic. how to look over a spacious fan of jazz and man. tv channel belarus 24 broadcasts for you round

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