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with her own eyes. beating up an unrequited defenseless man five on one ruthlessly frenzied with drunkenness. he did not call for help, although he could not resist, he only covered his face. five, brutalized proletarians did not know that they were beating artist, who was on the threshold of world

fame, this artist anatoly solonin in the fall of 1966 in house number 25 in apartment 45, this is khrushchev, second floor. we sat at the kitchen table. and he told me already remembering. and even sometimes, even slightly smiling, she monotonously told the director andrei tarkovsky, about the film of which none of the soviet people had seen it for a long time, this film was called passion

for andrei, but he entered world cinema under the name andrei rublev in the early 1960s. boys in honor of the cosmonauts gagarin chernov were called yuri germans, so in august 1934 the boy was named after otto yuryevich schmidt, the leader of the famous chelyuskintsy epic. well, at that time

, he was probably the most popular person that year. he was born in the city of bogorodsk, nizhny novgorod province, well, in our time it was, the gorky region, his mother was born, and from saratov, from a family of german colonists who settled in the volga region even e, under the tsars, paternal grandfather zakhar solonin was a rural literate. author of the collection the ark vetluzhskaya antiquity, where he collected local legends of the epic or kenda , but the boy’s father alexei solonin’s son was also a mute, he was responsible for the calendar of the regional newspaper, gorkovskaya pravda well, of course, at the beginning of the war, the german name of the boys was canceled into russian

anatoly after the war, the family. she moved to saratov, to her mother’s homeland, apparently, there were some other relatives who settled on oktyabrskaya street at number 24. yes, it’s interesting that there is now a memorial plaque on this house that the artist anatoly solonitsev lived there. well, you know at the time when he lived there, he did not show any acting abilities, but most likely he already had the virus of acting. regardless of his awareness, he has already entered why, because it was, the city of saratov, the city of saratov gave birth to a lot of talented artists, there is a monument to oleg yankovsky, there is a monument to oleg

tabakov, he began his acting career there, living evgeny mironov will extend the lord to him his earthly days, a boy. the boy went to school, and ended ten years, graduated from a vocational school and would have worked for him. toolmaker turner at the weight of a repair plant, raising his work rank after rank with an increase in wages, but suddenly his father is transferred to the kyrgyz ussr in the capital city of frunze, his current appearance here at the boy anatoly the saratov virus has developed.

he enrolled in amateur art circles, began to play in performances , began to perform on local radio, moreover , having a good ear for music, he began to perform all sorts of humorous couplets with passion, imitating, e, the performance of moscow conferences, which became known to him from radio and feeling the ripened vocation anatoly rushed to moscow chose for himself. neither more nor less for the admission of gitis, but the moscow theatrical celestials somehow did not appreciate the boy and did not accept him, and on the second attempt, and a year later, on the third, he went where they called the sverdlovsk drama studio to sverdlovsk , at the theater he graduated from it in the sixtieth year, he was accepted into

the corpse of the theater, as you know then they said cynically for pants, that is, for male roles of the second third plan. yes just for extras unexpectedly colder ended. the khrushchev thaw has arrived. this is brezhnev's stagnation, stagnation, suslov's ideological serfdom was increasingly placed on the shelves of books. increasingly, films were sent to the storerooms without showing them to soviet viewers, and suddenly it was not clear on whose initiative the young director marlen khutsiev brought to us for viewing the film

zastava ilyich based on the script by gennady shpalikov. not yet cut yet, not mutilated by censorship and turned into a film, and i'm 20 years old and telling capital cinema news, said that soft film export film export already to many countries due to large currencies. the amount was sold by the film andrey rublev which the soviet audience has not yet seen and will not see for a long time. but what about he about the icon painter, what are you and that in this film the main role was played by some completely unknown artist from some province that arose incomprehensibly how in moscow and

his last name was anatoly solonin the beginning actor anatoly solonitsyn undoubtedly knew how he got to the main role of the film people and animals. the artist is also a provincial theater from vitebsk nikolai eremenko the fact is that the director of the classic sergey polidorovich gerasimov said in an interview that he was looking for an actor for the main role and nikolai wrote. gerasim, his letter outlined his biography, that he fought as an actor, was captured, was released, and gerasimov was impressed by this letter. he called him for an audition, got acquainted and approved nikolai for the main role in the film people animals, so, in

fact, the career of nikolai nikolaevich eremenko sr. began. do you have no is this where you been? i did not bother with the epistolary genre, but simply reading in magazine art script passion for andrew just just came to moscow and made a meeting. when tarkovsky saw this artist, he immediately fell in love with him and immediately decided that it was this artist who would play andrei rublev, and 30 people auditioned for this role, the leading artists of the soviet union, and when

, in front of historians in andrei rublev’s makeup, everyone pointed to anatoly solonitsin, this is how it began film career, anatoly solonitsyn, realizing that such a role as rublev falls out once in a lifetime, he quit the theater, giving himself entirely this role. well, the shooting is over. last paycheck received. the estimate of the film is closed, and what did the artists from the theater live on and did they begin to live, moving from theater to theater where would they call?

novosibirsk at that time in our russian again they were looking for a new artistic director the fact is that after many years of leadership of the theater by vasily fedorov , some kind of leapfrog began after mikhail spivak. each season, the artistic director changed. the main director of the theater, the actors then told me, we are not we have time to remember the name, patronymic of the next chief director. well, of course, the hall was empty. and then someone in the ministry guessed to invite a very good organizer from somewhere in siberia from russia, i don’t remember his name. it was the director of the theater by the name of the polovtsian. well, how every smart leader

leader pulls his team and what kind of team came with him. i knew three people from there. he was an artist, a one-legged artist, but a very good artist. such a strong man ilyin with his wife nelli is also an actress and lonely anatoly solonitsyn settled them, of course, as always, new artists in dressing rooms, probably somewhere near the one in which rostislav yankovsky once lived 10 years ago, we feasted gloriously for a season and a half and either in their dressing room, which he shared with someone some of the minsk artists and in the private apartment of the ilyins , which somehow they even rented for a while. and there in these table conversations. i gradually learned from anatoly the facts of his biography and the details of the filming. in

andrei tarkovsky's film andrei rublev traveling around belarus and discovering new attractions are another attraction. bridles. the burial vault of the vish family. personally, it reminds me of a miniature egyptian pyramid, but not many people know that besides it, there are also the ruins-estates of the family behind the vish, which are located in pervomaisk. we get acquainted with the original belarusian traditions. and we, again, are bald. agatha makes the cat's body out of dough, berry eyes, lard ears, and a tail from a village sausage, most importantly, we experience

vivid emotions. every corner every day we work to ensure that you receive the latest useful information 20-minute format allows us to talk about what is happening in belarus and the world. share objective facts about a healthy lifestyle , suggest projects and films that will definitely become your favorites. they are good. and peacefulness, we achieve as a result of selection. oh god, such stockings can be kept even by families with children, this and much more. the broadcast is waiting for you in the project 24/7. watch on

tv channel belarus 24. invited him to read for the personnel author's text in my just finished edited in the film, the rest of the signals are from the very ones that collects brands of vyazma gingerbread, tula samovars, or, to the horror of neighbors, ancient firearms, but here igor petrovich was 9 years old, when this hobby or illness began, it’s hard to say in the fleet, i repeat, they didn’t take him. it just so happened

. he did not fit in health, but the dream remained true to himself for 50 years. and such an ironic kind of fate ronda croup from this small film, he began his film career in minsk, he will end it here, starting the inevitable. inevitable approach to the inevitable end and the ascension film we finished, or she read the text, but we continued, while he was still working at the russian theater, to communicate in minsk and he continued to tell me stories about the andre rublev film, probably for the second or third meeting. he brought me a stunning edition of ancient russian painting

by savely yamshchikov, it was the rarest edition made not for the country of atheism. one export, apparently multiple instances. author savely yamshchikov gave tolya why because savely cheeks was a consultant andrey tarkovsky on andre rublyovka's film, they became friends with salon, so salonis gave me this copy and what's interesting? he says that i think that the interest of foreigners in russian icons and their export abroad began with this book by savely shchekovo. you know, i can say a blasphemous thing, but i am glad that foreigners took these icons abroad. at least they will be preserved there abroad,

because i have been to foreign museums and seen the greatest collections of russian icons. and we have khrushchev just finished another iconoclasm, where artifacts were destroyed. here are the same icons as they were destroyed, the twenties in the thirties, when they were chopped with axes for kindling for samovars and it is not clear. will not this attributive vandalism be repeated for this reason? they took the foreigners and took them out and did the right thing. tolya, here, because i can’t speak. he spoke all the time in a kind of even salonist monotonous voice without any vivid emotions. but you know, because we only talked about high topics about art. i listened to him

in general, opening his eyes and spreading his ears from this, his narratives became even more significant, somehow simply unique. he was enchanted by me. with these stories, i am, in general , a provincial director with a provincial education as a director. passion according to andrey well, that was the name of this film originally . it was filmed in a small provincial russian town of suzdal with many churches. and so, anatoly solonitsyn, called to the shooting , arrived there, but either the actor who was supposed to finish the shooting was delayed for a day, then if the salonitsa arrived a day earlier, but the room in the small provincial hotel that was intended for him was still occupied by this actor

, and the administration of the group begged him, anatoly alekseevich, please, one night, just one night. spend the night in a dormitory room, and tomorrow this room will be free, and you will live in it until the end of the rent. he took it as just another petty rural misunderstanding silently nodded. why silent? because he is also like his character andrey rublev. as you know, he took a vow of silence and post until he finishes the icon. maybe it was even the famous trinity so solonitsyn made a vow of silence, humility and fasting. and when he was approached, someone, someone from the film crew, people. there, he was either

understanding slightly nodding or just smiling dudes. let's understand that he understood what they should do. how he should behave. well, of course, this could not but rejoice at the director andrei tarkovsky, who explained to the actor what and how to play, and that one with a slight nod and his smile. he spoke made it clear that he understood what the number wanted. there were six tidied up beds. he chose one of them for himself. he prayed, had a fast supper, washed it down with water, and lay down on his bed facing the wall. and humbly

began to prepare for tomorrow's shooting for tomorrow's role. but as it got dark, five huge trucks drove into the yard. lined up under the window of the hotel next to the film studio cars , five drivers, tired from the flight, burst into the room, long kilometers, 700, you can drive more on these trucks of theirs. they laid out dinner noisily and only then noticed that on one of bed someone sleeps, turning his face to the wall. they began to talk in the floor voices of a man sleeping. well, gradually their conversation increased, as they say, the tone became. louder and louder, again someone quieted down, but if everything ended with this, everything would be fine, well , someone approached him quietly, touched him and

said, man. maybe you’ll have a drink with us, tolya smiled politely, shook his head negatively and lay down again, but the alcohol warmed up the drivers, the conversation became louder and louder, didn’t they silence each other they talked and more and more often began to pull at him , offering to join them and drink more and more insistently and nazoy, and every time he smiled, shook his head negatively, thanked him and again turned away in the wall to concentrate on tomorrow's shooting. and the drivers gradually switched from their road trips to it. what are you , this man does not want to drink with us, and then someone saw his long sparse hair. yes?

that's pop. what are you this pop. wouldn't you like to have a drink with us? does he not respect us, and they have become more and more insistent there are no more topics for him. he didn’t have them, only hurt them. how come they don't want to? drink up? they are not respected, are they? someone came up and shook him saying, you're a pop. that you don’t want to drink with us, but someone says. yes , he does not want to talk to us. he doesn't respect silence at all. they grabbed us, twisted his arms and began to pour vodka into his mouth from a bottle from his throat, they bloodied his lips, or the only one just covered his face when they started beating him. he understood that he would need a face for shooting. he endured, they simply

beat him up and threw him on the bed. well, here it was like in a movie, the night early in the morning he woke up. i saw empty beds, the drivers moved under the window, there were no five trucks. and he comforted himself with the thought. endured christ endured the agony of tormenting his rubles. now it is his turn

to endure the artist. guys, i can't do that. feet says a group came to wake me up, they saw me washing behind the wall. he only smiled and could not say anything in detail, what had happened he did not say, even to tarkovsky, because i was holding dinner. fasting of humility and

silence for them for people made days of the night. and true, then he spoke. he spoke for the first time only in the scene with borisskaya played by a young, in general, nikolai burlyaev, who cast the bell. and when he spoke behind the camera , tarkovsky could not stand it. so, because after almost four months of silence, preparing for this role. for the first time, soloditsam, in his hoarse, unaccustomed to sound, intermittent

voice, uttered the first words and also tried to repeat them when voiced. do you see how it turned out? ok then. well, what are you? let's go with you together. what holiday for people? in minsk, in the russian theater, he did not find a role, and he left this theater and left, but somehow he got along with me, promising me to write , he returned to sverdlovsk, but then

left him, having moved to novosibirsk with a director who invited him to play in novosibirsk in the play by leonid andreev, the one who receives slaps in the face is the director, this arseny sagalchik. senya sagalchik, rita's brother , one of the directors of our creative association, a tv movie from minsk, my friend, there they worked together on the play. boris godunov today i had to restore the disgrace of the execution. you can cancel them bless you. as your uncle was blessed, when he appeared, he received the terrible. he is filming in yalta in

one of his first films one chance 6.000. and here is what he writes to me. i have everything going to the cinematic sequence. day after day the weather is warm here. and today, just like summer, i can’t believe that in a couple of days the new year i will finish this whole role, apparently by the end of february, maybe i will return to minsk anyway in case i want this, but in quotation marks everything is in the apartment, the role, a contented interesting russian paratrooper changes into a german and from here all the adventures i want to do something new in this old vein, i don’t know what will come out hugging, see you tolya lara 2. december 8, 1967 year, yalta lara - this is his second wife larisa sysoeva, art critic film critic and again a letter. as they say with the creative report, hi and the siberian bow is low. i

was silent for a long time. everything is to blame for my eternal employment and, apparently, eternal failure. i already wrote that i work. now they are rehearsing in novosibirsk tight and complicated insanely, i envy those people to whom everything is easy and free stinger. i love. he is a talented and inventive guy, i am glad that fate pushed me to him, even if i fail boris godunov to work. it’s interesting to me, every half a month they fly to moscow , then to yalta on the set of this notorious detective, one chance of thousands, the process dragged on, the director is sick, the film is only served, then they open it. and filming continues. many reshoots of the film marriage are tired, deadly. daughter is growing already holding her head and herself rolls over on her stomach babbles in her amazing and only she understands language.

his daughter will graduate from the film history department of vgik since 2014. volodya, director of the museum of film history in moscow. again , i had a free minute to worry myself. i decided to remind myself of the premiere of boris godunov , the tinker made a good performance. it's just that he's really good, even the intellectuals from akademgorodok accepted him enthusiastically , they praise me, although not very much. i am satisfied with my work. until now, the torment of creativity continues. although i gave this work a lot nerves and strength has already played another equally difficult role of golubkov in running. bulgakov, i still go to yalta, then to odessa. yes, i shoot a long-suffering picture. my daughter has been growing for six months now. she turned out to be so smiling,

my only butha. joy ready to play with her for hours. you know, perhaps the correspondence continued for some time. by the way, how old are these letters, it’s a miracle that at least these three four letters have been preserved, and all of his movie roles. you can find out from the internet. i, as always , only talk about what i participated in. or what i witnessed in another meeting with him, and somewhere in the seventies, i was at gorky's studio shooting a film to love a person. gerasimova saw me anatoly and yura kuzmenkov, who had already starred in my film, originally from here, according to ivan wait , they rushed to me and began to hug me and leading sergey to the classic otherwise gerasimov said sergey polinarych. did we

shoot with volodya orlov earlier than with you? well, there was still such an interesting meeting filmed, he was in belarus in the film back in the sixty-seventh in the year of lev vladimirovich the blue, outside of his best film, anyuta played on the roads some kind of commissar to sell a detachment, even, in my opinion, without a name. well, so passing in general, the role. there is a grain surplus no way, i sold everything. how you knew that you would come and left nothing for yourself. no why. it's all no. there are three more. well, remove it if you think it's overkill. what kind of surplus is it? certainly we won't take them. or maybe he hid somewhere, look for it, and if we find your happiness, we'll look for it. the revival of the russian theater began only after some other

time under director boris lutsenko, moreover , boris lutsenko was filming the film scattered nest and he invited anatoly solonitsyn to play the role of the unknown. the fact is that boris talked all the time. he even talked to me all the time, who is this unknown bather, and he invited the salon. she somehow intuitively understands that this is an artist who carries some kind of mystery, some kind of restraint, some kind of ambiguity. anatoly roughly developed the image that he had already found in the film of the mirror, tarkovsky. tarkovsky after rublev filmed it in his films. why are you

such a sad woman? there never seemed that the plants feel conscious of not running anywhere. we are all running and running. we are talking vulgar things. it's all from that. that we are nature, that we do not believe in us. all incredulity is haste, or what? lack of time to think what songs do you mother over the cradle? and

what happened to them? they laughed and spat on them. who are you? who am i ? scattered everywhere, of course, anatoly and i phoned and agreed to meet. but something happened that happened, which i recently learned from the widow of boris lutsenko from luda luda said that he collapsed right on the set and they brought him. for some reason, not immediately to the hospital.

he speaks to us at home, then he says they did a consultation in a personal mission, they saw after the analysis that he had a strong oncology. and just says they stopped the hearth, the wife had already arrived from moscow and sent him to moscow no treatment already the process had no meaning was running. what more do you need to know? if not this is how his career ended in minsk, which began one of his first films with voice acting in my little

film, the rest 17. the eternal dream ends and all the destitute should come together. so our fate will be decided then i was sixty- six and could not imagine. that sitting like this, at a table in a tiny kitchenette, on the second floor of the two-room khrushchev apartment number 45 in the house number 25 on kakhovskaya street, i will sit talking to him, and then remember that's how today is in the past tense. and what, i am one of the few of his contemporaries who communicated with him and worked in films. well, i sincerely

remember him today and today i love him. and remember, no one needs you. i'll die, and in two days they will forget me and start eating someone else. after all, i thought to remake them remade. it is me in my image and

likeness.

belarus is intellectual and the whole country we once again convinced ourselves of this, we are building an innovative future and actively developing scientific and technological potential for the first time showed a vaccine that helps fight cancer laser technology, chips and microcircuits, completely on domestic, components our specialists successfully enter the energy instrumentation into military robotics technology. and even in orbit , all this experience of our own competence in various industries allows us today to overcome the pressure of sanctions with dignity and help our ally in the main broadcast project in this. watch on belarus 24 tv channel. we can delight you with millions of emotions, kiss our emotions with jasm.

we don't like music to show our emotions. we will be strangled and already on a trapeche. with us, i becomes an integral puzzle of our life,