happiness is the author's view of igor tur on the main event in the country and the world. do not miss the new releases of the propaganda project on the belarus 24 tv channel . another attraction. bridles. the burial vault of the khavishi family personally, it somehow reminds me of a miniature egyptian pyramid, but few people know that besides it, there are also the ruins-estates of the khavishi family, which is located in pervomaisk. we get acquainted with the original belarusian traditions. and we again yes, where we carry it, a bald cat makes a cat’s body from dough, eyes are berries, ears are fat, and the tail is village sausage, most importantly, we experience vivid emotions.

together we will pay attention to the events that have become a global catalyst for chaos, extremist activity in europe, provocations to inter-religious hostility - this is legal, then after that we will look for the cause of what happened and analyze who tends to

talk a lot, but do nothing, europe was multicultural and tolerant only in words the stupidity and fear of liberals does not depend from country and passport. but this is different in the author's project is different. watch new episodes on belarus 24 tv channel in our project. we will show you unique personalities. i knew that i was internally normal. a fighting girl who is not afraid of change is not afraid to change her life for something. he looked at how i was training. he says, i have not seen this, he says, well, in sports for many years, but i have not seen anything like it. minks are not such a movement or such an approach that they break stereotypes with an example from their own experience no options. you have like the last chance here in life they go to you. moreover, we noticed a pattern that really big people came to me with a desire to lose weight, i

constantly encounter this. and with what is not. this may not work. we may not trust you. i always say try. watch the program to break stereotypes on belarus 24 tv channel . i am shrukhin, sergey is an actor working in a new

drama theater. well, today we will talk about the difficulties of the acting profession. good afternoon on the air, the program say, do not be silent studio victoria popova and svetlana smolonskaya. and today our guest is the theater and film actor sergey shirochen. good afternoon, sergey hello, i'm glad to see you in our studio, you graduated from the traditional belarusian, theatrical art institute, studied on the course. from a bright married couple. these are the parents of the now famous actor andrei dushechkin andrei dushechkin, krasokovsky and people's artist of the ussr alexander klimov left some imprints. process those facts, what is

a husband and wife family and how did they teach you? what? well, first of all, i want to say that they were wonderful people. it's lovely teachers. so well, more than anyone, of course, more than anyone and better and, as they say, he brought me up. we will say this valentinovich tree like this, because at that time alexander ivanova was engaged in the stage very often played on the steps of the russian theater. well, teaching with e. the game is very difficult to fight to combine was a rising star. right? yes , absolutely right. of course, everyone. these are wings. all this is so. eh, we were in euphoria like this, but, well, a lion. uh, the share of education, of course, so that andrey valentinovich shows sergey there is an opinion that those people who studied at creative universities in the late eighties, before the collapse, before the collapse of the soviet union, they were totally unlucky. you will agree with this opinion. well, in the theater which in any living

organism has its own laws, there are ups and downs. there are falls there, good luck. there are failures. naturally , it never develops exactly, so, uh, that time. just at the beginning of the new century, it just happened that the theater seemed to me to be in such a predicament, because, uh, the market is some kind of chaos such here people cease to be interested in culture arts to walk less. and you yourself know that if the audience does not go to the theater , the theater is sad, of course. therefore, such a thing that i can say one hundred percent sure that we then got a little bit of a very convenient situation for me. for us for the theatre. well, not in a very comfortable situation. the whole country got. the fact is that on the other hand, you can’t say that for sure either. the fact is that private theaters began to develop at that time. it gave a splash, but it formed. well, just like

mushrooms began to grow one second third is also a kind. plus, because, damn it, a new idea . in general, there was something interesting. and what about the state of theaters. yes, somewhere. here they are a little forgotten. and where at that time could one find this very idea sergey to act as an actor from childhood , they felt this acting vein in themselves and already decided or somehow came out spontaneously, most likely, it turned out more or less spontaneously, because my theatrical in general was quite successful at school. hmm, zero, except for some kind of amateur performance, which we had staged a bug called i played a glue salesman there. but, well, then somehow everything began to spin. after school, i got a job as an assistant cameraman at a film studio.

then after that, for the first time, i tried to enter the institute in detail. they didn't take me. i wrote an essay for two. but after that, i went to work as a fitter at the kupalovsky theater, and i worked there for a year and already after that. said i would do it again. this is not the first time i hear such a biography of a assembler in a theater becoming an actor, what is it that is exciting about you ? well, i would say, so that i got acquainted with this musical world, firstly, what happens, how it's all cooked live , exactly, how artists come out. how do they rehearse. the most important thing is that but this is very, very, in principle, inciting and in that sense i then had someone to look at, then the famous were vladobirsk makarova, here is an older white ponytail victor

tarasov seylo pleiada is a whole bunch of wonderful artists, who were just interesting to watch, and, to be honest, in addition to my work, i often peeped behind the scenes like that. how did you turn out to shine theater? well, like all students of theater universities, they go through distribution, that's because in minsk at that time it was possible to get settled, just uh, it was impossible to take this one at most two people. so, uh, we distributed, got to brest, here are as many as five people from the course. and most importantly, that i do not regret anything, that i did not get there this choice is painful for you. here from minsk to leave for brest so there were doubts, of course, the most from under the wing of the parents to go there alone, all this to exist on the nazarbat of the artist to live there in a hostel. first. it is very difficult. that's four years four years. well, the fact is that i was lucky that it was already after the army. i'm already some kind of

uh, i had experience, and it even happened to me. yes, as an outlet some kind of service. no. no, i also like that a lot of our actors. our guests remember their period of service in the army, as a very important stage, here alexander pashkevich was, he, and for all the holidays , uploads army photos of his. well, you also think that it was one school of life, and then to break away from your parents, probably, it was not so difficult, of course, upbringing, but even more so, you would have served for a year and a half, but at first i served now in the urine, and then i moved to his military unit on belinsky here. uh-huh yes, today brest is called an ultra-modern city, as if it responds faster than others to all sorts of new items, tourism businesses beauty industry, not only the theater is developing rapidly in it. eh, what do you remember over these four years

with the warmest breathless memories, because for the first time i felt myself somewhere in the right place, that something is working out in minsk at the beginning. i would never have played such roles, which i was simply entrusted with. we then performed a very good performance. the children of my arbat across europe even drove in brest at that time. it was truly a discovery. here is the director who came, he is very trusted young artists. in this case , he and i somehow managed to create a story on the website of the brest drama theater. and there, just this period when you served, these names appear so high-profile among them, and children of the arbat, too. it was such a period, search, or what? yes, creativity the fact is that when i came to my classmates, and then i joined the theater, then seven people from the kiev theater institute and in the total mass

it turned out 15 people of young artists, this is such as they say fresh blood, as it were, in the theater and he started some ideas , interesting performances, in general, a friendly team. this is first of all. it was important and then we, uh, really somehow got up a little bit. if it is possible, so to speak, in such a plan, all the more so, then the choice here was for the team and the director of the theater director. so we chose sasha kozok, then he was an actor, e he is the current director then the director. this also affected it. here. in general, yes, yes, yes, and, well, how would we talk about you, so, uh, and that's a lot. so sergey after many years you visited brest with the corpse of the new drama theater at the festival. uh, belaya vezha theater festival. e. well, experienced a sense of nostalgia. well, of course, the fact is that we performed in dk e culture, which are on the extreme. brest of this used

to be considered this for dvorki, so we lived there just in a hostel. and so, of course, the city of brestan in general. i would say, well, in a word, such capacious warm is always a pleasure to come there, and it was doubly pleasant when the performance ended. it was a real surprise. i didn't invite anyone none of uh, his former friends. and when i was met backstage by my e, former colleagues with whom i played in brest it was just extremely, great, i almost swam, because, well, it was nice to hear a couple of warm words from them. in general, i liked the performance. and what he says is strange, interesting, but very interesting , before entering the new drama theater in minsk, you still worked at the puppet theater, and i heard the opinion that puppeteers are the elite of theatrical art. you agree to support this

thought, i would say differently, that e puppet theater. it was then very e diverse. simply, e, he traveled very often abroad, of course, to be honest. eh, any artist dreams of going on tour somewhere in europe, and the dolls went, when very often. and this is one of the reasons for such, in principle, it even served that i tried there, but got there, quite by accident. so i was going to leave for st. petersburg because there was also an interview. they took me to the theater on liteiny well, then my friends met me at the station literally saying, where are you going. here we now have a master margarita performance, which looked gorgeous , we just don’t have enough, azaz. there will be tests tomorrow. come, there will be three people, you will try there, so you don’t think for a long time. between st. petersburg and minsk, you choose minsk, there were

just problems with housing there and here my parents had an apartment, and there is a completely empty place after the brest army - this is not new. i understand the test somewhere. then i scolded her all for myself, because who knows how to arrange it there, but nevertheless, it happened, and they took me into the pipe of the puppet theater and i just with pleasure played a lot in this performance, the performance was one of the best in general, uh, critics from moscow came to us , but, well, then here we are e, in my opinion, lyubimov if i'm not mistaken, he said that he saw three performances by the most successful master. this is in st. petersburg in moscow, and oddly enough, in the puppet theater in the museum of the puppet theater you can still find exhibits from this legendary performance. there are copies. here they have stored so far. maybe your azazel costumes also have it, well, really. it

was a discovery. it was a revelation, uh, it 's been quite some time now, but i remember it being a senior junior's development. yes, that's why that rare case when bulgakov succumbed. yes. yeah theaters, it went 3 1/2 hours. uh, at the same time , bulgakov was walking in russian, and somewhere else i 'll tell you that many artists were quietly on the sly, they came to watch. eh, of course it's so envy of some kind. well, you can come. yes , if everything is as you say, in in principle, you have developed quite successfully with the theater since the theatrical life. why has the moment come? when you basically left the stage and went into business. it was a disappointment, what about art in itself? why did it happen so? well, most likely, probably, maybe in yourself , because you know that when it all started

with this restructuring with all these innovations, when people simply began to earn some big money, in principle. i must have succumbed to the temptation that if i don't try now, then i'll have this will not work. and it is natural that at the beginning i played a one-time role in the performance of the master, and then slowly, when he was written off, i just quietly left. uh, the business is gone. but it was trade, trade, trade, and to and fro travel bought and sold. yes, in principle, this was between poland. here and minsk. by the way, the famous new park was dug up, there are all my companions, all the friends who worked there with me. here i am, uh, on duty and skated 10-15 years. somewhere it worked. so then. it's not an easy job. i'll tell you that it was hard, i 'll tell you. more e for all my commercial activities. i've been robbed twice.

the first time failed the second time. yes, we will say this, you need to have the courage to probably survive it. so this is, uh, to come to terms with this, but, nevertheless, it was not so, it was not easy. that's the problem. well, thank god the theater took its own in 2017. you returned to the new dramatic began to serve there still works in the current. in your repertoire you are busy in six performances and staged by khamsin friend and sergei kulikovsky, very many viewers were struck by how easily the theater mastered the aesthetics of the jewish mentality, where humor is adjacent to tragedy. let's watch a little trailer.

sergey, the role of kirtsel is easy for you was it given at all, is the nationality of the hero he plays important for an actor , or is the actor a person of the world, if they gave it to me, i would ask, yes, because they have something that touches me . this is the most. the main thing woke up, the most interesting thing is that sergei mikhailovich, our director, he is amazingly accurate. uh, distributed the characters and i don't know about him, but i think it 's different. well, it just couldn't be . you see. well, at least among the men's company, which hmm and some kind of personal relationship. and so, well, somewhere in the dot and when we have already begun to work, that it will turn out, maybe even a

little bit more like you a little bit, but as always, it seems to me that our performances for complete happiness, always something - something is missing. if the conceived fillet was not realized by 75% , then we can assume that you have already done everything that god, therefore sergey is making a discount on circumstances. you also play recklessly and in the performance of the water were one-act plays. chekhov anniversary and proposals. again, focus on the screen. do you understand the chekhovian nature of his genius, why do they like to mess around with him in the net of the world? why

don't they leave him? why is he still interested? what's the riddle? chekhov, when i studied at the institute, i was fond of unpublished chekhov, i told a lot, i always tried to find something like that for us , some kind of slightly forbidden mound, so that we could tell in principle. solid there is so well, unfortunately, i don’t consider it now. for a long time. yes, our guest was the artistic director of the kupala theater olga nefedova. she said that she sleeps like chekhov in the sense that she reads chekhov at night to herself, the heroine of the popular play zhanna, which is going on in your theater and an iron businesswoman. and you also have a small role

of a businessman in this performance. and since you were in business, you probably understand the psychology of business people, and they are interesting to you as characters. the fact is that i would say that business people are generally tragic illusions, because the basis of always without a person is the cure of profit as much as possible profitability, and everything else is in the background. you see, this can go into inferiority called personal life, some kind of family relationship. uh, good habits in the chapter. rather, the basis of everything is, of course, this is profitability. and over time, a person should do a little, i would not say, you understand better, but business people, at the same time, i notice they love to go to the theater and concerts. that is, this is what is for them. here is some kind of soul of its own. maybe because about 30 people will come to us tonight, with whom i used to work, in

principle, with whom i was friends and did business , but you say there is nothing left in them, only two buttons. but what is it that is delusional when he is with him, i would say that, as they say. they want to somehow fill you with their presence. basically, or as they say. hmm to come closer to us somehow. so in such a good sense of the word about it, that it is still business. he is a bit boring in the sense that he always the same thing the same thing the same thing so it is, but allow yourself to relax. it's only more expensive to the theater that we will break for a while . we have a telegram channel. say don't be silent. subscribe ask questions and suggest guests we are in touch. belarus is intellectual and the whole country

we are once again convinced of this we are building an innovative future and actively developing scientific and technological potential for the first time showed a vaccine that helps to overcome cancer laser technologies, chips and microcircuits, completely on domestic components our specialists successfully enter the power industry instrumentation in military robotics technology. and even in orbit, all this experience of our own competence in various industries allows us today to overcome the pressure of sanctions with dignity and help our ally in the main broadcast project in this. watch on tv channel belarus 24. on the air again, say the program, do not be silent, and we have theater and film actor sergei sharychin as our guest in this part we will talk. about cinema is very rich. the biography of about 70 is written by the sites of

film roles with sergei shirochin. but i think that they much more actually. you have worked with such stars. how are they yarmolnik vladimir kostyukhin. ah, and many, many other stars. there is a feeling that the popularity of the belarusian film actor is not reported, or does everyone get what they deserve? well, there is, of course, that there is a sin lurking here, the question is that my friend once said such a phrase. he says that we are the cutters of russian artists, you know, it turns out that the main share here, yes, not the main large part, of course, falls on russian performers. and we already like this completion. this is the second plan, for example, episodes. there are secondary roles, here and in this situation to reverse. here we need, probably, some kind of national idea, - i would say pride in our artists. in

principle, i can’t even name a director who would promote belarusian artists. first of all, you understand , it used to be completely different somehow, but now it all leveled off. and well , there is such a thing as the artist's media quality, so here are the customers who invest in films. they say, i need such a media a person. and there you are as you want and already, and there as you want, it turns out, what happens, well, for some time now i have been treating popularity hmm with irony. i would say it was a very funny incident at the pizzeria. my family and i went for a bite to eat. but, well, at that time two pictures came out, one advertisement, and they began to somehow recognize me in the city in the back table. eh, when we went in, the man stood up and said hello, realized that it was me who was recognized. you nodded in response too. here it is popularity and every time somewhere in minutes

15 this man got up and raised a toast, saying he drank to my health. naturally. i said, please, and when we were already leaving. here is passing by this man. so he began to bow and said, and i recognized you as the expulsion of the spirit. he happened to play in one bowl on the projects of the russian politician monarchist and black hundreds vladimir parishkevich, known for his conservative views. here you are in character. was it difficult to play a real historical character, but it was in the shooting were down already, i'll tell you that absolutely. i'm like wearing a suit, like separate beard. here i will do, uh, make-up. i went up the steps myself. i felt a little different. here it does not know it. maybe magic. maybe i invent myself works inspires. yes, yes atmosphere is very important. and i'm an impressionable person, you know, and for me it

's all this to think that here once they walked along these steps. here are people from the past. moreover, such that everything is great. in this sense, you feel yourself politically as a centrist conservative liberal. is there some uh definition of oneself in politics or not interested at all? i'm a conservative, of course, yes. this one, you know me nice. uh, in principle, the former old such good as our father said, old lady. well, that's why i treat this case with a strip like this. that's because i don't know. so, probably brought up. and what is this deciphered old lady, what did this concept include before? and the water is warmer more transparent and the products are, damn it, cleaner called the girls were prettier this, well, the relationship was more frank. well, uh, time is running out. as the saying goes. uh, long walk around, yes, around everything is changing. we

are growing up a little. we are getting a little more experienced. here somewhere we begin to grumble about something, probably, well, this is aside or a sentiment, which is the ussr or in his youth. it's you who is different, most likely, they say here that the bad is forgotten. but, and it is always good. right now, this is with me, probably, the situation is happening, you know, there is nostalgia, yes, yes, therefore, it is progressive to call yourself a person. i can't remember you well sergey as a terry conservative. then tell me, is your temperament and character. he is what you have, you are not conflicted, you are already you, well, they are such an artist, in principle, uh, they silently agree. then they can flare up let's uh, somewhere i read and what can be said about one person, in one word, is true about another. you can say some kind of phrase, and the third one can write a sentence, and the fourth one. you can write a whole page, and the sixth novel and not together. so you understand this, and you think of

yourself as and i am a person a joke anecdote that matches your character you are afraid, yes, let's say, of course, her i keep fit with sports once a week. i definitely go to the swimming pool when i can, i enjoy bicycling and my wife. you recently starred in an american thriller film that received a very high audience rating. he is tall. let's see a small snippet, interesting. happy birthday. i'm here jane we

need your help. talking to jane so who are you? i came to fix the light. he was disabled, and then to the house on a polyburger. where did they come from, we are in the middle of the forest, they are not people, there more like wild animals. news according to the chief of police during a city protest, two masked men came out of the us russia office with the participation of belarusian actor sergei shirochin and it seemed to me that it was very similar. your role for his role.

look one face, but i wonder how you ended up in this project. it was all in english. but there they didn’t ask me a single russian word, they called me. how are you with english? i say, well, more or less with a dictionary, as they say, so sail once i can say, they say, well, well. well, what come here? in principle, i only say the text give me please, and we went almost there somewhere under the lithuanian border, but in some kind of farm, right? yes, yes, yes, yes, yes, they provided the stage actors, the location is all english-speaking before. so that's the most interesting thing for me. ok then. i say, i come to the site of the text. no, i'm saying the texts lord , wait now i'm already somehow tormented by doubts and thought now, well, as he always

says, well, look, and there are two pages, but you have english there. i'm just in shock. at i was the first to take off my beard and run away, because well, what's there. half an hour left before filming, some kind of english. here, in russian, i would say so much in the form of confused at all, as if nothing is stopping you , i still have a slightly different way. let's go then, but we just broke it into several parts. if i spoke incorrectly, then, in principle, not an understudy, but a prompter corrected me. i repeated this after him and the situation was saved. i'll just install them later. i don’t know how it turned out there , ideally it’s hmm, well, such a method i liked interesting. say the fee is different. i realized that the mess is the same as in all cinema venues. there is a difference in american cinema to act in belarusian , in short, in russian. well said, thank you well said, thank you. of course not, yes, that

's all right in this regard. well, interestingly, he said that he wanted to take off his beard. run away, but uh don't do that anymore, because the audience is really in the comments on your films. a very generous praise, but suggest that you would be good, uh in the role luzhkov chernomyrdin shandybin. and khrushchev , they say, directly poured out, nikita sergeevich and you don’t mind such a type of you. i don’t mind the question in the same already standing like this. i was called to ukraine, but because of, uh, limited obstacles there, i simply didn’t get to go somewhere there, you are the first in line for execution. yes, there is something very similar. but i'm not clean, physically, we can't bring you. that's all, you played a german officer in the ded morozov project. and in general, the form really suits you. what place does this topic occupy in your life?

and in general, what do you think about the conflict of this patriotism that we are being rewritten and the history is now that the genocide needs to be remembered anew by the belarusian people during the war. wow, it's complicated , of course, the question and well, firstly, let's start with the fact that with these german roles, well, they always have something hmm there was such an interesting communication. sometimes i like to play bastards so then uh-huh that's something, because there is something to play, you know? so this is it, and already the question is what it will appear in the frame on the screen completely different. i still have a good one. work was once here no, it seems, at least, it is discontinuous memories that are still on the fall of the leaves. so we didn't bring it. there the baron was such a baron of the camp. here he was playing the laskripe. that was a very serious preparatory period. i didn't take a teacher. i played. although i play the guitar,

i don't know how to play the violin. i had to learn how to play the violin during the cassette in a month. there is such an amazing scene, he plays. and i see these, well, everyone is crying. in general, well, i learned as they say, when they started filming. and that's it, he says, no, it won't work. we will put up a lantern, if you speak english well, then it doesn’t work like that on the violin, yes, but it was some kind of joint project. here, well, for some reason, it simply wasn’t shown here there, the topic of nagorno-karabakh was. in general, such a ticklish in general, and so the film is quite curious, he went very well there. here, uh, he got there, uh, and our artists played very well there. eh, that would be something to see, but, unfortunately, this is what the audience says belarusian did not reach. well, your geography as a film actor, it is quite extensive. you

are satisfied with your e career in cinema. no, of course not. it seems to me that even, uh, my best videos, seriously. yes, you are waiting for a breakthrough from belarusfilm. you know that you want to believe in this breakthrough, because for now. i don’t see it, but still we are developing in a spiral, really. here, but today is a gray day for us. here tomorrow will be bright bright good. i think that after all, hmm, belarusian cinema will make its way through different venues. see everyone. yes, all our creative forces. that's why there is no result. you seem to be there, an updated studio, wonderful actors. good director, what is not? well, there's a whole chain like that, uh, directors. he says that he lacks a good script. so, when it comes to making a movie. that's what he says that i would have such artists as here and the whole chain, although the whole

chain is to blame, you know, people just need to be trusted. uh, so it seems to me, and let the young people make films, you know, which uh, yes, i agree that on four on five pictures four or three, maybe not a box office, but one is sure to shoot such a legitimate movie. they are filmed in the studio. she says that she shoots five or six films a year, but not one of them does not shoot. well, now, to be frank, the lack of funding. it's so deep too, that again, attracting some kind of sponsorship is a necessity, because the people who will invest in the cinema. they always move the development of cinema, you know, for many, even indirectly, for some reason, everything it is also the promotion of many streaming

platforms. now we've moved on to serials. how are you in general? and you feel about the series again, or we look. to be honest, i don't watch much. here's the exit. it can put serial production on stream, and then there will be something left in the cinema for some feature films, and i repeat once again, a good financial base. you see, he has it. ah, a promising scenario. so they tell him that everything is in your hands, whoever you want, take a good director of actors called, well, the script is good and make a sweetie out of it. that's when something comes out of it. understand that you are not limited. and when they say to a person, here's a script for you, but here this is not enough here this is not enough , tell sergey this is an ideal story. she's not anywhere in the world, because i've been watching tv series recently. how the movie the godfather was filmed and france had

no freedom of action for fort kopyly in absolutely nothing in the choice of actors for the main role was not in the budget for her in the location even you forced him to rewrite them for me too. well, in general, then, what are you saying, yes, it would be ideal, but it is not feasible in any country in the world. there is a producer, there are dictates. e questions. here you are, we are with you how many films have already been mentioned that were not shown there, it was impossible here not to go to khrushchev to shoot, because the political situation is new every time. yes, if we talk about films, i will allow myself to recall our young director from belarus from the film by kirill khaletsky. here is my first short documentary about the lack of funding. he took off for his $700 and the next film, when a little sponsorship money appeared on it. he took off for $10,000. and he said, lord, what did he say so dearly? well, we've already started playing filmmakers here. well, we

will not feel the difference on the screen. i also know you sergey, as a person who dreams of any theatrical production. transfer to the screen, in particular, we discussed the possibility, uh, before the nose of the nobel week performance. yes, you said. well, uh, that is, it turns out that cinema is closer to you creatively. i put it differently that's a little. eh, the same theater only replicated many times more. you see, some 234,000 people can come to the theater. is it true. uh-huh and when you transfer it to the screens. it looks much, the other audience is much larger and the effect of this, of course, is much greater. well, here, i remember that love and the dove is a famous movie. he same first very long and successfully. that is, this practice was normal before the soviet era, when a successful performance or film adaptation. i think this is one of the most good. well, for years or something, in principle,

because, uh, it was lucky to somehow be filmed with gosha markdown. we talked with him about it. here she has friends moskov here, and he says, this is the third production that they are doing, they are filming and, moreover , it turns out. i just looked at their work. i am delighted with this, just delighted , you understand, here the situation immediately turns out that a person works in a theater, and he rehearses. he knows the text. he is completely free, you understand, and the director who will shoot him in the cinema already remains only correct, this or that some action or so. well, this is an idea that has not been heard for a long time, so to speak, in our space. for some reason, they don't pay attention to it. there is probably no relationship between theater and cinema, that is, some kind of structures, filmmakers, theatergoers are far away, but we will say that they stand on different sides, because you need to combine cinema this movie somehow, because

, in principle, you also need to get hung up like that on the other hand. e. cinema is some kind of financial component, because sometimes helps out, of course, yes, still remained. i'm also interested as an actor, who now has a lot of opportunities to play any role, because that's your age, just like the hero-lover. in general, yes, and the father of some family has bleached gray hair. you can play me always e curious. is it difficult to play love on stage? now, when everything has already burned out, when you had everything, so to speak, and you need to do it again. this is the feeling to revive in oneself, what tricks are there to play anyone, in fact love to play. this her usual game through some kind of prism you understand the relationship to the partner. here's how the actress to their feelings that arise.

here, too, you can get a little, of course, here it is 100% the same as the theater used to be. brest dacha 100%. there is no such. now. that's why i ask you this question very often, it looks kind of awkward. in my opinion. there is even the same kiss on the theater stage, but i see that this is a props, should it be so, yes, he scolds, kulikovsky, let's say even in our nobel prize. he says, here we go already festival. just try not to kiss her in belevsky week. you meet your first love and there should be a passionate kiss, but there isn't one. just sometimes it seems to me that she is, in principle, far away, and the moment where we stand is still in the cinema. this movie. this is a close-up shot. you can't lie there anymore. no. sometimes, perhaps , something like this is allowed in the theater, but this is also not a good sign, as

they say in that plan, everything must be done in good conscience, yes, and the famous system, which is not slavsky how often remember sergey today it was obsessed with at the time. all the best artists in the world. today i am curious to know whether this system is alive or has already been forgotten about it, too, everything is changing. do you know theater directing in general? it goes more in the direction of the form. i would say. uh, if before, let's say, and the director worked with the actor, he raised him. but he nurtured him, let's say, and what was good about the theater, and there was a corpse, which the director just, well, how did his mother nurse? you see, here's the situation, whoever you take, there, that's all hmm, they were vstanugovtsy. it was he who raised them from and to. you see, that's it now. uh, uh, the director demands from the artist already.

self-sufficiency, so that he could do everything, that he and he would only arrange it and create a composition made this a drawing of roles. and you already work to engage in artists. now it seems to me that once, never, yes, well, we will gradually approach the sore subject itself, which is being actively discussed today in the theater community in our next part. for now , let's take a short break from our telegram channel. say do not be silent, subscribe suggest guests. ask your questions. we are in touch and our guest is the theater and film actor sergey shirochen, and we are embarking on the most painful topic, which is being actively discussed on the sidelines today. this is a new theater financing system, what do you think about it, that's fine without

it. some funding, it will also cease to exist, an alternative. there are, of course. that's what i think, as an example in russian uh theaters. this is hmm attracting sponsorship, that is, people who invest, let's say in the theater business the same the movie itself, and not subject to a lower percentage. there are 15 or 20 there. that allows them to look into this area with interest, and then, if we go to these 50% , let them at least sponsors come, and not save. and so i do not see the future. it's just that today tickets to the theater are not very expensive. so let's say this is an affordable type of leisure in belarus. and how much should it cost? uh, after you switch to the new funding system, have you been figuring out in the theatre? knowing

from the experience of my colleagues at least 30 dollars with the equivalent in moscow theaters let's say half an hour or such very popular ones, let's say. i can bring the theater of nations, then the gogol center, so, the first day is wednesday, based on what my colleagues told me, the ticket costs about 100 dollars. and here, and we'll see how it all takes root with us. and all the more so because, as i know, i have already talked with artistic directors with directors. it's not until next season, because this season it's not even clear how to style the actors. uh, there must be some new contract collective agreement and so on, because, well, the new financing system also involves some new accounting nuances, so to speak. yes, but i see that you are optimistic about this, so far i don’t know, using a simple example, what ’s even right. they have tickets for two or

three rubles, it turns out, of course, of course, even uh, here is such a simple example, uh, they are told to buy tickets, guys, via the internet. here, let it be 2 rubles. it will be more expensive, but you will be more comfortable, they say no. we'd better come to the box office and buy, because you will cheaper, maybe that's the mentality. maybe we have such a society now, such a trip to the theater - this is an event. this is an event, it should be solemn, so not everyone wants to buy tickets via the internet, because you need to stand at the box office, but anyway, we’ll meet at the box office at this moment. it is still waiting for us here with the transition to a new financing system. well, you do not really share, so to speak, the positive from this process. and if you have confidence at all, tomorrow you know, i'll tell you that there is a very big me an optimist, let it be but still, i think

that better times will come, but i must start, probably with myself. yes, if we try to put things in order, as they say, i think that in the country and states and in the theater. e will be fine too. again, it all depends on the person. if you are an optimist then you are not familiar with the attack. this is such a spiritual turmoil, when it seems that the director is not like that, a fool and the authors are modern idiots, and i can’t do anything like a thread artist. yes, of course there are questions, when of course there are doubts everything it's pros and cons weighing it all. well, after all, experience and reason suggest that you don’t have to give up and move forward. you somehow pay a lot of attention. as i understand it, about reading a play by new authors, because you say that the theater is constantly looking for interesting material,

a lot of good stuff, it all depends on the staging, actually. and i would also like to say about the authors, because you know that in russia there are more of them, we have fewer belarusian authors in belarus, but again, this is such a trend that we don’t raise them, we don’t save. and as they say, we do not cherish. and they need to be educated, they need to be supported. this is me, too , with great trepidation. basically, i really, uh, like the author of ashes and in which he wrote nobel week. uh, here, i even wanted to write a sequel because i like the materials. he touches me. is there something to play there? there is something to worry about. and most importantly, it's interesting, you know? it 's only interesting what a person doesn't know, when we have a spectator comes to watch the play. here, a common man. yes, he is somehow not something standard, but a person who is engaged in theater, who has already seen a lot.

yeah, there is something interesting in this for which viewer, for one who is used to something understandable, there is a theater that went along the path of filling everything with its devilles, yes, and that’s the point. at the end. people are not fools, the concept is that a person who has watched a good performance a couple of times, he has a plan to understand already below which, he simply will no longer be himself, because he knows what a good performance is. what is an opener mouth. you know how uh hmm the performance is good for something. here you are at first so biased towards him. well, here you buy on some phrase and that's it. you watch the rest for an hour and a half. so you no longer analyze or criticize. and you just look and that's it. this must be very expensive, so here, and you have formed a portrait, and a spectator of a new drama theater. well

, we have a small theater, so it seems to me that this is a collective one, because yes , i never wanted to take up a pen myself and write a play, we'll finish it, we'll write it, true, of course, what are you writing, which we have been wanting to stage for four years already in the theater, and then organize it. wow, what's the matter? yeah, that's why you always think in this direction in this situation. that fate wants to eat their three films with my friend eugene bach, we shot three shorties. they surf the internet. so they won't win any. insipid too. we try we try. so we don't stand still. now we have written a very good script. here, in principle, even this is not written, most likely adapted from the script that we want to shoot, but then again, it requires funding and a fairly large number of actors. this is connected with your theater with the fact that it is located, she is very and all arti with whom we communicate on

this topic. they differ in their opinion , whether it is good or bad that it is so far from the center. uh, i know you're worried that the box office is the one that should be selling tickets. yes, they do not sell tickets to your theater in the center. why is it most likely because of the organization, because uh, but the organization rests financier. so you are closed, you understand, it turns out something. give me a well-known meme fashionable is what is not fashionable, not fashionable, because fashion yes, yes, yes now , oddly enough, it used to be completely different. well, now is the time , here comes the ad. it also plays a big role in the theatre. eh, let's try to say about the face of the new dramatic one, what a good face it is. yes? you know that he does not stand still, which is already very good, he has his own duckling style and

eats. uh, a very good corpse, it is not numerous. yes, but nonetheless. uh, actors are very good director. i would say that they are talented and i hope that in the future it will turn into a good project, a good theatrical project or a good theater, what is it without a good production. they will be a good theater just with a little different wishes, because well, uh, you can talk about this endlessly, that there is always a theater that lacks something like that. here we have what is missing, so when we overcome all this. i think everything will be great. i share your optimism sergey i really like your mood, that, despite the unknown, you are not afraid of it. it seems to me that you have such a bright biography that you are not afraid of anything already and there is such a very good acting experience behind you that the roles that you dream of will definitely find you. thank you for today's conversation good luck, and we svetlana sm. loyskoy victoria

popova say goodbye to you today, goodbye. goodbye. and now sergey shirochenochin is speaking, dear viewers. thank you for your attention. and i want to wish you peace, like love. and come to our performances. we will always be happy. we are waiting for you. we offer to spend one working day with professionals in their field. we are here in our olympic reserve school, we are developing 5

sports for both mom and dad, let's say. so in some other moments of some kind of such relations of close ones, such very such friendly ones, that is, to find this difference, 24.