i just didn’t manage to go with personal gifts there. you are standing first in line for the performance. yes, there is something very similar. but i'm not clean, physically, we can't bring you. that's all in the film project santa claus you played a german officer. and in general, the form really suits you and what place this topic occupies in your life. and in general, what do you think about the conflict of this patriotism that they are rewriting history for us now that the genocide needs to be remembered again by the belarusian people during war. wow, this is difficult, of course, questions. well , firstly, let's start with the fact that these german roles, but they always have something. hmm there was such an interesting communication. sometimes i like to play bastards so then uh-huh that's something, because there is something to play, you know? so this is it, and already the question of what it will appear in the frame on

the screen of this is completely different. i still have a good one. work was once here no, it seems, at least, it is discontinuous remembrance which is still on the fall of the leaves. so we didn't bring it. there the baron was such a baron camps. here he was playing the laskripe. that was a very serious preparatory period. i was taken by teachers. i played. although i can play the guitar, i can't play the violin. i had to learn how to play the violin during the cassnets in a month. there is such an amazing scene, he plays. and these are hung. well, everyone is crying. in general, well, i learned, as they say, when they started filming. and that's it, he says, no, it won't work. we will put the flashlight not very well, if you speak english well, then it doesn’t work like that on the violin. yes, but it was some kind of collaborative project. here, well, by for some reason, it was simply not shown here there, the topic of nagorno-karabakh was. in

general, such a ticklish in general, and so the film is quite curious, he went very well there. uh, he got it there, uh, and our artists played very well there. eh, that would be something to look at, but, unfortunately, the belarusian audience didn’t reach the viewers. well, your geography as a film actor, it is quite extensive. are you satisfied with your e career in the cinema or not? of course, it seems to me that more uh, my best videos are ahead. uh-huh yes, you are waiting for a breakthrough from belarus movie. you know that you want to believe in this breakthrough, because for now. i don’t see it, but still we are developing in a spiral, really. here, but today is sulfur we have a day. but tomorrow it will be bright bright good. i think that after all, hmm, belarusian cinema will make its way through different venues. see everyone.

yes, all our creative forces. that's why there is no result. you seem to be there, an updated studio, wonderful actors. good director, what is not? well, there is a whole chain of such, uh, directors, they say that there is not enough good script. so, when it comes to making a movie. and here he is and what he says is that i would have such artists as here and a whole chain, although the chain becomes, to blame. everything turns out to people. you just have to give trust. so it seems to me, and let the young people try to make films, you know, which e yes, i agree that seeds four by five films four or three, maybe not at the box office, but one will definitely shoot such a legitimate movie. they are filmed in the studio. says she shoots five or six films a year, but not one of them. so it doesn't shoot. well, now, to be frank, the lack of

funding. so, too, that's deep, what is again an attraction. e some kind of sponsorship is a must, because the people who will invest in the movie. they always move the development of cinema, you know, for many, even indirectly, for some reason , this is still the promotion of many streaming platforms. now we have generally switched to the series and in general how are you, but do you feel about the series again, or we are watching. honestly, i don't look much. here's the exit. it can put the flow of production of serials, and then in the cinema there will be something left for feature films, no, for this it is necessary. and i repeat once again, a good financial base. you see , he has it. ah, a promising scenario. so they tell him that everything is in your hands, whoever you want, take a good director of actors called, well, the script is good and make

candy out of it. that's when something comes out of it. understand that you are not limited. and when a person is told, here's a script for you, but this is not enough here this is not enough tell sergey this is an ideal story. she's not anywhere in the world, because i was watching a recent series. how the film the godfather was filmed and france fort kopyly had no freedom of action in absolutely nothing, the choice of actors for the main role was not in the budget for her in the location , even he was also forced to rewrite them for me. well, in general, what you are saying is, yes, it would be ideal, but it is not feasible in any country in the world. there is a producer, there are dictates. e questions. here you are you and i how many films have already been mentioned that were not shown there, it was impossible here not to go to khrushchev to shoot, because the political situation is new every time. yes, well, yes, if we talk about films, i will allow myself to recall our

young director from belarus from the film by kirill khaletsky. here is my first short documentary about the lack of funding. he shot for his 700 dollars, and the next film, when a little sponsorship money appeared on it. he took off for $10,000. and he said, lord, what how expensive did he say? well, we've already started playing in the movies. well, we did not feel the difference on the screen. i also know you sergey, as a person who dreams of any theatrical production. transfer to the screen, in particular, we discussed the possibility, uh, before the nose of the nobel week performance. yes, you said. well, uh, that is, it turns out that cinema is closer to you creatively. i put it another way, that it's a little bit. eh, the same theater only replicated many times more. you see, some 234,000 people can come to the theater. is it true. uh-huh a when you put it on the screens. it

looks much, the other audience is much larger and the effect of this, of course, is much greater. well, here, i remember that love and the dove is a famous movie. he same first very long and successfully. that is, this practice was normal before the soviet era, when a successful performance was filmed or one of the best was filmed. well, a lot of moves, or something, in principle, because, uh, it was lucky to somehow shoot a markdown with gosha. we talked with him about it. here she has friends moskov here, and he says, already the third production that they do, they film it and, moreover, it turns out. i just looked at their work. i am delighted with this, just delighted, you understand, here it immediately turns out such a situation that a person works in the theater , he rehearses. he knows the text. he is completely free, you understand, and the director who will shoot him in the cinema already remains only to correct, this or that some kind of action or so. well, this is an idea that

has not been heard for a long time, so to speak, in our space. for some reason they don't pay attention to it. attention. there is probably no relationship between theater and cinema, that is, some kind of different structures are far from filmmakers and theatergoers, but we will say that they stand on different sides, because you need to combine cinema this movie somehow, because, in principle, you also need to get hung up like that with the other side. e. cinema is some kind of financial component, because sometimes it helps out, of course, yes, it still remains. i’m also interested as an actor, who now has a lot of opportunities to play any role, because this is the age of you, like the hero-lover. in general, yes, and the father of some family has bleached gray hair. you can play me always e curious. is it difficult to play love on stage?

now, when everything has already burned out, when you had everything so to speak, and you need to do it again. this is the feeling to revive in oneself, what tricks are there to play anyone, in fact, love is played. this is her usual hot, through some kind of prism, you understand the relationship to a partner. that's how the actress to their feelings that arise. here, too, you can to dissemble, of course, here one hundred percent the same as before the theater. there is no such thing as a children's tablet with 100% tasks. yes, now that's why i ask you this question very often , it somehow looks awkward. in my opinion. there are even kisses the same on the theater stage, but i see that this is a props, should it be so? yes, he scolds, kulikovsky, let's say even in our nobel prize. he says, here we go to the festival already. just try not to kiss her in belevsky week. you meet

your first love and there must be passionate kiss, but it's gone. yes, just sometimes it seems to me that she, in principle, is far away. eh, the moment where we are still in the cinema. this movie. this is a close- up shot. there is no longer a lie. it is forbidden. no. sometimes, perhaps, something like this is allowed in the theater, but this is also a bad sign, as they say in that plan, everything must be done according to conscience and the famous stanislavsky system how often do you remember sergei today , all the best artists in the world were obsessed with it at one time. today i’m curious to know if this system is alive or has already been forgotten about her, too, everything is changing. you know, and now in general theatrical directing, it is more in the direction of form. i would say. uh, if before, let's say, and the director worked with the actor, he raised him. but he

nurtured him, let's say, and what was good about the theater, and there was a corpse, which the director just, well, how did his mother nurse? you see, here's the situation, don't take anyone. there, it 's all . uh, uh, the director demands from the artist already. self-sufficiency, so that he could do everything that he and he will only arrange it, create a composition , make a drawing of roles. and you already work to engage in artists. now it seems to me that there is no time, never, but we will gradually approach the sore subject itself, which is being actively discussed in the theater community today in our next part. for now, let's take a short break from our telegram channel. say do not be silent, subscribe suggest guests. ask your questions. we are in touch and we

talk. about the most important thing from the world of science depends on our attention to behavior , the ability to qualitatively process information. it gives out a reaction and this mental response can be trained to speed up or slow down. we share interesting facts , a recipe for mental health . once a day, from a professional, we solve some easy examples of these hemispheric exercises and we can draw more and ask the most exciting questions. looking for them. answers to who needs to go to you. exactly. maybe adults have symptoms too. for example, there the child does not know how

to play the child. it is difficult to run, for example, he cannot just run. maybe questions from emotional component of a bad character. these may be problems that a neuropsychologist can solve. yes, look at the science mania project on belarus 24 tv channel . the editors club is the most important brand in belarus for all these 30 years. this is the economic world. security is primary, oddly enough secondary, because it is largely determined by the state of the economy in the country , the time of opportunity and the construction of a new information model of the future. we are gradually moving step by step to ensure that these programs are implemented; the rules are often not respected and frequently observed. so, what exactly wins is the one who does not follow any product rules at all. we must build new ways of communication. we must build a new economy. this

bet is on a new generation. the bet on belarus is formed by a really intellectually open dialogue in belarus about the most important social and political events in the country and in the international arena. see in the project the club in the ranks on the tv channel belarus 24. on the air say again, do not be silent, and we have theater and film actor sergey shrochin as guests, and we let's get down to the most painful topic, which is being actively discussed on the sidelines today. this is a new system of financing theaters, what do you think about it theater is a living organism. you see, without some kind of normal funding. it will also cease to exist, alternative. there are, of course,

but i think this is, as an example in russian, e, theaters. this is hmm attracting sponsorship, that is, people who invest in, say, theatrical business. the same movie, but not subject to less interest. there are 15 or 20. e that allows them to be interested, look into this area, and then and then then, if e we pass. let them give 50%, at least they will save the sponsor. and so i do not see the future. it's just that today a ticket to the theater is not very expensive, so let's say, this is an affordable type of leisure in belarus. and how much should it cost? uh, after you switch to a new system of financing, you estimated in the theater, knowing from the experience of my colleagues, no less than 30 dollars.