uh, uh, computer graphics, yes, but the point is that we are gradually, uh, switching to those formats that are in demand. naturally, someone should do this graphics? the machine itself will not do the right thing. well, this is just a set of colors, which helps to make a beautiful picture, a beautiful picture is needed both in cinema and television. we are currently working on a large animation project. and our wonderful young ladies of the artist work there too. we have tatyana svetlana, we have alexandra on her er, graceful thin shoulders, and not dragging a load, but a full-length animated film such a 3d breakthrough is ours. and this is sirin's song. i hope that in a couple of years we will see mine, as far as literature is concerned. as you say, i also really like to read our wonderful poetesses and young ladies who work in the genre of both melodrama and fantasy, a lot of women. and this, in general , pleases, because creativity. but, but helps

to live and helps to stay, probably longer, beautiful, energetic young. yes, there are also a lot of young people in museums in our exposition fund, too, for sure there are a lot of women there are certainly many women in museums. however , i would like to note that in our culture we can find those professions where the majority are still men and the leadership of our culture in the country also has a man, our ministers and deputy ministers. we are many leaders and men. eh, institutions are at the helm, therefore, behind these strong shoulders, it is easy for us women to create masterpieces and move forward to inspire with our creativity. and if we return to museums, then out of our ten large republican museums, there are only two women, leaders, the rest are men and it is right that men are more such administrators as the locomotives responsible for and women can succumb to emotions. they can be

impressed and can really create. and the fact that today our visitor needs to offer our viewer those forms, those methods and directions that attract well today. well, if we have already started talking about museums. and hmm, the same louvre hermitage attracts, i don’t know, probably thousands, tens of thousands, and visitors go to our museum every year and how we can surprise that we can show such, to attract, but including foreign bones. you know, 22 years old, i can note that i saw a queue at the museum, and it was amazing, but i tell everyone about it. was it not photoshop, these were not staged shots. these were real queues at the museum. the first was an action under the guidance of the ministry of culture on may 8th and 9th, when free admission to our museums was announced. uh, and believe our museum was, maybe somewhere. already not ready for it when there were queues

i had to organize, and the second fact was again a wonderful action, which was continued this year. this is the work of the mobile complex museum of the history of the great patriotic war, and it moves around our regions. that is, if you cannot come to the museum of the history of the great patriotic war in the city of minsk, then the museum is coming to you. and believe me, when we saw a queue of young people in the volkovysk regions, in this mobile complex. we realized that this is a very popular item for small regions. also a great promotion. mm, within the framework of the agreement of the ministries, uh, culture and education - this is the last wednesday of the month free admission. for our students. believe me, at least from here they go out with pleasure to me under duress and hmm, if we focus on an organized class group, then the case.

when a child comes and says, well, today is the last wednesday of the month, i 'm joking, can i go through such cases, too , and thanks to the success of this action, it has been extended and this year this agreement is also valid. i would like to insert a small such. eh, another nuance. we also have a museum at the studio, a museum of our cinema, and it is small, let's say, but it is popular. we have excursions that are held around the film studio, and with great pleasure both schoolchildren and their teachers and parents, in principle, and any visitors can book a tour and walk through our floors, through our wonderful costume workshops, through the props workshops, to see the weapons that were filmed in our specific historical films. check out the best suits were on uh, branded characters that starred in our films. there is a little girl's dress, which is the father's escala.

there are pinocchio costumes there, uh, my pride is a wonderful big magic mirror, which was filmed in a redhead in the looking glass. i just recognize this mirror, sometimes they take it to shoot clips for staged some numbers on the stage, and i look all the time. i recognize this is our mirror especially, well, if in the ussr in belarus the film, for sure most of all, it seems to me, is famous for such a military theme, then than now we are different, what we have our own zest. well, it's a military theme. it is, in principle, relevant, uh, all the time. that is, i cannot say that we have already told everything on this topic. all the same, the projector is being developed, including this topic with particular care, because it is clear that the people who once shot war films, they had a direct one even in their age. uh, memories of someone fought, maybe someone was a child, how my father went through these people who directly encountered. it's coming now rethinking through some historical ones. facts through all the same literature through

films. well, maybe through the stories of veterans who, thank god, are still alive. and now new masters are coming , new creators, they especially need to be careful about this topic so as not to misrepresent our history, so that yes, blame the fact that especially young directors are chasing this action. well, yes, hyde catches on some such scandalous moments, and then yes, well, well, guys. we make art, after all, for art, treat it very carefully and never in which case you can't. well, let's say our real value, well sort out we grew up on this, that is, our feelings. that's great. this patriotism on our partisanfilm brand has been formed, and thank god that it is held periodically and film promotions that show movies. well, sometimes it is timed to some specific dates. here were some at the history lesson this year, and in all a regional cinemas, including in the districts. uh, our filmmakers were leaving. you showed a film that has already become a classic.

eh, irina klimova, go and see, they talked about how the film was created, after all, not many people know very interesting facts, for example, how the sound, which was then still a young sound engineer. uh, victor morse, uh, made an effect. here is this mute deafening explosion. it was later used in one of spielberg's projects. who knows, but such things, when you tell people, they then watch this film differently and perceive it completely differently, how it was very important for this action, it was a communion and the belarusian union of belarus is somehow geographers. i say all this in the city, that our, uh, wild leaders went to the cinemas and told the film studio about it. uh, the ministry of culture hosted this. e the liveliest part of the theme of the great patriotic war and in the museum business, probably one of these leading ones. i know that probably a lot of your specialists in khatyn are working now. you see, we will tell you in detail. what is this? is this

a project in general, how was it created? and what will we get? in the end, it will be a classic museum, or will it still be with using some new technologies, how khatyn will look like, really a very sacred place for everyone, and when hmm the reconstruction was started, it was really one of the elements. it was a museum, but a museum. eh, before starting to create it , a group was formed, of course, which will work on this project and thought a lot. ah, how to make it both relevant and attractive and not miss anything and at the same time preserve that spirit. e place, and certainly we are with our colleagues from moscow, uh, advised their traveled , they still looked at these with their russian colleagues , of course. we have developed the closest contacts with our colleagues, but with russia in principle, a.

and the museum of victory on poklonnaya gora has already become a good friend of ours, and not only a friend, but we also consult them a lot . and we also consult with them after another trip , purposefully before working on the khatyn museum, really. can be seen in this museum that we have borrowed in a good sense of the word these technologies to be applied. and this will probably be the museum where not so many museum items that we can see today in the museum will be used. how many will be used wheelbarrows panels are interactive mirrors, but at the same time, it will be saturated with that spirit, that mood that huts have always given us, because the environment is definitely immersive. even a we talked about the fact that m-m

in order to go through this museum, of course, you need a special attitude. and that's how it is with kondochka. uh, it’s clear that we never went to the huts, we didn’t go on an excursion, but before the entrance, but to the very monument to the cemetery itself, visiting the museum, it seems to me, even deeper immersion in the history of not only this place, but in general in history all the villages, and which fell under the genocide of the entire belarusian people and all the tragedy that can cause. war, if we are talking about it, there will be not so many exhibits and at the same time we see the news more than once about the fact that there are more and more museums in the country, where we will take exhibits, whether there are so many interesting exhibits in the storerooms that we can fill museums with this. well, definitely.

we always see only a very small amount of what we have in our funds in museums, and of course the exposition changes exhibitions are created different we cannot keep one exposition all the time, because our visitor will not be interested, and there are also unique items that can be stored only in storerooms and certainly. we can only see copies and literally maybe once a year there will be an exhibition of this hmm unique piece, because we have to save it. we have certain conditions under which, uh, this or that exhibit is stored, and therefore we should not be afraid that we will not have enough exhibits. we have a sufficient amount of them and we certainly conduct an inventory of our funds every year. we know how much is stored by whom, what is being created, of course, the hmm base is being created. where all our exhibits are entered and, uh, any

the region makes this or that exhibition at home can refer to this base to understand. to which museum there are exhibits, but which can reflect this topic and refer to the museum in which it is stored in order to be presented at the exhibition project of this exhibit. and we also spoke with museums just recently that hmm , perhaps those exhibits that were not suitable for this museum for a very long time in their expositions, and look at questions about what can be transferred to regional or other museums for eq. the first now you know very well that, again, at the museum of a film studio, you can, but you can see that each enterprise strives to have its own museum in order to show its history, each school organizes its own exhibition space in the museum room. cooperation, which, probably, will be

between all organizations and institutions in terms of organizing their museum spaces, and thus demonstrating our history of our achievements to date, if we can talk about the topic of genocide about the twenty-second year by those wars in virtually every corner of our country . we are talking about modern belarus that museums should also see everything that our belarus has achieved over the years of its statehood . it seems to me that

a person who is purposeful and hard-working is persistent achieves a lot in life. well, and, of course, lucky each item is unique. here are all these crocks, all these bubbles, all this is so unique that it’s the second such product, simply. well, i'm from more. of course, you can repeat something, some kind of character, but you can do it in exactly the same way, the second one cannot always be engaged in needlework all the time, but sew. i have a mom that, i'm right - this is a reserve for growth. that is, you should consider, and some of your failure as, uh, luck, which can enable you to grow, as emotionally mentally and also grow as specialists. on our tv channel, unique exhibits from under

the sky in belarus art smooth movements, grace and greatness of classical dance and such a mysterious and bewitching belarusian circus, watch the fashion for culture project only on our tv channel. and what about the younger generation of directors , what is interesting, what they want to shoot about, it's clear

. we have already discussed with you that the topic of war is eternal for the belarusian people, we keep it in museums. we remember these films that today it is interesting what they come with if talking about the younger generation as a whole, we understand that these are still different people , different authors, different creators. that is, they have, and priorities can be, uh, individual. if we talk about what we have to observe some kind of intention, then most often it is a young person. for some reason, it gravitates more to psychological analysis. here is some fine soulful melodrama while searching for your place. here under the sun from reasoning such basically. here are the films of the small shorties. they are, let's say a little psychedelic bias sometimes. here they are think they're looking here, but in my mind. let 's say we would like, but to have more m-m. here is the desire to be able to tell the story of an interesting story. just. well, let's say, this is how we train uh hmm specialists and

are looking for specialists so that they still make films, targeted, if well, uh, festival and still, most of the films are made specifically for the audience. and here it becomes. the question is what you need to learn to tell in such a way that the audience will accept you with an open mouth. looked at your story, loved yours cinema and learned from it in a non-edifying way. but somehow i caught it. here, through this message, and through the art message, i caught a good topic, a good idea, some kind of good mood, some kind of conclusion. well, it needs to be done. uh, here, this should be a good level, to be able to tell, maybe in simple enough language, but there are not enough chemical directors and scriptwriters. and this is the level before that you need. generally. a third and grow up to that in order to learn how to tell in such a way that it would be very interesting. that is, we can e look at the same statistics, what, for example, is in the lead,

what is watching at the box office, right? what they watch, well, in principle, we, well, what to hide , they watch, of course, they watch comedies and family movies , children's family horrors, detectives , adventure films. they are still the leaders of the box office. that's all these genres, they suggest some interesting and presented history. this must be known. this is very important at this initial stage, perhaps at the start of training, but young people. here, let them really train. can to say on these, but some reflections on the psychological moments here, but nonetheless . don't miss out. this is the main thing, when i mean, i had a course of directors of animators, i taught, and in our academy of arts. this is what i asked most of the time. think here. you can’t even think of a big plot, take some well-known rhyme. maybe a fairy tale riddle. i don’t know, yes, even though kolobok is not important. well, tell it in a way that makes it interesting. this is important, it's important how to tell. and

how to apply? it's uh, it's no secret that different people, five people will tell the same story, er, in their own way, and only one sixth will tell. so i want to listen to it a second and a third time and kind of even share it with someone to tell, yes, and this is very important. here is the skill. well, it's a gift, of course, and it's a job. and this skill, when this skill comes, it's already hmm well, i think that a person is rather ready. we can say to a large production. she start. that's when we selected projects now, and our youth film studio exists not so long ago it means that it appeared only in august, but nevertheless, we managed to work on such an important matter as participation, and for young people, in the spinning of directorial explications of directorial projects that were announced by the ministry of culture. and he went through this liver in what is a feature - this is a competition of projects, when an author from projects or two authors comes out, and they present it

and tell about what it should be in what genre they show some pictures that are some kind of reference, so that it was more clear what it would look like. this movie talks about the idea of ​​this film, that he wanted to be different from other films. here in the same genre. well , of course, the footage is timing, there is an audience, that goes without saying. these are the basics, but in order to win in baking, you need to interest the commission. the one that will sit and listen to you yes, it will shoot or sell, here , uh, the main one, but in general, the main goal was to select, and the winner, and there were quite a lot of projects announced, and about thirty projects entered the competition more twenty. yes, but what was interesting for me was that three topics were announced, and one topic was first love. the second theme was urban legend and the third was for non-fiction films. this is, uh, my native kut. here. and it would seem, uh, the closest first love

for young people was given very little, so for first love and a huge amount came to the city legend a as a result. yes, a lot. yes very many. by the way, there are a lot of female girls for women. here are the young people who presented their project. and here are the results of this pinching. we developed were able to develop, and two projects that are almost now at the start. we are just waiting for, well, let's say , a decision was made that we are starting work there, these are ours. eh, contestants lucky winners one, but the future is the future of our cinema one project - this is the movie almanac, which we conditionally named pages from the general notebook there, and includes three plots and one. uh, a film that was created exactly according to the plots of the winner. e in the genre here in the topic of urban legend. this fairy tale urban fairy tale. i think that

this project would be very interesting and i hope that it will be competitive, because at the moment there is a huge shortage. here is our family movie for children with real magic. yes, with magic. e, the fairy tale of today is what, well, it seems to me that this one, the most, is probably so interesting that we can now offer the younger generation, because we have a long time, to be honest, yes, they are coming. yes, yes, of course, to be honest, we haven’t filmed a real children’s movie for a long time, but for the children's youthful audience, of course, to shoot for children and it would be very interesting for them to develop this project right now on the plots of the young. they were also selected. eh, serious enough. uh, the international jury that participated here was judging. this pitching and, uh, the plot, which is the script that is assembled right now on these plots. in my opinion. he is very interesting. i'm really looking forward to the result. and for starters, you need

to start at the moment. we are ready to start. when will uh, a real opportunity. eh, well, let's say it's all the same general producer. ours is, after all, the director of the film studio, we are ready for our studio at a very low start. here we are just waiting for the team ahead. well, in fact, many things are not built on the observance of traditions and on the preservation of the history of the past, i cannot but ask you. how relevant today is the topic of folk crafts of folk culture in general, are we talking about it enough, if masters who can teach and pass on this craft, that now in this area today is the time to talk about ours. in traditions about our primordial culture , uh, and this is what we can replace, replace everything, something foreign, which at a certain period of time came into our culture to replace those words that we today have to decipher the meaning. yes, i always

do. e to the audience with whom i often meet. find simple russian words in order to call it in order to explain it, but the same teams that are being created, but i always address do not call foreign words, please, but we have rich belarusian russian language, yes in order to pick up, as they say, everything good is new long forgotten old, therefore it is in our culture. original in our traditions. this is all there is whether these traditions of folk art, in general , folk culture are preserved. i 'll tell you more. it. it seems to me that today it is very common to go around again in our everyday life - uh, because, well, earthenware, well, yes, it's fashionable a linen bag in the summer. it's fashionable and bracelets are made of wood from stones, see - from beads. what kind of fairs are held by folk artists, here are our

fakes that you just go around your eyes. what a beauty of leather here , metal, yes, again, yes, all kinds, well , together with us, who are in our cultural institutions. same, basically. this concentration is going on, but in houses , but at the same time, even if they are not somewhere, these masters work in the houses of culture, which is located in every region in our country, and more than 2,000 houses. uh, the culture of the center of time, that is, in such institutions of the club type, where every inhabitant can realize himself. if at some stage somewhere he did not realize his creative abilities. and so here they are folk masters here with a separate, of course, we have a list of registers. we know about them, we know the direction, who, as i do, will not hide the need for state support, because this is, of course, noble, but not cheap, including materials, well, from the state, of course, we understand and

see this and certain steps already taken, for example, are you realizing your goods through the remission center, you do not need to open it. you don’t have to pay tax as an individual entrepreneur, that is, crafts created at centers, and such craft shops through which you will sell what you have made, as well as those that work at our cultural institutions masters hmm uh, well, it’s clear that they work for us on a part-time basis, as full-time employees, and also have the right hmm to have the title of folk master. ah, and today there is no difference, as they say in salary, if we speak in the philistine language of the master, you are either a folk master, however, this hmm is such an oversight. we are correcting it now, because the folk master has already been entered. yes, there must be some hmm

difference between a simple master and a folk master, so today we are actually at the final stage of considering the issue of obtaining a title. you, of course, got a little bit more over the butterfly, and so hmm, those masters who are also known. we are always invited to those, festivals, fair market. alexandria is the same and the spring bouquet that takes place in the city of minsk, that is, a large number of such events are held in each region, and artisans always have the right to present their products to buyers. narrow festivals, it is precisely these artisan rows of masters from russia who came, they come here, as they say, but always, in order to seize the slavic bazaar and alexandria steadily. uh, here for the whole summer they are ready to stay and move from point to point so much that they love,

of course, also, uh, not only is our belarus and our buyer, who is oriented, but our folk traditions crafts and with pleasure always buy those products that are made by hand according to their original traditions. thank you very much for a very interesting conversation. i really hope that very soon we will see new premieres from belarusfilm for youth and will be able to visit new expositions. thanks next.

together with our guides, you will learn something that you would never have guessed to google, one of the most famous names of the belaya vezha tower although for its history of white. she never was. by the way, who didn’t know this tower is depicted on the five-ruble banknote of the legend, historical facts and many unusual sights when an arrow or a spear gets here. they slide off , change direction, and so on, with reliable protection in a frontal collision. really. such a blow was allowed, walking along the promenade you can meet many curious or legendary characters jack sparrow oh sorry captain jack sparrow journey, which will remain in the memory for a long time for the first time

i see a bison they were born. this year no, watch on tv channel belarus 24. joint declaration on the development of partnership and agreements in the interests of the two countries the results of the state visit of the president of belarus to china an innovation on visa-free travel for citizens of poland