[000:00:00;00] the secret of music lies in the fact that it finds an inexhaustible source of expression, where speech stops, music instead of a thousand words on may 18, 1993, the four of us sat in the hall

of the russian theater, i applauded him, who acted as an amphitryon, but we are not the spectators of this performance to imagine couldn't see it. for the last time , because there were only three months left before his near death, he was an artist yuri kozyuchits. on the eve of may 17, we slowly walked along the makayonka from television to the metro and i wanted to talk to the artist, and he willingly responded. he began to list his roles, there were six of them. these were some kind of roles in the cinema in the theater on television, some kind of one-man show.

everything and suddenly. he says, come to the russian theater tomorrow. i play amphitryon. well, you know, since my college years, after a lecture on the ancient theater, i had a performance of something that was instantly tragic. i tried so politely to refuse, i say. you know the kids have grown up. we kind of go to the theater together. well, after all, 10-1.5 years. it's too early for a tragedy for them, so thanks big. yes, you interrupted. he me. it's not a tragedy, it's hilarious. with songs , couplets, jokes, improvisations, well, almost a farce. that’s the only thing i don’t know if i’ll be able to order you today for tomorrow to get four free seats, well, using a long-standing friendship

with the chief director of the theater from the director of this performance, boris lutsenko, the next day, four orlovs sat in the fifth row near the steamer and ate this performance amphitryon impression from performance amphitryon in one short word shock. i'm back home, sat down at the typewriter and directly typed out his review of his letter, which he handed to boris in the morning, he immediately read it, posted this paragraph on the notice board of the theater. the stranger on this stage is meant, the russian theater yuri kozyuchits, an artist who is so lucky with everything most important outplayed a film actor in his theater and then pulls this performance, untamed mobile, his trick and gesture to the place

deceived well, the happy amphitryon resigned himself to the power of fate . he sang in falsetto on a tree. peaches are ripe again for the first time theater. used his musical talent.

gentle friend for you. i'm sad to you in the burners, i'm flying my name, whispering, dear, friend, tender friend for you. i am sad with yura, we have never worked together. well , we had, although i call it remote respect. in any case, from my side, because i saw all his performances in the theater of a film actor and already

it was impossible not to remember his first role in the russian theater. the soviet union is an immense territory and people, as always, are not enough, and the usual way in the soviet union is used to attract young people, to call for enthusiasm. we need people who are sedate with professions, preferably family ones, and then another method was recruitment. this means they were luring somewhere with a long ruble with large lifting ones. this is how the belarusian family of the husband and wife of the goats were recruited to siberia in the krasnoyarsk territory,

well, they got a job, the husband is a driver, she is a specialist working on the railway. and there they had a boy, who was named yura, a pretty, blond boy, but they didn’t stay there long, apparently, other lifts beckoned them to the city, norilsk, and now there already settled on the risk. entering the school there. yura discovered the gift of acting at school, performances were staged. well, the choice of plays was small. it was dimka the invisible, the snowball of marshak's fairy tale, mikhalkov's play well , of course, yura played the main roles there, but he was noticed and invited to television. he began

to conduct children's cycle programs, but this is not the main thing, there was a children's theater at norilsk television, that's it. ze yura became a star , i must tell you that there was such a theater on minsk television, but in order to get into the corpse at the children's theater. should have been selected toughest competition. i just remember these crowds of kids, there are 500-700 people. there was a clamor near the studio, they were called there five by 10 for audition viewing. but what is disappointing is that it was impossible to fix the performances on anything, there were no media, there were no videos, so the performance was rehearsed entirely live. aired. well, how many did they show? well

, one two on the strength of three times and therefore. the history of these children's theaters can now be remembered only by very, very, aged former members of the theater some of whom became professional actors thanks to the children's theater, such as the actor from the children's theater at the roman television and became a blond yura kozelchitsa. after graduating from school , moscow immediately applied to the school. well, in fact, this is the shchukin university , the so-called pike

. why not accept accepted? in 1980 kazyuchit finishes the pike and he is invited to the theater in moscow. on malaya bronnaya in the same year, his colleague, still in the children's theater in norilsk, graduates from the norilsk institute, they will reunite later in minsk, as in minsk at that time, the theater on malaya bronnaya was one of the three most famous moscow theaters, where it was impossible to get into

. the existence of the theater on malaya bronnaya in the theater what it was the main director of the theater in the sixties and eighties alexander dunaev was considered a director, but he allowed the theater to exist in the theater to the ordinary director anatoly efros when anatolia efros. well, let's say, they gently expelled lenkom from the theater with him, 10 artists durov nikolai volkov yakovlev 's death derzhavin round and what

performances were staged in the village for a month romeo and juliet dead souls, brother alyosha some of them i saw. and everywhere in these performances the role flew off. to a young romantic pimpluartist, but it seems to me that yura did not appreciate this chance of this lifelong path, and he rejected moscow and the most prestigious theater and such partners of actors and anatoly efros. why? well, how would the version is that in moscow they did not promise him a quick home, but you know, after all, none of the provincial artists who nailed, as if offering themselves to moscow theaters

, spent the night in parks on benches, did not sleep at stations. well, somehow they got along afterward. well , maybe not immediately somewhere in the apartments. how is everything yura rejected it all. he accepted the minskers' offer. where he was invited here he was promised housing and was soon given. by the way, on my own street right next door on zaslavskaya street. he has the role of prime minister here in theater studio film actor. here he has the main role in the serial film people in the swamp. since 1981, he has had the work at hand of such a master of such a subtle teacher , the still talented person boris lutsenko and yura

remains in minsk . the editors' club is the most important brand of belarus for all these 30 years. this is the economic world. security is primary, oddly enough secondary, because it is largely determined by the state of the economy in the country , the time of opportunity and the construction of a new information model of the future. we are gradually step by step, we are working to ensure that these programs are implemented. the rules are often not observed and often happen. so, what wins is the one who does not follow any rules at all. we must build new ways of communication. we must build a new economy. this is a bet on a new generation. the bet on belarus has been formed. indeed, belarus has an intellectually open dialogue about the most important social and political events in the country and on the international arena. watch in the project

club rows on belarus 24 channel. this show, in in which there is humor excitement and dexterity, so that it is not excruciatingly painful and ashamed of the past years. it's better for the audience to be in our program, well, the perpetta of the model, let it be. yes, god knows, right. well, yes, we had the first six months of latin. it should have been for a long time and it's not true that two teams will compete for the main prize and the title of being the best, that is,

the circumference of the circle is 200 meters. on the collective farm sovetskaya belorussia on a policy in the regional center of slutsk yes, and in general in many district centers , shtetls and even in the villages of belarus the most beautiful palaces of culture with mirror halls for ballet with a stage with rehearsal rooms for all kinds of circles for all kinds of events with a buffet comparison with this in minsk the film actor's theater is an extension at the back of the cinema. moscow is three backstage reels for the administration five dressing rooms a small rehearsal room. it is also the repository of some scenery, two toilets

and a hall with 150 seats, where the knees of those sitting in the front row are almost. everything touches the scene only three meters deep. but the bright creative fire lit in this theater valery bonisenko and simply dazzling, as if blown up by the most talented boris lutsenko , made this theater the first in demand in the city. minsk boris lutsenko, it must be said, then entered the long apogee of his creative success. in 1985 i saw the first performance. there, with the participation of yuri kozyuchits, i'm not afraid of virginia woolf. the fact is that by this time the play had already been filmed in america. there, two married couples, older and

younger, were played by the brilliant married duo elizabeth taylor and reacher burton, and the film has already received five oscars, four of which are acting. - this is richardbarton an inventor and a couple of young actors who did not become famous as the best supporting actors, but we didn’t see this film then, we knew that it was filmed and we knew about these oscars for jor, that you need a fight on equal children, that’s all to you went crazy with anger. i'm already angry. don't worry, we'll play to the death. you will be surprised to die, and here are our little friends. get ready the point of the play is that a couple of professors and a couple of young scientists are getting together. here's some view of some party and the tired

couples gradually begin, some sadomasochistic games begin. they torment each other, ridicule each other, looking at them and the young begin to have mercy, that is, to mock each other, some family secrets are revealed that it would be better to keep between the two and that guy and this performance. i was simply shocked by the magnificent acting work , the actors stood applauded for a long time on a small stage of three meters deep. here they are nearby, we see everything that you saw on their faces in their experiences. we see the sweat on their faces, we see the shaking of their fingers. gave the most ancient of the ancients. i don't understand what you are talking about. i say what i like. how do you move, how do they

move. yura conveyed all this, and it seems to me that it was this that he showed some kind of openness. such defenselessness vulnerability. this is how he performed in his next performance in the summer at anya, it was a play about chopin. and his very complicated relationship with georges sant in her estate, where they spent this summer already a self-sufficient woman, a bright writer a representative of french culture, and he is chopin rushing about, experiencing entangled in his personal relationship with zhorsan, jealous of her, capricious, he could be knocked out of his

creative state. not even that piece of chicken was served to him for dinner. i remember these intonations of his popular, this chicken breast, and he is already acting up and everyone is playing with understanding. well, how do you understand a genius, and he has this jealousy here he has a life. troubles he has a cutting creative crisis. and that's all yura somehow conveyed. and now, with such a school of these two roles, he begins to play the role that is the dream of every young artist, in general , the premiere of a man. yes, damn it, boris is staging the greatest tragedy of world drama on this tiny stage. yes, it fell asleep. the connection

of the times of the century loosened the claim, most likely. that i was born to restore it? interestingly, borya really wanted to film this performance, but it is not easy to film it, as a performance is traditionally broadcast. it's just that there are no ordinary ones, the performance was filmed at night without spectators defeated ideas overwhelmed by storyboards. appreciated me telling some drops on the glass. that is

, or not to be? that's all the question after filming this performance, both boris and yura kazyuchits, and it seems to me that the director at the control panel, who was sitting volodya tretyakov, was very pleased with this work. i think it's very worth seeing. even today, even in our days, probably, after so many hamlets translated by us during this time. not scary. what is the actor passing this one? fantasies for made-up feelings and awareness what comes down

the blood sucks him? eyes clouded tears freezes voice and appearance, each fold, says how he lives. and for what in the end? the main roles in this were the marriage of balzaminov, an eccentric from the potter 's street, were the roles of cleofen in a comedy or the sister of those with valery rubinchik's tomboy about the smelter of uh children from bethlehem. but you know, i only tell what i remember best and what impressed me most of the performances i saw. i have more than 30 years

ago speech information. roles in hamlet in the eccentric from potter's street i'm not afraid, virgin. wolf were created by yura under the guidance of teacher director boris lutsenko i think i will be right if i say that it was boris lutsenko who made yura the premiere of the minsk scenes, moreover, when boris headed the second time after the break. as the main referee of the russian theatre, he dragged three actors from the film actor's theater to his place in the russian theatre. it was svetlana kuzmina, it was vanya maskevich. and it was,

of course, yura quantity. i spoke about the stage creations of yura, this is something that cannot be restored even now. well , his film roles. you can see the pokopa. that is, in the network, they are all there.

the prose of the belarusian classics is incredibly difficult to stage. this is the monotony of the narrative, verbosity , the implicitness of the identification of conflicts, the primitiveness of the dialogues of the big one, you understand, well , it’s enough to recall, let’s say directly, an unsuccessful film adaptation on the relatives of the voice, and here before viktor turov, who took up the film adaptation. ivan andrey, the people in the swamp stood up. this is the task to transform. this prose, this epic, a tough film script , then shoot, so the script, and you know, to

a greater extent, he succeeded. well it seemed if only there was something to interest the viewer, the thirties, here the belarusian carriage is a remote place, the soviet government gangs collectivization of land plots, laying some kind of gati, here through a swamp. well, well, there’s nothing, as it were, to particularly hook, but what’s surprising, when the film came out on the screens, it gathered 4 million viewers for such a plot, well, it’s just an incredible figure, incredible, but at the hand of an experienced director viktor turonov, a hero, was it vasily ganni, what to play? yura, by the way, was chosen from 17 applicants for this

role. yes, i myself well, the skill of the young was supported senior actors. this is gennady garbul, who played the father of hannah. this is yuri gorobets well, in general , outside, the main secondary roles are a stunner, their fellow villager. well, he is a favorite artist and friend of directors. ku and there me. guilty i'm guilty. well, surprisingly, after the release of the second part of the breath of a thunderstorm in

1984, elena borzova gennady garbo and yuri garobets are awarded the ussr state prizes viewers than the lead actor in two serial films people in the swamp and the breath of a thunderstorm, yuri i do not understand, it was then and inexplicable today.

in 1981, the release of the first part of the epic movie epic people in the swamp, yura and nadia officially got married in eighty-second, they had a girl. anya's father nikolay christened her eighty-fourth in the town of red , the second girl was born. tanya's father nicholas baptized her worries to death. in honor of a decade of living together, yura and father

nikolai married them a year before yulia's death a the long road over tina's epic, people in the swamp and the breath of a thunderstorm, introduced yura to the cameraman of this film , dmitry zaitsev , and their cooperation will continue, but in a slightly different capacity. , the wife of a boor of the story or a lighter, and an artist and former cameraman is now a director. again agreed to work together. well, he didn't play a big part in it. not cool, but you know, collecting a supporting role in a good film is everything. it's still very cool, because yura's appearance is the only actor's data that was remembered in this role by the young healthy.

if you jump back, he will only speak his teeth to you, and others. there was also, of course, the lead role in the film in the tv movie ferry. now, if you don’t finish off, my fellow tribesmen will be lucky for you to see the leonids through the year. associated daughter in the people say that it burns people's hearts. i think that the lord god strikes matches. and he watches how people there are still cutting and killing each other. seeing the same thing every time

same. good people to each other. but further in tina's films, yura didn’t have the main roles, you know, i think why yure didn’t go, no matter how the meshchansky caps went, budyonnovkas, bureaucratic bowlers, lamb pies, tall tskshniki, some greasy caps. well, don’t go, you know, he’s damn, chopin is an amphitriot. and after that unforgettable amphitryon on may 18 , 1993, the russian theater went on

tour for the whole of june in the form of an amphitryon there at the very first performance. yuri became ill. he barely finished the performance, the next performance was the fedreon replaced, because yura was the only irreplaceable performer of the main role. well , as if they remembered that he seemed to have fallen off a horse a year ago, then they remembered that during a tour in moscow with hamlet. he fell off the scenery. i hurt myself very badly, then they said more. and, perhaps, he caught a cold, when in a cold country house with his friend actor sasha bespalov , he was pulling electrical wiring in drafts. and, perhaps, he caught a cold when

the seine dragged cold water. in general, everything was written off as normal sciatica, how was it treated. well, at that time it was fashionable folk medicine magic healers sorceress sorcerer and they missed the time and it was all over. institute of oncology on the 9th floor of the radiological department, which was headed by professor galina vladimirovna muravskaya , who at the time was filming in my film, we walk under god, she revealed to me the terrible diagnosis of metastases. yura has already gone to the liver. yura did not know about his diagnosis until the last day. a brief report in the newspapers on may 24, 1993, theater artist yuri

kozerovich died. goodbye the next day the theater passed somehow briefly crumpled awkwardly. the artists climbed the stage not knowing what to say. they muttered something, muttered something, were silent for a very long time, there were some pauses , no one even listed the roles that yura played on this three-meter- deep stage, where he was now lying. you probably know. he is 34 years old, many who tried to say something about him were even older than him. in general, this was the first death in the young theater of a film actor. this was his favorite song. i didn't ask permission. may i

sing it? and i asked him. and i became easy, because yura allowed me to try to fulfill it. fascinated with the wind in the field once upon a time. my precious woman, and i recalled to my friend the great artist nikolai cherkasov lying in a coffin in boots with thick soles, in which he

played in the play about mayakovsky in the full voice of his peer, the great french actor and actress, but philippe the giraffe was lying in a coffin dressed as sid favorite videos that he played amand, the star of polish screens and scenes, knocking down cybulsky, who, trying to catch up with the train, slid off the footboard under the wheels in the costume of hamlet, yura was lying in a civilian tie jacket, and i thought thoughts, this is how i figured out the costumes from the roles that yura played, which i saw. and i think that a tunic would suit him best, he took away the cunning, he was buried and buried in the village. a white puddle from the russian region is better to lie down.

in a modest village cemetery next to relatives than in huge numbered plots in the distant suburbs of minsk yura's wife nadezhda, a general practitioner of our first polyclinic in the central district, until recently, the door of her office next to the door an endocrinologist, where i learned when my book the magic of the white screen came out. i reprinted the page with the head of the last song of the amphitryon and presented it to the doctor, nadezhda the casino from the playwright. life continued to build its plots. another part of the senior classes, anya is studying to play ophelia in the play

hamlet on the stage of the russian theater, where her dad shone in the role of an amphitryon, soon became an actress and the youngest daughter of hope, yura the goat. they are both now very famous actresses under their father's surname in russian performances in films and serials. and i also think that you are very beautiful, strong-willed independent. it's me weak spineless. romantic why do you

keep running away from me? why do you think? go. well, why could it ever be? oh, so that the man does not pester. they need to die. i remembered the verses and i walk, as if in a fog, instead of sorrow, anger. why are the russians? so it happened with us, as soon as a guy of an irrepressible soul appears, then he will burn like gagarin who will die, like shukshin like yesenin will hang,

like vysotsky goes, as if someone on thought shoots them into the ice, well, the truth is shukshin went to forty-five vysotsky at 42, and the rest gagarin burned out at 34 yesenin left at 30, my friend is a composer. zhenya says that on which i have already told i love and remember in the programs a talented person of 33 kozyuchik with 34 so young, they froze in my dad. i saw almost all the burials of these people, i was even in the remote vladimir forests on the spot. death, like gagarin, and i think if the cinema of the road will bring me once in case, well. in the village white puddle entering the cemetery. i

heard a familiar song, a familiar voice. she will arise somewhere in my subconscious on a tree. the peaches are ripe again in our garden and will hear. in general, i am his voice with his intonation, his stage song, which you can hear and you sings yura the goat, whom you can’t help but love and remember were my difficult ways. i have a girlfriend

smiling at me myself, i am smiling and happy hard for this ore. everything is forgotten, bright stars, the difficult and difficult are burning. everything is forgotten, the bright stars are burning, who told me that in the darkness, the abandoned bow will die out, who told me that hopes are lost? who made it up this hand, who told me that hope is lost? who invented the road in this village, the fire is not extinguished. you are not a prophet of melancholy with bright stars. gently adorned i am