the review of his letter, which he handed to boris in the morning, he immediately read it, hung out, on the notice board of the theater, here is a paragraph. the stranger on this stage is meant, the russian theater yuri kozyuchits, an artist who is so lucky everything important outplayed a film actor in his theater and then pulls this performance, untamed mobile, every trick and gesture to the place deceived well, the happy antitrion resigned himself to force fate. he sang in falsetto on a tree. peaches are ripe again for the first time theater. used his musical talent.

dear friend, tender friend for you. i'm sad to i whisper my name in the burners, dear, friend. gentle friend for you i am sad with yura, we have never worked together. well, we had, although i call it remote respect. in any case, from my side, because i saw all

his performances in the theater of a film actor and already it was impossible not to remember his first role in the russian theater. the soviet union is an immense territory and people, as always, are not enough, and the usual way in the soviet union is used to attract young people, to call for enthusiasm.

we need people who are sedate with professions, preferably family and then another method was recruitment. this means they were luring somewhere with a long ruble with large lifting ones. this is how the belarusian family of the husband and wife of the kazechites were recruited to siberia in the krasnoyarsk territory, well, well, they settled down, the work is the husband is the driver. she is a railroad specialist. and there they had a boy, who was named yura, a pretty, blond boy, but they didn’t stay there long, apparently, other lifts beckoned them to the city, norilsk, and

there, already settling at risk, going there to school. yura discovered the gift of acting. there were plays in the school. well, the choice of plays was small. it was dimka the invisible, the snowball of marshak's fairy tale, mikhalkov's play well , of course, yura played the main roles there, but he was noticed and invited to television. he began to conduct children's cycle programs, but this is not the main thing, there was a children's theater at norilsk television. here, where yura became a star , i must tell you what theater was on minsk television, but in order to get into the children's theater group. it was necessary to go from bor to the fiercest competition. i just remember these crowds of children, there are 500-700 people. there was a clamor

near the studio, they were called there five by 10 for audition viewing. well, here's what's upsetting. that the performances could not be fixed on anything, there were no media , there were no videos, no cinema, so the performance was rehearsed and broadcast live in its entirety. well, how many showed them. well, one two at the most three times and that's why the history of these children's theaters can now be remembered only by very, very, aged former theater participants, some of which became professional actors thanks to the children's theater, such an artist from the children's theater at the norilsk television and became a blond yura kozelchitsa.

moscow immediately submitted documents to the school to the school. well, in fact , this is the shchukin university, the so-called pike, well , a slav of the suit came by role, the romantic hero e, in 1980 the kazyuchit finishes the pike and he is invited to the theater in moscow. on malaya bronnaya in the same year , his colleague from the children's theater in norilsk , nadya, graduated from the institute in norilsk. they will reunite later in

minsk as in minsk a, moscow and an invitation to the theater on malaya bronnaya. at that time, the theater on malaya bronnaya was one of the three most famous moscow theaters where it was impossible to get in. contemporary taganka on malaya bronnaya , yura's invitation coincided with the 17-year existence of the theater on malaya bronnaya theater , what was it, the main director of the theater in the sixties and eighties was alexander dunaev director, but he allowed the theater to exist in the theater to the ordinary director anatoly, well, let's say, softly,

they cleaned out the lenkom theater with him, 10 artists durov nikolai volkov yakovleva smirnitsky gaft derzhavin shirvin round and what performances were staged by the month of the village atella romeo and juliet dead souls, brother alyosha i saw some of them. and everywhere in these performances shone the role. to a young romantic pompluartist but it seems to me that yura did not appreciate this chance of this lifelong journey and moscow and the most prestigious

theater and such partners of actors and anatoly he. rejected why? well, as if the version is such that in moscow they did not promise him an early housing, but you know, after all, none of the artists provincials who nailed, as if offering themselves to moscow theaters, did not spend the night in squares on benches, did not sleep at railway stations. well, somehow they got along afterward. well, maybe not right away somewhere in the apartments, somehow yura rejected it all. he accepted the minskers' offer. where he was invited here he was promised housing and was soon given. by the way, on my own street right next door on zaslavskaya street. he has the role of the premiere in the theater of the judge film actor. here he has the main

role in the serial film people in the swamp. at him here since 1981 the work at hand of such a master so delicate. boris lutsenko, still a talented teacher, and yura remains in minsk the secrets of good morning and good mood live in the cage, one amazing girl who bakes more than 50 types of bread and she promised to cook purple wheat bread for us. oh, so you just want to fiddle with your teeth, yes, meeting

amazing people. we are not just in any yard, we go in for an information occasion. i'm shocked that this is a village it would seem there are many of them, and such a guy lives here , who suddenly once became a champion, and a lot of useful and interesting information, i wonder why you still haven’t asked me why i use the school ruler? but because i will explain to you, and you will stop being surprised, because i don’t know what it is, that you are watching a good knapsack with svetlana borovskoy on belarus 24 tv channel. the motto of our participants is not to give up, fight and go to the end. as far as i remember, it is necessary to say that they did not laugh at me, but laughed at me. and i chose the betty-time option. it's like i remember exactly that in this word only the letter p is doubled. each time, they surprise us with their

reasoning, there are few hills. here, but let's have a chance to restore it on the tower. unanimously, we are so sure of our answer. yes, of course, well, let's say and do everything possible to pick up the main prize, the main inventory is a heavy father. on tv channel belarus 24 on the collective farm sovetskaya belorussia in the forest in the regional center of slutsk yes, and in general, in many regional centers, towns and even in the villages of belarus, the most beautiful palaces

culture with mirror halls for ballet with a stage with rehearsal rooms for all kinds of circles for all kinds of events with a buffet in comparison with this in minsk, the theater of the film actor is an extension at the back of the cinema. moscow is three backstage reels for the administration five dressing rooms a small rehearsal room. it is also a storehouse of some scenery and two toilets. and the hall for 150 seats, where the knees of those sitting in the front row almost touch the stage of only three meters in depth. all. but the bright creative fire lit in this theater by valery bonesenko and simply blinding, as if blown up by the most talented boris lutsenko, this

theater was the first in demand in the city of minsk . boris lutsenko, it must be said, then entered the long apogee of his creative success. in 1985 i saw the first performance. there, with the participation of yuri kozyuchits, i'm not afraid of virginia woolf. the fact is that by this time the play had already been filmed in america. there, two older couples and younger ones were played by the brilliant married duet elizabeth taylor and reacher burton, and the film has already received five oscars, four of which are acting ones - this richardburton an inventor and a couple of young actors who did not become famous as the best supporting actors, but

we didn’t know this film then, that it was filmed and knew about these oscars for jor, that you need mine on equal children, that’s all for you to go crazy with anger. i'm already angry. don't worry, we 'll play to the death. you will be surprised to die, and here are our little friends. get ready the essence of the performance is that a couple of professors and a couple of young scientists are going to some kind of party and gradually begin tired couples begin some sadomasochistic games. they torment each other, ridicule each other, looking at them and the young begin to have mercy, that is, to mock each other, some family secrets are revealed that it would be better to keep between the two and that guy and this performance. i was simply

shocked by the magnificent acting work , the actors stood applauded for a long time on a small stage of three meters deep. here they are nearby, we see everything that you saw on their faces in their experiences. we see the sweat on their faces see the shaking of the fingers. gave the most ancient of the ancients. i don't understand what you are talking about. i say what i like. how do you move, how do they move. yura conveyed all this, and it seems to me that it was this that he showed some kind of openness. such defenselessness vulnerability. this is how he performed in his next performance in the summer at anya, it was a play about chopin. and his very

difficult relationship with georges sant on her estate, where they spent this summer already a self-sufficient woman herself, the writer is a bright representative of french culture, and he is chopin rushing about, experiencing entangled in his personal relationship with zhorsan, jealous of her, capricious to him, could knock him out of his creative state. not even that piece of chicken was served to him for dinner. i remember these intonations of his popular popular, this chicken breast, and he is already acting up and everyone is playing with understanding. well , how do you understand a genius? he has this jealousy. here he has you there. troubles, he has

a crippling creative crisis. and that's all yura somehow conveyed. and now with this one school of these two roles, he proceeds to the role, which is the dream of every young artist, in general, the premiere of a man. yes, damn boris, on this tiny stage they stage the greatest tragedy of world drama. yes, it fell asleep. the connection of times sin loosened the claim, most likely . that i was born to restore it? interestingly, borya really wanted to film this

performance, but it is not easy to film it, as a performance is traditionally broadcast. it's just that the usual ones are not, the performance was filmed at night without spectators . told some drops on the glass. that is , or not to be? that's all the question after filming this performance, both boris and yura kazyuchits, and it seems to me that the director at the control panel, who was sitting volodya tretyakov, was very pleased with this work. i think it's very worth

seeing. even today, even in our days, probably, after so many hamlets translated by us during this time. not scary. what is the actor passing this one? fantasies for composed feelings his consciousness what is the blood coming from his cheek? the eyes are clouded by tears , the voice and appearance of each fold fades, says how he lives. and for what in the end? the main roles were the marriage of balzaminov

, an eccentric from the potter's street, were the roles of cleofen in a comedy or sisterate in valery rubinchik's tomboy about a scullery of children from bethlehem. but you know, i only tell what i remember best and what impressed me most of the performances i saw. i have more than 30 years ago speech information. the spouses of the role in the hamlet in the eccentric potter's street i'm not afraid of the virgin wolf were created by yura

under the guidance of the director's teacher. boris lutsenko i think i will be right if i say that it was boris lutsenko who made yura the premiere of the minsk scenes, moreover, when boris headed the second time after the break. as the main refrain of the russian theater, he dragged three actors from the theater of the film actor to his russian theater, it was svetlana kuzmina. it was vanya maskevich. and it was, of course. yura is swinging. i spoke about the stage creations of yura, this is something that cannot be restored even now. well , his film roles. you can see the pokopa. online, they're all there.

the prose of the belarusian classics is incredibly difficult to stage. this is the monotony of the narration, the verbosity, the implicitness of the identification of conflicts, the primitiveness of the dialogues of the big one, you understand, well, it’s enough to recall, frankly, the unsuccessful

film adaptation of the relatives of the mind of the voice, and now people in the swamp stood before viktor turov, who took up the film adaptation of ivan. this is the task of turning this prose into this epic, filming a tough screenplay later , so the script, and you know, to a greater extent, it succeeded. well it would seem than you can interest the viewer, the thirties, here the belarusian carriage is the outback, the soviet power of the gang collectivization of land plots, laying some kind of gati, here through

the swamp. well, well, there is nothing, as it were, especially to hook on. what is surprising, having appeared on the screens , the film gathered 4 million viewers for such a plot, well, just an incredible figure , incredible, but at the hand of an experienced director viktor turonov. the hero of this cornflower and gunny was what to play? yura, by the way , was chosen from 17 applicants for this role. yes, i myself well, the skill of the young was supported senior actors. this is gennady garbulke,

who played hanna's father. this is yuri gorobets well, in general, outside, the main secondary roles are a stunner, their fellow villager. well, he is a favorite artist and a friend of the director. turn it on and don't turn it, i say it to me. guilty i'm guilty. well, surprisingly, after the release of the second part of the breath of a thunderstorm in 1984 , elena borzova gennady and yuri gorobets are awarded the state prize, ussr and what about the performer in the title role rurikovich? is it possible to say that the secondary episode glushak impressed the commission more and

viewers than the lead actor in two serial films people in the swamp and the breath of a thunderstorm, yuri i do not understand, it was then and inexplicable today.

the most relevant event in the world of sports is to compete kharlamova hard training and an interesting meeting, when you don’t think about anything, when you can still run about 5 years ago, i thought why do i need all this at all every time it was hard to show yourself more work, and it seems to me that this is only for the benefit of victory and defeat. i think it's worse we're definitely not become. on the channel belarus 24, you can say, i got carried away, somewhere in the age of 19 sometimes it seems. well, what else can surprise me, and sometimes you open some kind of catalog, you see a plant and you understand that you don’t know it, and it doesn’t exist on the territory of belarus. and then, of course, such a hunter's passion turns on

, i managed to collect it. uh, the largest collection in the cis, one of the largest or largest collections in europe well, actually , in the world, a private collection. watch belarusians in the project on our tv channel. let's turn together attention to the events that have become a global catalyst for chaos, extremist activity in europe, provocation of religious hatred in a book is legal, then after that we will look for the cause of what happened and we will analyze who tends to talk a lot, but do nothing europe was multicultural and tolerant only in words stupidity and the fear of liberals does not depend on the country and passport. but this is different in the author's project is different. watch new releases on belarus 24 tv channel. in 1981, in the year of the release

of the first part of the epic film epic, people in the swamp yura and nadia officially got married in the eighty-second, they had a girl. anya's father nikolai is in the red town. baptized her in 1984, the second girl was born. tanya's father nikolai baptized her, but forget about death in honor of the decade. yura and nadya’s life together, father nikolai married them a year before yulia’s death. and the long road over tina’s epic , people in the swamp and the breath of a thunderstorm, introduced yura to

the cameraman of this film, dmitry zaitsev, and their cooperation will continue, but in a slightly different capacity. the fact is that in 1990 dima zaitsev, already as a director, started with the film franco, the wife of a boor story, or because of the zheshka, and the artist and former cameraman is now a director. again agreed to work together. yura played. mikul's role is not very big there, but you know , collecting a secondary role in a good film is still very cool, because yura is remembered in this kind of healthy by the appearance of everything as an actor. he alone will brew your teeth, and others. there was

also, of course, the lead role in the film in the tv movie ferry. here, if not finish off, you my fellow tribesmen will be lucky to see the leonids through the year. star rain people say that it burns people's hearts. i think that the lord will strike matches. and he watches how people still cut there. they kill each other. and every time he sees the same thing. good people to each other. films of the main roles yura didn’t have you know, i think, why

didn’t yuri not the shlin caps go, budyonnovka, wishlist, well, he didn’t go, you know, damn it. and now, after that unforgettable performance of the amphitryon on may 18, 1993, the russian theater on all june he went on tour to vitebsk, where at

the very first performance of the amphitryon. yura became ill, he barely finished the performance, the next performance was replaced by the titrion, because yura was the only irreplaceable performer of the main role. well, as if they remembered that he seemed to have fallen off a horse a year ago, then they remembered that during a tour in moscow with hamlet. he fell off the scenery. i hurt myself very badly, then they said more. and, perhaps, he caught a cold, when in a cold country house with his friend actor sasha bespalov, he pulled in drafts electrical wiring. and, perhaps, he caught a cold when the seine dragged cold water. in general, everything was written off as ordinary sciatica, as

it was treated. well, at that time it was fashionable folk medicine magic healers sorceress sorcerer and they missed the time and it was all over. institute of oncology on the 9th floor of the radiological department , which was headed by professor galina vladimirovna muravskaya, who at the time was filming in my film , we walk under god, she revealed to me the terrible diagnosis of metastases. yura has already gone to the liver. jura before on the last day of his diagnosis, he did not know a brief report in the newspapers. on may 24, 1993 , the theater artist yuri died. the next day

, the parting in the theater went somehow briefly crumpled awkwardly. the artists climbed the stage not knowing what to say. they muttered something, muttered something, were silent for a very long time, there were some pauses, no one even listed the roles that yura played on this three-meter- deep stage, where he was now lying. you probably know. he is 34 years old, many who tried to say something about him were even older than him. and in general, this was the first death in the young theater of a film actor. this was his favorite song. i didn't ask permission. may i sing it? i asked him and it became easy for me,

because yura allowed me to try to fulfill it. fascinated with the wind in the field once upon a time. you are all like. you are my woman, and i recalled to my friend the great artist nikolai cherkasov lying in a coffin in boots with thick soles, in which he played in the play about mayakovsky in full voice

his peer the great french actor and artistic knife gerard philippe was lying in a coffin in dressed as sid's favorite commercials that he played amand, the star of polish screens and scenes with bigniv cibulsky, who, trying to catch up with the train, slipped off the footboard under the wheels, lay in the costume of hamlet yura lay in a civilian tie. and i thought i was thinking about the costumes from the roles that yura played, which i saw. and i think that the one that would suit him best of all is no way, but he took away the cunning, he was buried and buried in the village. a white puddle from the russian region is better to lie down. in a modest village cemetery next to relatives than on

huge numbered plots in the distant suburbs of minsk, yura's wife nadezhda, a general practitioner of our first polyclinic in the central district, until recently , the door of her office next to the door of the endocrinologist, where i was registered when my book the magic of the white screen came out. i reprinted the page with the head of the last song of the amphitryon and the caperotes brought it to dr. nadezhda, and the playwright, life continued to build its plots. another part of the senior classes, anya played aphelia in the play hamlet on the stage of the russian theater, where in the role amphitryon shone her dad soon became

an actress and the youngest daughter nadezhda yura oni, under her father's surname, both now very famous actresses play in russian performances in films and serials. and i also think that you are very beautiful, strong-willed independent. i am weak and spineless. i'm very romantic why do you keep running away from me? do you think? let's go no, thank you myself. well, why

could it be? oh that the man did not pester? they need to die. i remembered the verses and i walk, as if in a fog , instead of sorrow, anger. why are the russians? so we have a tradition, as soon as a guy of an indefatigable soul appears, then he will burn like gagarin who dies, like shukshin like yesenin hangs, like vysotsky

goes, as if someone on thought shoots them into the ice, well, really shukshin left at forty-five vysotsky b 42, and the rest gagarin burned down at 34 yesenin left at 30, my friend is a composer. zhenya says that on which i already told i love and remember the programs, a talented person in 33 goats 34 so young they froze in my dad. i saw almost all the burials of these people, i was even in the remote vladimir forests on the spot. death, like gagarin, and i think if the cinema of the road will bring me once in case, well. in the village white puddle entering the cemetery. i heard a familiar song, a familiar voice. it

will arise somewhere in my subconscious on a tree. the peaches are ripe again in our garden and will hear. in general, i am his voice with his intonation, his stage song, which you can hear and you sings yura the goat, whom you can’t help but love and remember were my difficult ways. the girl smiles at me , i myself am smiling and glad hard, for this ore.

everything is forgotten, bright stars, difficult ones burn difficult. everything is forgotten, the bright stars are burning , who told me that in the darkness , the abandoned bow will die out, who told me that hopes are lost? who invented this hand, who told me that hopes are lost? who invented the road in this village, the lights are not extinguished. you me longing is not a prophet of light. gently adorned quiet earth