and all this he can capture the attention of tourists. uh, well, just excellent, so i must say that the nominations that we have every year are also captivating , or vice versa, because, for example, there was a year of historical memory, and nominations and winners deserve attention here. and who exactly worked in this direction. well, this year we have two new nominations. this is for religious tourism, and here the subdivision will be just such e in honor of the year of peace and creation. well, the nominations event tourism, because in our republic today there are a lot of event events that deserve attention. you know the origins of belarusian culture from architecture that at one time the place was the children of the city once the great view laid eyes on it and built a wooden

castle here, which stood on this place for more than 200 years home morning where clothes and weaving items were stored red corner bed and stove this is what a typical belarusian khadka looked like, unique artifacts and sights. earth for us and you the mound was taken from the mesolithic settlement, where for the first time in the territory of the mogilev region , the remains of an ancient human dwelling, a sculptural composition, barklabovskoe, were discovered. the chronicle appeared in bykhov on the day of belarusian writing in 2013, on one part of it there is an excerpt from the notorious chronicle, and see the other image of the icon of the barklabovsky mother of god in the project of the city of belarus on our tv channel.

adam murzich, artistic director of the belarusian state academic musical theater let's talk about the premiere about performances about actors about my students and about my family. victoria popova and tatyana shcherbina are visiting us today adam murzich, good afternoon, i am very glad

that you have finally come to us, because you are a person with different third-party interests. everything in your life. you can say that fate itself leads a person. and the fate of the profession how, in life, it happens not to recognize it, not to hear it, not to see it. such things are irreparable tragic all the same, in any case, one must have patience. have the courage to face it but professional fate is

depends already, most likely on me and those people who surround me. my family is primarily my father, mother. brothers, and i had five of them with me, there are two younger ones left, and i am the fourth. my teachers are dearly beloved, my relatives are outstanding masters at the school and at the conservatory. i bow low and go to the grave every year. the teacher is really this teacher was militinova. anna arenskaya is enough to tell you that i did not reach the result. although i also have six well-deserved national awards, but she had three national awards. russia and nine honored

belarus, who were given the title on the basis of the school they received from her, they retained these votes. she was such a productive person , she lived alone and lived, she raised a village boy with us. one second third thirteen people in the class. well, a conservative teacher. i cannot say a word to arseniy karinsky, who, like her, mastered the italian school, studied with an italian. she also studied at militin anna with an italian. although my squirrel is not belkantalke.

uh, i should have mustered up the courage to give it up and shock a lot of people, because i have, well, a bright expressive appearance for the stage, after all, large facial features - this is very important, but 1.10 m with a cap, as i say on skates, and it really bothered me, especially since i already sang, as if he were in a conservatory with great singers from the opera house. there are some performances not performances. arias on stage was accompanied by an orchestra. i see the cost of such skis. i go out at me shaking to me with a big singer in every sense. yes, with false and large beautiful eyes, big singers, big singers of our theater, well, when i was an idealist at the school, i’ll only be behind him , stealing denis’s place was also my teacher. here is

one time, i only in the opera only in the opera then. so, well, i’ve already matured , i thought, my teacher said, you choose to change your profile for the third year in ours, then you choose opera or are you a teacher or arts, a choir artist or a concert chamber singer? so i say arseniy konstantinovich well, you know, my character is lyrical like that, i 'm so cowardly a little, but i'll do it, breaking the regime, how i break it. i say well i’m telling you, you know that i smoke in my life, you have been smoking for a long time since your boyhood. so he says, let the back wall dry, dry, dry. if you don't quit, it's not here. well, anyway, i'll tell you. here, you were now private. there were classes in the practice sector. i brought

my guinea pigs. you know you 'll be well in the best of the best group of educators. i know that you wanted to be prime minister, but frankly, you won’t become prime minister like that, but i got a little bored. so, but i myself understood that i devoted all 2 1/2 years to him, pedagogy went to him at the lesson not my own, a others would have listened to the classes, walked a lot around her circuit, for 32 years you headed the department of the vocal department of the minsk glinka music college , for more than 10 years you worked as a teacher in the department of solo singing of the belarusian state academy of music and at 70 years old became each other of the belarusian state academic

theater. and for 13 years now, their leader has successfully overcome both the pandemic and the 20th year. and who will give you your years, i will give you two times the pandemic. today, when we are talking with you. in the twenty-third year. what problems of the theater do you consider important to name the problems that can be overcome? and it is a normal phenomenon that they appear, they are always living people. these are actors with open, so to speak, nerves , and so on and so forth. but the most important thing is concern, especially for me as the artistic director. this is the repertoire. this is the repertoire. first of all, it is even a libretto. this is the most important thing, well, in general, in the theater , what is a fairy tale supposed to be, and in the opera

, a fairy tale for adults should be good, and here, of course, a long search, so often we turn to our dear classics, which sharpens the voice keeps a person in good shape and play and joke and sing both the beautiful aria and the top note, as if they like to put and hold the vocalist, that is, but this is a big problem. i can say that the composers union is still the union of composers , but i think there are probably up to a hundred members there. well, once upon a time it was very night, whether it was a lot like it was not. is it clear now. no, i 'll tell you more. you remember sofyulsanskaya , along with this same one with vladimir, so far you have found turov's ribbon, for now. she made this performance expensive. but i didn’t have any where to go, i promised the destination that

there would be a belarusian theme, and there would be silva, we always want war and peace for the belarusian silva. and as it wasn't, it isn't. that's the problem. i understood, but about how the artists want to support the top note. let 's talk about the example of your student gleb matvey chuk, it turned out to be a rhyme, listen to his performance in one of the russian shows. a maximalist, what an education is a boy,

he was always special, he went around me colleagues. he adored all the teachers, both the university and private traders, and then they told him go to murzich. he came with a hot larynx, but he had a mutation, but he wanted to practice and sang already. all the time torn, i say one condition. calm down the larynx to engage in i will not sing at this time. i have no right to sing. i sing in the choir, and he is 11 years old. i say, i 'll get you out of there, went to glushakov and agreed , i say, well, forgive the guy too. i promise you that this lad will be at the moscow conservatory in 2 years. i promise you, but

do it. well, what are you going to listen to a sick voice, it is true to the credit of his teacher and musician. he gave in and glebushka came to study with me ron for 2 years and went to enter the head of the department and graduated from the conservatory. here, well, then i went to the stage. i have read the comments carefully. we have already seen this for many years, but they still write that gleb is not visible on stage. well, they think that it is given to me. artist no, do you agree with this opinion and how many talented artists do you know who are really, well, invisible on big why underestimated such a character in a decent person you understand? can't eat? yes? yes, he's decent to me. that's what he doesn't like. this is who the scoop and the musovok. you see , he does not like this, he is a modest decent performer. i had the pleasure of being at his

concert. here, when he sang in minsk goat may not be very good to boast, but gladly praised for such a student. he invited me to this concert. light up the world. in the hall. raised me, says, dear viewers. here sits a man who i opened the academic voice and after it i entered the moscow conservatory straight away. i want them to be in time for the aria of the ncharov. hmm, but the sundurma, but the sundurma, i think, god, the pops were singing here. excuse me, but here by what means, but i did not listen to him. i listened to this repertoire. he gave me this play, but he gave me the play that baluyev put on the stage of the operetta theater, and he sang the classics there. this is not this name anymore, but another ta-ra-reera ra-ra-ra sang, yes. he sang so, took

the microphone, released the microphone, bowed to me. so demonstrated that he removed the microphone. and how did you sleep? listen to the stones the audience went for an autograph on the bus. well, excuse the pause. in support of this, he writes a lot of music. moreover, i have a real one here, and there is a fairy tale snow white , which won the grand prix at the russian competition and was immediately bought by the chinese right away. that's just taken from the stage from him, he's just great. in short, we need to buy something from him, i told the theater. well, maybe there is a lot of money there, but he told me what is there, i

i give you. anything you want, i'll even deliver. so i can offer, but financial policy, there and so on, yes, well, that's it, this is my bitterness, of course, my guest, but this is amazing music, amazing. believe me. why didn't you open it? and they decided to open their own pedagogical office. as suggested to you by, uh, one of your wealthy students. you know, a statesman, by the way, and i want to see the light at the end of the tunnel. i worked with finnberg to give you an example. it’s just that he didn’t take anyone after me when i defiantly left. i worked for 2 years misha said, and we are a classmate with him, or misha, i can’t work for you, what i did today with zaretsky for tomorrow, they will spit on the stage and scatter. all. he says, well, you 're doing the right thing. i say that and where it was then that his composition was not very good. eh,

as a soloist of soloists, and soloists with all of them, i worked with korik for two concerts and i did a concert for the president of the philharmonic society with skorikov. uh, military military concert. after that, we gave the title for a very long time. skoriks adhered to this topic. this is what you give him put, but i just do not understand. explain what it means to scatter everything. well, there the next day, that is, losing equipment, of course, yes. they begin to sing their songs. they don't touch these songs, but they already hurt that acoustic aura that i create for them. eh, on this piece. they sing something else , you know, you love me. i love you this and everything, and everything. you for tomorrow i see that i'm working. no, he is not flowers, the tunnel once said, mikhal is the light of his memory, little bears. here

are three misha ate such my friends were and infiberki kazinets and dlinevsky, yes, amazing people, amazing musicians, our glory and pride. yes, that's it. uh, after the second year, i say i'll go, you won't go anywhere, daska. i tell you the truth a little kind. a penny he paid me good money, and at that time my salary was 35 dollars. even though i worked two jobs. well, this is the nineties. yes, finnberg, they earned variety work, well done, in general, both a musician and a financier and a manager and administrator. yes and that's how i gave up private. although i could have had a room because of me would pay and taxes paid so promised.

at least my students. they still sing and participate in my concerts in the theater and my student sang for half the night at my eightieth birthday in your restaurant, but i know. it's midnight. you didn’t sleep either, because these days the premiere took place in the musical theater on march 8-9 , a musical play of love, poems by the legendary yuli kim and director marat basharov, who , by the way, was also a guest star from the play the count of luxembourg, he also still goes in our studio. and how did your cooperation with posharov begin and how did you manage to get into allies just as easily, firstly, we are burdened. let's say hello, salam alaikum alaikum salam. well, he came to my friend to my student to my friend they

are friends. and this is my student who is the producer of this performance. the count of luxembourg and that's got the idea. that let's sing the prince, well, he sang something to me there a talented person. do you hear? do you understand well? well, the fact that he is generally a talented person. when i i saw him on the ice, listen, she has been allied from season to season. the director here showed acumen. well done offered him a performance. well , since he is already our man , the collectives are already narrowed, in fact, in art , display is very important. he shows well,

instantly, as a director, as a director, yes, and it’s not in vain that the answer copy copy even warns about it. so i took up this play and did not sleep, only because of it. trust me for her. why because everything has accumulated in one direction with the new theater director sergei if we look in different directions, then we can not work. i live too deep in years not to understand this, although i behave regardless of my status. by what contract am i on? i'm on an indefinite contract. so i can leave today, if they want to leave me, they will think about it, but i will not be late. i definitely have

my cardinates, which will tell me inside not a voice. as they say, it's time to enter the musical theater. as i understand it, they fell in love, yes, for these cats. yes, i loved this fairy tale for adults. you understand i fell in love with one thing, and i saw problems that i can solve, arriving at the opera, there is always a conductor in a good opera, the conductors dictate. and rightly so, because he is a great conductor. he works with singers, usually great conductors work with arctic foxes and make parts. here, on the example of our theater, there was such an outstanding yaroslav finally, yes. it doesn't need a vocal teacher. it doesn't need a vocal teacher. he hears, every every thread, every bundle, that is, a bundle. he hears every cheek that it interferes with singing. he thinks about

that these bones should carry the sound , you know, our resonators, and then if aida goes for about 3 hours, then we went 4 1/2, she had tampas, like the author. no. no, quickly. let's go finish running the deli. that's how it goes, as it should, 4 1/2 hours yes yes, yes, yes, yes, no one cares about his merit. well, here i was, it was the call. well , of course, i won't hide it. uh , of course, i saw lies and flirting, after all , the artistic director, i am the leading teacher of the republic, the chairman of the methodological council of the republic , in many competitions the chairman, even for abroad. i was in slovakia, but i will go to the vocal coach. yes, whom my students are my

pupils. there, there are half a choir of mine in the soloists , too, you understand, there are seven people, and there are few pupils. so more pupils. they studied a lot there, there is no artistic component in this work. yes, i didn't see it. now maybe they are doing something about it, but i was invited by petrovich and the bolshoi theater was invited by the artistic directors along with petrovich when he left. i said that i would not leave the theater. i i say, you leave the task to you, and my task is to save the theater, the one that you created, it was a good village, a good girl. we'll take a short break. i remind you there is a telegram channel. say don't be silent. subscribe ask questions and suggest guests we are in touch. we set off

on an expedition along the kutkas of our ukraine 267 km from minsk and flew out to yankovich, which is near the growth of the forest land for good service. yes , only the young should follow the young, let's give the second tradition something new. on our tv channel about how complex things are arranged in simple language mercury does not interact with glass. that is, you can use glass, and in the production

of thermometers, the first color televisions. they were beautiful and bright, but their colors didn’t match, they could have a red footballer’s face, and the t-shirt was belarusian developments and the contribution of scientists to our comfort of life after our wonderful exhibition was very intellectual. we have noticed a huge demand. and even already , our population would like to have such a tv set in every house, perhaps in the near future. it will be true, and we will approximately a little bit of the future every home science is always there. sometimes we just don't even think about it. watch the new science project nearby on belarus 24 tv channel. on the air say again, don't be silent. and today our guest is the artistic director of the musical theater. adam mursich.

we settled on relatively, so to speak, the characteristics of the big and the musical, and is it true that you were zealous when the big one poached your soloists, we can recall such names now as gels, mingalev, irina kuchinskaya, you considered them. uh, the transition of betrayal was painful for me, of course, because they were already leaving a good position in the theater, so they left us like this with nothing, to be honest, hmm kuchinskaya, she would have been, if not a prima donna, then a subride she was in the host yesilva was already singing. and that's it. that is, not silva , uh, the second heroine. yes, eh, the laureate of the competition was prepared and given an award, everything went well, but i'm not

even talking about this happiness. this is a dream opera stage for all singers. this is the limit of the night rows. i understand them perfectly and do not judge. here, please, give away your shabeite. well, i'm just happy, i'm happy, you know, he came here like this. i said to lose weight before the new year, then we will sing, and he was losing weight according to the blood group, the diet is like this, yes, the group, yes, imagine, and what do you think, but not cypress well, in any case, in all costumes, but an outstanding voice, of course, like me say state voice. and, of course, he certainly has a place there. the only pity is that those guys who left for a long time. they are unlikely to prove themselves and will not

become those favorites that could become in the theater, uh, and now we have such holes in the losses, yes, in the ship, of course, yes, i understand that they are big faithful, that you now somehow make up for it. we need to make up for this, but we make up for it and remember it qualitatively. well, on the other hand, i will. osman, why are you letting gleb go to matveychuk in moscow, but the fish is looking for where it's deeper, no, i don't have any jealousy. i have either joy or resentment, uh, on his thinking, on his understanding that he is leaving his place, you explained this, but man, it doesn’t matter. i said, i always say it. this is the fate of man. i i always say to be honest. honestly , you know, even to an actor who

didn’t sing something today. i really won't say today. i'll tell him tomorrow, because he's going to bed now, especially for an older actor. here, but always to be honest, i told them that your place is here, trust me. well, put the opera everything. i understand them. i understand them. therefore, i'm not angry, but we need to work on it. we must seek to close these holes. let me read your quote from one of the e, i am very sorry that in the year of the centenary of the kupala theater disintegrated. his a beautiful corpse, and here the fault lies entirely with the director, he framed the entire corpse after the august events. i talked with our soloists with the musicians of the orchestra and suggested, if there is such a desire, record a musical appeal in support of the peaceful resolution of all conflicts. thus. we found some mutual understanding. the most important thing in the theater is the microclimate. and how

to support him adamasmanovich talk to people the decision to go to the people. when it started it you was the beginning of the season. it was a four-month break of the pandemic. we have come to us two ballets and romeo and juliet at the bow of dinner imagine loaded them to the fullest and said the work is sacred. here is such a schedule, just when we are working there at that time, everything, well, the guys were imbued with understanding and, surprisingly, the team entered and two premieres , and and that one, simply gave birth to wonderful performances with lightning speed. i'm proud of it, because i had so much uh to buy it. here it is very expensive and we practically minimized it. uh, even. if

there was something, i want to tell you, it's not after august, a, on the eve of the election campaign, they approached me. i come in sportswear, after a walk i can not speak to you. you can cut or leave. i am already an old man. i don't care what my girlfriend says. i'm old already. yes , grandfather says, you're old, you still die. take the sin upon you, they approached you and they said that you can vote for another candidate. you vote for rich people god. i say lads, i am the four times kupala theater. believe me,

i had a lot there. i'm with one so far it's like master, i'm worried. what's happened? it was a miracle, you understand, this is a theater that is the face of the country. and now grishka was kindly inclined . you understand, only the wrong fate prepared the way for him, the glorious name of the bell and loud consumption, and siberia also did not choose this. and i went there . stay then, if you are such a patriot with your people, and drink it all here and talk. here, who we do not have such people who are open in the trunk is not for everyone there is only one place to work you know. well, god forbid that this happens in the theater and

having such a troupe. be me in his place. i would lie across, because you live in the theater. you love your work, but he did not live in this theater, he, you understand, i have a characteristic even now right now it is not self-esteem that has matured in him. he has the smallest selfishness, not petty, the smallest ones understand to love themselves enough to despise the fates - these are the fates of outstanding actors, where they hang out. now, unfortunately, yes, who is where? well, back to your choice of musical material. you have already told tatyana and me categorically that the main repertoire in the theater we have it, of course, and in order to take romeo and juliet, which was then a difficult time in your theater, you went to moscow to watch and listen. what did the kupnik write there and

is it worth taking it to our stage? well, in december of the twentieth, after all, hurray took place the premiere. let's see a snippet. you can have mercy on this, god. let the moralists catch the nets . there is only one law in the world. he compressed us from the inside, kill to sow. none of the ordinary people could survive in my place

collapse. well, in the end, you are satisfied with this performance, of course, you are satisfied, and what you received and received at our prices. we said john very friendly i was bribed by his verse. i think it's perfect, well , practically, as marshak translated, you understand the great shakespearean lines, and he just like that, well, this is his third performance, we had two of breiburg. so i begged him, i say, karen dear. think well. think carefully, we do not refuse. well, think about our prices, we can't handle the city theater. and when i i saw this premiere. there were all soloists with

the highest stakes and the best soloists of the musical. there they sang in this performance, and she is already there , she says it’s not necessary, can you imagine, and suddenly a call is heard from karen, and tomorrow a book arrives at his theater, which he wrote as a dedicatory inscription to me. ukupnik agrees they arrived, they were a partner. we are casting, i just set the terms of greyburg and delivered the terms of the casting from the outside. i say, only one condition is our theater actors, no one else, we don’t want to adapt, under whom you need to educate your own and be sure that a person will work, and not somewhere to earn money to run around. here, but i want to tell you that i am ukupnik but just valerian. i know the price, but ukupnik simply

struck me that i would eat my passport before the registry office. that's a strawberry for you. it turned out that he is such, you know, such such figurative music he has a line, vocal amazingly within the range that is sung in such a musical. in terms of dramaturgy, even notre dame, well, good, really, such wrestling music, might be worth taking a closer look at the new job at the bathing suit. thanks for the tip. i'll do it today, because i'm a greedy person for this, well, such sold-out performances, probably, like juno and avos e, or the blue cameo, with divination, always brought porridge. as you can see, the theater, which is the homea that fed us, i want to tell you, it has not been exhausted yet.

we didn’t take her around the republic , we’re going to no, the point is that he had a ban only on this stage, you understand, he already was a producer and leader for him production team and in vain he did it. only then we took it and refused, but we have a rating performance such as tristan ilda rate. this is an international russian project. uh, the russian director alan is the composer of france and we belarusians will put it in , you know, good now, he definitely put the girls. come, you at least have a rest, staged an amazing play by the bride and freeze and sold out already aries lyussa here is a complete yes, and that arkady kupnik kim breydburg. gennady gladkov julia

kim alexei rybnikov maxim dunayevsky theater. i don't know thanks to you and vanovich, but cooperated and cooperated. yes, i want to tell you, well, come to me, i have assistants , grammatical assistants to me. after all, they look and ukupnik agreed. they agree not to our usual terms. do you think you know this is a good relationship for belarus russians? here i just came to stage the duchess, no one be, and the professor , people's artist, soloist of the mariinsky and for a minute. uh, this is putin's cultural assistant, a wonderful director worked for a long time. he put the duchess out of cheek gaga and your heart belongs all the same, but now yes, now, of course, well, i knew

ruban and, of course, sniffing all the outstanding periodicals vasily unconditionally bathed in their singing. but this is impossible. he is still used to meat for this genre. what do you think? they like this and this, and i want to tell you this, we must continue only at a high level, we must continue at a high musical level, and musicals are held well , yes, yes, but with dunaevsky, but this is actually a charm. i am like a man. just, well, i breathe on him, a light democratic handsome man. you see, everyone is already providing money to eat and live, everyone

understands, yes, more and more people will live well. would you please. on the air say again, don't be silent, and the artistic director of the musical theater is our guest, and there is murzich, or for srakul. how can you correctly imagine what an asshole adamasmanovich, asshole is? what's happened? honored worker of culture in slang, and i

wore a different name, i fucked up. which also sounds great in one interview you admitted, and i'll read the quote again to us in the theater comes a certain audience. as i call it the audience of the 20th century, these are people with their own foundations with their own certain sense of nostalgia. and this is the theater audience devoted to us. and today. it unfortunately does not expand the young viewer. we have a rare guest, but the situation does not change , i can tell you that this is the beginning of this season since october, when the repertoire leaked. but practically less than 70% even on old performances, even on old ones. what if they are old?

there are still saturdays or sundays, because they are big, but the operas are a full hall a full hall. and what pleases that the youth, but i see it. what are the performances? they choose the youth, mostly. basically, of course, everyone goes to juno, yeah, to the classics, but they go to juno and argues. well, i'm walking among the public, until i get out of my puddle, which means that by the time i get there, it's already going to hurt my ears. be healthy, of course, grateful and happy and interested, you need to tell the children that you have come or you need to tell your parents that you have come, this is what i hear. i i'm not deceiving you for sure. firstly, we have three performers and moreover, one of the same beam, as i say, well done, well done. this is

very serious and two performers for each role. here we are covered very, very tightly in this performance. now she is breaking the records of the bride and when she is dead, she is breaking records. jane eyre always hits - that too. eh, also, like the blue brayburg cameo, generally a good composer. i want to tell you the conclusion they named the names, uh, of all russian composers, you definitely named them correctly. this is really the core golden core. well, after this interview, did we get offended by the slime of our compositions, than to run we have a hadosk spelled out in the theater , beautifully spelled out by two or three with nickels , received a state award, why

take offense at the theater? ha-ha, but i'll give the osmanovich, and how the tatars feel in belarus today and in general they turn, perhaps, to you for some kind of help and the belarusian tatars. i help my community, which i am a member of in my homeland. i abstracted a little from the big events. e hmm because, uh, well, i don't have much time. time, so my wife is at home alone and i go home every free minute. here she is, thank god, she’s alive and well, and she’s still chasing me so that everything is in order, you understand, fine, but we’ll probably talk with the family. that's it , but i'm registered. in my homeland, where my everyone lies and every year on the last saturday of may they gather, there are about 120 people,

they are disciplined. all tribesmen. tribesmen. everything is subtly. everything is clean. everything is only with sweet dishes, only with sweets, only chocolates, and now they are changing hand out. uh, you need to go five or six kilograms of sweets, or there is something else chocolate or something else. everything is definitely a funeral. uh, your famous tatar funerals, saturdays. yes, yes, yes, friday is friday, but saturday is also held on saturday, because it is a day off, and you are all our holiday on friday tatars. and you still like, when in the first part they told us what happens every year at the grave? at his first with his first teacher. i understand that this also goes back to these traditions. you understand your cultural that not everyone will visit like that

even parents sometimes and we will talk like that, and even though you are in the far right lane, i’m reaching brest. that’s precisely for this purpose that i agreed to supervise the vocal competition of my school there, because they had the honor to name this competition after militina bathroom arena, uh-huh well done and i bow to them, of course, his low legs. this is my alma mater, so i will live for as long as i need. i go there to give master classes, i celebrate the 120th anniversary of my teacher. uh celebrated with a concert of his students outstanding students, who came to sleep. uh, free of charge flew in and there was a big concert that was commemorated 120 years since the birth of my dear teacher with a job.

everything is clear in this you live. communicate at this time, while you are rehearsing i got married at 22 at 23 remained a father. 47 became a grandfather, and at 67 great-grandfather like this the children study karate both two boys great-grandchildren granddaughter in leningrad graduated from my second son. the musician is a great musician, a very strong musician, he worked in all orchestras. here, then 25 years ago he left for brazil and he works in the orchestra in the brazilian symphony orchestra and has lived there three times already. but a great musician is big with a 60 year old mom. well, what are you, so let down

the murzite, on other occasions to drown yourself in wine? they are they. well, they joked like that at home, but now the eldest son and his daughter with great-grandchildren live well here with us. here is my granddaughter in brazil here on the internet. yes, yes, she comes here, she lives here. here near the boarding school near the boarding school, because her mother her grandmother worked on this internet i didn't get an apartment right next door, but in the summer when they come, i visit them. take them here. in the family, everything is fine. my family, from which i came out consisted. i already told you that out of the five lads, all the lads were. two military colonels, two colonels, will end the academy , one died at the age of 79. the long-liver also

worked to the last. and he went on vacation for 6 months and he was returned to work. he was in such high demand. here is the second colonel . he has a daughter and a son with that elder of mine, and the second in minsk. i recently buried him. konstantin yes, 85 years old. he is well done, a long-liver . yes, he lasted, but he lived thanks to his wife. you know, i'll tell you, you won't believe it. let it be here for everyone. 60 years old he was blown up in the country. and he had a stroke. we flew from the brothers, there were still three left, and i shout to the doctor for the colonel in the department. tell me, what kind of medicine for the sake of god , my guys travel, fly everywhere, they will bring it in

two or three days, they will send it, he says the man. it's empty, nothing will help him. i told this to his wife, she came, pushed everyone, lay down next to him on a cot and went out for 25 years extended a person's life in good health. well, there is something you imagine, what is a woman, a loving woman. this is scary. the whole family were also officers. colonel's sons. i even want to brag, one colonel was in the department at our artillery school, the second doctor of science defended himself in moscow, he defended himself in

moscow. there he received a doctorate. a military academician, but an academician of vocals - it's you adam ispanovich. we are immensely grateful to you for this fascinating enchanting conversation, as champagne is light, intoxicating, inviting everyone to the theater. i urgently wanted to go to you again and hear these wonderful voices that you protect with such ringing famous ones and unfortunately, they leave you convertible, but you fill in the gaps. may it continue to be so good, health to you and your family. and we tatyana shcherbina and victoria popova say goodbye to you today. goodbye. goodbye. and now adam murzic is speaking, dear viewers. thank you for listening to our conversation. my request to you is a request,

just strengthen our country. strengthen our country. let nothing bad touch our earth we feel so good here and you all too well, i know and of course, come to us in the theater we are very interested. all the best to you. the belarusian memorial complexes at

the weakening of the fact that one should not forget nicoli khatyn, good luck for a lunge was from the improject of yakiya peralza show-inji. this is in the image of the verme-symbolic and i swear on my verme-good that yon is not nato naturalistically the sovereign budget was hung with komsomol construction. here intertwined perch furcations. remember the history of one carriage, and the history of one carriage has the history of all the people.

it is doubly pleasant to play mind games, because everything here does not depend on luck and fortune. we taught in a chemistry lesson that every substance consists of molecules, and molecules are made of atoms in the first place knowledge and ingenuity of the participants, since bacteria are two-celled or multicellular. i think not. if i remember correctly, then semolina is made from wheat in the super final will be received by the one who can answer as many questions as possible. i answered yes, because i remember their biology courses, what was the situation, watch an intellectual entertainment show. i know on tv channel belarus on 24. release

of their business environment in belarus nizhny novgorod region, minsk host a bilateral business forum the crisis of european life in germany protests doctors in moldova, residents block roads demanding payment of utility bills to governments, and lithuanian courts are dying from lack of money.