our main task is to make an adult child laugh easier than an adult, because an adult has a lot of his own problems , a lot of his own thoughts, and when they bring children to the circus, they go for the sake of children. and when they get the same pleasure as

the children. they themselves become children, and this is incredible from their very childhood. i probably already knew what i want to get involved in, and who i am who i will become, because the realization that the circus beckons me and the circus lured me came, probably, about five years, when, uh, for the first time, you can say i touched this art. well, almost no spectator. yes, let's say this here, but in general, initially in childhood. well, watching children's videos from kindergarten. i wanted to become a classical surgeon. i want to become a surgeon surgeon such a surgeon. tell me what he does, treat people as the years go by , everything changes, and then. maybe,

of course, i was still small. i did not know this, but now i can fully say that i made the right choice and the circus is not just a circus for me - this is my life with my plans there is. e, this work has remained and remains, and cooperation with the belarusian state circus in terms of carpet, as a clowning artist, yes, and in this genre we are developing and now we have developed quite a very good level. here, uh, with my partner natalya suguro, with whom i work in a duet, here. well, the promotion, of course, of the belarusian circus, but we are striving to declare that in belarus there are worthy carpet worthy ones. in general, when the show was built for work in belgosyrk, for me it was big, so huge event. i dreamed of getting here from the age of 5, that is, 5 years. i went straight for every season. i have a large collection of circus programs,

which i collect from white cheese. this is a separate volume in general, which is already. well, probably, there comes a very decent figure. i remember everything, right down to the weather. and how i opened the door of the service entrance and said that i was the chief director nikolaev aliyeva alentone, that is, well, this moment was probably a coup to fate, because i understood that the most childhood dream was coming true, the most, well, the most sincere thing is such a first conscious childhood dream is to get here to work. my day at the circus always starts with a greeting from our valiant guards, because we, uh, the circus is one big family, no matter how much we want it, this is a round building. we go around in circles every day and see each person two, three,

four times a day and constantly say hello. that is, we have such a dumping tradition, no matter how many times you see a person. you still greet him. here, well, after the guard, we usually if i'm with they go to natalia, then, well, even if without natalia , we go to the dressing room, there is always a coffee break . a coffee break before a rehearsal is sacred. it 's like that's like the law, but then we change into rehearsal clothes, we go to rehearsals , we rehearse, we develop, then we go to ballet halls for sure. this is plastic work. this is work with facial expressions, and physical on necessarily some kind of specific after that, uh, doing some of our own things. there we sew costumes, look where our props are broken, what needs to be repaired, what needs to be assembled, please, welcome to the most secret place of build from the circus - the clown dressing room. here. i'm not alone here. i am here with my partner natalya

suvorova, with whom we work in a duet. yes, usually we both push off in this way. yes, that is, the most difficult thing was to find for ourselves, that is, it was precisely some images that we collected from the fact that the character, yes, and we collected from the character. that is, as if some images were already drawn, but then with our chief designer of the circus, ekaterina bilan, uh, we made sketches. yes, and actually created already complete suit. here is the suit at the waist. full. yes, that is, the clown is coming. there is another vest. now this is more mine. that is, we have such harmony on gray-black and red colors. that is, we are like , uh, yes, there is also a vest of panties, that is, cuffs. yes, here we have a duet called crazy kids crazy children and, accordingly, we kind of started from this, it seems

that adults are already, yes in the arena, but it’s all the same, as it were, how children behave, therefore a crazy clown child is always child. yes, at any age, whatever he was, he always remains and that's it. this is professional theatrical makeup. actually, we always do the whole make-up show, where we do it ourselves all the time, we don’t have make-up artists, because, well, like, uh, i think that when an artist puts on a mushroom himself, he transfers himself to this all. uh, as they say the atmosphere. he feels better the character he is working on and more, as if he is looking for a mutual partner for a long time, that is, he needs to be found precisely in work, for example, before moment of that, that's how i'm gremirovaniya now. eh, and how i work now. i

worked for a long time. completely in a different way. i trained completely, and the face killed the mask. uh, i played more of this buffoonery clowning. now i am thanks to natalia suvo. i came more after all to the classic look of clowning and such a classic make-up and , accordingly, the image is more, based on such a classical russian school for a long time and, probably, until now it has been and will be its idol . this is yuri nikulin and mikhail shuin. for me, this is such a standard, directly the standard of the soviet kulun schools, modern - this, of course, probably, ah. duet of clowns anton and victor franke. here they are, probably, well, from the modern clownery, they are just the top ones, here we

are if you have not yet come up with a dream trip, then we always have a couple of ideal options . the first point from my route, i chose a pond in the city center. pay attention to this observation deck, which is made in an unusual style in the theme of the signs of the zodiac with us. you will receive a charge of positive emotions. wow. that was very good. feel you will see the bright

sights of our country as the queen. a sightseeing hunter, then the bila tserkva must be on your list the route is built on ours. facts that have been hidden under the heading secret for decades. you just need to have a wild fantasy to imagine how i went out there, took away children and threw children to shepherd dogs, eyewitness accounts and miraculously, surviving prisoners of concentration camps, we will tell and show dozens of inquisitorial operations did not give water in a concentration camp there was dirty snow warmed up in palms and so we translate genocide without the right to life, watch on belarus

24 tv channel. in 2018, from 2018 to 2019, there was a circus tracking program yakut circus was a diamond circus, yakutia and this was my first performance at the e-arena of the belarusian state circus. i went into the new year's fairy tale characters and it was just incredible, because emotions overwhelmed me inside and that's it. seething boiled burned, because it was a dream come true. it’s just that i had such fireworks inside me that there was fear , there was no fear, because i kind of worked before and i worked at the arena, and i know what the audience is. that is, i'm not a person who, i'm sorry, came, yes, and

the public came out for the first time. what, what should i do? no-no-no, i kind of already know the audience, we talked and i 'm going out, and i understand that's it. the dream was a childhood dream a dream come true and inside just a surge of emotions. and i, probably, will remember for the rest of my life that this is the first exit. eh, ma- well, of course, there was a complete jitters and there was a lot of fear, because after all. still, the dream comes true, after all, this is the arena belarusian state circus. this is the level. this is prestige opa natalia let's go to her. come with me. i'll take you , let's go, let's go, let's do something with our hats. now we will find out. what are we doing here? both are fine. basically

a duet. yes, as it were called crazy kids, they originally planned that we were brother and sister, like an older brother and a younger sister. and this is how the conflict is tied, natasha , she is more so bold, very harmful. yes, she’s like that, i’m more like a phlegmatic, something like that in terms of strict, but i so stupid. let's say in such a word flashes, yes flashes, that is, yes, here, too , our entire repertoire seems to be very strongly tied to this. that is, i'm doing something,

for example, some kind of trick or something like that, yes, natasha interferes all the time. now he does some kind of thing, like, here, yes, in his own way, yes, or a trick in his own way. yes, or there somehow complicates the task. well, here we have one. that's exactly the line of conflict, what are we trying to do? no, i'm better. no, i'm better. well, it's a life struggle. e brother and sisters e in ordinary life. yes in the family, that is, every child wants to be a parent, yes, more attention in this, that is, this is everything . they find some kind of incidental moments. and they family over this, as it were, and therefore they accept, therefore they do not accept, because they see themselves to see themselves. yes, in the images is in itself quite right. yes we always look through the viewer before the performance,

who sits where, and who reacts how? who is sitting on the phone digging, who is sitting considers the circus or the place where we work, and he who is waiting for the performance and we understand what kind of viewer will be useful, who can be interested in it, who can be snatched out or who can be seen that he brought. here, the child is on vacation, but he, as it were, does not want to, and we, of course, respect each viewer. we are great when couples are couples. we have recaps. uh, the camera where we, uh, mix the audience, put them in such very ridiculous poses. uh, beautiful beautiful very beautiful, yes, very yes, they are not will reveal so on. well, it's always very interesting to watch when you take a married couple there and your husband and well, you pull someone out, it's always interesting to watch. what do at this moment her partner. for

me it's a duet. this is my first work in a duet with natalia and in general in a duet as the first, so there was a large field that had to be plowed, explored and mastered. uh, how, for example, yes to feel partners. that is , how to work with him exactly, that is, to build all the reprises. well, stage natalya raised me very much on stage, that is, because before that i worked in a white mask. i was closed. i was stuck for exactly. that's why this mask of the viewer and a special contact with the viewer, as it were, but it was not so bright , not so open, as it is now bufa.

nat clown is what it was then, and what you see now is pure classic clowning of the old school for this. many thanks to my mentor. here is the most important mentor , so to speak. oh godmother. omsk couple, it must somehow be attracted. it should come unexpectedly, that is, it is impossible. so just sit down and say it. hello, i work with you and that's it. no. it should be here exactly here, uh, fate is a case, so that right now and everything coincides, and thank god everything coincides here, the feeling was such that if necessary, if it really is, as they say, the fate of the future road will turn out. it has already turned out 2 years, how did it turn out not good? yes? okay, okay,

at least let's get high yes, when it works, we uh found this one, you know, it's very important for a duet work is precisely contact with a partner, that is, regardless of what the partner does on the site. you have to feel him and even to some extent guess what he will do next in the event of some kind of improvisation or something else, you know, there was no disagreement, human. tactful, if necessary, i will carefully bypass and still what i need, i will bring out in the right direction. you can say so, danik at first bit and kicked, but then he didn’t. i'm kidding, of course, yes just with your right approach gradually in the right direction. and so it happened , you can say that in any incomprehensible situation

that would not go. yes, from the very beginning , surprisingly, we found a compromise. well, you never quarreled, we never had it with you at all. yes, well, the brightest, personally, i remember for the rest of my life. hmm. well, for my longest life. i remember this case. we worked at the zubrenok summer camp with the belarusian circus. yes, but it turned out, and we had such a reprise with water, where we were dousing and took off yes, and she runs and unhook. and i just understand that i have a wig, and she is without a wig. she pulls out her wig, run backstage. come on fool and flew. and i'm standing. i, firstly, in a slight shock, i think, yo-mine, yes, a and went on to beat. that is, some. well, he did something there, for now. i got dressed back again.

travel for them did not sound like a real quest of one side, but it is directly connected with this place, an old cemetery. more than 400 years old. well, i don’t know where to look, the swedish mountain. this is a whole archaeological complex. and what is behind us behind our backs. this is one of the tips of the iceberg. travel and solve cultural and historical puzzles together with many legends leading here, which pasha and i drove stone, scissors, paper, watch on belarus 24 tv channel

. it is doubly pleasant to play mind games, because not everything here depends on luck and fortune chemistry taught that every substance consists of molecules, and molecules of atoms in the first place knowledge of the mind and ingenuity of the participants, since bacteria are two-celled or multicellular. i think not. if i i remember correctly that the fraudsters in the superfinal will be received by the one who will be able to answer the maximum number of questions. i answered yes, because i remember him from the biology course, what is the situation there? watch an intellectual entertainment show. i know on the belarus 24 tv channel

. well , it’s not so difficult to find a common language with children, no matter how they learn about children. they are learning something. they are constantly drawn to something new and it is easy with them. find a language. here we worked every summer. i don't know how it will be this year, but every year we have worked on such an event as it is held in the botanical garden. this is where the kids, um, where a lot of different representatives of the spheres are located . yes, and the kids are looking for where to work, like getting a job, and it's incredible.

uh, such a colossal return from children is coming , you get such good energy. it 's simply impossible not to love them. it's incredible. i don't even know how to explain this. i don't have those words, because it's really incredible children are rushing, and children are the most er, honest and purest spectator. they carry the most here is the truth about them. you can understand whether you have succeeded or not, the repertoire is not working, that is, despite the fact that you work for someone. and how do you work? in any case, you work for the public, and the public is both adults and children, but the main thing, of course, the spectator in the circus is, as i said, 10. in general, it is very interesting to meet new people, especially when a lawyer sits in front of you or some

sales manager and all of them get to know each other, then i ask, this is how you work, and i'm a clown. i work in a circus when you go to work, it's like hard labor and you think, it's nine again now, while i'm sitting until 6:00, while i did everything. and then there's the annual report, just oh god, there is such a plan. yeah, and uh, i'm not interested. i just don't care. i love it so that i woke up and you, damn it, would rather go to church. rather, i would like to go to church with me, i will say so far, it so happened that i have a very creative family. and most importantly, what was most important for me was that the family accepted my choice. and what, i don't shocked them with his statement, and they seemed to be ready. they are like, well, we knew that you would go there, probably from childhood. i comprehended various in general. uh, how to say the genres of circus art, my

grandfather initially told me that a clown should be able to work in a circus. everything, respectively. i aspired to this, and thanks to this and thanks to him, i now have a lot of e, genres behind me, which i can safely use in my reprises and exits at the arena. that is, this is juggling and tightrope walking and balancing riding on motorcycle. here's from eclibrism. i have a trick where i stand on a suitcase with a reel and twist. three hula hoops, one such big one and two standard hula hoops. so it turns out. well, and many other genres, at least, except for aerial gymnastics, but here, unfortunately. not mine, of course, energy is very important for me , because without it good work will definitely not work, and i take it, i probably squeeze it out of everything right to the maximum, the most important source of energy. for me, it's music. that is, i constantly wear headphones. i am constantly in

i listen to music all the time, but i listen, i look for something somewhere, i use my fantasies to somehow implement it into my work, and the second one is strong. eh, energetic one. here is the exchange. i get from watching performances. i have a lot of good friends who work in belarus in different theaters, and i constantly visit there are performances that i have been to 18 times , quite simply there are performances that i have been to 10 times in a row i watched the same performance, but the energy they carry. it's just unbelievable and i'm coming out of there like like being born again. when i'm in a bad mood usually, if i'm in time for the show, i try to watch some good comedy, or some kind of comedy show, just to at least hmm switch my brain to the positive. if, nevertheless, i do not have time, then the energy of the viewer and communication with the viewer.

this first exit itself is called the exit reprise, and it carries such such, even i will say energetically the message that you forget for a moment. each program every season that i attended since i was 11, i always bought a ticket for the same place for the same same. this is the first sector of the ninth row, the fourteenth place. i don't know why this is, but here's me like in the eleventh year. uh, my grandmother brought. we somehow here this and all. and after that, i tried to always buy at this particular place, while i was a spectator, while i came here, as a spectator, now my most important mentor in life and the person whose word i listen to is grandfather. here grandfather is the one who is at the very origins at how can i say so? well, he did not

bring, but made it so that i was born, as from circus performer, and i will say. so, everything he does and helps almost all the props. uh, it's his job, his merit. yes, that is , somewhere we did something together, somewhere he did something. mom's hands, and mom, well, she happens periodically. uh, as she says, i will not go to the performance, because if i watch the performance, you worry, you will not succeed. in fact, it is absolutely not the case when it is. well, when she watched all my programs, everything was calm. all was good. here, well, periodically comes. of course i'm in the circus i’m already coming not as a spectator, but as, uh,

an employee, a worker, but the thrill and still this is some kind of state of mind. it is always magical, because in such a place you cannot just feel everything, as if you are just working out something at work somewhere. you work. no, it’s just such magic here, some kind of magic after all. ah, i'm more for art. that is, i'm just creating, art for myself, i develop myself , i try to learn something, i'm constantly in search of something. that's important to me , that's important, and that's why it's so direct to quit no, this has never happened and will never happen because it's a circus. this is my life. well, it is. it's the same. it’s easy to take away a house from a person, because the circus is really our home for all circus artists - this is a home. this is the same thing as taking away a house from a person just looking for it. well, that's all, live and i, probably, with great yes, i

say with great confidence that never, no matter what happens. i say, i will find myself in the circus for sure.