we work, who is waiting for the performance, and we understand what kind of viewer will be useful, who can be interested in it, who can be snatched out or who can be seen that he brought. here, the child is on vacation, but he, as it were, does not want to, and we, of course, respect each viewer. we are great when we have reprises of married couples, and the camera, where we, uh, mix the audience, put them in such very ridiculous poses. eh, beautiful beautiful very even beautiful. yes, and very yes, they will not disclose. well, it's always interesting. it is always interesting to watch when you take me a couple there of a husband and well, someone pulls out. what to do at that moment with her partner? for

me it's a duet. this is my first work in a duet with natalia and in general in a duet as the first, so there was a large field that had to be plowed, explored and mastered. uh, how, for example, yes to feel partners. that is , how to work with him exactly, that is, to build all the reprises. well, and stagewise, natalya raised me very stagewise, that is, because before that i worked in white mask. i was closed. i was stuck for exactly. that's why this mask in front of the viewer and a special contact with the viewer, as it were, but it was not so bright, not so. here is an open one, as now the clown's buffalo is here. what was then, yes, and what you see now is pure classic clowning exactly of the old school

for this. many thanks to my mentor. that's the most important mentor. you can say so. oh godmother said it's time. it must be created somehow to be attracted. it should come unexpectedly, that is, it is impossible. like this just sit down and say it. hello. i work with you to work with you and that's it. no. it should be just here, uh, fate is a chance that right now and everything coincides, and su, thank god, everything coincided here, the feeling was such that if necessary, if it really is, as they say, fate, the road is further, it will turn out . it's already been 2 years. how did it happen. yes, yes, yes, yes, yes. he gets high when we work, we uh found

it, you know, it’s very important for duet work to contact with a partner, that is, regardless of what the partner is doing on the court. you have to feel him and even to some extent predict what he will do next in the event of some kind of improvisation or something else, you know, there was no disagreement, because if you allow some uh, that is, there were no obvious . and i am a tactful person. if necessary, i will carefully go around and anyway, what i need, i will bring out in the right direction. you can say so, uh, kusalty kicked, then he reconciled already much already just kidding, of course, but simply with his correct approach. gradually in the right direction and this is how it happened, so to speak, in any incomprehensible situation that would not go. yes, from the very beginning , surprisingly, we found a compromise. well

, don't swear, we 've never had it with you at all, yes, but the brightest one, personally, i remember it for the rest of my life. hmm well, for my big whole life. i already remember the case, it was we worked at the zubrenok summer camp with the belarusian circus. yes, but find out we had such a reprise with water, where we doused and took it off, and she runs and unhooks. and i just understand that i have a wig, but she has no wig. she pulls out her wig, run backstage, fool and flew. and i'm standing. firstly, i'm in a slight shock, i think, e-mine, yes, a and went on to beat some one. well, he did something there, for now. i got dressed back.

culture, history, architecture, all of this is collected in one project in the nineteenth century, men, of course, golovans, how everything went off without a hitch, especially the number one acceleration of this legend heta polats yakim has been toiling for hundreds of years, and today we have the most bodai, carved and rare for belarusian speech stork ground is a potato on the central wing of the design. instructions, of course, are not befitting, ticking facts and nikshakana of minulag lime, and the palace itself , with two-topped bottles from the platform,

of course, had less grazed smoke of the film masaka for the capital scenery, which is tm unholy to this polats. look, the cultural-responsible project of the architecture of belarus is on our tv channel. we educate , first of all, not a warrior, we educate a full-fledged citizen of our society, how to maintain a balance between the state and each individual we came there to the parliament in order to defend the interests of our voters , the interests of the country. now, when you are betrayed, it's the same as if your hands are punched, and you seem to forgive. you can, but there is no hug. in my opinion, the more control, the better the law, the better the law is not to let go of the helm of the fate of the difficulties for oneself. here you try in these situations. you become stronger. you already see things differently. this is probably the only thing for you and me that we have to do to save our hearts

once. and conscientiously do my job 2 i will always pray for every child in our country and in the countries of all, probably all countries of the world, let's talk about the values ​​of friendship, happiness, and plans for the future in the program , say, don't be silent. watch the new releases on the belarus 24 tv channel. well, it’s not so difficult to find a common language with children , no matter how children they comprehend. they

learn something, they constantly strive for something new and it’s easy with them. find a language. here we worked every summer. i don't know how it will be, whether it will be this year, but every year we worked at an event such as book kids, which is held in the botanical garden. this is where the kids, uh, where a lot of different representatives of the spheres are located yes, and the kids are looking for e where they work, like they get a job. and so it is incredible. uh, such a colossal return from children is coming, you get such good energy that you don’t love. they are simply impossible. it's incredible. i don't even know how to explain this. i don't have those words because it's really incredible. children rush children, this is the most er, honest and purest spectator. they carry most here is the truth on them. you can understand whether you have succeeded or not, the repertoire is not working, that is, despite the fact that you work for someone. and

how do you work in any. you work for the public, and the public is both adults and children, but the main, of course, the spectator in the circus is, as i said, children. in general, it is very interesting to meet new people , especially when a lawyer or some kind of sales manager sits in front of you and everyone gets to know each other, then you ask, this is how you work, and i work in a circus, when you go to work, like hard labor and think, here again by 9:00 now, while i sit until 6:00, while it's all done. it also asks for an annual report. oh god, there is such a plan. yeah, and uh, i'm not interested. i just don't care. i love it so that i wake up. and you, damn it, i have it i

will say, still have it. it so happened that i have a very creative enough family. and most importantly, what was most important for me was that the family accepted my choice. and what i'm like. don't shock them with your statement. a they seemed to be ready. they are like, well, we knew that you would go there, probably from childhood. i comprehended various in general. uh, how to say the genres of circus art, my grandfathers initially told me that a clown should be able to work in a circus. everything, respectively. i aspired to this, and thanks to this and thanks to him, i have a lot of e, genres behind me now, which i can safely use in my reprises and exits at the arena. that is, this is juggling and tightrope walking and balancing, e riding on motorcycle. here's from eclibrism. i have a trick where i stand on a suitcase with a reel and twist. three hula hoops, one such big one

and two standard hula hoops. so it turns out. well, and many other genres, at least, except for aerial gymnastics, but here, unfortunately, not mine. of course, energy is very important to me, because without it. a good job will definitely not work, and i take it, i probably squeeze it out of everything right to the maximum, the most important source of energy. for me, it's music. that is, i constantly wear headphones. i am constantly in i listen to music all the time, but i listen, i’m looking for something somewhere, i use my fantasies to somehow implement it into work, and the second one is strong. eh, energetic one. here is the exchange. i get from watching performances. i have a lot of good friends who work in belarus in different theaters and, uh, i constantly visit there are performances that i have been to 18 there is simply a performance that i have been to 10 times in a row i watched the same

performance, but the energy they carry. it's just unbelievable and i'm coming out of there like as if reborn. when i'm in a bad mood usually, if i'm in time for the show, i try to watch some good comedy, or some kind of comedy show, just to at least hmm switch my brain to the positive. if, nevertheless, i do not have time, then the energy of the viewer and communication with the viewer. this first exit itself is called the exit reprise, and it carries such such, even i will say an energy message that you forget for a moment. every program every season i've attended since i was 11, i've always bought the same

seat ticket for the same. this is the first sector of the ninth row, the fourteenth place. i don't know why this is, but here's me like in the eleventh year. uh, my grandmother brought. well , somehow this one is there and that's it. and after that, i tried to always buy at this particular place, while i was a spectator, while i came here, as a spectator, now my most important mentor in life and the person whose word i listen to is grandfather. here grandfather is the one who is at the very origins at how can i say so, but he did not lead, but did so that i was born as a circus performer, and i will say. so, everything he does and helps almost all the props. uh, it's his job and his merit. yes? that is, somewhere we did something together, somewhere he did something with his own hands, mom, and mom, well, she happens periodically. uh, as she says, i will not go to the show, because if i watch

the show you worry, you will not succeed. in fact, it is absolutely not the case when it is. well, when she watched all my programs, everything was calm. everything was fine. well, they come from time to time. of course, i already come to the circus not as a spectator, but as, uh, an employee, an employee, but awe and still this is some kind of state of mind. it's always magical, because in such a place you can't just feel everything, as if you 're just working on something somewhere at work, not working, but here it's just like that. mm, some kind of magic, after all, and i'm more for art. that is, i’m just creating, i’m developing art for myself , i’m trying to learn something. eh,

i'm always on the lookout for something. here it is for me this is important this is important, and therefore there is no such thing to quit, there has never been and never will be, because the circus. this is my life . well, this is the same thing as simply taking away a house from a person, because the circus is really our house. for all circus artists - this is home. this is the same thing as taking away a cell house just looking for it. well, that's all, live and i, probably, with great yes, i say with great confidence that never, no matter what happens. i say, i will find myself in the circus for sure.