at 180° n at 180 - 180° at n -2 is 2 x 180, ie 360. thank you very much, very interesting, but nothing is clear. every person is by nature. is it possible to create a drawing without any intention and does creativity open the way to health to be or to seem

today i propose to move away from the strict framework of the rules of technical requirements and copying, water and sand let us reveal the creative mood in the most unconventional ways. yulia burlova is with you. and this is a fashion project for culture. many are sure that to draw you need special artistic skills. is this statement true in the development of a creative personality non-traditional drawing techniques are of inestimable importance art that is not based on traditions does not adhere to them demonstrates unusual combinations of tools attracts with its simplicity accessibility reveals the possibility of using well-known objects. as artistic materials, a dancing drawing, a quiet, melody and artist's feeling ebruh or drawing on water is a deep and fine art translated from persian air clouds the process of creating a pattern on

water, followed by transfer to paper or other solid base fabric wood skin glass or ceramics. it originated in the middle east around the eleventh century and was originally used for utilitarian purposes in manufacturing. spoons of endpapers in valuable books, as well as papers for official documents and signatures that could not be forged, masters learned to thicken water by grinding dried plants. into powder. each of them had his own secret of creating mortar and paints, which was kept in strictly confidential in 2014. this is art. it was even included in the list of cultural heritage. unesco masters still believe that ebru can be seen with the eyes. and you can heart designers artisans. binders use the technique to create

picture books , wallpaper textiles . dive into the water room, where are washed away? expectations, fears and your idea about the uniqueness and unpredictability of this technique will be told by ebru master maria muntean maria good afternoon. good afternoon, the creation of a picture in the bru technique is different from the painting we are used to. in this case, water is like a canvas, the greatest poet rumi said about water that words are not needed to penetrate the mystery , just be and here it is, in which the philosophy is lying, the philosophy of ebru is that not everything is subject to our control and that, which for the most part things that happen are decided by themselves and organize themselves into

some kind of order. we are taught to accept acceptance, the situation and the works that we create as it is born. if we talk about the process, what tools are used? what is water preparation? and as a result, a drawing, uh, can end up on paper, firstly, in order to place this liquid canvas somewhere we need a tray. or a container, and they are different in format, but in size they are made of different materials, the second is that we need tools that we will use with brushes. and now they are such traditional turkish huge ones with stems, roses and bristles e horses, and there are already such modern fan brushes in order to create some ornate patterns and ornaments, we use shilo, which we also

sewed, which come in different diameters. they are very thick. well, there are thinner ones, they can completely change miniature thin ones in order to create complex textures. we use combs. so they are also in e, the solution and pigments are our key worker material, the water should be soft, or filtered, and we have it on it nasta thickener, which swells and then is evenly distributed in this solution and prepared water - this is water that allows the paint to spread freely on the surface either. eh, it can be too dense then it pinches on the pigment, or it can be too viscous, well, such a liquid, and then the pigment scatters, and we get too pale colors. this is also some balancing, that is, adjusting water, adjusting pigments - this is already

part of the process. this is already a part of balancing, and it seems to me that this is the magic that this is such a molecular kitchen of painting paints i cook on my own and with pigments pigments are sold in turkey in the form of powders or in the form of a special paste and they are mixed with water with bile. it does not take some time to infuse, so that each particle of the pigment is surrounded. a substance that allows paint to spread, as a drawing appears on paper. it is very simple it is the process of sorption of gluing paint on paper into the pores. it gets there immediately for a fraction of a second, sticks there and doesn’t go anywhere else, and then the sheet slides off

and there is already an imprint of water on it and actually one of the translations of the name is liquor. abr liquor. this is a persian language, that is, a kind of recipe, as the masters prepared 1,000 years ago, yes, yes, that is , ebru is, although it is served as an intuitive kind of living, like somehow such a spontaneous process, but this is a very traditional art exactly ebru. yes. e. here, all the instruments are traditional. here, uh, all authenticity, all the rituals of this preparation of pigments, they are all preserved, like 800 years ago. is it possible to decorate other items besides paper? yes, you can but, in addition to paper, you can decorate gypsum products , you can decorate wood products , textiles can be decorated, but this will already be called not ebru, because acrylic paints will be used. and this

will already be called aqua design aquaprint drawing on water, this technique is based on the abstraction of an arbitrary pattern. is it possible to draw a subject composition? yes, probably about 500 years old. it existed solely as emptiness and nonsense. that is, these are simply colored spots organized in some way, abstract, and only 300 years ago an ornament began to appear and then a climax in development. the traditional ebru was the appearance of flowers, and in the modern world, artists all over the world paint anything on the water, the possibilities are unlimited and you can draw very realistic objects, but this requires skill. how to draw water on water, drawing the elements, drawing water, it is for a person helps to tune in with the power of this element, to feel it in oneself to merge a little. yes,

yes connect. why is ebru called the technique of marbling, when the incomprehensible arrived, yes, it didn’t take root there and they saw marble in it first of all, and since the intended use was in the design of books, they wanted to make stone covers as marble as an alternative. because leather ones took more time and turned out to be more expensive, and marble ones were no less exclusive, unique, beautiful, but at the same time, paper is still cheaper than leather and less of all these production difficulties, and this name was fixed by the creation of marbled paper. that's what they call her. is there any therapeutic effect. perhaps even healing. of course, and it is scientifically proven. in turkey

, studies were conducted by russian scientists, until they were engaged in these studies, but i can definitely say from my observations that any anxiety disorder or just anxiety. it is removed simply from the first movement on the water and from the observation of the circle color spreading on the water - this is therapy. it's a color treatment. and here we do not just interact with it, we feed on it. because, uh, he directly actively interacts with us that one, well, at the beginning it is very bright and intense, then it spreads. that is, he plays with us all the time and enters into communication. and it's very exciting. it's completely distracting. well, it removes all external , uh, influences and the fact that this intuitive, uh, creativity comes to plunge , get this buzz from relaxation from unhurriedness, nothing is needed for this

no skills. but if you want to comprehend directly, understand how to make these clouds uniform and harmonious. how to tune these pigments so that they obey? how to create conscious images, how to draw flowers, for this you need to learn exactly. in fate , they fascinate and create conditions for relaxation, the possibility of expressing one's own fantasies, it contributes to the disclosure of emotional and creative abilities , it develops spatial thinking using the ebrum technique. learning to highlight geometric shapes in separate composite parts of the image to a harmonious combination of spots of lines and colors. and how sand painting or sand animation is used in art, fleeting is fleeting, like a life story, changeable emotions, environments and time. this is a relatively young type of sand painting, which originated in the seventies of the last century, the essence of dynamic action and

constant transformation for this art form. we need fine sand and a chair with illuminated glass, it is in the presence of illumination that the image acquires the necessary contrast and expressiveness. the main thing here is the artist and his hands he creates tina with sand, which transforms from one to another and is immediately projected onto a large screen in real time. an interactive sand show, as a rule, is accompanied by music. sand animation artist svetlana klementina will tell you more about this direction. this is an idea or an idea drawing. how this process takes place and how to achieve this animation effect, you know, it happens in different ways, sometimes. i mostly speak at some thematic events. they give me a specific idea, and i already do draft sketches for a visual perception of what i will draw, and when i already come to the table. i'm drawing these ideas. yes , you can say the drawings

are transformed in the process and something may change. something i can add something to remove, and therefore it is impossible to say for sure. what exactly is either an idea or a drawing, and how does this process take place, like, for example, from a bird, there can be no sky, well, you know , you just need to, probably see the play of light, and the shadows are somewhere something. add and take away. for example, i see where i can get a little here, pour somewhere to draw a line, and already the transformation process begins for me. yes but games with drawing and rehearsal are different. sometimes. it's enough for a few hours to come. here's to immediately embody the idea. and sometimes it's a few days. it probably depends more on the state of well some kind of emotional board there. yes, and a finished painting for rehearsal. how much time it takes is also different, if quickly, uh , the object is transformed, i pour it somewhere, and i already have the second object right away. well, it's showing up. yes, it's fast. and, if you need some kind of sand, which one is better to use? yes, sand, uh, it happens, mainly

two types, uh, it is natural, artificial. as an example, you can say river sea, as then quarry sand can be painted, but at the same time it is necessary to prepare it, that is, it must be washed, dried, ignited, and only then you can work with it, but let's say artificial sand, for example, like quartz i work for them now. he is already ready material for work, and we are already just drawing, but in this for work. what else materials can be used, in addition to sand , you can take semolina, you can coffee, you can salt. the main thing is to be fine-grained, the finer the better. is it possible to draw sand on sand? yes, sand on sand can be drawn even with a wave of literally two hands. first you fill up the table , completely fill the surface so that it is in the sand. yes, and the second one, as it were, you cut off and it already turns out such sand dune mountains. yes , they are literally two movements. can this be done? yes, and what is impossible is the invention

of sand. what is the biggest difficulty it’s hard to draw a thin line, because after all , the grains of sand crumble and somewhere something is larger than a grain, somewhere smaller. . can sandography be considered a medium? stress. yes, of course, because i generally think that the sand is like a living thing and unpleasant to work with. he is loose material. it is warm and pleasant to the touch. and let's say. it is not only when you draw, it also develops a motor, do you need to have with some special artistic skills and training, you can draw and don't have any skills. but if you know the basics of drawing, the basis of perspective for you is, of course, a professional already with volume with some kind of gradation there with a 3d effect. yes, you can draw and, uh, having some kind of base for drawing and without it, and how accessible and popular this direction is now quite popular in belarus , because there are toys and schools, if

a separate themed evening with sandography in belarus is a fairly popular type art form, yes. sand paintings, like paintings on water, can be easily corrected; there are no clear boundaries and rules that need to be observed; such creativity is interesting for people of different ages and levels of artistic training. experimentation. and this is the first and most important step to create a work that cannot be repeated. that's what makes the master feel special. pay attention to be in harmony with yourself is also a kind of art. show yourself do not be shy about your ideas,

because nature has created all the necessary materials. we just have to try to create. and apply them my name is julia and remember cultural see you in a week before new cultural meetings.

hello

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