such a low little thing is not only edren, but it ’s otrymaya about headlights-butane, that is, it’s like there is a single version and that’s it. it is here in this haze and is transmitted to the ground, and there already in the coal. she disperses and this wall will not go anywhere, closer. yes, the gangway to god has a central nerve. the majestic lids, a symbol of the spirit, are hidden in the transept. at the kryzhov ’s, the nogamzha symbolically above the heart of the kryzhov ’s god rises a landmark, and under it, the altar is set up as one eight vertical yashi, pretending to be the best heaven and earth for christians understanding, roofs. this is a test sign. the body endures pokuts and dies to be encouraged by the illustrious and spiritual ones to carry their roofs, that the tikovata temple, mute from the gags, awakened them. i have to rule in the future

for the sponsors of budovnichestvo. at the church of the holy trinity, nothing began to delay a person from a dialogue with god, and vezhya kaya, which raised the task of maya velma such smiley good forums, and in the form of a closet to crush it with a drowsy listen to an ambush , these are often temples. here it came off cathedrals there were not for people, but for god supposedly to see, and all the agul impulse announced a new molyar from the culture, if the allotment was driving the wheel. his yards and soul and talin village temple, the light wars of the revolution changed the citizenship of six sovereigns, barbarian hand did not rise to his

unique enchanting account.

a huge organizationally complex scene is being filmed kaizerovsky soldiers food boxes of hay drive the cat and

suddenly, in the midst of this well-organized and staged scene, the voice of the directors is heard into the microphone. stop everyone froze, what's wrong, what 's bad at the fourth car. the soldier has modern tarpaulin boots to change shoes. assistant costume designer cut off so says, yes, who will see it in the general view , a man with a mouthpiece says i this is the director of the locomotive leo's head. i always look forward to something in my life. i am waiting for some situations that will surely break my personal fate and direct me to the better.

so it happened this time. i am finishing school in the fifty-sixth year of 10 years. when i was finishing 10 classes, and suddenly such a scrapping occurs in my life . and suddenly, knowing about my intention of the article on the director, she tells me a terrible trade secret . a film crew of the belarusian film film mikolka, a steam locomotive opened an account in her state bank in grodno. i immediately thought, i need to somehow nail down to this film crew. that's fate, you want to go to the movies and here's your chance. all

obeyed one man who was both king and god on the set. it was lev vladimirovich the head of the director. he played a decisive role in my cinematic fate, in general in my life in art, so to speak , big big a little bit, clumsy bald dense, tanned, limping. i went behind the head and caught his every word. well , first of all, my position was supposed to be with the director all the time. like his stirrup. in conversations, he mentioned sergei zenshtein or rizman ivan dust it for me. these were people of myths, and they just spoke. well, how about comrades? i just couldn't comprehend. that they were not myths for him, but simply

companions in the creation of early soviet cinema , and i was completely shocked when he called the classic of soviet cinema lev kuleshov and his wife alexandra khokhlova simply a ladder for her thinness. this is generally for me. this shock was simple, well, even with humor and ridicule. uh, he was discussing their work, their paintings, and completely shocked me when he said that he was with julius razmom as an assistant on it is still the film forty-first staged by the classic before the revolutionary and soviet cinema. i say alexandrovich protozanov, i rushed to the library that same evening and found some hmm worn brochure yakov protonov and leafing through it i saw a photograph in the rocks of some kind in general. in the plan are two bald-headed young

men. they were assistants. protozanova julia raizman. and lev dove lev vladimirovich worked, and he could start two shifts, he was tireless and ate. i did not see him go to the restaurant or the canteen there, where he used to have the feeling that he was like this all the time during the shooting, and gnawed garlic and washed it down with kefir, as he once said that this was a way of longevity. well , he was probably right somewhere, after all, he lived for 90 years. vladimirovich noticed how i tuned my ears, radars, when he started to speak, he looked at something. in general, i caught every word of his literally, and when he noticed this, he began to explain to me, in principle, how to shoot close-ups of actors, what is a close-up? what is a general friction plan

driveways, departures, enlargement, assembly joints , construction of episodes within the personnel movement. he me this slowly, quietly inspired. it was so, so to speak, zombification of me that i did not even write it down. this is what i remember. and he began to entrust me. the main thing is the selection of types for shooting. well, for example , i say, so volodya means to me that for tomorrow's shooting we need three well-groomed ladies, two skinny tuberculosis students with beards. well, he will stick beards, then he will wear glasses, they will give you eyeglasses. the main thing is that such faces should be a gray-haired grandfather with a beard, and one fat man, which means the role of a merchant and so, he explained to me, and i wandered around skidzel around

the grandiose markets, which now they do not exist on long legs on a bicycle and looked for these types soon. i understood. you see, lev vladimirovich, after all, came from silent cinema, and in silent cinema, the expressiveness of the type you are the parent of a person was expressed only by one plastic, there and the face, and he told me that artists have such roles and then i watched silent films lost with a stupid face. this is the hero of the groom, the loser there is some soups with manocle. yeah, this fatal seducer literally taught me to say volodya here exists. note. watch even in life there are positive people, there are negative characters, but now

i have a negative type. i understand that, but then still 18 years old. i looked more handsome and rather just looked like some kind of romantic youth. and that's how i then began to look at people even like that, and i realized that both on the screen and in the theater, and the actors are divided exist in their own way. stage screen role. all this came to me gradually from lev vladimirovich's head. this is his school. school friends are all my friends in the city, grodno well, for example, for vladimir, yes, volodya, and here there must be a very expressive jew. well, why was i looking for an expressive jew when it was my friend, the projectionist of the house of officers, misha shapiro with such a nose, to

which they approached and said, you see, what are you doing today? this mechanic asks, we twist the mini. we are demonstrating. here is misha i was filmed filming, my school friend borya is strong now the presenter in general, our art critic. the author of books on painting about the artists of belarus is a long-term creator and director. uh, art gallery with book sales. uh, then on central square next to the houses of officers, the main lieutenant colonel misha kanashevich. these are the parents of my friends who , of course, passed, because we all crowded in each other's houses and knew the parents of all our classmates. this is my beloved grandmother flashing in the railroad crossing scene. this everything was my creation. these were all my shots, with which lev vladimirovich was very, very pleased. i chose clearly enough, then the types.

well, now, now, the independent directorial life of actors for his films, and lev vladimirovich instructed me to pick up 30 extras, and the work of the peasant type here was pleasant and familiar to me. the fact is that my dad at that time was the chairman of the city settlement advice in boots for this 20 km out of town towards the border. with poland if your son, he tells me, go, here's a fool in the village. will you find everyone you need there? really. i went there and saw. these types are like that, everything means everything in these ones in such kamyzyaks in polish caps with ears fixed at the top in marinarka semi-pea coats of some kind and i selected 30 of these types. you know, for them a person was

a person who dramatically raised their material level. imagine the pride in the collective farm. all day. they got some tick some mythical penny workday some that will be paid to them at the end of the year, and i, 18 years old, yesterday's school, vladimir alexandrovich orlov, provided them with a fee of 30 rubles. for a day of shooting. in general, for idleness. 30 rub. well, it then cost about a bottle of vodka, and the reform of the sixty- first year will cut one zero. but this is how much they earn per day. i saw that every morning 60-70 people gather around the car, begging me. let them climb into the body, but no

more than 30 selected and i regret, as if loading my selected dorgunians into the body of the car myself sat in a booth and on the way taught them the song yak came out of the ushley. the guerrillas hamanized the forests and the glades, now i'm here singing some kind of belarusian folklore band. and how did you know them this song by vladimir vladimirovich allo umnikov from the film mikolka, to the steam locomotive staged by lev vladimirovich blue.

do you think a guy can grow flowers? these are my glasses all huge, hello. today. i want to tell you about my florarium as a master. so the life goal of inspiring everyone despised and everyone laughed at being rude. how so boy is engaged in flowers, and i was also the captain of the team. it was classic as a white crow. is it possible to discover your scent in the village? let's go , we're doing this to us, the children, how are they right away? let's make a manor game. let's put a bathhouse, and that's it, but we didn't say that

there is nothing here after the bow, there are no such decorative birds. can you imagine when you enter the enclosure, and then such beauty disbands you, watch the program to break stereotypes on the tv channel, belarus 24 answering a question with a question is not the best strategy, unless, of course, the construction you in the blood. and you know all the answers to our questions, when you watch the group on tv, how does the name cinderella sound in belarusian ? answer, if you can, and this is a ball of thread. near absolutely correct answer. logic will come in handy in the third round. and here , after all, knowledge, we develop memory, we train erudition. together there is an answer. there is an answer and you are sure of it, or simply because time is over. you suppose six? let's try, and about two more times, the one

that you understand intellectually entertainment project tower on our tv channel. every evening the indefatigable dove, having dined probably on garlic and washed down with yogurt, collected it. the creative staff of the group discussed how tomorrow's shooting would take place; the artists aleksandrovich buns showed the finished storyboards and discussed this with the cameramen. e with the administration. uh, so we were guessing what might be needed for this shoot. ah,

we planned promising ones, which means some work there at the end of the week next week, which takes a long time to prepare, and now it turned out that impasse is coming? for the false funeral object, this is when the procession goes, the men carry the coffin, and in the coffin of the rifle , certain natural conditions are needed. it must be a forest in the distance, here a copse, here a road that intersects with another road . i will build for you on any hill, and the decorator artist nikolaevich of the old bitterly admitted that he had been driving around the neighborhood for several days, grodno and so far.

landscape of a plot of nature corresponding here these requirements, indicated in the sketch , are not yet found anywhere. i thought what is it? i just don’t see what i go there, it’s right behind the sapozhkinsky cemetery. the first village of balienta. everything is exactly what is on the sketch of the bakery, what they stipulate. i quietly told yuri alexandrovich bulych about this. let's go. it's 20 km from grodno boots there by and already in the passenger car, which we drove on the way back already did. he was also a talented person. he was already making storyboards, as if already tying them, and to location and i saw in the storyboards. yeah, this is the top point of the bell tower, which means he will finish building this bell tower. and

so it will be . yeah, right here below, which means that the chair will move. in short, this scene this episode began to prepare to shoot in the village of balenti boots. yes, but there was a question. where can i get a bell? well, again i stuck my head, i say. you know that i will ask the father of the chairman of the township advice, so that he asks for everything he is for the white man, with whom, so to speak, they worked together , this pa- public party, this under the religious line, so to speak, to allow us to take the bell for a few days, and he bell was in the churchyard immediately to the left of the gate . it has not yet been raised to the bell tower. he was here just

on a log mount. well, of course, they brought a crane and lifted this bell onto a truck. there , they put some kind of platform on a platform . they carefully transported it to the mountain. to say, well, they lifted it up the hill, attached it to this bell tower, completed by yulian bulychev, and removed everything. just like it would be a storyboard, you know, bragging about my work and my contribution to the shoot. that's it this episode, of course, appreciated. hallelujah i am the world of the world.

brothers dead man sunday in parallel, working on the picture and taking exams. still, i graduated from high school with a silver medal, and lev vladimirovich's elementary film school is blue. it seems to me that i also finished well, because the film crew filmed in autumn. i left for minsk was no longer needed, it was sad, but soon

i received the very fateful telegram that called me to work for belarus film, the red church in minsk . i am on the films shot after the two i worked on, so i can’t talk about the process of these films that he shot, how they were shot, but i remember the work and the situation on the films on which i worked in vladimirovich and the girl is looking for a father . i guess, that these are the brightest and most favored

by film critics films of both lev vladimirovich and belarusian film, because these films combined two very characteristic tendencies for belarusian film, children's and partisan nikolka usually arrived. i went to moscow with film makers to rent some of my film at shabolovka 37, where the headquarters of where we

were obliged to hand over our films to decide their fate. there, either on central television, or there, on the wide screens in all television studios, we loaded various gradations with a driver. i am ufa with boxes in trunk. i sat next to the driver and said, shabolovka 37, he nodded, turned on the meter, and we suddenly drove the driver. an octagonal cap of such a uniform made of leatherette got me to ask about belarus a film about lev vladimirovich's head. and i was focused there. i think how my film will be received, what to say, what opening words, what is it, who watched it? on well , such a tag, i look at the driver vladimir guskov, this is zhivovka. vovka from the mikolka

of a steam locomotive. this is yanka from the next golubovsky film, on which i am also worked the girl is looking for a father. i looked at him aged nikolka. yes, it will take a long time to pour this armored train from all the guns on various bourgeois capitalists on the enemies of soviet power. with such dreams we will definitely win, otherwise it cannot be, we will never give it to anyone. the city hid in the valleys of the steep hills near the houses of the old round dance gardens, the alleys run like streams to pripyat. that's what this town was like, houses. these were all in blooming blooming gardens, scattered over really over the hills. i sometimes thought how they bring firewood there, how the inhabitants of the sea, gordelieva, boasted of the ambulance there, the whole city

is scattered over the mountains over the hills, like switzerland. well, it was pleasant for them to think, the river below, the lazy sleepy pripyat, dozens. maybe even hundreds around the clock, almost from early dawn until late at night, segmental figurines with fishing rods, from which one can draw a conclusion. what is it, as the harmless arkady raikin said. there was a time when you can imagine fish in the rivers was like this was this brain. what was interesting, the locals, especially the girls , asked, and which of the famous artists is filming with you? well, what could we tell them that only children of partizans and

germans are filming with us. well, the roles of movie stars had to be played by someone, and these roles were played by our lighting engineers, dressed up under a tie there in the evenings, and during the day also by our working directors, who were very compromised by hammers and hacksaw saws in their hands. they had just appeared in front of mozarchians. so to say elegant dandy situation is very good. the actor zhorogo bula described in the song who, somewhere, uh, in the episodes, was then a popular song of raindrops, and he wrote. such a text one has only to put kozyr snab at a full-length dance and the inexperienced mozyr will take everyone for movie stars drip-drip-drip-drip drops rain pours on mozyr endlessly. we hope that soon the girl will find from the doggy, and there was a whole

long song about it. well, this very accurately expressed the relationship of inquisitive enthusiastic roars and crew. what they have devoted their lives to cannot be called simple. it is the choice to be fearless decisive brave here that they began to recruit both boys and girls, so there are no special differences between boys and girls in the process of training in the process of serving; girls, on a par with the guys , fulfill the same standards for us military servicemen. it's like a brother, a younger army family, close-knit , everyone helps each other. constant learning

and training allow them to grow and to develop, in order to maintain order and security at any time, people are needed who will protect the foundations that have been formed in society, which later grew into legal norms over time. project one day. watch on belarus 24 tv channel. the information struggle and the clash of ideology on journalists is a huge layer of responsibility, they fix the reality of a new format of international relations, where every step has diplomatic significance, these exits should

make us not weaker, but stronger. that's it should know that people of different points of view could hear each other, if we do not want to hear each other, why it is important to meet, not to receive super profits from the sale of natural resources. there's something else enrichment of some units. yes, and simply put, you did for the motherland how you develop the editor's club in your native country. watch on tv channel belarus 24. to the studios of the soviet union in all cities

find a child who would believe in the proposed circumstances, like an adult actor who would react to executions death to the death of a beloved dog that the germans shot to the death of a mother, it was necessary for a child who believed, that's all, this invented this terrible tragic situation from all the slavic studios, i emphasize, there were hundreds of photographs, a dove, took everything away, otherwise it’s not it’s not that, but he believed that that child would still appear, spring had come, that is, the time had come for the great playwright named life to somehow unleash this plot and how to slip this

child who could play a role. one of the assistants, tired of running from grounds for film studios in moscow mosfilm gorky studio soyuz bridge cartoon there somewhere else she sat down in some small park to rest, but fatigue was fatigue, but with an experienced eye. she nevertheless began to look closely at the squirming children and suddenly saw some kind of cherry-eyed girl there, who looked to her very much. she called her. and she gave her some very simple test such as laughing, crying, being surprised, being scared, and this is a girl. with amazing simplicity and

truthfulness, she immediately performed all these tasks. and quite complex will force. now i'm there to cry or laugh, but the child with your spontaneity, what did you ask? she did it grandmother came up and was surprised at such artistry in her beloved granddaughter. the assistant, at her own risk , brought this girl with her mother to minsk. the dove conducted a screen test and began to select actors for other roles, because he knew that he was a trump card. he already has a girl who will look for her father. the girl's name was anechka kamenkova. whether?

grandpa, i want to go home, where are you going? my bitter child, the whole house is not yours, anechka kamenkova, a muscovite, a child of asphalt, ended up in a town where there were only two asphalt streets, where you could run while your breath was enough, where there were copses nearby , where there were berries and flowers that she had never seen in her life, which she saw only in pictures in fairy tales. and so anechka came to this wonderful city. she was fascinated by the city, and we all fell in love with her, she opened the doors to

the dressing rooms, even weapons. the germans are there. guerrillas shooting there, yes. and she asked about everything, and we were all very willing and in detail, everything was explained to her for a long time and told, she listened attentively. this is not what forced us, as it were, taught us to communicate with children lev vladimirovich dove. you know, when i brought up my children. i, too, put aside my affairs to all their questions and explained everything to them in great detail and told them that children should not be brushed aside, because when they grow up, it will be subconsciously that they will brush aside their parents' parents . who complains about the problem of fathers and children? remember this testament of lev vladimirovich golubov as a partner. ani was again, nikolka, then

yanka vova guskov was already called here for 2 years after mykolka. he recovered somewhat, especially behind artie . he also knew everything and everyone in the movie already knew everything. this was already his third picture , so the dove practically did not work with him, because, well, he already knew that vova mogute simply gave him a task and carried it out clearly, because it was impossible to outplay anya. she was so, naturally, so radiant in general, somehow, that's true. well, it's just a baby. maybe it's like this do. lena let's go there will be a storm. you can see that i'm tired, i can't. i want to go eat. why didn't you take my bread? you know that you grabbed me in the village, but i'm holding. well damn, it's good, yes,

shame on you? and even one. i left me to myself anyway, don't you dare say that. at first , lev vladimirovich began to work with her , setting her up somehow the way he worked with an adult artist. how i worked with vovka , who from the first remark did everything as it should. but anya was completely different. she was still a child, he began to explain. right here, it means that this is happening , you must feel it. here is such a thing. you must understand all this. tell me that something must be happening in your soul. something must be going on inside you. anechka, that right now, inside you

, the child looked at him and said, there is nothing inside my intestines. we were all choking with laughter, which means that we all dispersed, everyone fled, but they did not understand that we took it all as a joke. she answered this question honestly. what 's inside you, she honestly said that you have her inside after that, lev vladimirovich restructured his work with her. he played with her for hours. he danced with her. he played some kind of catch-up game with her. here he is huge . forgive me, as if he was such a prominent one, it means that he was running lamely, anechka ran after him there, running and screaming. after that, once again, he once again called her attention camera, anya gave her some replicas of a lion. vova immediately framed him ready for such a photo of the foot, even if it accepts cinematographers into the union. they immediately threw her turnips. and anechka in this immediacy of hers. everything was transferred, everything

was mixed up. she drank to herself. who would save you. i see that lenka is disappearing right here , he came to the grandmother in our language and i say. eh lena if you knew who the father of the boar is, and here is the scene when the germans show her a photograph of the father of the leader of the partisan detachment and say, this is your dad. we wanted to prompt from behind the camera, and do not say no, no, but she honest child said. yes, this is my dad. the women of our film crew were in tears. but we are all somehow pinched our hearts, although we understood that anya was doing everything right according to the script, we

felt so sorry for her, because we understood that now the germans would take her hostage in order to lure the commander of the partisan detachment of her father out of the forest. do you know who? this? mother? it's me. you know, probably, in this film, the girl is looking for a father, that same girl , that same five-year-old anechka kamenkova caught some kind of movie virus, which, probably, somehow introduced it into her. i am vladimirovich golub, she became an actress, and with a falactris, a very famous actress of theater and cinema the daughter-in-law brilliantly played the main role in the film and voiced a lot of foreign films. ilya vladimirovich still heard her voice in voiceovers, but what did he not hear? and

what he did not know was the fate of another girl, into whom, probably, he also in the same moser and in the same film. a viral hematograph also brought in the head. it was an extras of girls that i gathered in the nearest kindergartens, when on the square in moser this is a girl, white in sandals, having graduated from the acting department of the institute cinematography became, e, an actress, an honored artist, as if the ussr master of the stage theater of the studio of film actors svetlana crackers. there was a kindergarten behind my back, from which girls were taken for filming the mass scene of the film, the girl is considered girls

, they took those who came in an old blouse, as they asked and paid, as the film crew asked, and i stood in the very last row , on the left it was well, somewhere in the area of ​​\u200b\u200bthis square i saw, only the crane never saw myself on the screen, naturally, but the film i think is the best movie and anya kamenkova. for us , she was just a superheroine, minsk met. the first children's video, of course, is my brightest memory of my whole life and probably it was a very important

event in my life. in the last two decades of their lives , some truncated deadlines for shooting a film

, they do not understand that the shift is when working with children. no more that smith should be increased due to the fact that the number of shooting days in the shooting period is increasing, that more money is required and volodya they mean, well, there are the heads of the studio of the head office, they don’t understand volodya that all this was repeating to me what i knew very well, i smiled, nodded, said, yes, they gave vladimirovich sympathetically very sensitively, and i myself thought, i think, poor lev vladimirovich, you don’t understand that there will never be 3-hour filming shifts again. and for the last 20 years, in general, he did not shoot anything, but he lived to be 90 years old. and here in the pioneer cinema when

his seventieth birthday was celebrated. and they had a creative meeting. me and my friend from youth to of his last days, kin to directors valera with a rubinchik, lev vladimirovich accepted bouquets of congratulations, souvenirs of children who filled this hall at the pioneer cinema and peered into their faces. well, as if still, probably, looking for types for their possible future films. and valera and i looked at his performance and thought we remembered that as schoolchildren we were brought up on his films in our youth, we ran on long legs as assistant directors on his films, earning two years of experience to enter the directing department, it was compulsory. in their youth, they launched already with

their first works, with an eye on the classics of soviet cinema. and now here we are honoring his seventy-year-old, as mater, as the elder of our film workshop, where we are all , as it were, equal in the profession, and here i am on that day and then meeting him in the corridors of the film studio , i’m still cheerful enough. although he was already there from 80 and i thought that this is the person who once, many, many years ago taught me how to work, how to be focused on only one on the creation of what fate has called you to, god called on how to exist in general

in this huge , mysterious, insidious and magical world, which is called cinema and which i have been chosen from the eighth grade for the rest of my life today and this person in my life has become. lev vladimirovich pigeon