our whole life consists of moments. moments are different, some of them are bright and barely perceptible, there are tragic and romantic, but each of them has its own charm. there is a sense, we people rarely began to pay attention to the rustle of leaves underfoot, the blue sky and such a warm autumn sun with age. we pay less and less attention to the little things. but it is from them that our life consists of a season of moments. under this motto , the thirty-first theatrical season started at the republican theater of belarusian drama, than in the new season there will be surprise the audience, we will find out very soon with you. alina is not a war. and this is the fashion for culture. a new theatrical season has started in all theaters of our country, and in the republican theater of belarusian drama it is already the 31st

theatrical season, which will be held according to the motto season of moments . the republican theater of belarusian drama was created in 1990 as a laboratory theater to support and develop belarusian drama. here you can see performances on the island of social topics. find answers to eternal questions and simply to spend time mentally the theater team is in constant search for new forms of genres and meanings and is not afraid to experiment. the basis of the repertoire is plays. both modern belarusian authors and classics of world literature, a new season. new production svetlana naumenko, director of the republican theater of belarusian drama, offers you a performance of tests for adults based on the play. well known. all over the world , the croatian playwright mir gagran, is an ironic and open conversation on the classical

topic about those same eternal values ​​svetlana good afternoon. hello tests for adults. tell us why you chose this title for your production. uh, this play was written by the well-known croatian playwright gavron, he is very popular in europe and latin america in canada, that is, this uh, the playwright is staged everywhere, you know, and it was interesting for me to figure it out. and why what is it in this dramaturgy that allows everyone to understand the relationship between a man and a woman, and fidelity to a family is treason. and why this is happening, and how to react to this and the paradox of this author is that he gives such a key such an answer as to this rhea? which, of course , the audience must watch the performance to answer with us, but it's paradoxical this time, and then uh

, one of the main uh, characters is a psychologist. nina plays it. natalia kholodovich. she is a professional family psychologist, and in order to hmm deliver a pleasant evening to our viewers, we deliberately introduced psychological tests into our performance. they are very popular. they are on the internet. it’s just that not every person is ready to pass them or even understands that he needs it, and as a result of these tests, the viewer answers questions about himself, he does. there are such answers that, as if for himself, he draws some new conclusions about himself or affirms himself in some way. we want the person who came to this performance. eh, he left a little changed, so that he would still have problems. it's a comedy. he was able to look a little from the outside only when we are able to have strength. laugh at your problem, we are able to get rid of it, so this author and so uh hmm play

forbidden laughter there in the fence, but laughter, let 's say from croatian. we named the adult tests because we take adult tests every day. why did you choose this particular play? or maybe you selected her specifically for the actors in this performance are busy, well, very experienced actors. this is the leading stage master andrew volunteer. and anna nesesenko. natalia kholodovich. each of them will have their anniversary in some time and this play was brought by andrey dobrovolsky , he says, that’s just such a sweetie they are plays and this is a comedy brought by a volunteer drill, studied by us. suddenly , we realized that this is what we need now, and it could be the tatanality that we wanted to talk to our audience today, the one who came to our theater or is coming. we really needed this. the audience will see on stage absolutely. we walk along the outline of gavron's world, absolutely storylines, scene after scene, he is very uh, an experienced

playwright. you know what they say in there in the theatrical environment, there is nowhere to put your finger , so rigidly written in the plot begins with the brightest event of the brightest conflict, which then spreads to the entire press for the entire performance. the only thing that we added tests. we added choreography, you know, sometimes a person, for example, when he is pissed in a rage or he does not know how to respond to an unpleasant person, or rather express him. mm, emotion is his message of choreography, therefore, this is the theater here , everything is absolutely good means and i, in principle, for synthetic theater, that is, the use of all expressive means of the performance, so we also have choreography in the world , there are only two types of spectators, men and women. and if they are 16 years old, they can come to this performance, because young people and young couples and mature couples. well

, they will see that the spectrum of problems that we solve very cheerfully, but the problem does not become less significant from this svetlana a. do you remember your first production that you directed. yes, that was in 2000. i made a small performance, independent at the theater for the young spectator. it was a fairy tale heart of gold. this is just a play for parents to watch with their children. it was very important for me the configuration of parents and children in the theater, but for the family, but that the child should educate his parents. we immediately firmly posed the problem that the child should educate his parents, if they cannot understand their relationships, then, probably, the child can be that configuration of that personality, the experience that he makes to this problem that can resolve the situation. it was my first staging. i am very grateful to the theater for young spectators for this, because, in principle, my

directing began from there, you have many performances on your account. you can highlight some of your favorite the most iconic for you. definitely, i am still in that creative phase, when each of my performances is a very beloved child, a child of suffering, but there were some significant performances, when i came to the theater of the republican theater of belarusian drama, i did this unusually. even for myself, the move is an unusual performance, adam squeezed out, it was staged in 2010 year, 270 times. we played this show. this is an unusual shape. i am grateful to the corpse of this theater to the same corpse that was 12 years ago, which took all my plastic measures, hold's tricks, took it and digested it and works for itself and works. although this performance has been replaced by several generations. it is very important for me to stage a performance for that anniversary and the great patriotic war in

the bryansk youth theater, it was and the dawns here are quiet, in my opinion. here, i even i remember a little. yes, it was some incredible success, for example, because when the performance ended in the bryansk youth theatre, and the dawns here are quiet , there was some kind of ringing silence. that's just eighty, the instruments could hear silence for a second, two three. i couldn't understand what was happening. i thought it was a failure, and then i began to descend from the second floor to go on stage, and suddenly there was such a standing ovation, it seemed to me that this building would collapse. like tomorrow 10 times one difference, uh, all the documents were in my office for and you try something tests for adults, a territory where both actors and

viewers may not be afraid to be real , not to drive themselves into frames, but to live the feelings that arise at the moment during the performance , the viewer will become a real accomplice in the process, even pass psychological tests and feel part of this paradoxical story. and someone, perhaps, will see himself in one of the heroes. whether the main character passed the test, we will find out right now andrey good afternoon. do you play the role of the main character in the play? tell me what your character is. well, give out all the cards. i won't just say that this is a man who is largely confused between two women and cannot decide what he needs in life, so women in this context help people make this choice. that's all, and do you empathize with your hero, of course, well, it also often happens in life that men sometimes do things in life, for

which they later regret very much and pay for some momentary weaknesses that they have a person, and someone consciously comes to this, because everything is fine in the family, unfortunately, the wife started drinking, mother-in-law, i got many, many other things, and men sometimes leave, so, of course, this is wrong, but do not judge. yes , you will not be judged, how the preparation for blood took place in general. the most difficult thing for an artist. it's a comedy . it's very hard to make a person smile, laugh and everything else for an hour and a half. it is always a kind of school when you are, and therefore i worked a lot in different options. i was looking for some chips, how we burn nuances, which i thought would be funny to the viewer, in your opinion, what a wise woman she is? for me wise woman. this is a woman who knows how to

forgive. if a woman is able to forgive, she has a very great wisdom, for some reason everyone thinks that this is not a weakness. uh , i believe that only a strong woman knows how to forgive your hero has passed the test and will not pass. he is a test. unfortunately, because he has something else, he does not want to go through it. there is quite a category of men who are very afraid of change. in life, they are afraid of passing tests, afraid to make serious key decisions at the end of the play. your hero has this very piercing and soul-rending monologue. we will not reveal all his secrets. tell me , do i need to please anyone at all? in life, i guess i would say, you just have to love to please this is the consequences, if

you love a woman, in any case, you will do everything possible for her impossible, because this is your own person, because you live next to him, because he brings up your children, because he feeds you, because he helps you, supports with the motto of the new theater season an exhibition that word passes. theater holly and you are a joint exhibition project of artists painters. mikhail and andrey merenkov, pancake, chickpea infalia, the creative tandem of father and son invites you to get acquainted with their family , to indulge in good memories and feel the warmth of the family hearth. the republican theater of belarusian drama is a place where vital energy is accumulated and maintained. contact with the viewer gives birth to sincere feelings and real emotions, all this or glow into the basis of the new 31st season. it's so important to be here and now

be in contact with yourself with your emotions and feelings stay in touch with other people in order to create together create and appreciate the moments that make up our amazing life, if you are ready for psychological discoveries to talk with humor on a serious topic of relationships, then come and take the tests for adults. and i sincerely wish you more often to say to yourself in the words of john goethe stop a moment. you are beautiful. appreciate every moment, visit theaters and do not forget to follow the fashion trends of the cultural life of our country with you were alina no war and remember to be cultured - it's fashionable see you in a week before the new ones. cultural meetings