he invited his mother into the room and pointed to the bed. there was a bunch of bills, for some reason, three-ruble bills. mom cried. son, i taught myself. never paint, never borrow

someone else's. what did the son answer mom did he earn? this is the legendary vocalist of the legendary golden composition of the legendary soviet belarusian. leonid markevich spoke at length about his pedigree in an interview, but the ironic and observant musician of the pesnyary ensemble , igor polevodov, described him very accurately before another eight or ten years back. lenya had to take 400 g orally

in order for him to be cautiously presumably. he said that perhaps he is a distant offspring of a side line of princes gave birth. and now 100 g is enough to categorically assert that it is. the end of this quote and i will be the wife of my heart, dear vladislav misevich spoke very peculiarly about his voice at the coffin of lenya. one of the two living musicians of the first composition of the pesnyara ensemble

, he said golden voices are increasingly singing with angels. this is a christian saying. this christian act of vlad misevich. why because, when in 1998 the pesnyary ensemble split and bortkevich took over, as they say, in the direction of the mule, but the breakaways? musicians who called themselves belarusian songs, they became irreconcilable antagonists, this was completely emphasized, and in an interview with one and the other in 2005

, a presentation of the book by lyudmila krushinskaya took place in the national library . i am igor luchinok. and right down the aisle lenya bortkevich comes a little late. vladik got up and extended his hand to greet lenya, but lenya proudly walked by, smiled, held out his hand to me, extended his hand and i say, splinter, greeted everyone, and even then i thought to everyone next to igor, lenya and the owner are no longer young uncles. so many crumbs lived together from the table of the mulyavin, they have long been collected. yes, hug, huh? shake hands with each other.

the ability to sing and the desire to loop did not appear very early, he sang in the choir of the palace of pioneers in the choir of youth at the conservatory and at the same time he graduated from a music school in the trumpet class, but there was another passion for drawing, and after graduating from school, this led him to an architectural and construction technical school on the street from the metrokadulin there and now at that time in this college there was a variety orchestra, which was organized and led by the future professor musician, vladimir pavlovich skorokhodov, and since there was no repertoire of his own, all vocalists. sang to someone. well, he sang salt there. you told me yesterday. and what will you call, well, under the palatals, and how i couldn’t enter after artistic holding. the conductor

stopped the orchestra, vladimir pavlovich , the same result was started from the beginning. everyone has been on break. lyonya approached the wolf tolik says to anatoly why can't he step? it's so simple. yes, just said the wolf. well, such you enter yourself played the guitar in an orchestra performance. lenya entered the wolf thought that it was accidentally played again or he was drinking again and then the voice of skorokhodov was heard. who is there? who is singing there? and, of course, borkevich was accepted into the staff, if possible. so to put it a pop orchestra architecture and construction college after the departure of skorokhodov, the team was transformed and began to imitate the beatles. but here already lenya had no competitors , perhaps at one of their concerts, and they were

in demand, they sang and played in all universities in all youth organizations in minsk. and then one day at some concert lenya heard. guitarist, violinist and one of the members of the first line-up of songwriters, a friend of our family valentin badyarov it is quite obvious that the devils told about this curly-haired vocalist vladimir mulyavin, who was just forming the first line-up of his father, the fucking future songwriters leonid bortkevich. just graduated from engineering. while working at the bel nii giprosel, he could not even imagine that somewhere outside the walls of this organization the future line of his whole life was already being built. and

what will soon come in this line of life? sharp turn, yes, until he knew it. they paid attention to belnia giproselstroy selstroy, but lenya in all interviews claims lenya worked on the project of the huge oktyabr cinema in minsk that he the author of this project. well, how can one fit into the other? here i want to remind you of lenin's tales, which he himself told, and he himself probably believed in them. well, the truth is white, not a gipperselstroy that is engaged in rural construction, this organization is led by the lenin prize winner, georgy vladimirovich zaborsky, whom i shot in

the film your house on earth, dedicated to rural construction by the lenin prize winner. he stood behind the village of vertelishki near grodno, such an exemplary village. and what about the movie theater? belgosproekt a huge building crammed full of experienced architects who graduated from the institute, well, obviously there is a discrepancy, therefore, since mulyavin came to ask borkevich off at the fence, the oktyabr cinema disappears, the zaborsky emulative system remains white. they work at the largest machine-building enterprises of belarus. i am over 55 and i

am not shy of my age. i do not look at my age, trying to work and benefit people felt, what is innovation in my eyes, there was a new technique time dictates. uh, move develop something new they stop on the spot, it will not be difficult for them to tell about how the giants of agricultural machinery are created from scratch. when the components come to us, these are spars. some amps and ramp assembly is yes , a very large adult constructor, and they go through the paint finish there. this is a beauty salon for tut project one day. i am very satisfied with life, only the tractor plows does its

job. and i'm doing my job. watch on belarus 24 tv channel their passion for hobbies - this is their favorite work. you know, here when you start breathing deeply, and not in half a drama, it's like a real-time time machine. that is, you do not need to invent anything. you can just immerse yourself like this on your own, in principle, this is our job to create beauty. uh, comfort and some interesting details to add our heroes want to share their stories when i had little experience. i had no idea that the flowers needed to be dried and my first product. i did it in my country house. i just took the flowers, plucked them from the flower bed and lowered them resin. and i could not understand why they turn black, and they will also be happy to tell you about some of the secrets of their professions,

become practically inexhaustible. that is , at the moment when you work at the moment when you spend your resources at the same moment, you accumulate them. ah , the need for rest. not from the word , in general, watch the belarusian project on belarus 24 tv channel . mulyavin nevertheless begged borkevich, lenya recalls, he says, i knew that my voice in a small class would sound good we we went to the class of the conservatory, because in belnia. giprosel, there was no piano tuning, and i say, i sang to him from the repertoire, this plow steppe is wide. he probably said

no, no. he sat down at the piano, said, here's a booty with me in my manner, you sang my white russia, he says, so at 10 mulyavin stopped and said, you know, i listened to 40 people and no one came up to me. you don't suit me. i take you. it's easy to say i take recalls barkevich, and i'm finished work. and the director of the institute. and zaborsky well, in short , lenya was asked to leave the director, although he as a young graduate of an educational institution , he was obliged to work for another 3 years. and the next day, mulyavin brought him alexandrina's song three days later, moscow and lenya comes out of this song into the columns of the hall of the house of the unions and says that this song is my first to remember lenya for life remained my

first and most beloved came. and you're bodies, i get it. in songwriters, everyone already had the nickname mulya. well , it’s clear who badyarov is byad misevich. serpent. are you gloomy, but borkevich was nicknamed

alexandride, and i didn’t even realize right away, who is called alexandrina it happened when at the beginning of january of the seventy-first year in the second pavilion of belarus of the film i shot the first film about songs, which was called a cave, now for some reason they began to call it matveyka well, it doesn’t matter, let it be somehow 10-12 years ago. i heard, lenin, an interview where he said, yes, when we came to the pavilion of belarus and saw this three-story matleika. i thought it was some kind of archaic. and now you realize that it was invented brilliantly.

we decided each song selected with mulyavin as a separate short story here is a bathing suit, a glass floor, a dark pavilion, the assistants light about one and a half hundred candles, the glass floor reflects their lenses. on cameras, they generally turn. it's all in a stream of fireflies. some kind of ballet with slow movements and in the center sweet-voiced curly lenya sings a kupalinga. this was the second song that entered his repertoire. ah, somehow, during the shooting , a zhorallopeta comes up to me, the second director of the film , a world guy who was filming in a neighboring pavilion, says, volodya asks me, can i have a mulyavin for a couple of minutes. i say, yes, zhor. now we have a break just,

please, everything mulyavin went back. i say what is it? why, he says they gave me some notes, i urgently need to learn how to record songs for the film. i say, but how the song is even called, but i didn’t even look, and the birch sap pesnyary recorded the song and forgot about it, but the audience at the concerts reminded me. they began to receive notes asking them to perform birch sap, please, birch sap performed by obodkevich. they have no gcd, no text, no soundtrack. no, few in addition, they demanded this song on a farm melody for recording on a gramophone record on big vinyl. and lyon again recalls saying that since we had nothing. we didn’t even have a soundtrack, we said, we went to the cinema with a tape recorder and recorded it from the screen , like this one, so here’s the song, and then only there, uh, recorded the text of the note, there it

was sung again like this in portkiewicz’s repertoire. the third song entered birch sap from the snowfield is mastered. and that only stories? forty appears on white trunks. this is crying birch. the vocal instrumental ensemble pesnyary ideologues was crying out loud. and the musicians in budyonovka the song of the trumpeters-trumpeters, this is our creation with grishman, for the first program of the songwriters, they sang

about the komsomol ticket shot through by the chilean poet viktor, who was tortured by the juntai, hara akhatyn and, of course, folklore, win-win folklore. and olesya cassia. stay clear. hanulka is more queensen to me. all known collections of folk songs were shoveled by songwriters selected songs and such a canonical repertoire was formed the ensemble of pesnyary, i repeat , suited the ideologists so much that they even forgave the songwriters. their mustache recalls that he was the first to let go of his mustache. well, mulyavin, he says , created such an image of a gulbesh, and they

began to perceive us on tour both in the ussr and abroad. that's how bulyavina are like that yes , belarusians, that's how bubbling we are, - he says - then they also began to let go of all the mustaches. bortkiewicz was fascinated by the leader. and the leader, in turn, was fascinated by bortkevich all the new songs. leonid well, of course, the seventy-second summer was the apogee, when it was celebrated the 90th anniversary of kupala and kolas were then born almost at the same time. kupalovo spadchina, kolosovsky my native kuleshovskaya, alesya and plus almost at the same time veronika belarus everything with the voice of leonid markevich is heart. borovaya shamo can't go there, i'm

immediately me shka, yes, beyond the scope of what i don't know, does my day give birth? stay listening. lenya kakha i was.

to appreciate and cry with the heat of an airplane, he recalls that time and they say that we had so many songs, so let's learn some song let's let it go and it's like on no spectators went. all in the cart. such says good songs are unique. they just say they were thrown into the basket why ah, because he says we also appeared and learned new even better even more interesting ones a year pesnyars gave 350 concerts and rarely gave it’s true, but seven concerts a day, seven concerts, and three concerts and flights to another city. if she

calculated, well, as a day of rest , sports palaces, stadiums, which is interesting, lenya calls the golden composition and the golden time of the songwriters only the decades where he was. member team is good. and you know, bortkevich has nothing to be modest about here, indeed, in many respects, the repertoire rested on him.

facts that have been hidden under the heading secret for decades. you just need to have a wild fantasy to imagine how i went out there, they took away children and threw children to shepherd dogs, eyewitness accounts and , miraculously, surviving prisoners of concentration camps, we will tell and show dozens of inquisitional operations they didn’t give water . we took this dirty snow warmed up in our palms and so we translate the genocide without the right to life watch on belarus 24 tv channel. let's go for hay hay, people said and went to hay market with pleasure. we visit belarusian cities to learn more about the cultural origins at the end of the 15th century.

there was a large settlement at this place, and it appeared at the intersection of major trade routes of the neman and brest. vilnyushkov according to the legend. first stone, foundation, church. the milanese princess and the polish queen laid the foundation of the world-famous bonosport it happened in 1531 and a little look into the past there is a special energy here, but come yes , i recommend it only during the daytime they say at night you can hear chilling tones, without attention, we will not leave the impressive facts of our time. this commemorative sign was erected in honor of a native of the district, matryona markevich, a simple peasant woman who contributed to the development of the state. she came up with a pattern on the handbrake, which eventually formed the basis of the ornament on the flag of belarus , see the project of the city of belarus on our tv channel.

well, you know how an icebreaker? split the team became the third wife of mulyavin, so pesnyary mordki became an undesirable member of the team because of his wife , an olympic champion gymnast . he says i have always dreamed of having a theatrical directing education, - he said to mulyavin. i entered gitis. he said, well, choose either pesnyary and legitis. i chose gitis and ceased to be an artist of the pesnyar ensemble. i

believed it later. i learned that everything lenya said must be double-checked, double-checked , rechecked by his wife. olga korbut became get into everything. tell him where to go. what to do? how to behave on stage? when to retreat? when to smile? how to take a microphone? he should have told her i have my own supervisor. and you are just my wife , and then everything would be fine, but he did not, testifies, vladik moiseevich she says she turned him into her artist. she studied and spoke without paying attention. attention to the team told him how to go into the microphone? how to bow, where to smile olga sat at all concerts in the front row, looking only at lyonya, like a rabbit at a boa constrictor, he only looked at her, then he turned into

a dying swan, who ran somewhere into a corner, then wringed his hands, we laughed at him secretly, but she couldn’t do anything about it, she convinced everyone that lenya is the only vocalist in the ensemble, that all the other pesnyars are bull vocals, only singing along to him and this thought. she inspired him all the time, probably, a little more and lyonka would begin to jump around the stage with a gymnastic ribbon of maces. it was the second shaded part of lenin's versions of leaving letters. came there everything

in me. taxis are quiet. i'm tired, go away. l overgrown what before you

just finished performing olympic champion, lenina, wife olga korbut did not know what to do, then she wrote poetry. who went in for equestrian sports, lenya worked for some time as an editor of the belarusian radio and in the eighty-ninth year, they decided to go to emigrate to america. why? because , according to olga and her ronin coach rinald knysh , hundreds of girls tried clubs in america. uh, according to their methodology, they also train to prepare

themselves for the olympic podium, since it was very popular there, then they are in the eighty-ninth year with their son. they left and emigrated. many years passed to america, mulyavin went to america, met there with steam porridge and, er, with bordkevich, and in 2001 mulyavin decided to celebrate the thirtieth anniversary of the songwriters in moscow at the end of the there hall russia and decided to gather everyone. uh, who can be reached from the golden composition of songwriters by belarusian pesniary, who shortly before this was performed in moscow by the vevelvichi singing of daineko legs. in fact, they did not receive an invitation. well, bortkevich flew in from america. badyarov also arrived from germany on

january 18, 2001. at my house for a big long supper. they each told me about their lives. well, since badyarov, who came from germany, visited minsk quite often in the orlovs’ apartment, it was more interesting for me, of course, to hear the briefcase. and this is what i learned from his stories that lenya is the owner of a construction company, where he successfully applies his architectural knowledge, that he almost daily communicates with the beatle george harrison, that he sang to him oh viburnum blooms and haris set on fire with the idea of ​​\u200b\u200bcombining the remnants of the beatles with letters that steven spielberg dreams

of filming. ideas to make a film are on fire, and battles and letters that lenya took up painting and his paintings are willingly bought for big money by collectors and museums. in general, i concluded that lenya is a famous revered citizen of the united states of america . i described this in more detail than i just told you in the book of 2002 there is magic, and a white screen along with a mulyavin and a young generation of songwriters. these two luminaries took part in this concert in moscow in the concert hall of the hotel in russia, if before leaving they told me about their interests, but they were still a little tense and somehow constrained, now after the concert both badiarov and bortkevich were interrupting each other, we came out

on stage full of crowded hall were peers, well, there were a lot of young concert, lasted 4 1/2 hours. and here is what bortkevich tells about himself. i thought that for 11 years of absence i was forgotten. well, no, people stood up, stood up to applaud. i barely finished singing this song. i ran backstage began to wipe my face backstage, i have tears. no, it's not that it was nostalgia. i just felt and saw. here is my viewer. here is my audience. no more americas, never anywhere. i will not leave here again, i will not return to any america. this is my viewer, my songs, my audience, my ensemble. i will always be. only here in belarus we are the youngest

, i need to be guests at home, as a soul. you became honors and is not against the saint that remembers his on keeps not to forget and recall the hay. remember, i suffer all the fun at the table of my fellows and, probably, i came to the realization that work is in letters. these are the best years of their lives.

the river is not big you are mine you are mine about me you know you are my dear

lenya this is after many years. i found out that he didn’t go to any america and return to him no home, debts hung over him, that he worked in a company that made posters for simple photographers, he didn’t sing about any discs, he had the only status, the husband of olga corva, and even olga have already parted ways. but what about the projects with george harrison and steven spielberg in 2007, i filmed in the countdown project

the dilogy pesnyary belarusian miracle and pesnyary interrupted flight and there i filmed all the songwriters who reached out to almost everyone and people in borkevich and belarusian songs. i filmed on different days, so that people would not gnaw at each other. together with oleg molchin, the musical director of the last composition of the motleys, but from george harrison and about steven spielberg. i didn’t ask him, well, somehow i was embarrassed from time to time i ran into tolyak sheparov from america, and then the two of them and oleg molchin united and performed with vladimir mulyavin’s pesnyara poster. and what do you think all three had the right to do so, another song called youth when we were young,

others were the strings of the guitar of provincial tram wires to other ministers, and the time from singing and the world being filmed was wide open was a movie. forget all the grievances you can, without being jealous to say thank you united for being you was when we were, when we were like that were not smart mirrors believe in them with you and life was. beautiful naively and life was beautiful

at one of the concerts. i was lyonya in golden , i would say such a coat, or something, or a gold jacket with a belt, almost a little slutsk, pulling already such a noticeable belly, saying that this song was going to. mulyavin sang, gray in his beard, dinner in the ribs , and his eyes are all to the left, they don’t look at the girl of my year, the old horse can’t be spoiled, the old horse is still anywhere and at the same time he mowed eyes, supposedly at some girl there. it was somehow embarrassing to listen to it, because

you know it looked. he is not 70 years old. somehow the young wife is here. parodino looks. in early spring, i invited lenya on march 24th. 2021 at the cinema pioneers showing the film with songs for which i have already received the prize of the international festival. this is the silver staircase. lyonya promised to be a session took place without lenin's participation 20 days before his departure into oblivion. in america, everyone knew

. newspapers wrote about a real triumph. but how did they get there? what happened to the songs france of the seventy-sixth year was almost never told, and then pesnyary turned out to be cannes at the international music fair medeum. here in the hall there were no ordinary spectators, only professionals, leading music producers from all over the world, but what about the ministry of culture, like the ideological department of the party central committee. can soviet artists perform abroad without a pre-approved program? contracts were concluded here; here it was determined who was destined to become a world star, who was not. i want to remind you at the beginning i quoted the diaries of igor field growers, where he said that lenik once had to drink 400 g in order to talk about his possible distant relationship with the side branch of the princes of radivilov, now

it’s enough for him to drink 100 g, where he quite frankly loudly positioned himself and called himself a direct descendant the princes were divided by forgive lenya and bastards. well, such a nature. well, what to take from him? well, such is the nature of pesnyary and bortkevich. as, probably, the brightest vocalist of the first decade of the existence of the songwriters. will enter the belarusian the history of the history of the belarusian art of the belarusian culture of the belarusian stage will be included but by the way, why will they already be included? my dear, forget not my strength. forget the sheep

is not my strength.