the test of everything that i could be behind it failed to pound the geology of the places of the geology of the places of consciousness of the groom. from budovanokha to ukrainka, the high-bearers of the araki indicated a constant unsafe collapse of the neman, washing away the thunder at 1.720 , one wall was healing alla landslide-dusty. however, the beautiful knife of 1853 has a duck wall. and often the entrances broke off in 1889, he fell in it for a half-day obsida at the further trp, the walls were replaced by traversals.

skin day we send off, a million emotions. we can rejoice to be angry with share with wash our emotions with horror. we don't like music showing our emotions. these are emotions and already worn out. with us, i becomes an inseparable paul of our life.

that's the clever girl, the music is tired, that she finds a non -windy porch to express where the death of a sniffle is music for a place of 1.600. in the spring of 2021, for some reason, i suddenly remembered him and sat down to write saddles, i write, i write, i suddenly realized it. think i do. he's

probably still alive, and here i quickly dialed the invader for sure. yes, you are death. no. i put the script aside and started doing something else. postponed, as it turned out for a short time in the fall of that year, a message broke out that he was gone. i remembered one day, one meeting, one of his films, but it was some day, but what a meeting it was, but some kind of film it was about the film director, his name was nikolai rosheev. spring kiev chestnut trees are blooming again, the splashing of the dnieper is heard, 20 people

from all over the soviet union gathered in kiev, either a plenum , some kind of seeds, or a festival, i don’t remember that the first day of watching the hosts’ films was opened by the meeting, people’s artist timofeev chuk. this their classic is such a head of national cinema. well, it seems like with us vladimir vladimirovich sablin wished us to work well, have a good rest and honestly and, as it were , a handsome, slightly grayish young man with glasses, which means he had to, uh, lead our first day. sedanya works there for some events, well, the film director efimenko's novel was the first to be presented. he presented his full-length feature film. by the way , it was a film adaptation of the play seven crosses in the sun by our minsker, my friend doctor

and playwright. and anatoly dilledik's play went on with success throughout the soviet union and in our kupala theater they watched and applauded a really good solid implementation. well, and then a documentary, because just before lunch uh-huh, the documentary was presented by anatoly the odyssey with a double surname. mammoth zavialov yeah. well, from the first frames we realized that it would be just reviews, odessa is a famous school of music, a carpentry school. well and so here already in general. dozing called to look. why, well, because that everyone ate yesterday. the meeting conversations of communication dragged on long after midnight. well , that's why, in general, a little, let's say , tired, well, that's showing one class.

finger picking, kids, brunettes, second grade chirping on violins, blowing on clarinets, we look out of the classroom. to the class, well, yes, now i understand, it is already approaching, the whole thing for the final is really on the code, as the musicians say , it is lined up on the stage for the final. a choir of 100 people is standing. a boy soloist sings the chorus of a song from a recently released film the elusive avengers and chorus the refrain struck, chase, chase chase, like doctors. i crawled from laughter under the chairs, everyone looked at me in bewilderment, something tore off something like this is being done here, the second verse was all on their guard, again the chase, the chase, in

the bitterness, was already crawling, began to laugh. and including this presenter, uh, our first day, beauty. no, we later found out that in the final , everyone called him nikolai well, everyone began to laugh, imagine that the choir in sochi would burr. it can only be in water, but really. what's so funny? well, that's how they are in odessa. almost everyone says so, at this morning, the viewing of the first day of our seminar or plenum ended with a transition, he says in the evening view at 18:30. now you can relax or take a walk around the city. and whoever wants, i suggest to go on a tour of the city. what a joy what a blessing, it turns out that i agreed

to go on an excursion. surprisingly, out of twenty, only two other people agreed with me. we got into a small car and started drive around the city. let's go, prosheev. it seemed to me that he knows the history of every house in the mountains in the city. apparently he says, here in this house yaroslav gashek wrote his immortal schweik and this is the first gymnasium from here. my mother notes her classmate. misha bulgakov wore to her girlfriend. and here it is round. this is the market of bessarabka from opposite. there are three windows in the house. this is serezha parajanov's apartment. we could visit him, he is my friend. well, he's out of town now. he is temporarily absent, and everything was understood, and then

here is the plaque. here lived a writer, dolph the mechanic. well, we won’t stop here, we’ll drive up to vladimir’s own vladimir cathedral. frescoes paintings icons are all the work of outstanding masters of russian painting, brothers, vasnetsov, nesterov expanded says. do you know who invited them here? adrian prakhov, professor of art history at st. petersburg and kiev university. by the way, he is your countryman volodya, he suddenly turns to me. for the first time i hear this name, like a countryman from belarus adrian prakhokhov. i came back, of course. i looked from minsk, indeed, he comes from mstislavl. more about him. i read it later when i filmed sekarodkevich. diamond

city. it turns out that even rosheev knew about this man, we drive further, we drive up. the huge house is gray and all covered with mugs, the heads of some monsters , some fish, some goblin, in general, lvov there is a panther that is so good, he says calmly they will mold all sorts of legends about this house into your ears, don’t believe it. this house is just gorodetsky's dwelling; he traded in building materials. and this house is an advertisement new building materials concrete cement, so he decided to make advertising his building material in this way. well, we won’t go to the lavra and sofia, you will have

excursions tomorrow. you know, we are now going to a place where there are no excursions and the driver, the usual one, turned the steering wheel, i turn. note that rashiev names the streets. not what they are called now. and as they were called before the revolution, banking, rector 's fundukleevskaya yaroslav val, tsarskaya square and this capital, he does not call kiev , but he calls it as mikhail bulgakov called this city with capital letters, the city of the city, he just called it the liquidated closed places of worship in the country of the soviets were used in two ways or for warehouses or for prisons. this closed st. cyril's monastery was used

as a house of sorrow, they stopped nikolai left soon after leaving a huge bunch of heavy old keys, strung on a thick wire with a ring. and rattling them, he beckoned us to follow him, and we pass along the corridor of the house of sorrow. you know, it definitely reminded me. characters from the movie miloseforman flying over the nest cuckoos, some people stood, sat, shouted , grimaced, tried to hook us, they were something or sat in some kind of immersed rashevich. he just said nothing. don't react, don't react at all. go quietly, no way, and we are like this. this is a group of three. three. we followed him. he approached somewhere rattling keys and suddenly

pom- we ran into such a massive wrought-iron oak door, rattled the keys with a creak, opened it. we went in there, he locked the door and the first thing we saw. to the left of the royal doors in the altar the huge eyes of the mother of god in those eyes there was some kind of joy from what she was holding on the child in her arms and at the same time through the russian artists here in the city. i don't know if someone else's wife reciprocated and each from some celestial body went into a halo, as if in a pressure helmet tubes. it turns out that it was vrubel's thesis work

here in the choir stalls of the st. cyril monastery, and you probably know that the unhappy future, even the bitter fate of mikhail vrubel's short life, was somehow symbolically connected. that's with the fact that his works are in the house square in front of the complex monument to bogdan khmelnitsky, but voroshilov says that ships will bring you tomorrow for an excursion. and we let's go to the observation deck to the great works of bartolomeo, shoot the andreyskaya church.

we went out to the site, and this st. andrew's cathedral, it is built on a cliff and it feels like it is floating near the air from the site . descent says, this one is called the haunted house. it is described to our land by the writer viktor platonovich nekrasov. here from here. he looks good. well, now we will go down a little two or three houses below , the asphalt of the square ends, it begins with cobblestones pavement and rosheev, addresses us to fellow filmmakers. almost even an apology. well, they say, you understand, this is

the only paved bridge in the city. well, you understand, as soon as we start making some films, the revolution is everything. and that's definitely the legs there in boots or there in boots in shoes in bast shoes stomping, but we definitely shoot here a big one, we bring a camera here, here on these cobblestones here on this, well, this is the only pavement bakery in the city. well, we are ashamed, but what can we do? that's how it's needed. just according to the plot of the film, that this is an old, old city a little bit, we go down, lower on the same left side all of a sudden. kolya stops us. and now, look at the opposite side of the street, we are looking at the descent, the house stands, the house stands, exactly and the descent goes like this and here this triangle expanding towards

the descent on a whitewashed foundation is written in black. bulgakov lived here, explains in tar, it is written in tar. the fact is that attitudes towards bulgakov had just ceased to be some kind of taboo already , there was some kind of fluctuating attitude towards him, he was hushed up for almost 40 years, the work of the great countryman of the city of mikhail was, like samizdat's first timid publications have just begun to emerge from oblivion. and so it's not official. wrote bulgakov lived here

on the descent, two houses, converging with blank walls , form an acute angle, and we see a window and this window, behind which not a single turbine hid a package with a revolver. that is, you understand, all this was becoming, well, visible tangible , we move to the opposite side of the street . we go into such a wasteland between the thirteenth bulgakov house and the fifteenth standing above. uh, closer to andreevskaya. we go into the courtyard of the church, the lower floor is the basement, as it turns out, almost like in the basement and expanded, he explains to us that there on the basement floor lived the owners of the leaf-workers, and

above here on the second floor they lived in the lugansk occupancy. the whole floor says he lived there, if you remember, according to bulgakov’s memoirs, vasily the leaf owner of this house lived there, you fox vasily leaf there’s nothing there vasilisa what was his name, so bulgakov’s turbines and now she says she will come out, who is her daughter? how is the daughter of the list worker vasily inna vasilyevna list work? she says now she is waking up now she will come out and indeed, at his invitation , an elderly woman rises from below and crosses the footbridge to us, holding out us a hand. and i understand that her little girl

was being stroked on her head. mikhail bulgakov's hands shook her hand, and now i'm shaking her hand. that is, i, after one handshake from mikhail bulgakov, and the characters of bulgakovskaya, the prose of the turbine and the life of bulgakov himself, they became somehow real for me, they already became the embodiment of some something alive. what could you touch, could you shake hands with?

after that, i was probably in the city three or four more times and, of course, i always came to the place where the non-bulgakovs lived. you you know, to be honest with you, it's the best in the world , the best in the world. and i saw a lot of them in the memorial museum, firstly, there is now a wonderful museum i will not describe it, because there was none. the only thing i can say is that here, between houses thirteenth and above, 15. well, in a very narrow courtyard there is a monument mikhail bulgakov sits on a bench well, recently the news came that the local union of writers decided to demolish the monument to bulgakov and decided

to close the bulgakov museum, you know this is belated revenge writers, whose fame whose literature whose books do not go beyond the regional framework and call this action, where is communization, where is communization in relation to bulgakov, who was not published for 40 years, who almost starved at all, but died, because there were no fees nothing. these are those communization, one should be proud, of course, of the great gogol writers. platonov bulgakov, yes, they would be proud, but they wrote something not in ukrainian, she was russian. and now it’s

some kind of belated revenge, you know, it ’s very easy to rise up yourself, you just need to humiliate great, and then you, as it were, rose in a very simple way, but vile. it’s good that kolya the chef did not live to see this news and yes, the demolition of the monument and the closing of the museum, because he would be very worried, an erudite intellectual, feeling this revenge of the literary pygmies. two teams of bright erudite belarusians, we work together in the field of construction, so today we will not build, we will answer the question correctly, using all our

knowledge. they will try to reach for their dream of the honorary title of the winner of show na how many hills, according to legend, rome was founded just the number seven is absolutely correct answer on the seven hills the correct answer and bring points to the team's piggy bank, and for the wrong answer and the participants go to build a tower. we have two good options. say two options. watch the tower intellectual entertainment project on our tv channel. editors' club we do what we say we do it with power. belarus, if i have an iron club in my hands, i am much

stronger than if i have it in my hands, just my hands, when i am attacked by aggression in new geopolitical realities, we are taking steps that make stronger the strength of confidence in calmness knows where we are going in the club of editors that we predicted it would be said that this needs to be done, a balance must be maintained. you have to be very subtle. only this allows you to keep the peace, especially in the middle european states, authoritative experts conduct open conversations about the most important socio-political events in the country and watch the international army on belarus 24 tv channel . he was born in kiev his father is a bulgarian dean

polytechnic institute, a very active figure in the comintern of such a communist organization, which was based in the ussr, but, like all figures of the comintern who emigrated to the ussr, was repressed even at the age of two. kolya was included in the list of family members of enemies of the people, but he graduated from school with a gold medal. he followed in the footsteps of his father. no, no, not in the gulag, but graduated from the polytechnic institute . well, then he immediately came to moscow and entered the directing department at the hyper in the workshop of gregory to use. after the first course he was expelled from the people. and for that he did not have a two-year experience, which was then necessary for the directing department, and kolya went.

this senior, he got a job in dozens of cities of the republics of the soviet union, these are the far east, uh, siberia, the southern republic, somewhere he worked all the time worked worked earns from the experience and the impressions that filled him. he wrote stories and published in local print media, and after 2 years he returned to moscow and re-established himself in afghanistan. nona screenwriting faculty, graduated from it and through 2 years entered and graduated from the higher screenwriting director's courses. imagine what kind of education i had. well, after that there was no work again, and he again went to different studios somewhere in perm, while from time to time i returned to kiev somewhere else in quiet studios. filmed some short films . everything is mental somewhere, and only

finally in 1971 he was accepted into the staff of the jabko film studio and immediately shoots a film that we have to watch in the evening at the screening - this is kolya's debut at 36 years old. is it not known? its co director abramnoroditsky, who is generally 65 years old. he didn't do anything on his own. i looked on the internet, he was always with someone with the director, that they were united by a difference of 30 years, creators of completely different generations. then expanding explained to us what? as if we had agreed as a parent, he is engaged in administrative support. e filming of this film and blocks me attacking

title says that we filmed this picture in the places where arkady gaidar fought the civil war. well, what is all this, but the second surname of the screenwriter appears, evgenia mitko oh, i know the name. this is the author of the script, the republic of shkid and this is genadiy breakdown. and this is another level of dramaturgy. and, probably, another level of the film, which we will now see. the first frame the crossroads is a fixed camera and white guards, red army men, some tsarist troops, the makhnovists, bandits, ataman tachankas

on horseback foot kaiser soldiers in kaspersh pass through this intersection replacing each other. and finally the caption appears in broken red letters, bumbarash what it is and the spectacle began. the actor mikhail kononov auditioned for the main role in this film. very good . he also turned out to be not only a singing artist.

who sang not only on stage a and b of the church, but he also burbled on the harmonica, and he has already starred in our minsk in the film by viktor turov in the film history, the nobleman chertogkhanov according to turgenev, where turgenev inserted a short story from hunting stories, singers and zolotukhin is a concert number, how does he sing there? search the internet. look for sure. it's absolutely amazing and zolotukhin appears, sits on the first tray of some kind of such a locomotive, sings he doesn’t give a damn, he’s tired of fighting. i quietly turn to the neck sitting behind me and say the author of the text mikhailov who is mikhail what kind of folk songs? it's folk songs on the neck does not speak them. y. mikhailov is julius kim, a korean author of russian folk songs.

yes, everything became clear to me again. yulia kim is the author of sharp, mischievous songs, very sharp, which were sung in our closed companies. well, as in every company there were filthy ears, filthy tongues, which brought yulia kim to the right place in fact became. e, how would he say he was not allowed to travel abroad, that is, his work should not have flickered, and therefore the talented songs of the talented text writer were hidden under a pseudonym and mikhailov then appears ataman sophia for this role , ekaterina vasilyeva was invited when she read the script. she asked him what is she? with greetings, the past said, yes, and such she played this smile of hers with the corners

of her lips lowered. this is all tired of everything, as she says there, when she is already leading her gang into battle. in growth step with a playing gramophone right on death on bayonets. it seems to me that she is this one, well, like facial expressions, or what? she then carried this mask of some kind of acting through all the roles, and even i noticed it. this is in the picture the visit of a lady, which was staged by my friend misha kazakov. you see, such acting work beyond the scrofula from the taganka theater lyubimov was very reluctant to let his artists go on the set. he always set conditions for a good script and a good director. and just during this period he was very dissatisfied

with the participation of vladimir vysotsky in very weak comedy, strepukha, was very dissatisfied, and before zolotukhin he was already approved for such a positive role. yuri smirnov from the natogamke theater took a closer look at the role. uh, the white guard soldier alexander filipenko is the third artist, what should i do? how is it to snatch three artists of repertory artists, uh, from the taganka theater and filipenko suggests a way out , says kolya, but invite him to whatever you like, at least a small role of the theater director until now. he also says an actor by education and expanding invites. well, while lyubimov could not resist and all these three actors, the director, all this acting four, brilliantly played in this film , and now, by god. and the balloon? ficator

every week we review the main topics that aroused the greatest interest among our viewers and subscribers in social networks. we offer you to learn the belarusian language on a walk with our tv guides. at one time, konstantin

tsiolkovsky was not afraid to predict space flights. well, eye, whom do we forbid knowledge at the minsk planetarium at once? we also introduce you to amazing people who live in belarus and they are doing everything for its development on the channel belarus 24. facts that have been hidden under the heading secret for decades . you just need to have a wild imagination to imagine how i went out there, took away children and threw children to shepherd dogs, eyewitness accounts and miraculously, surviving prisoners of concentration camps, we will tell and show dozens

of inquisitorial operations there was no water in the concentration camp, we took this dirty snow , warmed it up in our hands, and so we translate the genocide without the right to life, watch on belarus 24 tv channel. well, we didn’t understand what we saw there was everything. comedy tragedy melodrama burlesque musical tangle what

is the genre? i realized this only when at my request. my long-time comrade gena breakdown somewhere brought his film intervention to our cinema house before the closed screening, and kolya rosheev probably looked at it and was shocked by this picture, well, i won’t say that borrowing, but some kind of breath was felt.

comparing these two films, i realized that this genre was called all genre. for a unique film directed by nikolay rasheev, awards immediately rained down. diplomas there prize after prize in tashkent in gavrovo, the capital of humor of european nikolai, everyone expects a super boom from him, barash and he shoots, shoots picture after picture,

the smallest of them are good actors nikolay karachentsov mikhail kazakov all the best ukrainian actors are looking for dramaturgy, then this is leonid andrey , the writers known to him at that time, they all go in the name of nikolai, everyone thinks that something will happen again kolya shoots a hare reserve, 73 years old theater of the unknown the actor of the seventy-sixth carolia, cabbage, seventy-eighth amulet, bumbarash he lost the vector of creativity the vector of creativity has lost you understand, and therefore these throwing comedies are a circus of mysticism. and suddenly i find out that

it turns out the last 30 years. he didn't film anything. he died at 86 86 - 30 it is that at the age of 56 he was at the peak of the heyday of creativity, he stopped taking pictures of his neck, it is visible looking at his work, he somehow lost faith in himself. he understood that the second bomber. it will not create did not converge. more stars. not lined up more here this apparatus.

they don’t go to the river, it hurts the bank is steep. and since his 56th birthday, when he stopped making films, he lived for another 30 years before retirement , it was far from what he lived on, what he earned, as in 2000, for no reason, he was awarded the title of honored art worker. yes, of course, of course, the thing was that he lost faith in himself, dropped his hands, stopped working, faded. he died away on october 5 , 2021, having received communion, he flew away, and his body lay down

in the earth of the city where he was born, this is a rare happy occasion in our hectic time. now no one will tell how misha bulgakov passed the note into the hands of his classmates to kolerosheev's mother, how she stroked her son paul a kolya with these hands , then shook my hand with this hand. you see, here again, this chain of handshakes, short, once in a conversation, recalling kolya rashev gennady palomka told me that kolya rashev was morally enough for only one picture. yes, i think only one day of communication, one day

of impressions, one viewing of everything, but what a day it was, what impressions were it? what a view it was i remember him young, 36 years old in large.