the very fact that he is already sitting in a wheelchair and already in sports is also great. i consider it a great achievement by itself. we just have to wait and get ready to be ready to be here, fully armed, when they finally let us in. and when can we perform at such a birth. it is always necessary that there is not only hope a , there is confidence that we are waiting along the right path only in this way. in

this turmoil of days, we are always running somewhere sometimes, not paying attention to the beauty that surrounds us, the breath of the spring wind is bright and so warm sunbeams, the chirping of birds or the fiery colors of autumn, however, there are those among us who were able to see the beauty and grandeur of the belarusian nature. we are in the gallery from belarus where the exhibition project is presented, who are the famous representatives of the belarusian school of landscape. and what else we do not know about it it would seem that in such a well-known genre of art, let's stop for a moment and enjoy the beauty with you. alina is not a war. and this is the fashion for culture. landscape is a genre of fine art, which

is at the same time simply concise for perception. and at the same time carries the power and secrets of the universe. if you think about it, then nature has always been an observer of the process of human development, historical epochs were replaced by the landscape, their theater backstage, while being the protagonist of this endless great performance. even according to this, the writers sang the beauty of their native land in their works. it is true that the nature of the native land is close to the consciousness of man and his subconscious, it is precisely this proximity that explains the fact that the landscape is so easy for the audience to perceive. so on exhibition pokhlyat removed collected works of artists of different generations. whose work covers almost a century and a half of belarusian art, the exposition presents authors who have been writing all their lives. only the motives of the native land and which

, judging by the will, worked outside the country , its curator alexander zenkevich alexander vladimirovich will tell in more detail about the exhibition project. hello, you are a kind of artist who creates your own works of art. only in your case the works is this exhibition with me or any curator. and this is a good palette. e, with whom you work, in general, belarusian art, but they will remove from what they warm up. well , firstly, this is the artist's haven, where he and hmm laws and not always an artist within the framework of a genre picture can create a certain personal imagery. he can't always experiment with light. and genres such as landscape and still life. in general, they create space for freedom of expression, because belarusian delegates or belarusian landscape - this is a huge plast

works and therefore the theme itself is the name of the exhibition. it can outgrow with numbers, there 1 2, 3, 4, 5 the exhibition is located according to us of the year. tell us about it in more detail, but in general, on the surface , the underlying idea is to make an exhibition of landscapes by seasons, a great idea was spied on, in the same kikiduk spring summer is very winter, and again spring and in this simplicity. the basis that is taken for the exhibition plus the landscape is always divided into a kind of pastoral landscape. it is turned exclusively to nature and the industrial landscape is what is created. even within the framework of such works. and this is a landscape of human hands, be it some kind of factories or some kind of urban landscapes. they are fundamentally different from each other and therefore such zoning allows a person enough, well, in his understanding, in the clash of perception of nature

, nature develops seasonally, this is only the beginning of our acquaintance with the belarusian landscape. what else? should know about this genre of art, if we see, well, let's say, sutikoin, this is one story, if we see zhukovsky - it's a different story, if we we look at the work of circuses, there is a third story, an interested viewer is a viewer who, a, comprehends art deeper and deeper. eh, building the path in a way that is interesting to him, but from our point of view, from hmm, as if from a position, we say that let there be a continuation of the theme of landscapes is far from exhausted in this regard, and most importantly, that any author's exhibition, any author's curator project. this is a very subjective view. we only try to choose really good quality

professional art, well meaningful for and belarusian. e. hmm art history or in general research already. within the framework of these eighty works selected by us , not everyone will like it, but to some specific viewer. that is, he will choose something of his own, such an algorithm , in general, acquaintance with art, as a rule, occurs. a wide circle of art connoisseurs knows such names of prominent belarusian landscape painters, because only ethanovich belynitsky berulya, and valery shkarova. e, for example, a tell us, what other names a may be worth knowing for the belarusian viewer. that's right with a notebook to come to this exhibition to copy all the unfamiliar and know. these are all the artists to be called a from rainbassat. uh, the belarusian underground pavel maslennikov is generally a classic of such a landscape. eh, hmm, such a delhlidous yes

multifaceted, but the most perfect impressionism is there. eh, arakcheeva is expressive and the landscapes are essentially on olkhimovich. ah. unfortunately, here is dudarenko, who has recently passed away from us. and the circus. that is, well, there are no random people here, so the whole elite passed through the belarusian landscape belarusian art. well, practically, probably, there is no artist who, one way or another, has not tried his hand at landscapes here. and everything, as you know, how these 33 heroes are all right on the selection of vitaly from above, the phrase that you can feel only alone with nature. do you think, is it possible to feel the heart of nature through the prism of the landscape, i believe that it is, because in general, an artist, where any person in general, probably needs a little, and

silence, so that, well, how to feel the meanings when you get out of influence , some factors of noise and there information psychological household you begin to feel there who is the space that you understand there, there is a good landscape. yes, there is a bad landscape. yes, it is necessary, but the flow is clearly different. there is good realism , there is bad realism, there is good abstraction. if it is bad, each type of genre type has its own conditions, which, well, let's say, are visible to a more experienced look. and if we then explain this a little bit to the viewer, he will immediately understand where it is, of course, to talk about questions of the heart or some kind of uh emotional or some kind of semantic? yes , this is the whole space, yes, i mean, they were all deeply worried, um. well, that is , they chose those places that are very close to them.

that is, you don't do what you don't like, if you find absolutely trivial beauty in the chamber. uh, autumn view again nathan voronov yes, it is absolutely banal from the point of view of the chosen plot, but, when the artist , uh, he further expresses his impressions through his artistic plastic language. and so, when all these plastic languages ​​and sincerity of emotions coincide, then this gives birth to a truly emotional and interesting work of art. and what trends in contemporary art can be traced today, is it something bold new, or is it still modern authors who adhere to some classical visions of values. we return to the belarusian school the belarusian school has always had a rich spectrum, and hmm, authors who speak a completely different language. yes, we are talking about

absolutely classical academic school, which is being laid, and also at the student stage, and then this skill grows , grows, grows. again same now in cleanliness a certain style already. well, it would be impossible to say that there is cubism. there is impressionism. everything is very, very washed away the boundaries of genres, types of styles of art, but in general, but when we talk about hmm the development of belarusian art. it continues rather to look in very, very large, that is, the aspector palette, and the development of e directions. here is the development of belarusian art. he continues to be wide. and this is very important, because a is a nation. paul, who was fixed only like this one. well, not fixed, not some doctrine. it's simple, well here's an educational practice. she's just such a belarusian art

goes. it seems to me absolutely correct and balanced way, when there are no taboo stylistics. there is simply a high regard for e, for mastery or for professional expression in one form or another of art. i think you will agree that contemporary art does not always remain witnesses, and the audience, after all, you, as the organizer of not a single exhibition, are a curator. you are in constant closeness with these works of art. we observe someone gives preference to classical works, someone to modern art, after all, in your opinion, what is common between connoisseurs of modern art and classical art. well, here you can only sum up that a e, no e, some things that are just that good. it's bad, in general. uh, hmm encountering art or encountering any species at all

art is necessary, but to say that a person who is trying to experiment and start something new is a very brave person, because in art, but to say something new, to say some new, and the concept of an idea is extremely difficult, but, because a lot has already been said before you. over time, pastoral motifs were replaced by city streets and industrial panoramas, chamber landscapes coexisted with real landscape paintings and, of course, the landscape entered into fruitful interaction with others. genres, significantly expanding their capabilities over many decades , a huge plast of belarusian art has been created, which is important and necessary to study every moment

a natural phenomenon. for me, everything was full of deep interest and meaning, and every significant element of nature. for me, he had his own face , his strictly defined individuality, his definite life, conscious animated. so reverently spoke about the native nature, when removing the land, the belarusian voice. fill your life with meaning more often. enjoy the beautiful and follow the fashion cultural trends. our country was with you. alina is not a war and remember beauty is in the eye of the beholder, see you in a week before new cultural meetings.

what was the earthly path of the saints in christianity like here he found his earthly love here he left for us an eternal memory of his prayers and of his invisible intercession and intercession before god which these conversations give, when people not only interested in spiritual life, like what? well, the most important thing is that they unite, that they form, as it were, one collective, how a believer learns to live with god

. when a person already becomes indifferent to this external world, the world of external such earthly joys, he gives himself up completely. spiritual, because a person consists of his body parts , soul, spirit, the answers to these and other questions in spiritual educational projects on belarus 24 tv channel are a very simple secret. we just know how to communicate on normal parity relationships to determine our position and develop tools to strengthen our society. your ability to communicate your thoughts. this is one more drop that sharpens the stone and which creates not only the international system, but it shows what it should be in perspective, but no external

influence. it cannot be productive if there is internal unity, if people are confident in the future, if they have stability to maintain. multiply we have our backbone, we didn’t scatter it around, perhaps because we chose a specific course objectively, don’t miss it tv channel belarus 24. their passion and hobby - this is their favorite work. you know that, when you start to breathe deeply, and not half a diaphragm, it's like a real-time time machine. that is, you do not need to invent anything. you can just immerse yourself like this on your own, in principle, this is our job to create beauty. uh, comfort and some interesting details to add our

heroes want to share their stories when i had little experience. i had no idea that the flowers need to be dried and the first your product. i did it in my country house. she just took the flowers, picked them from the flower bed and lowered the resin and could not understand why they turn black, and they will also be happy to tell you some of the secrets of their professions. there is almost no stop, that is, at the moment when you are working at the moment when you are spending your resources at the same moment you are exactly dripping them, and there is no need for rest from the word at all, watch the belarusian project on belarus 24 tv channel

. when on the streets of the whole country from small towns to big cities, we also did not sit in the walls in the studio. this news is with you vladislav bondar hello

information occasion. and today, literally at every step in belarus on a subbotnik on this working day off, the priority is still not an official suit. and if you are an economist , an accountant, a journalist from the working inventory to choose from a shovel. rake everything that will help make our country, where brand cleanliness even more beautiful. chka let's