artyom how many yes, according to tradition, two yes, we must try to get to the finish line, two points championship. artyom, there is nothing left for me to do. how to invite you crossed. let's sum up all the games with our opponent , literally not a single chance in the fourth period after dinner in our program is won by artyom marchenko artyom, i congratulate you. thanks artyom well, today we talked a lot about how important emotions are. yes, in your profession. i really hope that today's program gave. you, too, in vain bright positive emotions. yes definitely a hundred percent, firstly, positive emotions from participation. well, naturally, they are doubly , uh, brighter when you are also a winner very cool. very cool. thank you for inviting friends. well, despite the fact that you didn’t have enough for the victory, i literally just a little bit. hope you

enjoy the game too. i personally got it because today was a very tight good competition. thank you. we are too exactly thank you for the received positive option. when you're all at work, wherever you go think? how about what to do next? when especially, if there is a lot of time, that is, from morning to evening, some kind of hard work. if you devote a little time, then maybe some other things are distracting, but the first is simple, the setting. you can think about anything. yes, but the setting is a prayer. already prayed somewhere, the temple came to the icons and venerated. and in general, as it is written, it is customary to pray before work to a savior known to icon painters, not to a man-made model. here is some. maybe if i write. icon

holy means another prayer is to the saint. this is a very short prayer rule before starting work. well, that's all, there is a very good tuning, tuning. you have already tuned in to work on the letter and start in the register of the profession, in principle, there is no icon painter , there is an artist. there is a craftsman. yes, the state. yes, but i signed up, they are still written, but i say, write through the russian federation an artist of icon painters. i have a brother, uh, a cousin said, he works uh in a bank in the banking system. and he tells me he confessed that i could not imagine that my sister can work in the temple. well, for him it was something beyond the norm, something very unusual. and now everyone already considers it natural and normal, as if such a profession is, uh, as if on a par with

all other professions. how many, for example, even in belarus there are icon painters, you can count this number on the fingers. this is a very small number per number of inhabitants. eh, it’s clear that minsk is more like a capital here. and if you take, uh, other cities, in general, christianity is a way of life i was told that there is such an unspoken rule that icon painting has no right to paint anything else. that is, he has no right to paint portraits, but professionally engage in painting there. ah, but i probably agree with that, well, on vacation, when i'm on vacation and somewhere on vacation. i can take, uh, oil paints to paint nature, to paint something like that for myself. well, i don't go deep into it. we don't have a fixed time, because i came to work by this time and finished

it, it's like i have freedom in this. choice of course, daylight. i'm better. than artificially artificial, if i work with flowers, artificial color. it distorts a little. you can look at the work in the morning and realize that you made a little mistake on the shade of some kind, it will be imperceptible to others, but i see that this is not the shade that i needed and i can finish at nine in the evening at 6 :00 pm. and when i'm inspired, well, there you already have to look at not such a certain time , it happens that, but there is one when the coating is on. e icons cover, there are many hours coating, drying oil, and then. sometimes at night you have to stay to look at how it is. e, how absorbs a stalif. that is, we don’t have varnishes , we have exactly natural drying oil, how about how

the ancient icon painters used it is heavy in heaviness? in what would you like a workshop alone? well, even if you're in the company, but it's sitting, painstaking work. you must sit still. but you must carefully do this, that is , not all of the character is enough for such activities, various everyday affairs. they absorb a person and need a little bit of themselves periodically. still pull out a little lift the material life of any person. it is necessary to look at life differently on the other hand, from a different angle.

two icons each of the intercession of the most holy trinity is the icon from which the iconostasis began. we came here in 2005. for the first time in minsk, i was still studying. uh, i studied building at the sergius lavra, i haven’t finished yet. and so, i was offered, and i agreed to paint the icon of the intercession. time passed. and i thought that, probably, other people would already be working on this iconostasis then vladyka philaret headed, uh, the belarusian church, and he said who started. let's continue the first row thoughtful. so it will be on one side of the iconostasis. it will be st. sergei's life from the other side, when stas is st. seraphim's life. we've been working long enough. since they wrote

together, somewhere it took us 10 years quietly. and you maybe some kind of tradition , just like the russians, the iconostasis developed, then, so we started writing from the first row. the first row is usually a free row - how is it? here, the rector deigns, such will be plots, but there should always be the mother of god the savior, and to the right of the savior there is always an icon in honor. eh, who? eh? the temple is named, this is the intercession church, and therefore the intercession of the mother of god, e, is present in this to nastasya. this wing was alexandra's. and this wing. this is the may part, that is, this is seraphim of sarov, this is the royal family - this is the angel leading john the baptist to the desert for the second row, it is huge and there is an icon two meters somewhere around 20 cm. that is , it is not every temple has such huge icons,

they are really large so not you write, you need to put special ladders there and the way my partner does. she is small in stature. she said, it’s not my horses that are so big, i’m not very handy to write to me, and she left it to me all this row that you see, except for one icon, this was written to us on the troika by sergey lavra, and the rest of all the icons are mine job. but the third row is the holidays. here are the holidays. this is already on alexander wrote. when i look at the icons, i no longer have the feeling that you are written by me. i can watch as an audience and as a person just praying on the icon. it’s interesting not even not people who are not professionals, but simply, but parishioners who say that

the stasah sets them up for a state of prayer, that they were in different churches and saw different icons, and uh, we are told that they like these images. they are the ones that cause some kind of peace and tranquility and a feeling of such a presence of god of some kind. well, they are traditional, they are traditional, such icons of them, uh, can you meet andrei rublev? uh, here are other russian economists, that is, we relied on traditions and people from this whole work. itself comes to some more complete state, more hmm assembled. here, probably, such criteria and a red head and a canteen of a saw blade are all that is needed. and in our hands, not a damn thing requires

serious decisions, it’s pretty over. no, there are more military fronts on the map of our motherland , but the forest front remained. and this should never be forgotten. why did the time happen when unbearable work falls on the shoulders of women, old people and children , i will take so many nations from us with old people there won't be that many people. how many able-bodied people you require in your paper, this is not my paper. this is a state plan. it's clear? and in general end your mobilization moods serial film two winters three summers. watch from tuesday to friday on our tv channel before you go on a trip. they don't pack their bags, they earn tips by answering tricky questions. so, as always, fortresses in exchange for

three correct answers to three questions. which bird is the monument to the bar? now birds and not rams stork no little sparrow bird, right? yes, their mission. do not just talk about the secrets and legends of the area, but check them personally, do not be surprised. i am near the village of vylazi, it is located about 20 km from pinsk. and here i am in order to find the royal well. so it seems that there is still some kind of open door open wagon. perhaps there was something interesting for me. i came here and said, go enjoy it. well, let's go every trip, this is an exciting quest and immersion in the color of a separate belarusian cities. and here it is our famous baranovichi cloud. why such a name? because the bun has the shape of a boat

, it is only here that they are nowhere else, watch the stone, paper scissors project on belarus 24 tv channel . she constantly came to the city with us. she lived in a village in the villages there was not a single temple and she sometimes came to the city. especially if these are big holidays and i always wanted to go to the temple, but we didn’t go, maybe since childhood. i knew the prayer of our father there. but i didn’t know anything else and grandfather died and i had to order a memorial service there. well, somehow, slowly, they began to walk. and here are some holidays, uh, i was

interested, in fact, and then they began to print in magazines. proverbs of solomon and something from the old testament, and i read it, and it somehow fell on my soul very much. here is some wisdom. eh, some depth of this text. i really liked it, and therefore this is the church. she attracted me with some more beauty, and divine services with aesthetics, probably, and as an artist, this is important. here this is the space of a m-th temple, uh, and the murals and decorations of the icon are all very, probably, so it fell on my soul. and when i entered the first course. i decided that i would definitely find out everything and read everything. what kind of orthodox faith is this? and what is its

essence, and to study, as it were, the basics, and i went to sunday school with the children, when i came to sign up, they told me who you are signing up. and i say, i myself want to learn. and, well, as if people were surprised that, well, i'm an adult, but i say, i don't know anything, so i need something to know. eh, to read something that you recommended, and i began to walk with the children when i was at the university, then, it seems , they even offered me to stay in the workshop to write to draw my thesis. i had such a screen for baptism. she was painting under the fabric. and that is, the frame was stretched, they cut me in the workshop, just there very talented things the carver was in vitebsk, he did not cut the frame, and i painted two sidewalls for me. these were some kind of ornaments, and the center was a baptism. well, it's how it was meant to be. uh,

like a screen that covers a little. here is the font, protecting it like this. it was the ninety-sixth year. many of us in the group already went to the temple, and we had several works specifically intended for the temple. and even the guys painted an icon. that is, this time. it was something out of the ordinary. we had a priest present at the defense of diplomas. i really wanted to after university. still to learn more the academy can be an art graduate either in st. petersburg or in minsk that is, somehow continue my studies as a painter alone the priest, says, why is a painter better than an icon painter - this is somehow developing very much now and the st. sergius lavra will be in demand. the best school. now i have started collecting documents. i found out what documents are needed. i have already started doing some

icon-painting works. i entered for the fourth time, but i entered why, because i left sh- teaching. that is after university. i also taught for 4 years. i left teaching and went to sergiev posad to a workshop. that's when i was in the workshop, i worked, i also went to additional courses at the tikhonov institute. i already understood what kind of work is needed for admission. i started to actively develop them, and in belarus it would be for me. i realized that it would be very difficult for me when you already understand that you have entered. this is an unusual joy, that education, which was the previous artistic, but it helped me a lot, that is , working with paints. and these relationships are color and pattern. it all came in handy, then it was completely easy for me, for example, the course is gaining from the guys. e your

the girls have their own teacher. eh, teacher. everything, of course, with some small, uh, works, it all began gradually, not that we immediately began to paint icons there, we will make an emulsion for paints, as we take an egg, we need to separate the yolk from the protein. i so here is losing further white wine is added. this, by the way, is an italian tradition, but in russia they used kvass, sour kvass, somewhere. i add one by one and i even add a few drops of lavender. some like it, others don't, but i like it. it's like an antiseptic. that eat this emulsion does not deteriorate. now we will grind some paint lapis lazuli is

afghan there is baikal if oil paint is a pigment with oil, for example, watercolor is a homeo arabica pigment, that is, soluble glue. that in egg tempero is emulsins with pigment. ground courant in order for them to have such a hitch, it is possible not on glass, it is possible to grind on a stone. well, marble can be rubbed, so i take a spatula. i usually collect with a palette knife, but i saw how you can immediately collect a large volume with a spatula

paint very quickly enough many layers. we must put. this is vadim. like a layer there, like gouache. for example, it seems to look like gouache, but still it is a slightly different paint and very transparent layers are obtained, well, due to this, and then the paint is gaining volume. it is, as it were, a little bit from a board of such texture . pskov icon painting is characterized by the fact that there are a lot of emulsions and it seems that the paints on the glass are such a huge amount of paints. when you write, uh, you invest your energy into a prayer icon, and it is this is filled, and i very often people. they say that this is how the image attracts, that is, reproductions of such things, it will not.

it's so emotional to have such a response. this is a living feeling of an icon of living colors. the more interesting they are. when you put them on the board, in volumes, the texture works, there some artistic laws begin to work. you sit quietly there, drawing, uh, writing, and the atmosphere is created anyway solitude. it is somewhere very close to the monastery. it is necessary to be silent to think, uh, and not endures everyone even then you begin to live by this icon. you go to bed. are you thinking about this icon, are you already thinking about this mountain when you get up? we are not painting a portrait. and we are creating a certain image. hmm, i think about the first image, therefore. icon painters, well, life to be written greatly affects the image that we will create. propose

specific actions to make decisions and implement agreements. and how does it happen that the knife of this chair is illusory much more than four. whether we need it or not. perhaps this is such an emotional step from us and seeks to see the logic in action and find answers to controversial fake questions. be careful with names and prepositions and remember that politics is very difficult. but it's very interesting. i am categorically glad that we are now forcing ourselves to be respected, watch the author's projects of igor tur propaganda on the belarus 24 tv channel under the heading secret wild fantasy to

imagine how i got out there. children and children were thrown to shepherd dogs, eyewitness accounts and miraculously surviving prisoners of concentration camps will tell and show dozens there were no inquisitorial operations in the concentration camp, the germans did not give water in the concentration camp. we took this dirty snow warmed up in our palms and so we translate the genocide without the right to life, watch on the tv channel belarus 24.

temporary and thought that we would have the intercession church and this one would probably have to be cleaned, but it is so good in it there is a service that disassembles it, on the contrary, they repaired it. and when i say that we are changing the iconostasis , it says, how is it being changed to on stas, even the same. there was also an iconostasis. so accustomed already to plywood reproductions. there were people, uh, who bought icons for the temple. well, just like that, two athonite icons were a gift. this is the mother of god of the savior and we decided that, probably, we will put trenches on stas here, and the rest should be added already on athos in greece, they wanted to completely order a castaz. i wrote previously the savior

in this style too, and a commission came to sleep the bumps there, well, there were also secular people. it’s just that they decided to order someone else , or i’ll still write. well, we decided which i can probably do. this, i think, is a big task. so i had a task, as it is written and the artist is well, not to break out of the boundaries of this style, that is, greek monks painted greek icons and it was necessary to keep this style lika, e.g. that's why i had to look at these photos more and, uh, reconsider my file cabinet. eh, some little sketches to do to compare. uh, something came up all the human factor. it still affects even this, although they say that here it is necessary from distract yourself and generally write according to

the canons in general in icon painting. there is no such concept. cannes is. the concept of tradition is traditionally written this way. so we noticed that even icon painters, when they paint their saints. they are similar to them portrait data is read for some reason. i once wrote baptism, there are angels standing by the lord john the baptist, just here is the feast of epiphany m. all the angels, they say, all tanya, they all look like me. although, she does not specifically stream for this, because he understands you are your own hands. you see many faces there, you see, and because this is not a sketched work. and you , as it were, write from your inner state, therefore, yes, somewhere you repeat yourself and the growth is the same height, those who are small, they will write a reduced figure. i always write high. that's how i like it, high. well , because it says check and juices, and

the program of the iconostasis itself. this is our pastor. there are even rules for the icon painter. and such that asya the rector deigns, that is, the first row of the iconostasis was always taken here. what the rector or some parish wants temple or revered by some saints, uh, over time, such a system was developed that there are royal gates. on which of them can the annunciation be depicted as an entrance to salvation? this is the first holiday coming, uh, there might be. uh, the way the liturgy is served and hmm. there can be saints, here or evangelists. here, well, it's like another impossible. here there are several options. here there is chosen and usually on the one hand on the left hand of the mother of god on the right the savior. this is already constant, since we have a temple, uh,

built here too. there was an appearance to the springs of the icon of the mother of god, therefore, they took such two thematic compositions, one is the appearance of the mother of god, which, as if with a rod, points to the source, pierces the source. against the background, uh, the second composition is the appearance of the archangel michael, here is a miracle, where the source also leaked , and well, these are such large compositions, and i ’m going to depict them later, and the top of the second row is uh before jesus the row is called the entrance of the kingdom of heaven. so let's say standing to the savior when you write the image is all the same, but such a prayerful one. uh, it should be tuned to the image, because, uh, both the expression and hmm the image itself. it will be so, it turns out some kind of internal mood. how calm are you there

, balanced, or do you have a lot of problems. you are distracted by thoughts. here i am when work is not not , i can not listen to anything, not look. listen, yes. here, i need complete silence, then complete concentration comes. at work on the image that's yes, of course, as far as the most iconographer is his inner world. doesn't matter he goes to work, because it is impossible for an icon painter. that's how to be an unbelieving person. e to live in a secular life does not adhere to church traditions at all. well, it won't work, so it won't be a taikona, which is needed for prayer. it is an icon designed primarily for communication with god, as if you were looking at it, your sense of reality changes. that is, it helps, as it were, prayerful fellowship. here is such a hmm function, this is how i always talk

about our florensky one, such was such a theologian, he always compared the cone with the window, the window gives the light is an icon, as if also a window into another world. here is another sense of reality. we call the place kruptsy the holy intercession church when i worked here. i realized that this is the place where i want to stay and work. that is, i say, i am in my place, absolutely in my place, this is some kind of god's mercy and such a craft. no matter how difficult the feeling that you are in your place, but it does not leave. we have a pastor. he treats us like professionals and consults with us, he relies on the conscience of each person and on professionalism. therefore,