ionization e in the diagnosis and will most likely be called something like, but a gender mismatch. we even talk about it so politically correct somehow neatly nothing is clearly visible, although we are afraid of the plague, being in our country i understand that this is good. and this is bad and the family is the union of a man and a woman. they are kind of the opposite. thank you very much for a very difficult but very interesting conversation. i hope that our conversation will also help keep our children safe. thank you thank you

let's go watch let's go i'll show you oil. see how it smelled like french perfume smell roasted. this is belarusian oil, but it cannot be that there is a residential building, and there is oil right under it. no, it can’t be like that in the forest, only the girls hurt. but if it doesn't wash off tomorrow, we can smear our feet. my pleasure. i need to get dressed. i hurt. i hurt the boys

come to us with one desire is to work, we have no homework. we try to give them all this. here's what you can do. tell me everything, look, good knapsack and belarus with svetlana borovskaya on our tv channel.

my name is denis nemtsov, i'm an actor of the gorky russian drama theater and the belarusian musical theatre, let's talk about the theater about the roles and a little bit about me. hello, on the air, the program, say, do not be silent in the studio, victoria popova and tatyana shcherbina and our guest today is actor denis nemtsov hello, denis musical theater actor, you also participated in independent theater projects in various musicals, so that our viewers could imagine a little how you hold on scene. let's take a look at a short snippet. smiles

and our only well, the musical theater actor should be singing and dancing. i think that this is joy,

of course, somehow with a joyful expression on her face she said, i just think what could be the trouble. no, this is joy, this is an operetta musical. eh, musical theater is still a holiday. it's always fun. therefore, yes, it is a joy when a fairy tale is for adults. yes. yes, you love fairy tales, you have pleasure and i work in them with pleasure. and i love fantasy, yes. i'm not ashamed to admit it. i really love fantasy. this is good. this many adults. it's like you were born in fergana in uzbekistan and with this country. today we maintain business cultural ties. how do you remember your childhood? and how many years did you live there? ah, the fact is that they lived there, we didn’t live with

my father’s parents, so they tried every year. uh, my parents are coming, see the ladies, uh, that is. uh, here's a vacation and one of the holidays. that's where he was born. i am the first of january. well, uh, and now i understand that it was a golden time, when we came with all the family, yes, in uzbekistan i was a very long time ago, but the fact is that after the collapse of the soviet union a. my grandfathers were forced to leave uzbekistan a. and to leave for russia and began, uh, excitement hmm and, as it were, a little hmm oppression of russians. in the country as a child, it was a very hot country for me, but from there i took out a great

love for uzbek cuisine, my father's pilaf. pilaf, the father does just brilliantly. here, i really love these hot tandoor cakes. here are the manti. well, and so on, trying to cook something, trying, but i’m still far from my father very far in your appearance is. they are something oriental. here, i myself think, why where? what a lot is mixed here. that is, if you take both kazakhs and ukrainians there, and he is mixed a lot and the surname itself already says that there were some roots from germany as well. i know at least one more actor who comes from fergana, e . and they called him in the theater this is alexander abdulov, you know alexander well, of course, of course not, how do you know each other? no, no, no, i don’t personally know, but with

his work, of course, he is in in many ways, an idol and an actor is a person who in many ways should be equal to at work. and after graduating from school, you had thoughts of entering a sailor. uh, to the institute of water transport engineers, and yet the choice fell on the novosibirsk theater school. do not regret that i was attracted to these professions as an actor-actor sailor. well, the romance is the romance of these two professions. so i didn’t get into a sailor. i don't remember anymore. now why? in my opinion, either you were in balls, or there was no enrollment this year, i don’t remember, so, well, i began to enter, uh, the institute of engineers water transport, just after he flew out of the first round at the theater school. uh, for a drama course. and now , when i entered the institute of water transport engineer. yes, i think, well, i'll try, uh, to enter

the theater, and i was there just yesterday at 4 years old , i was recruiting a course in musical theater. that's it, uh, i, in my opinion, but they took me as a listener, because the boy was downtrodden closed, that is, absolutely no introvert and went into boxers. they took me too, and i was very surprised that they took me to theatrical and uh, up to the second, up to the second year, in general at the teachers' councils. uh, spears were broken about me, and about my expulsion, because there was nothing bright, there were no problems. and here , of course, i want to say a huge thank you to my master sergei vladimirovich alexandrovsky master, who knew what musical theater was, who believed in me more than i did. i myself, that is, when he said, guys, believe me, nemtsov will change categorically by the fourth year. you changed on the fourth

course. i was already working in the choir of the musical theater of novosibirsk , it was already like a different bar and afraid on the site. uh, the theater school was already. well, it's kind of a shame that it affected. here are your cardinal changes . i believe in you, yeah, and dragged, and even for him it would still be many moments of my recovery were a surprise. that is it's mmm. nemtsov has a voice. well, i remember this for sure, after you graduated from the yekaterinburg state theater institute in your specialty, an actor in drama theater and cinema. what are these two

establishments? communication between themselves, well, let 's start with the fact that mm at the sverdlovsk institute - it was an institute, and in novosibirsk at that time it was a school. you upped there was a need. e, in further studies in improving one’s own skill, some kind of expansion of circles , therefore. yes, yes, but there was no there was no musical theater in sverdlovsk. i went to the drama and nothing. and now i absolutely do not regret it, because it was very serious. uh, uh at that time sverdlovsk teachers. e, sverdlovsk institute. it was a very powerful camera, it was very powerful, and it didn't matter what you learned, what you remembered, what mattered to them was how you evaluate it, how you perceive it. you

think about it, they taught us to think, by the way, to me. i have been very lucky with the course. e at the theater institute. there were hmm guys from kazakhstan, bashkortostan, and-and russia, there were theater directors, guys, stage directors, leading uh, theater soloists, and uh, many of our diploma performances hit. uh, to the golden fund of the educational theater of the sverdlovsk institute. well, in general, as it is written in your biography on the website of the musical theater in the acting corpses of the belarusian state academic musical theatre. denis nemtsov came as an experienced artist. let's take a look at an amateur video with your participation and the performance wedding in malinovka

incendiary such a duet of yashka and mosquitoes. what prompted you to move? minsk i generally like to travel here it's this maritime dissatisfaction some kind of it here, e made itself known in such a peculiar way to the maritime power in belarus yes, yes, at some point, there was again a need hmm something to change their lives . uh, in order to prove to m-th myself first of all and others in a new place. that you can do something else, that is, not here is the creative stagnation that demanded. uh, change something, but change. why not not? not

city ​​so you can change the country. i came, i auditioned, i watched the play. uh. yes , i was already, as it were, familiar with the work of this theater. when you arrived you so, well, inserted the conditions. i want to be right here, uh, to play in all the performances, or did you start right there right there, uh. well, i really came after having worked for 11 or 12 years at the novosibirsk musical theatre, that is , the experience was already baggage, it was already on its own terms. yes, you are moving on, no, i didn’t put any in the word, that is. uh, theater management. decided, uh, where to take or not to take? well, they did, but i didn't think i was very , uh, that uh, creative. i am more than i am to her so far, as if i consider myself more technically savvy, that is, a person with good

baggage. oh, we will demonstrate your luggage of images, the amplitude you have is amazing from your grandfather. zakharov staging a drill before the villain sofya golshanskaya and two roles of the jailer from the secretary, but are in the blue cameo, not counting the classics of all opera kalman and strauss or kara, let's see a small kalash of your images on the screen, and the demand is wild. yes, this is what i once made a schedule for the week. this is what your schedule looked like. well, it means that you can handle any role, of course, what i did is up to you. but what's waiting there, let's see what comes of it. no, it happened. she refused me. no. well, female images are also for you, so to speak. yes

, yes, they admitted that you, well, closer, whether to play villains, right, i wouldn’t say that it plays closer, it’s more interesting to dig their villains to dig. uh, and, what's most interesting, uh, it's more about musical theatre, because in the drama theater there are no ideal heroes. there, too, it’s like a good character, he’s also with shades here, but here in the musical, it’s really very interesting to understand the psychology and motivation of the character, who, uh, carries such a negative charge, which here at the same time beeps. not only does he sing and dance. so it's interesting to work

on the female daphne in general, it's like one of the turning points. the fact is that it was put by the susa on the church in novosibirsk here. uh, just after my diploma from the sverdlovsk institute, we met there. and uh, then we collaborated, and when she hmm started betting. uh, one day chicago is here, huh? uh, well, she called me again for this role. well, here is yuri stoyanov. yes, this is such the most famous actor , to whom female images lend themselves, he simply brilliantly said that he did not understand the organics of a woman, even after spending so many years, she, uh, heels, what can you say? i fully agree with him. it is necessary to be a woman and to think like a woman. us the girls helped a lot both in novosibirsk and

here, that is, they were very interested, they came and critically looked at our work from our distance. yes, they said, this is not so. it's like this. here, from hip to hip, it was hard to find them. e, this e requirement, but somehow they tried. you have a favorite from this entire palette of musical performances. yes, all loved ones. i really like double baiting in three musketeers straight. here is the hall , in my opinion, yes, yes, yes, the performance of lera chilichik is our director. e youthful body, that it is your view that comes to the audience most of all, and recognizable like this, well, sort of , yes, like a wedding in robin jazz, only girls, three musketeers the same or an experiment.

well, do you know musical theater? uh, how would he build his repertoire in such a way that hmm all segments of the population, so that everyone would be interested in something the new older generation, which now knows the woman's rebellion wedding in malinovka is a trend beat, they come to these performances. uh, someone who remembers, hello i am your aunt comes to aunt aunt charlie with pleasure people go and bring children to the bremen town musicians on pinocchio e, there was little red riding hood. we have mary poppins, yes, yes, the music is familiar and they sing along with pleasure, that is, the children look at their parents, who simply have more fun. yes, than and suddenly still in the twenty-first year. you go to the national academic drama theatre. i called you again, my soul. and as i

understand it, already play in the play the brothers karamazov rock opera the count of monte cristo comedy selfie with sclerosis, as he explains his abrupt transition to drama, well, it happened for personal reasons, that is, no one squeezed me out, interfered, or pushed me. this happened for personal reasons, that is , a situation arose in life when something had to be changed. here and here. uh, hmm , just in time, maybe the bell rang. e, sergei mikhailovich chief director. e of the gorky theater, which invited me to take part in its performances. and then there appeared something welfort, and then here's one two three here, in my opinion, five is the name. i now have a repertoire that your fans.

the musical theater won't see you there anymore. no why do i stay the same we also cooperate with the musical theater, and hmm i am the gdp of the musical theater, of ​​course i will go out there and work. let's cuddle for a while and continue our fascinating conversation, i remind you, we have a telegram channel. say don't be silent. subscribe to ask questions. suggest guests we are in touch. on the air say it again, don't be silent. and today our guest is the singing actor denis nemtsov, who temporarily plunged into injury, works in theater named after gorky in minsk and since you have already named five performances in which you are participating, we will dwell on some of them in more detail, for example, in the performance. brothers karamazov you play the role of a pole. yes, and mr. rublevsky, in my opinion , he is dostoevsky. there's a lot more there. uh, a funny episode when i specifically reminded

myself of the text on the eve of our meeting. the pole refuses to drink for russia of the sample of the thousand of the second year. uh, fans of history know that this year is a section of the commonwealth , which some poles still regret, but what is here for us it is interesting that the audience reacts very warmly to this at the moment when your heroes, but refuses. sing and well, laughs, frankly speaking. uh, they took this performance back to veliky novgorod, where it was warmly received very much at the festival, just the performances of dostoevsky here. we have your archival photo, where the whole corpse and sergei mikhailovich is a happy kovalchik in the first background. uh, here's a question for you denis about political can art at all these walls that politicians build between us destroy very indicative, by the way, the phrase here

uh, and in this uh in the karamazovs clearly ali it is impossible not to have a weakness for his land. how can i say, if a person loves his country , he will e. hmm automatically starts to root for it and worry about it, and everything that eliminated any cataclysms that occur in it, of course, perceives it very painfully. i agree that such a subjective one is included here. yes, when any uh, well, so to speak, ridicule against their country. you perceive the disease, of course, of course, but should art be engaged in trying on people, in your opinion, should to be this one, the component in the performances of the sound, you know how lunacharsky demanded the edge of the day there, and so on. you know why it teaches theaters first of all to understand each other to understand, uh, what a person breathes. what emotions are driving his actions? here uh. you have probably heard this

phrase that actors are the advocates of their roles. we have to explain, er, show and prove to the viewer what motivated this man. here we must explain why he did just that, and again, this is what i return to my villains, not always villains also decided the cardinal, who is considered to be a lot. the same villain, yes, but in fact a statesman whose nerves were ruffled by four scumbags, but a curious new optics. there are things common to all nations. love hate. eh, some uh aspirations of some sort. thirst for some discoveries for yourself. and this is what unites everyone. yes, i agree with you. but when, i think, i watch a performance

for krupskaya and lenin in the riga theater, and there they do everything. just lived alive galvanizing sick people. yes, well, i think, somewhere here to meet me, as the viewer goes uh, here uh, you understand for me. uh, in art it's very important. uh, recognition is important. and it is important for me that in the hall. the viewer saw something similar to what is happening in his life, that is, about kostyan , so this is what you are on stage. that's what you say. it's you, nadia, look, it's you, you're such a joy of recognition in the morning. yes, because, uh, i believe. i want to believe it, that uh work my work in the theater and the work of my uh colleagues, uh, something

corrects in the life of any viewer, when we are working on some drama, some philosophical things. eh, it is important for us that they look and even look at the villains and understand that this is how it is. no need. here it can lead to a bad ending, the same welfor, for example, here, uh, i am for every time i go on stage. i just wonder what i'm going there for. for what? and in order for someone to simply understand, here is the same official who installed himself. well, as it turns out above the law, or put his law about himself at his service. here's what's out of it what can this lead to in the mirror? yes , in front of him, yes, yes, and i really want to believe that uh you yes, so what? it's that, leaving the audience hall about it, thinks i want

to believe that it depends on my work whether the audience will come again some certain. here he came for the first time, well, in the vkontakte group. so i believe that something depends on your work. how many years have you been in belarus ? husband has gone now, season 16, 17, and fell in love already managed to fall in love with this country, belarus yes, of course, i, uh, i'm terribly ashamed that i'm still i didn’t travel, it’s all here, i feel sorry for it, but we’ll fix everything. here, but the fact that i, i travel around, we go, uh, with performances to the cities of belarus and not only belarus, uh, a wonderful beautiful country and just go somewhere with the same tent. it's just a wonderful rest for your theatrical

activities . the premieres of the gorky theater have recently died down opus 40. yeah , alexander ostrovsky and came out, in the role of knurov, about the tutor sergei kovalchik, a comparison with the legendary alexei petrenko are you not afraid? just replay petrenko did not stand at all, that is, i use modern, as it were, words and trends , here we have a multiverse. uh, no devotee. and now petrenko is one universe, and knurov. here is our dowry , this is another universe, and it also has a place to be. well, when i read the text, i can't get rid of the fact that you don't hear the voice. petrenko i don't know or, of course, he hit, he played it brilliantly and the image that, uh, it turns out, i have with my partner oleg kotz. eh, it's important for us to convey. uh, the main idea of ​​this character. and what is he

subtle it is not important to convey the main idea. e , what motivated this man is his prudence, you are his here, this one. thoughtfulness of intrigue. these are the main things. yes, such a knurov it also takes place to be clear on the day there is in the twelfth year you are the winner of the national theater award for the lead role in the play trufa aldina from berkma, what gives the artist such awards? here ekaterina dolova also handed you this beautiful award. and you conceited you know about conceited me. uh, quickly cured one of cases. um, i think it was, i think, the third or fourth season. e in minsk that is, i'm already, er, well, already lit up in performances, and i'm getting out of the subway from the car

, a woman comes up to me vaguely, a familiar face. forgive me denis please return it ha-ha, this cured me once and for all. well, yes, you know the award, when i received this award. i remember my first thought was that understanding that i received the award for one role, and i will have to prove that you deserve it in all performances. you are now obligated er to the people of the audience, how would you prove that you are holding the bar? well, season 17 denis uh, i had a chance to communicate with alexander gavrilovich abdulov, who is an idol for you. as you said, and in recent years, he went out on pure professionalism, as he said on stage, that is, between gatherings in a restaurant with friends and returning to them. and he went to

the theatre. yes, after wiping his mouth, he played with a napkin, the divine played. it's true, that is, one eyebrow rose knitted uhl, well, for sure. just without prejudice went on walking. uh uh uh you have a feast. eh, how is there a thrill? still or no longer his awe of the stage before work, of course. that's for sure. every time you're behind the scenes, you're getting ready to go out. are you very worried and is it another matter that you are going out? you are no longer excited. you are like a different character. you think of something else abdulova by the way, very interesting. there was a case that he told me very much, when hmm, this is about the issue of shoes. uh, when he says they were sitting in the front row? uh, husband and wife were sitting watched a performance or walked, like from a family drama, and suddenly, uh, the wife silently turns to her husband and gives it to him, and he just silently wipes himself off and just sits like that , that is, penetrated, that is, there was such a moment

of recognition on the stage that the woman just froze. yes, this is what needs to be said. yes, with patience i understood that yes. here it is, yes. dasha, do you remember, for sure , the situation in 2020, when well, many, uh, theater groups stormed, let's call it the fact that you are not from belarus. hmm gave you some additional, let's say, optics you could look at the situation from the outside, it was stormy, many, uh, theaters, and my biggest sadness and loss of that time is that the territory of the musical was closed. this is what, as it were, this amateur theater, this uh, which was made by nastya ingredienko and dima yakubovich , who i just think is a loss not only for our

team, who worked with great pleasure and pleasure, but also for the country, because, well, we generally have a lot of people who have done internships to dial doors. here we don’t have such people at all, so they staged two licensed broadway musicals, one of which, by the way, received a national award. yes , it was somehow created from gennady gladov to find a common language, and in general, we started our conversation with you from a fragment from the performance. this. by the way, by the way, edinka yakubovich and nastya grinenko. here is the leader of this theatre. i want to say a huge thank you, because, from their suggestion, by the way, here we are with this number. uh, in yekaterinburg they took the laureate, in my opinion go i got it, well, nice to see. well

, it's nice to show sverdlovsk where i studied. i mean, that's how it came together. uh, when i came to the theater, it was the first performance in which i participated. well, what do you think? is it possible to rebuild? that's it, i really hope that we will get together and give the heat mentioned. you often tour with the musical theater and have also been to many russian cities. you have a favorite city, so to speak, and where belarusian artists are received with a bang. and that's where you would like to return again and again my favorite city. this is one i haven't been in yet. all cities are interesting. this is the mania for travel. it's just that this is what the tour feeds on - this is generally a separate life. i can only speak for musical theatre. here, uh, with russian dramatic. unfortunately, i was only on one e, outer novgorod , and that was it. the tour was the novgorod

kremlin or very interesting, that’s the festival, which people just came very, very carefully told the story that ruslan black man. kiy - this is now yes, your stage colleague knew more about the kremlin in novgorodsky than an excursion, you remember that i don’t know, i apparently moved away, but we are received very well, and uh, unfortunately, it’s not always possible to come with orchestra. with the orchestra we are accepted just like they are still singing water under this orchestra. look, they are also dancing. this is, of course, hmm worth a lot. tell us about your teaching activities. you taught the skills of actors of the theater studio alphabet in a pop school talent groups. what did this experience give you, the ability to work with children, the ability to present material

to explain, this is very important when hmm there is such an interesting aspect when you learn a role, or something you want to learn yourself. try to reproduce it all from the point of view of the teacher who gives it, and then the brain remembers for some reason. it's much better uh, so uh. well, it really gave experience. e laying out on the shelves, that is, calmly. uh, unfolding measuredly with the kids coming out, you yourself got something it is necessary, of course, that at some point i explain to someone you suddenly made some kind of discovery for yourself, that oh, but it turns out that way, and i’ll tell you more. uh, how many interesting moments i took of e-emotion evaluations from children. it's just

a different way of thinking that they don't convey. and when they show you, too, a thing just from a different angle. you never thought so, never and suddenly, and suddenly, this is a role, or this is a character , or this moment the situation starts to play just in a completely different, uh, different facet. it is very important. it is very interesting. and all this activity was left in the piggy bank. well , uh alphabet - it was the educational theater at the school, uh, founded by anatoly kostecki, we say bychkov. uh, after the death of anatoly kostecki. he tried to support on the floor. this is this hmm a theater but the school administration decided that it was not profitable and the theater was closed. you already mentioned that your birthday falls on the first of january. well, in general, the actors are the question

here. eh, i think it's natural. is it often did you have to perform on stage that day? no luck, but here it is, for my fortieth birthday, i made myself a cake. e, 40 w yes 40 w yes, it costs another 75 and 100. that is, there is room to grow. you know january 1st. e, i didn’t have to work, but i didn’t have to rest, yes, that is, when the actors’ new year’s eve is one of the most profitable in general, therefore, yes, i also worked as santa claus and introduced new year’s eve to these very corporate parties. here and uh to the issue of emancipation and danced in nightclubs on january 1st. you somehow come in a state so uh, where am i uh, how much time do i have left to sleep and rest. that is, it was, yes, but mostly it, of course. for me, this is

a family holiday. and when i have the opportunity, i fly to novosibirsk as i celebrate the new year with my parents with them , i remember it most of my neurobirths, and my arrival on new year's eve, when i did not warn my parents and came to them as a surprise in the form of santa claus with a bag from the street, and the thirty-first of december. this was a big surprise and surprise. and now we let's take a short break after a short pause and return to this studio again, while subscribe to our telegram channel. it ’s called say don’t be silent, and look for all our releases on the youtube channel, belarus alone and on the website of the bell telegram company. on the air say again, don't be silent, and our guest is the actor of musical and drama theaters denis nemtsov, who is also a biker to all

his merits. why did you almost choke? i didn't think this topic would come up. well, yes, it's me. yes i'm apollo but uh it's your bike. now i understand what least. you are going to travel all over belarus, but for this you need time in some biker club, or you are single. i'm a loner and i'm a loner on this car drove to prague and now, uh, in my opinion, 9 or 10 years ago with great pleasure. that's what i'm planning. you also have a musical education at a music school, you graduated, and the instrument is the button accordion? how did you distinguish yourself on such a tool to choose? well, uh, the thing is, i wanted

to learn how to play the guitar, i mean, uh, my family had a guitar. here's my mother tried somehow play. and i uh said i want to learn how to play. and they took me to a music school. uh, they listened and said that congratulations, we are accepting you to a music school. you will study with us on the button accordion. here and uh boys tear, yes, and we're going home, and i'm talking to parents barely. i'm a little discouraged. moreover, i'm in a lot of confusion. excuse me for the expression, what kind of coasters, as it were , delicately explained to me that the guitar is an instrument of the gateway here, but the guy with the harmonica is serious, it's still this is the first guy in the village. but i want to say

that i didn’t have to, uh, was in vain and if it were completely not mine, i wouldn’t have studied the button accordion for 3 years, though, then i already took away the instruments and didn’t take it in my hands anymore, but what the music school gave me . this, of course, this is the brain’s diploma salfegio, that is, knowledge of the note, and that’s all, all, all this did not disappear and the viewer came in handy later. maybe you can see this on stage, including the artist who was in your place in our studio, said that there can be no friends in the theater, but you have the same opinion. well, i colleagues can only sympathize. i mean , somehow. well, no luck. well, how, how do we do one thing? and i would like the dieter to be born in love. that is a performance, to appear somehow in peace and harmony, and uh. yes, there have been times when they just

talk. what did he do? god, it's terrible what you're doing there, it was all different, but for me, by the way, it's very, uh, it was interesting to work. right now on the dowry with the guys. uh, russian theater, when you just see burning eyes and just and everyone is just strives to make this performance better, but let's like this, but let's stop. no. let's try this one, this one, this one, that is. eh, when just the energy goes. eh, creative energy and everything goes to ensure that this performance, er, turns out better. so you answered do you have friends in the theater? yes, yes, yes, i'm lucky. i guess i was lucky in this regard, with whom it is easier for you to work as a director , a woman or a man. you know,

i would just like to say that they are somehow softer with women. no, that is, no that is, there are directors who are very tough, as it were, put on performances. you know, there is no difference, that is, both men and women can turn out to be both a complete mediocrity, and a brilliant director is somehow very noticeable that we have women directors, but mostly they stage performances more often. so you have already named nastya and everything is being sanctioned motor, which is already in the big one. yes, that is, what kind of gender bias is this. do you think this is not a gender snack? it's just that we're so lucky, to whom the actors who

work with it work with them. in fact, they also learned, as it were, from men, then this is also alexander, the same bast shoes in the same quinekhidze, that is. the director's fluorine, that is, uh, and i think they got better from them. i will not say that in some ways a director is a woman, uh, more brilliant than a director, there is no man, how is it? it seems to me, 50 by 50 m. is it true that in the acting profession you still have to, well, let's say, push your elbows. looking for roles looking for uh. well you know me i wouldn't say that i had to fight behind the wheel of a role. i don't believe that it's possible somehow to

get a role by some kind of blackmail or rudeness, or somehow get a role. i believe, uh, in the case of the theater that is, when that comes , uh, hmm prepared, that is, when everything is like that, get out of here, who in the hall knows the text of this role, i run to the stage. this is what happens. i met with this and yes, yes, i had such a biography. here it is. uh case he comes, but he comes prepared. it’s already later that you already have a nightly nightly reading and watch the video, read the text and you understand that you are not just impossible to learn and urgent. here but nevertheless it is you who go out and work. and then you sit down and talk. yes, yes, it happened. yes, i was able

to eat it, but hmm push for roles hmm no, not really somehow in my biography there was nothing like that. i applied, i yes, i was denied somewhere. yes, i will not play many roles, but on the other hand. i do not want, as it were, to be like in that joke, there are not yet seventy, and already juliet, that's why. therefore, but there are still very, very many roles, that is, men. it's easier with this true or you're not up to now, that you wouldn't play romeo now already. well, this is a must see. what light will be. hmm it all depends on the production from the uh director, what does he even want? maybe

we have it will be romeo here we have romeo against juliet, 20 years later in the music center, yes, older romeo , older experienced juliet why not? well, this suggests that you still take an actor so dependent that, well, on the roles. i think they refuse money, well, you don’t have to refuse roles, but there were cases honestly in my memory when i refused, well, roles. and you know, honestly hmm hmm never regretted it, and in more such cases, yes, they planned to act. there is no such desire in the desire there is and were. uh, little movie shooting experience , uh, but i believe that my best handle

is probably something from bulgakov's dog heart of a dog. yes, what shortcomings do you forgive yourself for the desire to sleep. this is me, in general i am very lucky that i learned. uh, sleep for 15 minutes for half an hour, that is, to reboot at a time when there was this tendency to meditate on all that. i tried to learn how to meditate. i sat down and did everything and fell into a dream, that is, i could not follow me, but this is the ability to quickly turn off. it saved me a lot later. she is dulling. here i have a memory that has been clearly dulled for years alone. eh, the poem is now one studying more slowly than before much. mm. well, you have. uh, with roles, that is, well, do you notice that

memory is getting worse? no, i think that i have enough luggage. uh, hmm tools to work on the role. here, uh, and i can switch from one text memorization tool or role or whatever to another. so, how do i do this? well, try, try to work and record yourself on a recorder. this is what you say to write down. so you are walking down the street. are you going somewhere? listen to what you say. here, uh, listen to yourself yes, yes, and uh, pronounce it in parallel with him, as he learns languages. by the way, that's the same time you need to learn knurov. the whole role staging period, that is, you understand that it is one thing. you learned the lines yourself at home.

it’s completely different when you work eye to eye with a partner, and it’s completely different when you do it, on stage, that is, in an environment in a situation. it's like the third level. i mean, uh, the situation is getting more and more complicated all the time. that's at the first level, when you just memorize the text of your remark. it is very important to understand, m-m, the semantic load, not what you say, but what you think at this moment, because internal monologue. he often diverges, we say one thing, we think completely different. if you dream in what world musical did you want to play? probably, in the outcasts, i don’t know for some reason. well, here's the first thing that came to mind. here uh. in general , you need to ask nastya grinenko, wherever she saw me, she literally

read on the meeting channel with you that the phantom of the opera was filmed there for many years already. yes, but did not survive. uh, pandemic performance, in your opinion, and there is a shelf life of success. well agree that the phantom is already classics. here is a classic forever and uh, no matter how much they say that before this is a dying genre. well, uh, it still goes on and people come and will come to it, because this is, well, a genre that is simply necessary, and musicals, that is. well, right now, yes, the phantom is leaving the site, but it's that in uh, a decade, it won't appear in a new form, right? yes, classic, eternal your answer is denis a we hope that you, with your love for opera, will really stay in the musical theater and

delight your fans. more and more new roles in new productions and all personal reasons leave somewhere behind. yeah, and that you will insist on the better and your memory will grow stronger, because you know so many professional secrets that i would take alphabet lessons from you at some school, let them open and all the best to you. thank you for this meeting. we tatyana shcherbina victoria popova say goodbye to you today. goodbye. goodbye. and now denis nemtsov is speaking, dear friends. come to the theatres, come to our performances. we will be very glad to see you and love and happiness

dreaming of traveling, but don't know where to start, so where is the city of bogotsk. the labyrinths of their streets will be opened for us today, the father of belarusian cities, polotsk , we will tell you everything about tourist opportunities. i love the beauties of the nature of belarus, no matter what you travel on the august canal on a boat on a catamaran, it doesn’t matter on the ship. i'm sure you'll absolutely love it, because all around you are insanely beautiful with major attractions, an exciting

adventure and an interesting meeting. sofia cathedral of the creed of power and independence built in the eleventh century. on a leash, prince vseslav charodeis, when you are in the museum, you approximately fall into the nineteenth century, how politicians lived, that is, the polishchuks lived in such huts. travel with us to belarus 24. they work at the largest machine-building enterprises in belarus, i am over 55. i am not ashamed of my age. i do not look at my age, trying to work and benefit people, i felt what innovation is in my eyes, a new technique was heard time

dictates, and to move to develop something new, they stop on the spot , it will not be difficult for them to talk about how giants of agricultural machinery are created from scratch . yes, a very large adult constructor. and they go there for painting, finishing, cleaning. this is a beauty salon for appliances, project one day. i am very satisfied with life, i see the tractor doing its job. i'm doing my job. watch on belarus 24 tv channel. beautiful live the art of ballet that captivates the viewer here, every wave of the hand is full of wisdom and there is not a single senseless movement on pointe shoes. and what is hidden

behind the scenes of the bolshoi theater of belarus, let's talk with its chief litmeister igor kolb. watch this weekend in the fashion for culture project only on our tv channel.

production sowing development of regions and the economy of regions as a whole president of belarus on a working trip to the gomel region