and to participate in this competition and there is nothing so shameful here. we have about 33 billion rubles a year for all construction projects within the framework of both public and private funding. the organization of the academy of sciences of belarus attracted about $70 million over the past year, as noted by the chairman of the presidium leader vladimir gusakov . one of the main tasks of belarusian science is import substitution in the current conditions of sanctions pressure. products. in total, the portfolio of developments of belarusian scientists includes more than 400 items from space and medicine to agriculture and electric transport. in addition, now the scientific community is also facing the task of developing import efficiency. for example, domestic drugs for the treatment of cancer are unique in the world. by the way, exports of goods and services from the academy of sciences and other countries increased by 30% last year. now belarus is actively

establishing contacts with india, especially in the field of pharmaceuticals. also working with vietnam, pakistan, some african countries, as well as latin america, excavations are underway in the vitebsk region at the site of the common grave of soviet soldiers who died during the great patriotic war. of a separate search battalion, the excavation site now, the non -existent village of pogostino, here from the end, 43 to april, 44, there were two divisions ; archival data indicate a massive the burial of soviet soldiers who died in the temporary entry operation , the remains of at least 200 people may be in the unmarked grave, the second day of work is underway yesterday. here the search engines settled down and cleared the place today. we arrived and the excavations themselves began. and in the next 2 hours they were found.

the remains and finds are insignificant, that is , some fragments of buttons, but this is already something. our countrymen. we just couldn't come here and pay tribute to wants with him and try to raise someone to identify someone, the results of the excavation will become known. in the first ten days of may , the searchers hope to find confirmation that the heroes who entered the history of the great patriotic war as the vitebsk panfilovites were also buried in this burial. the season of fountains was opened in minsk, sveta is musical and immersed in sculpture, there are about 40 such structures in the capital. the first appeared almost 150 years ago in alexander square. this a boy with swans is another titled geyser in the victory park, sail jets rise to a height of 20 m, the newest multimedia fountain on the svisloch river. well, the largest in terms of area near the opera house has seven cascades and a volume of 300,000 liters. they work at

the largest engineering enterprises in belarus 55. i am not ashamed of my age. i do not look at my age, but i try to work and benefit people, what is innovation in my eyes, a new technique was dictated by time. uh, move develop something new they stop on the spot, it will not be difficult for them to tell about how giants of agricultural machinery are created from scratch. when the components come to us, these are spars. some amplifiers and a ramp assembly is, uh, a very large adult constructor, and they are being painted there. this is a beauty salon for the technique

project one day. i am very pleased with life . see the tractor on belarus 24 tv channel. see the things that surround us in everyday life in this project. we will look through the prism of science our people. we got used to the fact that milk - this is what this is a drink, and this is not a drink, it does not strike them thirsty. this is food after drinking a glass of milk. in the morning you may not eat anything until lunch. you have already received everything from the point of view of science from the point of view of nutrition milk - it is that the opinion has always been unambiguously milk - this is one of the most basic useful products for the human body, together with experts , we will analyze non-standard phenomena for scientific research with a sense of humor, it is impossible to be born, but it can be develop, if

intellectually develop. in general, it turns out either with a sense of humor, or just a good person. a popular science project, science is nearby, so that everyone has fun and we have fun. we must be able to joke yo-pray, but this requires, first of all, the mind and developed intellect. watch on tv channel belarus 24. my name is denis nemtsov. i am an actor of the russian drama theater named after gorky and the belarusian musical theatre, let's talk about the olya theater, and a little bit about me. hello, on the air, the program, say, do not

be silent in the studio, victoria popova and tatyana shcherbina and the actor denis is our guest today nemtsov hello denis, hello. we know you how to write a musical theater actor. you also participated in independent theater projects in various musicals, so that our viewers can imagine a little bit how you hold on to the stage. let's see a short excerpt. smiles and our only eyes

well, an actor in a musical theater should be singing and dancing. i think that this is joy, of course, somehow with a joyful expression on her face she said, i just think what could be the trouble. no, this is joy, this is an operetta musical. uh, musical theater is still a holiday. it's always fun. so yes, it was joy speaking. fairy tale for adults. yes. yes, you love fairy tales, you have it with pleasure

and i work in them with pleasure. and i love fantasy, yes. i'm not ashamed to admit it. i really love fantasy. and you feel it's good. these are many adults. it 's like you were born in fergana in uzbekistan uh with this country. today we maintain business cultural ties. how do you remember your childhood? and how many years did you live there? ah, the fact is that they lived there, not we lived father's parents, so they tried every year. uh, my parents are coming see, right? er, that is. eh, here is the launch, and on one of the holidays. that's where he was born. i am the first of january. well, uh, and now i understand that it was a golden time, when we already came with the whole family there in uzbekistan. i was a very long time ago, but the fact is that after the collapse of the soviet

union a. my grandfathers were forced to leave uzbekistan a. and to leave for russia, uh, began, uh, excitement hmm and, as it were, a little hmm oppression of russians. in the country in childhood for it was a very hot country for me, but from there i took out a great love for uzbek cuisine, my father's pilaf. pilaf, the father does just brilliantly. here, i really love these hot tandoor cakes. here are the manti. well, and so on, you are trying to cook something, but i am still far from my father in your appearance . they are something oriental. but i myself think, why where? what a lot is mixed here. that is, if you take both kazakhs and

ukrainians there, and it is mixed a lot and the surname itself already says that there were some roots from germany i know at least one more actor who comes from ferghana, e.g., a cotton boy, and he was called in the theater this is alexander abdulov, you know alexander well, of course, of course not. how to meet no, no, no, i don’t personally know him, but, of course, he is an idol and an actor for me in many respects, a person who in many ways should be equal to at work. and after graduating from school, you had thoughts of entering a sailor. uh, to the institute of water transport engineers, and yet the choice fell on the novosibirsk theater school. not sorry that i was attracted to these professions as an actor-actor seafarer. well , the romance is the romance of these two professions. so i didn’t get into a sailor, i don’t remember already.

now i don’t remember why, in my opinion, either by points, or there was no enrollment this year, so, well, i began to act. uh, to the institute of water transport engineering, just after i flew out of the first round at the theater school. uh, for a drama course. and now, when i entered the institute of water transport engineers. yes, i think, well, i'll try uh to enter uh in the theater and i was there just yesterday at the age of 4, i was recruiting a course in musical theater. that's it, uh, i , in my opinion, but they took me as a listener, because the boy was downtrodden closed, that is, absolutely no introvert and went into a boxer. they took me too, and i was very surprised that they took me to the theater and , uh, up to the second, up to the second year, in general, not in the

soviets. uh, the copy broke about me, and about my expulsion, because there was nothing bright, there were no problems. and here, of course, i want to say a huge thanks to my master sergei vladimirovich alexandrovsky, a master who knew what musical theater was, who believed in me more than i did. i myself, that is, when he said, guys, believe me, nemtsov will change categorically by the fourth year. you changed in the fourth year. i was already working in the choir of the musical theater of novosibirsk , it was already like a different bar and afraid on the site. uh, there was already a theater school. well, it's kind of a shame that it affected. here are your cardinal changes. hmm well, this this is some kind of overcoming yourself, this is some kind of challenge, which, of course, of course, i will prove to everyone one thing when you just dig and

cannot, and another thing when a person says to you, i believe you. yeah, and dragged and dragged, and even for him it would still be many moments of my recovery were a surprise. that is , hmm, nemtsov had a voice. well, i remember this for sure, after you graduated from the yekaterinburg state theater institute with a degree in actors of the drama theater of cinema, and what are these two institutions? between themselves, well, let's start with the fact that, uh, at the sverdlovsk institute - it was an institute, and in novosibirsk at that time it was a school. you upped there was a need. and in further studies in improving one’s some kind of skill, some kind of expansion of circles, therefore. yes, yes, but

there was no musical theater in sverdlovsk. i went to the drama and about nothing. and that's rather than absolutely about it, because it was very serious. uh, uh at that time sverdlovsk teachers. e, sverdlovsk institute. it was this very powerful camera was very powerful and it didn’t matter what you learned, what you remembered, it was important for them how you evaluate it. how do you perceive it. you think about it, they taught us to think, by the way, to me. i have been very lucky with the course. e at the theater institute. here there were hmm guys from kazakhstan, bashkortostan and russia were theater directors, guys, directors studied, leading uh, theater soloists, and uh, many performances, our diplomas hit. uh, to the golden fund of the educational theater of the sverdlovsk institute. well, in general, as it is written in your biography on the site

musical theater to the acting company of the belarusian state academic musical theatre. denis nemtsov came as an experienced artist. let's take a look at an amateur video with your participation and the play wedding in malinovka . what prompted you to move? minsk i generally like to travel here somehow it’s some kind of maritime dissatisfaction she’s here, uh, she gave herself a kind of know to

the maritime power in belarus yes, yes, at some point uh, the need arose again hmm something change your lives. uh, to the new place, again, to prove mm to myself first of all and to others. that you can do something else, that is, not that creative stagnation that demanded. uh, change something, but change. why not not? not a city so you can change the country. i came, i auditioned. i watched performances. uh. yes, i was already, as it were, familiar with the work of this theater. when you arrived you so, well, inserted the conditions. i want to be right here, uh, to play in all sour creams, or did you start right from the very there, uh. well, i actually arrived after working 11 or 12 years in the novosibirsk musical theatre, that is, the experience was already luggage, it was already on its

own terms. yes, you are moving on, no, i didn’t put any in the word, that is. uh, theater management. decided e where to take or not to take? well , they did, but i didn't think i was very uh so uh creative. i am more than i am to her so far, as if i consider myself more technically savvy, that is, a person with good baggage. oh, we will demonstrate your baggage of images, the amplitude you have is amazing from your grandfather. zakharov staging a woman rebellion villain corner sophia golshanskaya and two roles of the jailer from the secretary of the hole in the blue cameo, not counting the classics of all opera kalman and strauss or karp. let's see a small kalash of your images on the screen, and the demand is wild. yes, this is what i once made a schedule for the week. this is what

your schedule looked like. well, it means that you can handle any role, of course, what i did is up to you. that's it. but what's waiting out there, we'll see what comes of it. also for you, right? and yet you once admitted that you, well closer, or something, to play villains for so many years, i would not say that it plays closer, their villains are more interesting to dig to dig. uh, and what 's most interesting uh, it's more about musical theater, because in drama theater there are no perfect

heroes. there, too, like a good character. he is also in the hundreds in the musical. eh, really. eh, it’s very interesting to understand the psychology and motivation of a character who carries such a negative charge, which is bad at the same time. not only does he sing, he also dances. so it's interesting working on wife. one of the turning points. the fact is that he was put on a tsiruk in novosibirsk in jazz, only by girls. here. uh, just, uh, exactly after my diploma , uh, from the sverdlovsk institute. there we met and, uh, then we collaborated, and when she hmm started staging. e. once upon a chicago here e. well, she

called me, again here for this role. well, yuri stoyanov yes, this is such the most famous actor, to whom the female image lends itself simply brilliantly said that a woman has organics. he never understood, even for so many years after spending, she uh, heels, what can you say completely agree with him? it is necessary to be a woman and think like a woman, the girls in novosibirsk and here helped us a lot, that is, they were very interested, they came. and look critically, our work was discussed. yes, they said this is not true. it's so right here right here from hip to hip it was difficult to meet these their uh these uh requirements, but somehow they tried to have a loved one in you. eh, from this entire palette of performances in musical argun. they all favorites. i really like your dotravil in

the three musketeers, right here is the hall, in my opinion, yes , yes, too, yes, the performance of lera chili is our director. e young in a musical body, what in your opinion comes to the audience the most, and recognizable here are, well, like forms yes, like a wedding in robin jazz, only girls, three musketeers the same or an experiment. well, you know, musical theater, how it builds its repertoire in such a way that hmm all segments of the population, so that everyone would be interested in something new older the generation that knows the babybut wedding in malinovka is a trend. they come to these performances. uh, someone who remembers hello i your aunt comes to aunt aunt charlie with pleasure people go and

bring children to the bremen town musicians on pinocchio uh, there was little red riding hood. we have mary poppins, yes, yes, the music is familiar and they sing along with pleasure, that is, the children look at their parents, who simply have more fun. yes, than and suddenly still in the twenty-first year. you are moving to the national academic theatre of drama. i called you again, my soul. as i understand it, you are already playing in the play, brother romazov. rock opera. the count of monte crista, a comedy selfie with sclerosis, as he explains his abrupt transition into drama, well, this happened for personal reasons, that is, no one squeezed me out, didn’t interfere, or pushed me. this happened for personal reasons, that is , a situation arose in life when something had to be changed. here and here uh hmm very

somehow in time the bell may have sounded. uh, sergei mikhailovich chief director, uh gorky theater, which invited me to take part in its performances. and there it appeared. well, you're cristo wilfort, and then here's one two three here, in my opinion, five names. i now have a repertoire that your musical theater fans won't see there anymore. no why do i get up the same way. we also cooperate with musical theater and hmm musical theater, of ​​course i will go out and work there. let's take a break and continue our fascinating conversation, i remind you, we have a telegram channel. say don't be silent. subscribe to ask questions. suggest guests we are in touch. on

the air say it again, don't be silent. and today our guest is the singing actor denis nemtsov. and who temporarily plunged into trauma, he works at the gorky theater in minsk, and since you have already named five performances in which you are participating, we will dwell on some of them in more detail, for example, in the performance. brothers karamazov you play the role of a pole. yes, and mr. rublevsky, in my opinion , he is dostoevsky. there's a lot more there. uh, funny episode when i specifically reminded a text for himself on the eve of our meeting, the pole refuses to drink for russia of the 1992 model . uh, fans of history know that this is a section of the commonwealth for a year, which some poles still regret, but what is here for us it is interesting that the audience reacts very warmly to this at the moment when your heroes, uh, refuse. sing and well laugh, let's just say. uh, they took this performance back to

veliky novgorod, where it was warmly received very much at the festival, just the performances of dostoevsky here. we have your archival photo, where all corpse and sergei mikhailovich happy on the first background kovalchik. uh, here's a question for you denis about political can art at all these walls that politicians build between us tear down is very revealing, by the way, the phrase here, uh, and in this e in the karamazovs you can't understand, not to have a weakness for your land. how can i say, if a person loves his country, he will e. hmm automatically starts to root for it and worry about it, and everything that eliminated any cataclysms that occur in it, of course, perceives it very painfully. i agree here such a subjective one is included. yes , when any uh, well, so to speak, ridicule against

their country. you perceive the disease, of course, of course, but should art be engaged in trying on e people , do you think, should there be this one that makes up the sound in performances, you know how lunacharsky demanded an edge there for a day of relevance and so on . you know why it teaches theaters, first of all, to understand each other, to understand what a person breathes. what emotions are driving his actions? here uh. you have probably heard this phrase that actors are the advocates of their roles. we must explain, then show and prove to the viewer what motivated this person. here we must explain. why did i do it this way, and again, i return to my villains. yeah, not always villains, the same cardinal decided that it is dumas who is the same villain, yes, but in fact

a statesman whose nerves were ruffled by four scumbags, but a curious new optics. there are things common to all nations. love hate. uh some uh aspirations some. thirst for some discoveries for yourself. and this is what unites everyone. yes, i agree with you. but when, i think, i watch a performance for krupskaya and lenin in the riga theater, and there they do everything. just living galvanizing sick people lived. yes, well, i think, somewhere here to meet me, as the viewer goes uh, here uh, you understand for me. uh, in art it's very important. recognition is important and it is important for me that in the hall. the viewer saw

something similar to what is happening in his life, that is, about the bones. so this is it you on the stage. that's what you say. it's you , nadia, look, it's you, you're such a joy of recognition in the morning. yes, because , uh, i believe. i want to believe it, that uh work is my work in the theater and the work of my uh colleagues. eh, something corrects in the life of any viewer, when we work on some drama , some philosophical things. eh, it is important for us that they look and even look at the villains and understand that this is how it is. no need. this can lead to a bad ending, the same velfor, for example, here, uh, i am for every time getting on stage. i just wonder what i'm

going there for. for what? and in order for someone to simply understand, here is the same official who installed himself. well, as it turns out above the law, or put his law about himself at his service. here, what of this to what it can lead to the mirror? yes, in front of him, yes, yes, and i really want to believe that you are yes, and what, what is this? e, leaving the spectator's hall about this, i think i want to believe that it depends on my work whether the spectator will come once again some certain. here he comes for the first time. well u you have a big fan group. so i believe that something depends on your work. how many years have you been in belarus now it’s already season 16, 17, and you fell in love with this country already, belarus yes, of course, i, uh, i’m terribly ashamed that i haven’t traveled all over it yet , it’s hot for me, but that’s all fix it.

here, but the fact that i, i travel around, we go, uh, with performances to the cities of belarus and not only belarus, uh, a wonderful beautiful country and just drop in somewhere with the same tent. it's just a wonderful vacation to your theatrical activities have recently died down the premiere at the gorky theater. uh, opu 40. uh-huh alexander ostrovsky and came out, in the role of knurov, about the educator of sergey kovalchik, a comparison with the legendary alexei petrenko are you not afraid? it’s just that i didn’t stand to outplay petrenko at all, that is, i use modern, as it were, words and trends , here we have a multiverse, uh, dowry , and here petrenko is one universe, and

knurov. here is our dowry, this is another universe, and it also has a place to be. well, i, when i read the text, i can't get rid of the fact that you don't hear the voice. petrenko i don't know or, of course, he hit, he played it brilliantly and the image that, uh, it turns out, i have with my partner oleg kots. eh, it's important for us to convey. uh, the main idea of ​​this character. and how thin it is, it is not important to convey the main idea. what motivated this man is this. here is his prudence. thoughtfulness of intrigue here are the main things. yes, such a knurov also takes place to be clear, and there is a day in the twelfth year. you became the winner of the national theater award for the lead role in the play truffaldino from bergama. what gives the artist

such awards? here ekaterina dolova also handed you this beautiful award. and you are conceited you know about vanity me. uh, quickly cured one of the beams in the case. um , i think it was, i think, the third or fourth season. e in minsk that is, i'm already kind of, uh, well, already lit up in performances, and i 'm getting out of the subway from the car a woman approaches me, vaguely, a familiar face. pardon this you denis nemtsov please return ha-ha, this cured me once and for all. well, yes, you know the award, when i received this award. i remember my first thought was that understanding that i received the award for one

role, and i will have to prove that you deserve it in all performances. now you owe it to the people of the audience, how would you prove that you are holding the bar? well, the 17th season denis uh, i happened to communicate with alexander gavrilovich abdulov, who is the world for you, as you said , and in recent years he came out on a clean professionalism, as he spoke on stage, that is, between gatherings in a restaurant with friends and returning to them. he went to the theatre. yes , wipe it in your mouth, played with a napkin, divine played. this is true, that is, knitted on the beard. well, exactly. it went just as well. uh, uh at the feast you have, how to have a thrill? still or no longer his awe of the stage before work, of course. that's for sure. every time you're behind the scenes, you're getting ready to go out. you, uh, are very worried and another thing is that you going out? you are no longer excited. you are

like a different character. you think of something else abdulova by the way , the case that he told was very interesting, i really liked it when hmm, this is about the issue of designation. uh, when he says they were sitting in the front row? uh, the husband and wife were sitting watching a play or slag, some kind of family drama. and suddenly, uh, the wife silently turns to her husband and gives it to him, and he just silently wipes himself off and just sits like that, that is, she penetrated, that is, the moment was so recognition on stage that the woman just boiled boiled. yes, it must be said. yes, with patience, i realized that yes. here she is, yes. yes, and you remember, for sure, the situation in 2020, when well , many, uh, theatrical groups stormed, let's call it the fact that you are not from belarus hmm gave you some additional, so let's say optics, you

could look at the situation from the outside for the storm, many, uh, theaters, and my biggest sadness here and the loss of that time is that the territory of the musical was closed. here what, as it were, this here is an amateur theater, here is this uh, which was made by nastya ingredienko. and, apparently, yakubovich who i just think is a loss not only for our team, who worked with great pleasure and pleasure, but also for the country, because, well, we have a lot of people in general who were trained at the door. here we have no such people at all, so they put two licensed broadway musicals. one of which, by the way, received the uh national pm award. yes, from gennady gladov somehow managed to find a common language. and in general, we started our conversation with you from

a fragment from the play. this. by the way, by the way, edinka yakubovich and nastya grinenko. here is the leader. here is the theatre. i want to say a huge thank you, because at their suggestion, by the way, we did it with this number. hmm , ask degtyarev. uh, they took the laureate in yekaterinburg, i think i understand it. well, it's nice to see. well, it's nice to show, in general, where i studied in sverdlovsk. i mean, that's how it came together. uh, when i came to the theater, it was the first performance in which i participated. e, do you think it is possible to rebuild? that's all, i really hope that we will get together and give the heat mentioned, you often tour and have also been to many russian cities with the musical theater. you have a favorite city, so to speak, and where belarusian artists are received with a bang. and that's where you would like to return again and again

, my favorite city is the one in which i have not yet been uh-huh. here are all the interesting cities , this one here is a mania for traveling. she's just here this is what touring feeds on - this is generally a separate life. i can only speak for musical theatre. here, uh, with russian dramatic. unfortunately, i was only on one e in outer novgorod , and it was a tour, it was the novgorod kremlin or very interesting, here is the festival, which people just came very, very carefully told that ruslan was a black man. kiy - now dasha knew more about the kremlin to novgorodsky than the excursion , you remember that i don’t know, i apparently moved away, but we are received very well, and uh,

unfortunately, it is not always possible, uh, to come with the orchestra. we are accepted with the orchestra simply as they are still singing to this orchestra, look, they are also dancing. this, of course, is expensive. hmm, but tell us about your teaching activities. you taught the skill of the actor in the theater studio alphabet in the pop school of talent groups. what did this experience give you, the ability to work with children, the ability to present material to explain, this is very important when hmm there is such an interesting aspect when you learn the role, or something you uh want to learn by yourself. try to reproduce it all from the point of view of the teacher who gives it, and then for some reason the brain remembers this one much better. here. uh, so, well, really. it gave experience. e laying out on the shelves, that is,

calmly. e, measuredly unfolding here, we come out in troops, something happened, of course, it was, of course , at some point, someone explains to someone you suddenly made some kind of discovery for yourself, what about. and it can be like this, it turns out. er, i 'll tell you more. uh, how much did i take interesting moments of assessments of e emotions from children - it is simply indescribable that they have a different way of thinking. and when they show you, too, a thing just from a different angle. you never thought so, never. and suddenly, and suddenly, this is a role , or this is a character, or this moment the situation begins to play just in a completely different e different facet. it is very important. this is very interesting. and all this activity was put into the piggy bank. hmm well, the alphabet - it was the educational theater at the school, uh,

founded by anatoly kostecki and we say bychkovym, and after the death of anatoly kostecki. he tried to support it on the floor hmm ah theater but the school administration decided that it was not profitable and the theater was closed. you already mentioned that your birthday is on the first of january. well, in general, the actors are the question here. eh, i think it's natural. how often did you have to perform on stage that day? no luck, but here it is, for my fortieth birthday, i made myself a cake. e, 40 w yes 40 w yes, it costs another 75 and 100. that is, there is where grow. you know january 1st. e, i didn’t have to work, but i didn’t have to rest, yes, that is, when the actors’ new year’s eve is one of

the most profitable in general, therefore, yes , i also worked as santa claus and introduced these same new year’s corporate parties. here and to the issue of emancipation and danced in nightclubs on january 1st. you somehow come to a state so uh, where am i uh, how much time do i have left to sleep and rest. that is, it was, yes, but mostly it, of course. for me, this is a family holiday. and when u i have the opportunity, i’m flying to novosibirsk, how my parents celebrated the new year with them , i remember most of my neurobirths, and my arrival on new year’s eve, when i didn’t warn my parents and came to them as a surprise in the form of santa claus with a bag from the street, and thirty first december. this was a big surprise and surprise. and now we

'll take a short break. after a short pause , we will return to this studio again, while subscribe to our telegram channel. it ’s called say don’t be silent, and look for all our releases on the youtube channel, belarus one and on the radio company's bill telegram website. the first meal should not only saturate, but also please. i've already had a good night's sleep, and i'm ready to start breakfast for the champion's breakfast together with the guests of the program, we'll prepare a nutritious and satisfying breakfast. today we will have a french-style breakfast - this is clafoutis with goat cheese and vegetables and we will make a very healthy delicious sea buckthorn tea, we will talk about the beneficial properties of the products , they have useful properties, all types have, so choose should be based on

what dish do you want to cook, we will show the exercises, thanks to which the body will be in good shape. all day today our warm-up will be devoted to the muscles of the back of the arm to the belt movement to the right. left right left, watch breakfast of champions on our tv channel. two teams of bright erudite belarusians, we work together in the field of construction, so today we will not build, we will answer the question correctly, using all our knowledge. they'll try to reach their honorary dream winner show on how many hills, according to legend , rome was founded just the number seven is absolutely correct answer on the seven hills, the correct answer brings points to the team's piggy bank, and for the wrong answer, the participants

go to build a tower. we have two good options. state two options. rome what year is nastya three two one? the project of the tower on our memorial complexes of belarus had no history of trombling the 1944 gauge, belarus was called and the camp was founded until 1995. reached out to the witch arc chance pavement gettahlyuyu pit minsk gta gorodeya chervonybera on here's how this place has changed. here, and this is

taya's place of memory of the accident trajectory. i always thought of such polina at everyone, remember that you are a cock and a hero of a great and tire war, you have special sopranos more than a memory of the falls of their hours to fashion people such a vulgar way for a difficult bridge task. i think already in europe because the holocaust is for another neighboring war. this is the most important documentary cycle of the devil's memory of my land and look on the tv channel belarus 204. on the air say again, do not be silent, and we have an actor musical and drama theaters denis nemtsov who is also a biker to all his merits. why did you almost choke?

i didn't think this topic would come up. well, yes, it's me. yes, i'm apollo but er, it's your bike. now i understand what, at least. you are going to travel all over belarus, but this takes time. you stand, not in some biker club, or alone. i'm a loner and i 'm a loner in this car drove to prague and now, uh, in my opinion, 9 or 10 years ago with great pleasure. so i plan not to stop riding again. at you have a musical education music school. have you finished huh? bayan instrument, how did you excel? and choose such a tool. well, the thing is, i wanted to learn how to play the guitar, i mean, my family had a guitar.

mom tried to play somehow. and i said that i want to learn how to play me. uh, they took me to a music school. uh, they listened and said that congratulations, we are accepting you to a music school. you will study with us on the button accordion. here's a tear, yes, and we're going home, and i say, parents barely. i'm a little discouraged moreover, i am very confused. i'm sorry, what? sorry for the expression. what kind of set-up is it, as it were, delicately explained to me that the guitar is an instrument of the gateway, but the guy with the harmonica is serious, after all. this is the first guy in the village. but i want to say that i should not, uh, be in vain and if it

were completely not mine, i would not have studied the button accordion for 3 years, really, then i already took away the instruments and didn’t take it in my hands again, but then, what the music school gave me. this, of course, is this brain competently with alfeggio, that is, knowledge of the note, and that's all, all , all this was not lost, and it was very useful later to see it on the stage, including, and where is the artist who was in your place in our studio said that there were no friends in the theater maybe you have the same opinion. well, i can only sympathize with colleagues. i mean, somehow. well, no luck. well, like how we do one thing and would like to have children. waiting for everything in love. that is, a performance, so that it appears somehow in peace and harmony, and yes, there were times when there was just a conversation. what did he do? god it’s terrible what you’re doing there, it was all different, but for me, by the way,

it was very, uh, interesting. she is work. right now, on dowry with the guys of uh russian theater, when you just see burning eyes and just and everyone just strives to make this performance better, but let's like this, and let's stop, stop. no. let's try this one, this one, this one, that is. eh, when just the energy goes. uh, creative energy and everything is going to make this show or uh, better. so you answered do you have friends in the theatre? yes, yes, yes, i'm lucky. i guess i was lucky in this regard, with whom it is easier for you to work with the director, women or men. you know, i would just like to say that they are somehow

softer with women. no, that is, no, that is, there are directors who are very tough, as it were, staging performances. well, you know, there is no difference, that is, both men and women can turn out to be both a complete mediocrity, and a brilliant director is somehow very noticeable that we have just the same women sisters, but mostly they put on performances more often. here you are they already called nastya and that’s it, the chance is motor, which is already in the big one, that is, what kind of gender bias is this. do you think this is not a gender snack? it's just that we're so lucky, who will give an actor who works with them to work with them.

in fact, they also studied, as if from men , too, alexander laptev, the same quinekhidze, uh, that is, ftorov director, that is, uh, and it seems to me that they took from them better. i will not say that in some ways a woman is a director, uh, more brilliant than a director, there is no man, how is it? it seems to me, 50 by 50 m. is it true that in the acting profession you still have to, well, let's say, push your elbows. looking for roles looking for uh. well, you know me, i wouldn't say that i had to fight for the steering wheels. i don't believe that it's possible to get a role somehow with some kind of blackmail or rudeness, or somehow get a role.

i believe, uh, in the case of the theatrical that is, when that comes , uh hmm prepared, that is , once, that's it, get out of here, who in the hall knows the text of this role, i run, this happens. i met with this and yes, yes, i have such a biography it was, uh, that is. uh case he comes, but he comes prepared. it is only later that you already have a nightly night reading and watch the video, read the text and understand that you are not just impossible to learn and urgent. here but nevertheless it is you who go out and work. and then you sit down and talk. yes, yes, it happened. yes, i was able to eat it, but hmm push for roles hmm no, not really

somehow in my biography there was nothing like that. i applied. i, uh, yes, i was denied somewhere. yes, i will not play many roles, but in other way. i do not want, as it were, to be like in that joke, there are not yet seventy, and already juliet, that's why. therefore, but there are still very, very many roles that men are all this easier, true, or you have not already got up to play my bar, that you would not play romeo now already. well, this is a must see. what kind of light will be what juliet . so it all depends on the production from the uh director, what does he even want? maybe we have it will be romeo here we go uh, romeo vs. juliet uh, 20 years later

music center, yes older romeo older experienced juliet why not? well, this suggests that you still take an actor so dependent that, well, on the roles. it seems to me not, money is being refused, well, roles should not be abandoned, but there were cases honestly in my memory when i refused, well, roles. and you know, honestly. i never regretted it, and in theory yes, they planned to act in films. there is no such desire in the desire there is and were. uh, little movie experience uh, but i believe my the best rulishche you need something from bulgakov's dog heart of a dog. yes, what shortcomings

do you forgive yourself for the desire to sleep. yes, that's me, in general, i was very lucky that i learned, uh, to sleep for 15 minutes for half an hour, that is, to reboot at a time when there was this tendency to meditate on all that. i tried to learn how to meditate. i sat down and did everything and fell into a dream, that is, i could not meditate, but this is the ability to quickly turn off. it then me, uh, very uh, saved the text. it is also criminal. here at my memory is clearly dulled for years alone. eh, the poem is now one learning more slowly than before. well, with your roles, that is, well, do you notice that your memory is getting worse? no, i think i have enough uhm tools to work on

the role. here e? and i can switch from one text memorization tool or a role or uh something to another. that is, how to do it? well, try it. try to work on recording yourself on the recorder this one, what you say to record, that is, you are walking along street. are you going somewhere? listen to what you say, uh, in general from the year to listen to yourself. yes, yes, and pronounce it in parallel, as languages ​​are taught. by the way, this is the same. how much time do you need to learn knurov. roles hmm the whole uh, staging period, that is, u you understand that it's one thing, you learned the lines yourself. it’s completely different when you work eye to eye with a partner,

if it’s completely third thing when you do it, on stage, that is, in an environment in a situation. it's like the third level. here that is. uh, the situation is getting more and more complicated all the time. that's at the first level, when you just memorize the text of your remark. it is very important to understand, uh , the meaning, not what you say, but what you think at that moment, because it's an internal monologue. he often diverges, we say one thing, we think completely different. uh-huh denis and if you dream in what world musical would you like to play? probably, in the outcasts, i don’t know for some reason. well, that 's the first thing that came to mind. here uh. but in general you have to ask nastya grinenko, where would she see me, literally. she read on the channel of meeting with you that the phantom of the opera was filmed there for many years already. yes, but did not survive. uh,

a pandemic performance, in your opinion. uh, there is an expiration date that the phantom is already a classic. here is a classic forever and uh, no matter how much they say that before this is a dying genre. well, uh, it still goes on and people come and will come to it, because this is, well, a genre that is simply necessary. well, we need musicals, that is. well, here it is now, yeah phantom leaves the site, but it's that he won't appear in a new form in uh a decade, right? yes, the classic of the eternal is your answer to denis we hope that you, with your love for oboret. still, you will really stay in the musical theater and delight your fans. with more new roles of new productions and all personal reasons, leave somewhere behind and that you will insist

for the better and your memory will grow stronger, because you know so many professional secrets that i gave you lessons in some school alphabet , let them open and all the best to you. thank you for this meeting. we tatyana shcherbina victoria popova say goodbye to you today. goodbye. goodbye. and now denis nemtsov is speaking, dear friends. come to the theatres, come to our performances. we will be very glad to see you and love and happiness

. you are watching the panorama live with you tatiana king. good evening. let's get together. the results of this day, its development today are in the focus of the president’s attention on the example of the region, tasks for the whole country successful