tv [untitled] BELARUSTV April 29, 2023 6:45am-7:31am MSK
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he invited me to a restaurant in the afternoon, belarus then opposite the dynamo stadium and said words that warmed me and today in 3 years in minsk you are the first person who told me i have an idea, he is my co-author my friend nikitabov. among his friends were pavel arsenov mikhail roshchin gennady shpalikov marina goldovskaya alikboy.
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well, you must admit that the forest is a regiment listed in such a company. he was born into a family of moscow intellectuals. papa is an armenian, georgy nikitich khubov for many years, editor-in-chief of the tolstoy theoretical journal of the soviet music mama revika minaevna. translator from german to english her father and grandfather nikita and our gauper-writer and nikita as a joke. he said all the time that i have two cunning armenian jewish blood and they deceive one another all the time. it is not true. this is not true of a more soulful , honest, sincere, sympathetic, truthful person than nikita could hardly
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imagine himself, plus his religiosity and erudition in music. and also men's eastern type beauty, harmony, smartness, charm, that's how he was nikita georgievich khubov, my dear friend in the position of director of belarus film in 1961, joseph dursky, before his death in 1964, managed to make some fateful infusion into belarus. these were shots, directors invited from moscow. artists actors among them were cameramen anatoly zabolotsky alexander nezhinsky mikhail ardovevsky yuri
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marukhin and andrey kirillov and nikita khubov are coming to these two. lo in minsk to shoot a picture that should have become their graduation work, such a picture was the third rocket the script of the front-line soldier vasil bykov falls into the hands of the director of the front-line soldier richard victor and here is all the pictorial fabric. the entire video sequence of the film was to be filmed by a young cameraman who had not been fired at all, who did not know the war.
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peter's fire was all filmed with such truthfulness that it was a pillar of italian neo-realism. cinema decided giuseppe de sante said i would give this film all the awards of all the festivals in the world. but the marshal of the soviet union, the main ideologist, of the soviet army rated fiercely, i would have sent tanks to the cinemas where they show the third rocket, but it cost a diploma. the guys defended perfectly. andrey
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kirillov left for moscow, he had a job there, because dad was in charge of the camera department of the geek, and nikita was stuck in minsk for the next six years. this was the most fruitful period of his work. here he showed himself to have discovered in himself the gift of not only a cameraman, but also a director, while still a documentary filmmaker and writers, and in those years a very favorable situation of cubes developed in the association of documentary films belarusfilm. as a cinematographer in collaboration with other cinematographers, as a script shot picture after picture, which were noted on film festivals at all allied at
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international it was a picture of observation of the brest highway, and intercity bus drivers. it was the observation of the miners. soligorsk weekdays of salty zaboev and it was a picture, even you know, not of a film , some kind of advice, some poetry of a documentary film, but a picture on old hayfields, which nikita shot together with another, talented cameraman from the same landing force, tolik zabolotsky. continued.
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i have a habit of introducing some of my talented friends to others, so as not to be together something was created, united for work, and so at first i united with zhenya gleb as a composer. they dispersed. it happened in such a way that when klimov showed him his song. after the salute, there is silence. khubov says, why are they seventy people yelling in unison, generally silence. it should be secretly almost a whisper to sing mark bernes and both wound up and got to the point that they were at the table. i ended up pouring the underdrink and vodka into the sink and quarreled and hobov left, but when i introduced nikita to zhenya
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grishina, they fell in love with each other and nikita so tenderly treated zhenya completely unadapted to life. so loved his music accepted it without any amendments. nikita started with a feature film frank talk. note the film is a full-length documentary. it's very rare. and for a documentary film, he met some company of young people, six people were all born in forty-fifth in the year of the end of the great patriotic war, and he managed to win them over so that they spoke very frankly about their dreams plans aspirations and this one became, as it were, the basis of the films.
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the film is very interesting, but i understood its source many years later, when nikita in his house in the center of moscow in truzhenikov lane at house four, apartment 5, and she saw a small photograph in the amber frame on his desktop. gennady shpalikov, who recently committed suicide . he was a friend of nikita and i realized that
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nikita was captivated by his films. i'm walking around moscow, and i'm 20 years old. i decided to create the same film, but a documentary for the sixties. girls all courses and all squeak and tied holes so that you can at least somehow distinguish them from each other in 20 years. they will become very different. they will probably be better than us. in 1996, the director, as it were, continuing the film the characters of that film had nothing left
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of those soaring hopes of plans , there were some extinct dull people who had not met for these 30 years, you probably know why, because they had nothing to boast of to each other what was planned in their life did not come true very smart. she is such a nostalgic very sad picture very each time they fly so fast that i am now, that soon, although a rather long-lived person. how many 6 years are left before retirement, i'm afraid.
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of course, not much satisfaction. so what have you been doing for years? 66 the cube orlov tandem was formed that's when nikita told me you are the first person minsky who has an idea. it was about my proposal to make a film about the budget of the city of grodno purse, work began. for some reason, it so happened that all our paintings were mercilessly cut, cut and made some kind of ideological remarks. don't know,
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either time has changed, or maybe the requirement has changed. and you may have changed. we are our worldview, at the very first discussion of the film grodno purse, which had already been filmed and shown on two films, such indications such nitpicking such demands immediately began that the director of the debutant film, slava babich, categorically refused to change anything in the film. yes , you see , the director rita grad of the old school jumped up naturally burr. and he said, let me throw to the surgeons. the cubes got up and said, we don't need it ourselves. what does we mean he himself wanted to save at least something from the filmed film. valuable new
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interesting fascinating, what was already in the credits of the director is freedom, which means that this was his debut, the first and only film in minsk as a cameraman. grisha massalsky, but there were cubes in grodno on all the shootings and staged, in fact, all the episodes of this picture, although honesty is only one of the authors, the only experience. i came up with a provocative episode of such a book, i filmed an episode of cubes in the city center right next to the monument to lenin rogue director. babich breaks the bench by minskers passing by, not paying attention to past past past. why yes, because it is not their personal property, we explain the announcer's text and there was an episode next to it. we froze right in the center
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of the city near the gum department store his metal ruble. here is a hidden camera, we observe how people walk by, realizing that this is a ruble. if he can be spoken out, become his personal property, they leave, they come at ease with their feet, pick them out with their heels, when we showed this material in the hall for a hundred. yal laugh like i don't know from comedy and chaplins. well, of course, this episode with the bench was shortened . the observation of this film was cut out somehow, cut short; it was lengthened due to winter views, beautifully filmed remarkably beautifully. in
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our show, it is not the amount of knowledge that is important, but the ability to use it victoria, i answered. yes, i know for sure that this is the correct answer. since even on the graph you can see that the tangent, the cotangent can take on any values that differ. thank you for your comments, the participants are ready to show their skills and try to answer all the questions is no, because larch, in my opinion, is the only one of the pine media that does not reset my sound. therefore it is possible that this is so peers, but also adults.
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the beautiful living art of ballet, which captivates the viewer. here, every wave of the hand is full of wisdom and there is not a single senseless movement. life is easy on pointe shoes and what the behind the scenes of the bolshoi theater of belarus conceals in itself by the chief bolitmeister igor kolbam, watch this weekend in the fashion for culture project only on our tv channel.
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i often ended up in moscow on business, and then, of course, we sat at the table in nikita khumov's house. and then one day he introduced me to my mother, who at that time was translating zweig into russian, then he met his wife. with larisa a pancake, as he called her larisa blinova is a wonderful actress, as she amazingly played in the film nikita the traitor. be sure to watch this film, but at that time she was filming less and directed and still directs . in the sandal studio it's the girls with
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big legs that repeat the school of isadora, duncan, which she brought, as if to the ussr in the twenties of the xx century. and now larisa leads this school of girls in sandals to this day. we sit for a long time with nikita at the table. here is his daughter. dasha is looking at us there, observing something. here larisa comes to classes and then immediately runs to her and says, mom, and dad with friends. they bought nikita indignant at this denunciation. says pancake to his wife. who are we educating? for her uncle, volodya is a friend of his father's youth, she is for me still, dashenka baby. although dasha is already a grandmother. she is now the general producer
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of the channel while nikita in moscow took me to the circle of his moscow bohemia friends, after a four-hour soar. there sanduns or in the now demolished central baths. we went to 12 in a restaurant uzbekistan and there at different times on different days off our table neighbors were, then the armenian director pavel arsenov by that time, who had shot a very interesting film triangle, then alik was an artist, then a drum for no one else the unknown georgian ensemble oreiro is not confused by buba kikabidze, who had just returned from their first business trip abroad, then walked along the garden ring, went into the basement to eduard limonov, who sewed nikita's trousers, again went walking again in the seventieth on sundays. 8:00 in the morning at
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the end of the old arbat where it rests on smolenskaya square in the rioni cafe, was served. khash, hot fat, the director stood at the door and let in only his cubes, of course, he was one of his own, we came, there were more companies vladimir vysotsky yevgeny yevtushenko all with his entourage. after 2 hours at 10:00 the cafe was closed. bohemia dispersed about 12 hours. it turned into an ordinary soviet catering cafe booze. it was not served there , you could bring it with you, and here the operator garik tutonov , a bottle wrapped in a newspaper trained by the cameraman's hand, poured all this very dosed, so to speak, and once in bliss. from this two or three or
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four cups of hot. khasha, nikita said, my friends are so good here, i would like to to die here, to which our swimming coach neighbor said, nikita why don't you die in my swimming pool, you can invite your minsky friend volodya and here we are in the swimming pool in warm water in winter with cold noses sticking out above the water . we swim in the swimming pool on the site of the temple blown up in 1931. christ the savior and at the place where the cathedral of christ the savior, now shining over moscow, will be restored on march 8. international women's day nikita had an invitation to a creative evening akhmadulina, we come, there is another lecture by some nutritionist before her speech,
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we sit silently, listen to the conclusion of useful, food, no, any food is harmful, in general it is harmful to live. nikita draws a conclusion. so a bucket of yogurt prolongs life by 1 second. after that, on the sacred stage in a white blouse in a black skirt , bella, a little intoxicated on march 8, flies out and begins to saw opushkin. wine laughed friends met mischievous feast of poetry feast of a beautiful woman. spring festival. a small holiday, we went twice for the whole day with nikita in zagorsk before and now the trinity sergius lavra went to temples, prayed fervently in chapels, there were services.
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nikita explained to me the meaning of some icons. i want to visit my father , he says, we come to the armenian cemetery, directly opposite the vagankovsky cemetery, we approach a modest monument to its place. nikita says these are the last days of november for me, my friend. i am all our walks. i describe the feasts, because all this time we have not closed our mouths
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and shared our plans with each other, interrupting each other, arguing from metal. here why i told you all this, it was not just a walk. these were some acts of creativity intoxicated. working in minsk every 2-3 months, the cubes left for moscow. well, to dasha's family, he brought boxes of banned or semi-protected documentaries from there , thanks. nikita, we learned the names and films of artovaz on pleshan. the land of the people, the beginning of the fragments of the unmounted, but already forbidden picture forever. disgraced sergei paradzhanov kievsky he enlightened us. in
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may 1967, minsk celebrated the 900th anniversary of its existence, so to speak, proud of the fact that he is older than moscow well, in parallel, in the same year, the 50th anniversary of the great october revolution was celebrated, and there were also posters, slogans , appeals, according to our scenario. nikita is filming a holiday album; he did not know the minsk intelligentsia well. and i use my acquaintance to drag me to the interview in the frame. people who are no longer there, now it was my
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friend of the acting department valery moroz , a designer, an aleksun tv director of abramny , a rural tv presenter, or eleonora or zevskaya? i wallow, my volatile, my city handsome man and my heart in the world in the mid -sixties hype, again the military theme responded to this topic in the sixty-eighth and mouse-hum. well, they responded somehow in their own way gave an impetus. i say nikita imagine. veterans should come to some village. who set
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her free in 1944 and the kids are getting ready to meet it all, that was enough for him. we wrote the script. there was a film staged and filmed by a thin early morning, a deserted road veterans should come here by bus. and just before the shoot meetings of veterans, mothers of the village iron their shirts on the way, pioneer ties are paid, the pioneer leader went to grodno the day before and got a manicure. well, how will they film it with the pioneers, and here early in the morning there are pioneers, a transformant, mountains, a drum, bread, salt, all the smart ones lined up , a bus arrives. some people get out of the regular bus. there are no veterans. they are waiting on the sidelines
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for the next one to come. you understand that there are fewer and fewer pioneers coming to the bus stop. it's drizzling and it's only coming one boy who keeps saying all the same, anyway they will come that no one will come , only we, the authors, came up with the finale, nikita is worth this boy. and a column of tanks breaks out of the forest. smiling tankers in the open hatches on the towers and the amazing ringing such a powerful march of the grishman sounds. the hero is not
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late. this is where the name of the film was born heroes do not fall. i must say that the producer and organizer of the filming was my dad at that time the chairman of the executive committee of the former sapozhkinsky district. he organized regular buses on this road, where the buses never ran. he organized tanks for schoolchildren, accommodation and meals for the artists of the group, the settlement of the film director's friend, his son nikitka, in his own house. in the orlovs' house, they already called him nikitka at my house, but
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the unexpected echo of the films heroes are not late will sound in 2020, a year and a half after flying away forever from my friend. nikita's life is better than a playwright. we are not allowed to predict. how our word will respond. oh, how right grandpa fyodor was. here, what happened to our film, the heroes did not late, filmed in 1968 in the spring of 2020 . i hear a phone call, an excited female voice introduced herself as jadwiga asks me question after question. was my father orlov alexander viktorovich than the chairman of the executive committee from sapozhkin? was i ever there at that time , was i a film director, but i answered all questions positively, and then this woman told
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me this story, it turns out that the boy who was expecting heroes is her brother vitya kolvin. in the sixty-eighth year he was 10 10 years later, in the seventy-eighth , he died and in the same year he died and his father, mother, remained the only breadwinner in a family of six, four children were grandmother, and she, mother , weeded beetroot on the collective farm, a half-starved existence. the village is dorgon, and it turns out that my dad, then the chairman of this executive committee, having learned about the disastrous state of the family, arranged for this woman. to work in a bakery and this is jadwiga, on the way from school, she came to my mother at
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work, there was always a piece of bread and jadwiga adds my mother anna to me to death said honey. contact vladimir alexandrovich, the son of alexander viktorovich, i know that he is a director in minsk, he lives, look for him there. tell him about his father. but i say, everything was shy. and so, he says, i saw you in several programs i love and remember, and he says he decided to recognize your phone number and he decided to call you. this is how our word, spoken with nikita, was echoed in the film heroes are not late 52 years ago.
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two teams of bright erudite belarusians, we work together in the construction industry, therefore today we will not build, we will answer the question correctly, using all our knowledge. they'll try to reach their dream of the honorary title of the winner of the show on how many hills is rome said to have been founded ? just the number is absolutely correct? the answer on the seven hills is the correct answer and brings points to the team's piggy bank, and for the wrong answer and the participants go to build a tower we have two options.
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watch the tower intellectual entertainment project on our tv channel. editors' club we do what we say we do it with power. belarus, if i have an iron mace in my hands, i am much stronger than if i have it in my hands , it’s just that my hands, when aggression attacks me in new geopolitical realities , we take steps that make strength stronger, confidence in calmness knows where we are going in the club dadarov this, but predicted would say that this needs to be done, a balance must be maintained. you have to be very subtle. only this allows you to keep the peace, especially the average european states , authoritative experts have an open conversation
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about the most important socio-political events in the country and at the international, watch on belarus 24 tv channel. from february to october 1970, except for august, i lived in moscow, work was underway on the film all the royal, i fell into the hands of a book by general leslie growing americans, who told about the passage atomic bomb project. book in america. i was very interested. there were so many interesting episodes. i thought. and what was being done in america at that time. who made this bomb? yes, there ended up in the main physics, which fled from the countries occupied by the fascists from europe to america or collecting enricoffers
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robertapenheimer. leo is exiled by an edwardailer. i thought, wait like this. in germany , it was clear from the book what they were doing, and who was there for the project, walter wojdzecker egr, energetizenberg and in the soviet union in addition to kurchatov's fleur's petrazhak , yulia khariton was engaged in boris damn. isaac kikoin yakovlevich lived in minsk at all, and so the idea came up to create a parallel from the relay of the race to create an atomic bomb in the usa in germany and in the ussr and so many episodes blackmail stealing some secrets they are confusion some generally incomprehensible situations so many interesting things that i called the authors, nikita
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khumovo and elumilova, and we somehow intuitively divided began to write these separate lines, and add everything up in a separate folder three different typefaces on a typewriter three different handwriting of the slips of the appendices and the beautiful name enricofermi was born when the first explosion of the atomic bomb occurred. i saw it all, my colleagues in physics saw it and thought. or maybe we're in vain create such a deadly weapon , they doubted, and their colleagues told the farm stop complexing altogether, after all. this is just beautiful physics and here is a folder with the name this is beautiful, physics. puffy puffy puffy. every day, it remained to find a director. and what do you think they found and
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interested in april 25, 1970, nikita's birthday of course, we are in the severnaya hotel where i then lived, we are setting the table , we are waiting for the director, and this director has just seated the entire soviet union on tv to watch his series for several evenings adjutant his excellency yevgeny tashkov, and that evening we decided to invite that school to be the fourth author in our already quartet and we did not wait for him. well, i guess i couldn't come. couldn't call. what mobile phones the seventies turned out to be on this day. the life of a playwright on april 25, 1970
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, the wife of the tashkov film critic committed suicide. ekaterina savinova here we have trouble with the death of pavel, calmed down by the royal army , he broke his face. misha kazakov cannot be filmed got into a car accident in kazakhstan tanya lavrova with the poet lying suleimenov we got frustrated. we boldly left for minsk , cubes began to punch their new film. excellent physics. the end came in the fifteenth year, i transferred a thick folder with all our sketches of scenes written to our literary museum to my personal fund. on this, our word to you creative commonwealth ended. well, it's true from time to time. the echo of our long-standing work, back in minsk
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, seemed to emerge from the shelf, the film khatyn 5 km, where next to the director igor kalovsky. olesya madamovich is also listed as the holov and i, as the authors of the script. having shot several films at gorky's studio as a director, the body of a traitor squadron of hussar flying, i change a dog for a steam locomotive, playing bracelets, some wrote scripts after a script , one another is more interesting, but somehow other colleagues bypassed his more successful more punchy ones and in the ninety-eighth year, having removed . the last film the game of bracelets stopped fighting for this cinematic battlefield
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years passed and he retired to the moscow region in the village of snegiri snegiri is a village, as it were, of artists of the bolshoi theater well, there were already composers birds, there, uh, winged, innocent artist marshal the end is not far away, you could see the cableway in the chubais estate in general. or the famous and rich muscovites are already there in nikita's house in the center of the living room is a huge stump of a sawn tree. it was like a table that he laid for me and allowed me to read at the table and i read these scripts led by nikita, come on, i will take the film to belarus. such scenarios are interesting it is so sad, i say late, my dear late. then he stopped writing from the script,
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because they were read and praised, well, contracts are not concluded and, accordingly, not filmed. he began to write. essay written, two amazing facts, amazing generalization. it was lermontov and chekhov who also wrote gogol, but literally in the last conversation he was afraid to send me a message, my dear. wait, i'll go through one more time, i'll edit the other one. somewhere in 2010, he called me and asked me to get him an
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antonovka seedling and send it to moscow. he said, my dear. i miss belarus so much and even if it can, this tree will remind me of the years of my when i was young, about our work with you, about belarus in general, several times on the trips from minsk to grodno to slutsk to molodechno i stopped near these bazaars, where antonovka seedlings were nowhere to be sold. i repeated this the next year, again began to interrogate one person said, he says, you know, you are unlikely to find it, because he says this variety is degenerating in our country, and instead of antonovka you saw it. how can you crave this can give a sapling of linden to the literal? the meaning of this word. i wrote dasha about it and that's what she answered me, read with my mother and cried about the apple tree. but i will still buy it from you, minsk
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will plant it for sure. thank you very much. if dasha and i succeed, when she arrives to get this apple tree and plant it snegiryakh, i imagined everything sitting under the apple tree, my friend nikita gnaws on a hard autumn antonovskaya apple and somewhere from afar zhenya grishman’s song sounds a twist of popularity years from our movie. festive love the city is my city, my handsome man, you are in our heart forever and sit, nikita whom i love and i remember, and in his soul he will always be.
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