yes, this is again warm drinks, and so on and so on and so on, various methods that allow us to keep our working instrument of the nose in working condition and with age. eh, nothing changes. only we can study aromas more , feel smells more, but because training, the more we swing in the gym, the stronger our muscles are in aromas. history repeats itself. at home , there are always some experiments in the field of aromas. i recently come and ask, and olya, what does she smell like, is she silent? well the secret is mine her secrets, how she does it. she joined, uh, my art, and we have such a game with my son. and when i get ready, i stand in the dressing room, and in our dressing room there are shelves with perfumes. i choose something. and i say, mark hold on, and he takes, uh, a cork to watch. i do it,

as i put it on myself, he also repeats, yes, that is, it is very funny to watch. and now i trust him for mine. well, it comes to taste. he already remembers that i'm going to the wardrobe, but i'm going to put on something for myself and apply with fragrances, and he chooses the fragrance that i will put on myself. he give me this i give him one bottle. i give, the second bottle, the third one is like a specific one that he liked. maybe tactile, maybe he remembered, he reveals everything to us and he does it. i take and put on myself i go further. that is, i already trust my son in terms of choosing a fragrance for me. that is such an experiment. we have a family, right? people often ask, of course, i consider myself a person with superpowers. but, and now i will say no because, well, look. can you count, professional athletes with

superpowers? yes, you can, but he still dreams, because he just does what he likes and has achieved certain results in our profession as a perfumer. the same training of your nose is training of your hypotheses. e verification of these hypotheses in practice, the feedback of your people, your environment and other countries as well. i believe that every person has the opportunity to be with whomever he wants, and this is the most important thing.

grace, perfection of every gesture to the fingertips, beautiful living art, it captivates the viewer. have you ever wondered what a colossal work is behind every hero and dance about the art of ballet and

life behind the scenes, we will talk with the main bolshoi theater of belarus igor alina and this is a fashion for culture. synthesis of decorative dramatic and musical art ballet - this is not just a dance - it is also music performed by a symphony orchestra under the guidance of a virtuoso conductor. this is a choreographer, a stage director who puts a drawing of the action, as well as ballet dancers, which embody thoughts through dance, thereby revealing the plot of the performance, if we are talking about the art of ballet in belarus, then a striking example of the preservation of elite culture is the bolshoi theater, the ballet, the repertoire of which has been distinguished by breadth and diversity

for decades; a kind of markers of high style, as well as new names, the leading role in the development of the national ballet belongs to the creative activity of the belarusian litmister of the people's artist of the ussr valentin elizariev his innovative views , bold and full of metaphor and plastic diversity, the productions are enthusiastically accepted not only in our country, but all over the world, so in 2023, in his new edition, the premiere of the ballet by ludwig minskus took place. don quixote today valentin nikolayevich is the artistic director, and the honorary position of the chief choreographer of the bolshoi theater of belarus is occupied by igor kol, who has been living ballet since school age, learns and embodies the most daring ideas in life igor pavlovich

hello. the first mention of the summer comes from italy. what did he become popular in france, but certainly the world fame was found by russian ballet, and which actually in the 20th century reached the peak of its popularity. you have served at the mariinsky theater for 26 years, you are the premier of the mariinsky theater, honored artist of russia, but nevertheless, you have the first specialized education. you received at the belarusian state choreographic school. tell us about the role that the belarusian ballet school played in your life . a key moment for me, since i am in childhood was left to himself was born in the city of pinsk and at that time, in principle, there was not a single theater, so be aware of the pain. i could not do anything absolutely, but literally on the eve of children's and graphic school. now that number three was the anniversary, that

's where my first steps started, literally exactly the steps, because. i tried there for several months, where they took me away and brought me diagonally behind us. this is the very place on chicherin for two teachers exactly in a week, dad brought me to kamaz. minsk they looked me over, they said, the boy is for you to us thus. i began to learn about what ballet is and all my life, i say the same phrase i was born in pinsk, studied in minsk , took place as an artist in st. again minsk and i am at the stage. again, some new events from a clean slate as a leader. well coming to the theater actually. ah, let's take the ballet, the viewer sees luxurious scenery, bright costumes, but you see, behind all this is the painstaking work of dozens. and maybe even and hundreds of people, so this is what the reverse

side of the ballet is, which is hidden from the eyes of the viewer, and here it is for you specifically. and what does the creative behind the scenes mean through the eyes of the main, fucking mr. bolshoi theater of belarus well, what a wonder ballet. uh, this is equal to the army, since there are childhood years here. uh, tough discipline without discipline. we don't learn how to elementarily perform individual movements that you theater grow into some form of dance from nanke ballet. it is most interesting to the ordinary viewer, because the audience comes to the theater. this event first of all see the holiday, but uh for the last season. i realized that all those open events that were created primarily in the format of precisely internal processes are sometimes much more interesting than just coming to the theater, that is, open lessons, open exhibition complexes, created large promotions for the ruble, quite curiously opened for

me the same perception the audience's spectator's view of the theater is such a necessary feature, even more so today. it is interesting to learn about the art of ballet from the perspective of a choreographer. well, first of all, as a choreographer, i am primarily inspired by people. i am inspired by people and my movement in life is built primarily from communication, in which i find one direction or another for further development, both stage incarnations and, well, some analysis for myself pavlovich you are very parents for the future of belarusian ballet, or rather for his younger generation, you yourself look at the future of ballet dancers. schools. here. tell us how they are being integrated into the existing handset. is everything easy for him? first season. eh,

it’s always quite difficult and having received an appointment at the bolshoi theater of belarus, the first thing i understood, first of all, you need to expand a little. e, both the look and the relationship with the society around the nineties eugene season with poe more than 35 artists and this is somewhere, probably, 25-30%, e, who came from st. petersburg, moscow and so on, that is, from russia for me it was the moment is very amazing, because i understood that it means that i manage to do some minimum of attracting an audience and disclosure outside the country. it becomes a tradition this year, on the sixteenth of may. we will have open theater viewing again. i initiated it not just because we need personnel. although they are necessary and it is very important to show this, we are now walking in the beautiful park around the theater and everyone who came to minsk to watch, even if he was not selected, he was sent to walk

around the theater of the troy suburb, avenues are not depleted, and so on and so on for so that a person, if he comes to minsk, he has an idea where he plans to live, so that he can see a wonderful theater, both outside and inside, that everything is present. the conditions for the realization of the opportunities that are offered to young people in the first year are difficult, regardless of whether he moves , uh, or uh, comes to some place of work , we all get used to being followed at school. eh, that's how it's going right now. we are sending you a microphone. do not give. god will touch something. and when you come to the theatre, you clearly, you understand the situation when it’s not that you don’t need you, but you start everything from scratch. and this transitional stage, even if you follow the path of those children, as i call them, who came from the school of the bolshoi theater of belarus, you see how, this enthusiastic first changes to ordinary perception and at the end of the season.

i see the absolutely happy faces of the guys and those who arrived, who understand that some part of that long-term planning for them, including with them, she completed, and already somehow i can put on to say, that i'm happy with that. and that this function has taken place and it has borne fruit. let's take a look at the legendary ballet swan lake, which turned 145 last year. being the main choreographer , everything has really been written for a long time. it was invented that you bring something new of your own to the production and that is exactly the point that the classics are unshakable, this is a certain form of the repertoire policy of the swan lake theater the nutcracker giselle bayerka. e. raymond, that is, the backbone that is necessary, first of all, for the good state of the team, if there are no these names in the poster, respectively , questions arise. and what happens there, and a competent leader always makes the ratio

of the classics of the modern direction and some experimental trends that are necessary, because at a certain time every artist is faced with what to do next within the framework of the repertoire policy of such young people and no longer young by that time. uh, every year it gets bigger, if you don't find options to suggest path development. eh, i think it's will be stupid. if this does not happen, because you perfectly understand that there is yesterday, today and tomorrow, after some time we will need to look for someone on the side without raising our ribs of teachers, therefore, swan lake. uh, it's needed in the repertoire format. it creates quality cadaver work. and this is the name when i now remember one moment when i was in tokyo on tour at the national theater. uh, tokyo, and on the same evening there were six performances for six months, that is, there was so much demand before

of everything, and on tchaikovsky on the theme of the theme of love. uh, disappointment and in the end everything is fine in the end, but so necessary for and uh, not only in the ratio of music and idea, but also today's version. very much they are modern. they are absolutely, sometimes not related to the most. the idea and today the classical version is being played at the bolshoi theater of belarus, but the repertoire policy that has been built over the years it allows you to have it. uh exactly. this name in the form in which it is still a classic will live forever. yes it the visiting card of any theater swan lake must be you probably know the bright myths about the summer. here are some of them you can refute. and which ones to confirm? i am a happy person. i have always lived in a natural competitive competitive

environment where there was no room for anything. here, by the same myth, when they say that something is poured into glass with a bat, and so on and so forth, and in fact, sometimes it’s even funny to me, because when i hear, among, colleagues, something like that, i understand perfectly whatever you do in life. uh final the result is an exit to the stage, where you are either, yes, or you are nobody , there are many and many rumors, but the reality does not correspond at all, thus the myth, if we consider ballet as an art, then the first association that arises with it is the lightness of airiness. so, is it really easy, in fact, life on the bar? i will talk about one of the advantages in my profession, because. yes, it's very hard work, uh, strict discipline, but investing 300%, entering the stage, the audience

party all this pays for all those costs, that you carry in your life to achieve some results and the most surprising thing is that you do not immediately understand this, you understand when everything is already on the decline. and here is the way forward. after that, it just creates some kind of moment of that, and how much further and we correlate everything precisely with this short segment of the path, uh, on which everything was so bright, but so swiftly fast. and so for some reason i always knew about it and, uh, my life was not limited. only a profession, a ballet dancer, which was advised to those who wanted to join the art of ballet and where to start acquaintance with this elite? well first, before you go somewhere in particular.

there you need to lead the child, of course, to read and talk to him about what theater is, what is ballet and the plot components of the evening, because from the first attempt to understand what is happening on stage, what happened is a beautiful girl in a beautiful dress in tights. an adult boy came out , this is quite strange for the perception of a child for the first trip from ordinary, spectator families, however, if parents are preparing, they talk about music, they talk about the plot is said to be a fairy tale explaining every moment of a not-so-complicated and art form. but this is so elitist and a trip to the theater is necessary, as an event when everything happens on the first try and love happens immediately at first sight in september last year, on the stage of the big theater, you presented the premiere in a new version of the ballet joselle. as i understood, belorusskaya is completely different, since my task was to make the performance interesting for different age categories, this was fundamentally

important, because it seems to me that a child getting ready to go to the theatre. uh, ahead of time, and i, as it seemed to me, simplified the task of parents a little in the hunting scene. we have dogs in the scene, rather a peasant dance. we have a wedding couple riding horses. and it seems to me that the first act, it is absolutely done . everyone will find their interest in any age category, in the second act all kinds of options were used. how, first of all, to show the stage canvas of the bolshoi theater because after the reconstruction? there are many different kinds. ah opportunities for creating a special effect of the other world, and these are flights, exits from under the stage, passages and flying fabrics. today, it is quite difficult to compete with animation, since we

are all on the internet. we absolutely easily watch a movie and do, uh, a ballet performance, creating a competitive environment for tv to the internet, but it was not easy, so for me , let's say, a natural process on the stage, when someone leaves the dog's horse, since all the life in st. petersburg they took part in all the performances with the word therefore for me it was not, but in some uh format, it seemed that the belarusian public was not ready for the opportunity, but to see us on stage as a horse or dogs in this regard. uh, there was such a nuance, he said why we need a horse, but on the other hand. i had a clear goal, and you didn’t just create an effect and somehow think only in this direction much more broadly, i considered much more widely. e, studied the history primarily of the first performance, which premiered in 1846. in paris, in the description of the performance

, it is in the documents that the stage hunting, a retinue went out on horseback, that is, it was not even about one horse, but horses. considering the fact that they are there, er, six pairs turned out to be six horses in the grand pirate from different directions rode onto the stage. i presented this incredible action on this scale and we know the scale of the bolshoi theater on a huge stage. one small horse. i think no one should have offended anyone, after all. modern technologies are actively used. they must be because, if there is something, it must be used as the very gun that hanging. in terms of the duration of the action , it should still be faster in the finale, because you have the opportunity to use them today. ballet is more relevant than ever among belarusian connoisseurs. and this elite art in your opinion, what is its greatness magic?