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my name is sergey medvedev. i work as a director of a youth variety theater. today we’ll talk about what lives and what works, what success have you achieved during this time? hello

, you are watching the program, say, do not be silent at the studio victoria popova and tatyana shcherbina and sergey medvedev is our guest today good afternoon sergey vladimirovich for our inexperienced viewers in some matters e appointments. explain, please, what does the director of the theater do in a dry language, then this is a person who heads a state legal entity here. well, and determines all his life, uh, legal economic bureaucratic documentary everything that concerns the life of the theater, because uh, theater, this is for the viewer. this is the temple of art, where does it take place? some well, wonderful things in the artistic sense. but this, uh, this institution must function, it must be in order. be refurbished. well , the director of this

and personnel policy and financial policy and marketing and advertising and sales deal with this and the legal side of issues. well, the general management of the institution. yes, yes, the main person who manages e all enterprises. and who is more important artistic director or director? excuse me for asking a question, what is more important for a person, the heart or the brain. this is how i define it for myself. this is two. uh, equally significant and important person to the theater is definitely a friend, and this is a creative person. e of any theater is a person who determines what will be put on stage. which actors will be hired? which ones will play? what are the roles of repertory policy on this person? this is his area of ​​responsibility, uh, selection of productions. e work with artists with decorators from props with directors. and

so, that is the whole creative part. here it is , in the area of ​​responsibility of the artistic director correctly, they really answered who the director can fire whom. can ear friend is the director. yes , i understand how you generally became a director. who appointed you? generally approached, the whole procedure is appointed by the director. e anyone. uh , cultural institutions of republican subordination, the minister of culture, that is, any director in any theater is appointed by order of the minister of culture of the republic of belarus well, it happened. i hmm worked for quite a long time in the system of state administration, but in the field of culture uh in the departments of culture, in the districts i headed the department of culture of my beloved sovetsky district of the city of minsk, uh, then e worked for quite a long time in the department of culture of the minsk city executive committee, and then uh, well, there are no special rituals or rules here. well, it so

happened that there was a vacancy for this position. i was asked to consider this possibility. well, i thought, well, night is day, well, i agreed, that is, nothing is impossible. yes, the director of the variety theater, but before that you were still artists. well, it's been a long time. yes. well, for you , the stage is, in general, not a foreign place. yes, i am, and unfortunately, now i have already moved very far from the stage, how is the performer? but i believe that i understand what it is and what the person who is there feels, and we will not hide that the reason for our meeting was the fact that now all theaters are frozen in anticipation of new funding systems, let us remind the audience how i spoke about this president, a since 22. that's what you earn once i was an athlete, i lived such a norm for the club and the federation earned 2

million dollars 2 million. we learned at one of the recent collegiums of the ministry of culture there. just the same, your theater was cited as an example. they said that you have high incomes, and, accordingly, the salaries of artists. well, uh, we invited you sergei vladimirovich share your experience. let the rest of the theaters, not afraid of this system , the theater, in fact, do not freeze in anticipation, and the theater is in an extreme e mobile state. uh, in order to be ready, when the regulations are required, uh, and this system will go into effect. uh, certain concerns. there are certainly, but mechanisms and algorithms. i, unfortunately, can not, how to give a better algorithm here. uh, the head of our state offered to develop work. well

, we use it constantly in our work, because it is complex, we approach small and big issues. i mean, uh, we make money on what we can, uh, theaters of the country, yes , it is. it's kind of a unique institution. we call everything a theater, but in fact , it is still a little bit not classical in the sense of drama theatre. we have the opportunity various forms to use uh, small and large uh, dramatic performances and musicals or pop concerts or small variety concerts and performances of individual artists that one person can hold hmm the hall due to his repertoire of media fame and so on very well, what are you talking about say this, because those, but the representatives of the theaters with whom we discussed this topic and this colleagues they spoke. well, the variety theater, after all, cannot

be compared with us in any way. that is, you give yourself in this match, of course yes. uh-huh, you know, well , anyway, even in our position. i can't call it something very privileged or lucky that we're so lucky, right? there, in the same way, you have to sell your product, that is, after all, well, this market is still dieting here. i'm not talking about the creative component, in any case , now the proposal is enough and the variety theater is not the only one. uh, who offers such a form, because we have enough artists who can work. e no worse, maybe better in some ways. hmm, that's why, well, you have to make quite a lot of effort in order to, uh, get praised somewhere, maybe you understand that they were praised and that's it. it's already gone and needs to be continued. after all, not everything does not stop there, there is a place to be high salaries. artists have moments. i

cannot say that our artists and our employees can always boast of some kind of high. the fact is that the sphere of culture, in principle, cannot be called a sphere in which consistently high wages. well, we manage. hold a certain level, although again here for me the simple principle works. they worked better. e, more, as they say , we earned more, because the main e share in which the wages of all theater workers are formed is what we earn. well, if, uh, you say that we need some kind of algorithm or some formula for success, perhaps, uh, it’s difficult to deduce uh, well, after all, first of all, what needs to be done first of all in order for the theater to become visited this is a complex issue. again, the main thing for me, but this repertoire repertoire. and what, what to offer the viewer, the second is the advertising component

of advertising. uh, filling filling with your content. e information space. the visual component should be interesting costumes. staging. it can be very interesting, very cool, but it can lose in some visual way. plane that is why we are now very actively using uh, our uh, new led screen, in which we recently appeared. uh, sound lighting equipment. well, we're trying fit the costumes very carefully. in children's events, after all, costumes are for a child, which is very important. the visual component is, first of all, what catches his eye. then he already ponders all the same listens to music. well, the algorithm, uh, i won’t give you a recipe, you understand that, well, it’s always a search . any any period, quarter, half a year, a year, mmm , me and the whole team learned a lot in this sense. hmm, the eco-friendly period. this is the

same panic when the sanitary authorities demand their own and demand very harshly. uh, well, no one canceled the ministry of culture. for me like for the director of the word plan it is a lamp. yes, it burns with a red lamp, everything is constant all year round. that is, we must fulfill the indicators that are brought to us, uh, here, too, here, again, the covid times for us have learned to somehow get out of finding. uh, hmm, legal grounds, in order to somehow make it more convenient for yourself, so that you can still bring the audience to the hall, let it be 50%, let it be 75 per year , there was seating. special there, yes, yes, theaters continued to work at the same time. well, uh from what you say, i can assume that the director is the producer. no, to some extent yes , he acts as a producer. here the state, after all, will not be completely correct to compare. uh, show business and variety theaters, well, here is the belarusian youth

variety theater in minsk. why because, after all , producing is a walk-in business. hmm, labels and big corporations? e, what is it, if in simple words, they take some artist, one or two maybe one team puts tremendous efforts into him and the legacy and in his promotion in his repertoire image image promotion and beat exactly in it at one point. excuse me, but near the variety theater near the state theater entertainment institution. we have 80 people. e different creative artists with different repertoire are aimed at different age audiences for different interests at once different mm. images. well, all of them, uh, the theater, and in my person, and the states are obliged to support , support and promote one thing for you - this is a plan. we already understood, well, you already said what to sell. yes

, your repertoire is in the first place, but very often we hear from artists that producers or directors theaters, they are afraid to sell something new. let's just take a quick look at your poster and see the title it was familiar. yes, marry barabinojvich. and jack the ripper uh, the following formulas of love are all familiar and even laughed a lot when i saw that your next premiere was being prepared. it's matchmakers, which in itself should attract a certain audience, but this is marketing, well, a kind of. yes, the concert hall of the variety theater is quite small, it has only 256 seats, if i'm not mistaken, here we can even it and see. eh, but gradually you still take over other concert venues. there is some kind of minsk. uh, good concert experience. outside the native walls. yes, we practice it, numbers decide everything. well, 256 seats.

yes uh says republic of 2,700 seats. that is , if we collect 700 here once, then these are our 10 full houses . it is very difficult to sell a full house today, so well, here, uh, exclusively economic considerations of expediency. e in economic terms. well , wears it good. well, that is, you increase income in this way, when other venues are full houses, or at least approaching them there are full houses . uh, the event close to them is more or less successfully sold, but nevertheless, you understand that at the palace of the republic what is the main stage of the country, if we hold the palace of the republic, this is necessarily a television broadcast of a recorded broadcast. that is, here, again, we are going to close several areas of economic, of course, that is, economic feasibility, the second is each of our artists who enters the stage, he gets uh, tv broadcast for the artist of this media plan. no, you understand it to appear on the first belarusian channel or on

the second, it is categorically important. well, an informational reason after all. well, what is moscow 18. and or is it the palace of the republic on october square from this to conclude that our artists are stage theaters, they have already worked. here is your viewer, the very one who can get out by the thousands on them in the palace of the republic, in fact, there are very popular and well-deserved artists who have already uh whatever the theater has earned its image, earned its status not a title. e. well, we have many young performers in one of the tasks of the theater, because it is also the search for young performers, the search for discovery. well, uh, let's just put some kind of shoulder , because once again i say hmm we are not pure production centers, but nevertheless a young, talented person who gets on the theater and stage stage. it already has a large wing, which takes it to

various platforms, which brings it on display and to the judgment of a huge number of directors of theatrical events, directors of state events , directors of cultural festivals, and so you understand, yes, here in this the producer said that the state of the ledge. it's true, it's so i've always been interested in the question of how the stars get along on the same stage. let's say the singer janet and the singer. uh, alexandra gaiduk get along well. yes, they do not dispute which of them should? well, for example, close. uh, a concert, maybe somewhere inside, so there are some unspoken patterns according to which the concert is made up, well, in general, traditionally it is accepted that all the most significant artists go to the finals, but we have never had such an acute problem , they get along well and alexandra and jeannette play in the same performance, that it is one thing to invest in

one artist, and another thing when there are eighty of them and everyone needs pick up the key, by the way, is managed very cleverly by the artistic director. yes, she taxis all these situations, of course, all creative people are different from creative ones - that's the same. well, how small are the children, so these are very something you need to feel, when they need to be scolded, when to regret, when to reconcile and, well, to understand that a person just has some kind of creative surge. eh, maybe there is some kind of creative crisis, maybe, on the contrary , some kind of creative take-off and inspiration so strong that something unbelievable happens. i also periodically connect to these processes, but hmm vladislavovy everything is fine, it turns out. she, uh, gets along with both boys and girls and honored and uh, uh ordinary artists, so there was no such thing that artists came to complain to to the director, or to each other, or to the artistic director in general. well, without

intrigue. this i did not believe. well, intrigues, you understand, well, not exactly intrigues, but , of course, all sorts arise. well, that's life. why is it hot in the hall? why is it cold in the hall? why is there no water in the cooler behind the scenes? why is it there? such, of course, well, well, that is, these are some household questions. this is not an interpersonal relationship. we're probably getting there. smoothly to our favorite question with tatyana. lost the 20th year of the storm. you are artists. this is a period. yes lost lost said goodbye to many to many. i did not count in pieces, but, well , i had to say goodbye to several people. dishonesty in this sense, hmm jars very much. well, let's take it as a norm that each of us can speak on a particular topic , as he himself thinks, but i get categorical indignation when a person does not

speak himself, i think so and so, but he comes out and says, we consider the youth variety theater. that's how it is, well, who gave a person the right to say so? well, how are they now left without status behind it. for organizations that represent the lost have dissolved. well, simply, because, well, they are on their own, well, one of the actresses is not enough. uh, the former actresses of the kupala theater work in poland as a sales assistant in a shop on the air as a cashier. but this, of course, is not a reason. e laugh at someone else's grief, but we don't laugh, we sympathize, because people may not be ready for such a situation, they are politically immature. now very often we hear that certain artists of the culture of television, trying to find, uh, the way back. you have examples of such cases. probably, if we

talk about it, then they appeal, first of all. well, probably to the ministry of culture for this, so to speak. hmm for sure. she certainly has unique ways to recover. well, let's get back to your current affairs. here's a look at the soloists of i vosklin, from your site today, these are still singing artists of the conversational genre. uh, there are also a lot of them, and they are also famous, but for now, if we are talking about concerts, how do you do you think one of them can collect a dream book? here, without, uh, linking the creator of the republic to the variety theater. yes, maybe, who is already convinced of this? maybe gunesh is quite strong? uh-huh, by and large , and alexandra gaiduk and elena grishanova? well, look, we have more. eh, anya has always worked smartly lately. it’s just gorgeous now , you know, as they say, when a person enters

a certain age there and blossoms, then a woman blossomed, she was a beautiful, pretty girl, everything to everyone yes, well, then she blossomed. here's how it seems to me that they now, well, have flourished so professionally. uh, great maxim parishes. i agree with you that they can take it away, i remind the viewer in this director of the palace of the republic does he agree with sergei medvedev and we will break for a while, i remind you, we have a telegram channel. say don't be silent. subscribe to ask questions. suggest guests we are in touch. the point of reference and entry into a more or less understandable permanent audience of a permanent viewer. uh, it started with the premiere. uh, the musical burlesque that evoked. well, quite significant resonance, and we began to notice

that, uh, repeat audiences come to the theater and uh express themselves much more vividly than they used to express their positive opinion about what they watched. again, don't be silent. and today our guest is the director of the youth variety theater sergei medvedev, a new sensation of the theater - this is the musical of the gurians with him you successfully perform not only in minsk but even tour the country. as far as we know, we can show the audience a fragment of such an old man’s percussive monologue performed by ruslan chernetsky unemployed. swear at your worthless children, but your children are the dream of every childless person. you don't like your little house, but your little house is the dream of every homeless person. whip your

health, but your health is the dream of every patient with an incurable disease. very soon you will present this musical in vitebsk at the slavianski bazaar, you are worried about the technical side of the issue, you are absolutely not worried about the creative side. yes vladislav actors here the difference will be more difficult in that it's a different scene. we are already gradually running the show. uh, a week ago we were in the city of mogilev in the house of culture of the region, there is a stage. well, ours is four times larger, so there was also a question here, how to mount the scenery, how to fit it all in to expand or vice versa to compress? here are some very good reviews. i am sure that at the slavic bazaar. uh, this topic. well, it will have to be the same there as never before. from july 13 on your examples, we

notice that very nice dignitaries in the hall. particularly the deputy prime minister. igor petroshenko appears and, uh, minister of culture anatoly markevich how do you explain your interest in the theater ? well, such a test for the director , primarily for the convenience of management, but nonetheless. well, on the other hand. it is, of course, very pleasant that people in such a schedule living in such a way still find time to visit and stay the whole performance, and then exchange opinions. well, so to speak , some positive opinion that they looked. here is a photo taken during the music premiere of one of the shows.

we asked for a very long time, but simply and not trivichi , anatoly vyacheslavovich very simply, uh, a period went by when they found an opportunity in the schedule to attend, uh, the gurian performance uh-huh, because for us it was very important in the work . well, very deep topics, very important and it was important that the leadership of the country and the government named mr. from within this setting. if later it sounds somewhere, uh, we are talking about the music or the biography of the gurians with full confidence their opinion about what is happening to you, they gave some recommendations and advice. of course, these are my leaders directly, so er, well, some kind of assignment, of course, it's not like that. this is what we're cutting out. that's what we don't

show about it. we do not say no, they all liked them very much. once again i will repeat the very positive reviews, they remained under a very positive impression after watching a musical. and this hour is 30 hours, 35. it goes, i must say that i have a friend of the theater critics on duty, who twice and thrice. already went to the musical, so this really can be considered a successful production. we are going to the slavianski bazaar. what do you think about the need for state support for theaters? she is, of course, necessary. you understand that in the world, as far as i study this topic, there are no theaters that are not subsidized. the state uh uh with rare exceptions, when the theater uh has colossal support from the board of trustees of patrons and so on. here. well, in principle, the theater cannot exist without the support of

the state, in particular, variety theaters. basically, we have some. such an entertaining stage is an easy genre. these are colloquial variety, pop music and so on. well, we have now turned to the experience of staging more serious things, things with meaning that affect, uh, the right and deep strings of the soul, as well as every theater. well we must expand the range of our impact on people. ah, so tickets should be available for the theatre. not only are there no scams, but they are available, therefore, without the support of the state. after all, the theater owes the artist, well, tights and shoes for the ballet of the theater to grim's costumes from the on-duty items of scenery and props, this is very much the director of the theater in the hair slides, i also think for the hair, of course, of course, this is not a crazy expense item in our rubric today

question from the screen, a. you will be asked e man question a surprise that is not alien to you, which we have repeatedly mentioned today , attention to the screen is a stable expression the theater begins with a hanger, it is attributed to konstantin sergeevich stanislavsky, but in fact he never said that. he said that the audience, entering the theater, should feel the atmosphere of art. and i think that this is very important, and in connection with this, sergey vladimirovich, i have questions for you. when will the repair be done to the youth variety theater, who is talking about what? i'm a repair woman, that's right. thank you, vladislav. thanks, vladislava igorevna is such an urgent topic for us now, which we deal with every day for the third quarter of this year , the current repair of the entrance group is planned. and the foyer if we have enough strength. the fact is that, well, this is a very

sore subject of variety theater. it is he who exists. we exist in an adapted building. it's not really a theatre. this is a former dormitory, which has a cinema hall, where dances once took place, films were played here, and then only in 1997. hmm, on behalf of the head of state. the theater of the variety center of attraction was formed there hmm stars the stage, which then was the main backbone, what passed you, this is a noble mission, when the state made repairs in every theater, but they didn’t do it for you. although, as practice now shows, this is the most. well, damn it, profitable cost-effective and in general you need a theater. it's a shame that you didn't get in. queue. there is an objective reason for the fact that these are only two floors of our building above us, there are three more. already the university of culture with students with lectures and everything else, so they also live with this problem in

a building built in 1954 with everyone the ensuing consequences for vladislav igorevna, who pays a lot of attention to the aesthetic component , not only what happens on the stage, what happens in uh, in principle, in the premises of the theater, and i support her very much in this. uh, i really hope that we will enter the new season season 27 with the current repair of the entrance group and, uh, with the renovated lobby. so, in addition to repairs from april to october , you are holding a marathon of dialogue platforms at once from bridges. please tell us more about this format of the meeting. artists with the audience a wonderful format, two meetings have already taken place, one in minsk, the first big and the second but the grodno region of the agro-heroine.

a creative landing comes to the viewer. the task is set in such a way that the viewer is for the most part pupils and students of educational institutions in the field of culture, that is, people who will look at their uh colleagues, potential, yes, and potential, including artists. the first time, of course, was exciting. well , there is a certain skepticism when 17-year-old guys come to the gym. uh, sitting in front of them there are six seven on stage, five artists are variety theaters, and in fact, someone is popular , someone is less popular, and you know such an attitude. come on, come on, what are you telling us? yes, well, this is exactly this form of dialogue, when each of the artists begins to talk briefly, very briefly , about what is in the newspaper family. i studied or studied at the bobruisk college in mogilev molodechno, i won in that competition or vice versa, i was chosen, that's the casting, and i have been for many

years. uh, doing this thing and you know that these skeptics are seventeen years old. they are so open asking questions, all the officialdom and people who were just belarusian pop artists. they just become interlocutors at the end, when the concert is already taking place. it is perceived in a completely different way by our people here. they like such public communication, that is, they willingly ask questions or have to swing for a very long time, there is definitely a buildup in any audience, but i kind of made such a note for myself that this is a very interesting form, when you can listen and talk, uh, with a person who usually shares a stage or screen with you, and she is of some kind of interest in young people, even in young people, because young people, well, the most difficult

audience, if not sitting there on the stage super mega, hyped in tiktok m-m star, then for them it's always some kind they mysteriously react in such a wary way, but this is the form that's how i made sure, i'm there from my own experience, that they are ready to listen and it's interesting for them to listen belarusian artist stage his life story. and finally, these are opportunities for our artists, because we got used to it over the years of the slavic bazaar, that a dialogue with a star is a visiting star, and they still have such a status. well, they probably didn't feel anything. yes, that is, it is also for them, actually for some experience in public such conversational speeches. yes, this is a useful experience, and many of them, i 'm sure, well, they also experienced some kind of internal wave, because it sits the whole room. and you need, but you need to tell about yourself, how are you came. that's to the fact that today you are a fan. they should still have to arrange. and they already were, let's say. here's to future meetings. you

are planning some requests for specific artists with whom you would like to communicate, the audience of requests has not yet received, we have formed several of them. well, let's put it this way, a hydrigad of such groups hmm creative, so from april to june 1 from september 1 to november 1 throughout the country in all regions , not only regional centers and agro-towns and enterprises and institutions. uh, middle and higher education in the field of culture. well, in minsk, the university of culture , the academy of music of the academy of arts, the minsk glinka musical college of the agro-town will also be covered. eh, it's traditional. what is agrogorodok but it is completely different. uh, hospitality approach to meeting. oh, i don’t want to say god forbid that they meet badly or not kindly. e in minsk well, anyway , some kind of hmm yes, so to speak, some kind of frame.

uh, there are officialities, well, agrogorodok must understand this, so that with pleasure i watch the program of our colleagues sveta borovskoye in saturday and i see what it has turned into. izhe is such hospitality , really, that it’s just nice to look at yourself so belarusian, so people are already preparing according to all the rules so that it’s not embarrassing, and you remembered the ninety-seventh year, and i remembered that yes really was so ground, when the variety theater was formed and for a long time, this theater was associated. we have the name of vasily petrovich rainchik. he stood at the origins, what is called and e, c. in general, i probably put a part of my soul into this theater today, what kind of relationship do you have with i call my problem petrovich from the sum to the founders and the guardian angel. uh-huh of our theater, e, he is not a piece of the soul, he is everywhere there , all of him, he is also very long, the time was both the director and the artistic director. the film was a period when he was

the director of the dash art director, then he knows everything. this is no organization better than anyone. of course, i could never even dream that someday i would work with the master. uh, and at any moment, i can consult with him to ask, something out with gladly responds hmm to any request and everything that he knows, e, he will always tell everything, everything will help. he has a huge luggage. uh, knowledge experience. he went through such a different spectrum of different situations. eh, his life was so creatively saturated that, well, now he just sometimes helps out a lot, with good advice from. well, this is a full-fledged employee of our theater. we work together and hmm a common creative language. no you want, i never noticed, no matter how. he is happy, uh, with all our successes and, uh, if something happens, suddenly something is not very pleasant. always very. takes an active part in

resolving some issues, e-e, testimony of some kind of help. well, i noticed that you have auditions quite often. this means that in the theater there are not enough resources of artists in the search for a constant search. yes, it is a constant search. yeah, the constant search for new colors. you understand that for two years wonderful talented people, but we write with the same colors. as soon as anyone comes, well, a new person. this is a new character, a new repertoire. well a new visual the embodiment of some hmm numbers or roles or songs or a new musical style appears it is always a small one, but a step forward, so uh, i already talked about looking for young promising performers. this is also one of the challenges. after all, we are announcing a casting, not only vocal, we are looking for artie ballet artists of the colloquial genre

, directors, directors, scriptwriters, uh, well , actually the vocalists of the performers. i can’t say that we often, uh, auditions and several times a year several times a year, we have a lot of performers already, who well, the artists who came precisely thanks to the casting. that is, we can say that belarus is rich in talents, of course, you understand why we didn’t go through the casting right away and 27 new soloists appeared all so there can’t be very many talented people, but, unfortunately, the theater does not have that temporary resource and material in order to take well, quite a severe, very talented, but severe person in terms of stage, and for a long, long time to lead him to the state of a professional person. we need already. uh, practically held professionals are talented and moreover, this does not mean that he should be there. well, it's already an adult. man no, he can be 19-20 years old, maybe

16 years old. but nevertheless, we already see, that this is given to a person and a person has already passed a certain point on the path of becoming. and he can already, today he passed the casting. tomorrow, he feels completely free, like a fish in water, in a controversial concert in a small role in a musical or somewhere on tour , he understands what is required of him, therefore there are not so many people with whom relations are established in the theater after castings, but there are a huge number of really talented people who want to sum it up . i have to follow the playbill of the theater. yes, the beeline dot is our website. we will take a short break after a short break. let's return to this studio again, while subscribe to our telegram channel, say, i 'm not saying, honestly. leave your comments. offer us guests, and look for all our issues. on youtube channel belarus 1 on the air

say again, do not be silent, and our guest is the director of the youth variety theater of sergei medvedev sergei vladimirovich a. can we say that a new one has been formed in the theater now? eh, the creative team of like-minded people say when they came up with their vision of how the variety theaters should move on and before there were performances. well, there was some disparity. you understand what a concert team is. it's a lot of people. they spoke bowed out. what is a performance a performance with a through plot a performance with emotional experiences on stage. it is always a team of people who exchange this energy. therefore, i believe that this factor also greatly influenced the fact that there was a feeling of a single team after all.

uh, when serious complex plots appeared, serious musicals, uh, well-coordinated work. uh , those who mount the stage mount the scenery, uh, ballet and actors of the conversational genre, and vocal artists, that is, it all ceased to be a concert with a through plot stage performance. yes, it has become full-fledged, and it cannot function otherwise than as a team. i'm on the water for help on the eve of our meeting none of the artists. and you didn’t say a bad word, everything is fine. all in the same theater work in a good relationship. well, how would it be for me. this is already a signal that there really is a certain atmosphere. yes, people are aimed at the same dacha and work, right? thanks for the nice. it's just that you can't tell it to you and it's out of hand, but i can imagine

to allow it, something that you may not know or even guess about, but still, uh, if we talk in the direction of promoting artists, and they really only want this. it seems to me that where you see the potential for belarusian artists, how can they develop here? yes, we have already collected many of the round tables on television, on radio and in all the media, and all this is a question. he somehow remains sharp, and he will remain sharp. after all, this is for an artist for a creative character. this is for him. this is the main question. how to become more media and reach. e your fame more more circle of people. i do n't care when i talk about it. i still say more of a link to the promotion of the theater with the help of media faces with the help of popular media artists who work for us. uh, and well, i have to. to do so, because , unfortunately, we are not, uh, of course , polarizing, uh, our most iconic

actors. e. well, everyone who is more or less known, of course, these are our trump cards, which are in every program. if there is this person, it will be more interesting for the viewer to come to this or that concert, if the promotion was respec, well, this such complex work should be. uh , the theater puts quite a lot of effort into not popularizing personalities. ah, the artists. e not only on not only our music or not that not only our concerts. hmm, this question will always be acute. um, you understand that, well, you can delve into the fact that, uh, belarus is still a very small, very narrow market. uh, that's why everyone is so eager to get into the market in russia, because in russia it's endless and you can endlessly gather halls to popularize yourself, and belarus can you can go around for a month with a tour and it all ended, you can travel through 7 regions with the same performances. here, in fact

, the economic component again plays a role, therefore, i'm talking about this complex issue and each of the individual artists. well solves it by means of the algorithms. variety theaters, in addition to popularizing the characters, nevertheless , my main efforts are applied to the fact that we popularize the repertoire of the theater itself, as a state institution, and our productions and concert shows, as far as performances of concerts a year gives the variety theater. have you ever read? well, you forgot about the main word of the director. yes, we counted 251 events last year, the entrance group is going to change, a beautiful night photo, and by the way, the photo is probably ten years old. there will be, uh, another sign will be a different color. uh,

there will be other lightboxes on the façade, there will be different led screens. uh, another porch, other columns. that is, it is not cardinally here. nothing will change will simply change towards a more modern e expression. but, probably, vladislava igorevna had in mind, the dressing rooms of the artists, and we repair all the artists daily every year, because they are microscopically adapted to this. i 'm talking about the room, that is, to expand them in no way . it is impossible to paint them with new furniture. to spend new brighter light to repair the toilet. excuse me, but everything else we are in all in those conditions in which, uh, here, it is given to us is given. do you have any favorite performances in your repertoire? well appeared recently. yes, this is guryanov. yes , i like all the productions to one degree or another, to some. i can

make some personal subjective claims there, that's why i like this one less, this one more guryanov, uh, come , i strongly invite you. you will understand what is the matter and ruslan chernetsky in the role of an old man. we had vladislava, the director of this musical, and she said that time must pass for him to grab the role. yes, he already grabbed her, and he already got used to her example about this priest nikolai guryanov. this is just central hmm let's say. so. sorry pole. e of this performance, on which rests. this is uh, well, the spiritual component is not a play about uh, the prayers of the church and the clergy. no, this show is about something completely different. this is about love, about mercy , human grief, which sometimes happens, unfortunately, in the lives of many people. and about how a person should pass this through himself and how to deal with it and how, well, still

remain a person in this terrible cruel world. and this is primarily a musical biography guryanov is first of all music, we understand that you are now saying goodbye to the audience to a greater extent. well, i have another question. here is the team. yes, vladislav artyukovskaya from sasha sukharev, and now for several decades to come, and they will determine the creative face of the theater. why not, do you know that we are ready to consider any proposals for directing, explications or some scripts? e hmm different artists to consider, that is, i'll ask sukharev easier, now to the machine of some other composer. i think yes, if some suggestion. i do not think that alexander valeryevich will be against it. well, it so happened that here are a few for sure, somewhere he already had them in his thoughts , these are his music, this is jack

the ripper, this is guryanov here. uh. well, that's two good ones plus two good ones. uh, the ball with which they were launched, and in what other field, besides the variety theater? you would like to try your organizational skills. i've been, uh, 7 years old, already working in the theater. i strongly suspect that hmm in any institution of the work of the head. will be very similar tension. eh, downloads and a measure of responsibility, so i don’t have any dreams yet or some fantasies about this journalist who is studying at the management academy regularly recently here at the studio. he said that wherever the party says , she is ready to go there. you somehow have me exactly the same way yet. there are a lot of plans here. e hmm uh, that's why

we still have something to embody here, that is, you would have worked in the variety theater while you weren't tired for 7 years. hmm, to some extent, there is a certain fatigue. e. well, i hope that burnout hasn't gotten that far yet. that's because there is. well, it's not just that we live not a simple time, for which we have enough strength. well, you need to find strength for a family for children. i have hmm two boys, so they need to be brought up too. and, so to speak , to show them some path, if not by example, then at least by their help, so here , today, such a period is also coming and graduation of the tired one. well, the younger ones study at school, so for me the main time period. and outside of work it is, of course, family, uh children, well, some of our joint

activities, but again you are making progress, well, if everything always stood still, then there would be burnout and loss of interest. and when you are still developing, moving forward and something new appears, then you want to continue, probably, to move in this direction. yes, we are moving ahead of us is not an easy year. we also set ambitious plans for ourselves, uh, and in the palace of the republic we have in june. uh, hmm 2 days, two performances on the 20th and 20th 20th. june 1st palace of the republic first day. this is a children's story bitch katuhi, ball in the morning for the guys. uh, junior school age in the evening a solo concert show, and on june 21, we invite everyone to a children's musical fairy tale, cats and dog astoria, too, in the palace of the republic and in the evening for a musical biography ulyanov dream of returning to the stage. i don’t know, no, more often now i answer no, but still, if the party says, for god’s sake, for example,

do you come to the microphone at corporate parties or not? no, i never do it very rarely, but not, well, somewhere in some very narrow circle. if someone needs to be congratulated there something like here is to do something nice when i know exactly what will be nice. that's why, well, i try not to impose my consumption below. well, it was a pleasure to meet you today. you are really pleasant in communication and young. oddly enough, i think the director. yes, we are used to the fact that the directors are a little salty, so i look. and you are still ahead of you , sergey vladimirovich, this is true and it will be a happy full success ahead of you and new halls and more money for repairs. and we are tatyana victoria half. compare today say goodbye. goodbye. goodbye. and now sergey medvedev is speaking. i would like to thank my esteemed colleagues for inviting me to this conversation. it's always an experiment. certain test. so, on the air

of national television, to discuss this work that we have done during the period of our activity. i would like to invite all those viewers who will watch this program to come to visit us at the youth variety theatre. uh, in order to see firsthand, look and listen. uh, those works that we offer to our viewers, and i am sure that after you see and hear it, you will become our constant fans, uh, fans of artists, belarusian, pop music, and fans of pop theater. i, uh, cordially invite everyone to visit us.

the first meal should not only saturate, but also please. i've already had a good night's sleep and i'm ready to start the champion's breakfast together with the guests of the program, we'll prepare a nutritious and satisfying breakfast. today we will have breakfast in french style is clafoutis with goat cheese and vegetables and we will make a very healthy delicious sea buckthorn tea, we will tell you about the beneficial properties of products , useful properties, all types have. therefore, you should choose, based on what kind of dish you want to cook, we will show exercises, thanks to which the body will be in good shape. all day today our warm-up will be devoted to the muscles of the back of the arm to the belt

movement to the right. left right left, watch breakfast of champions on our tv channel. elite art of jazz, which unites countries and continents an amazing musical cocktail from bewitching rhythms to virtuoso improvisation, what kind of jazz it is in belarusian and what outstanding jazzmen our country is famous for together with professionals in their field, a well-deserved team in the national academic concert for the orchestra of belarus named after mikhail fing, we will find out the answers to these and many other questions. watch this weekend in the fashion for culture project only on our tv channel.

two teams of bright erudite belarusians, we work together in the construction industry, therefore, today we will not build and will answer the question correctly, using all our knowledge. they'll try to reach their dream of the honorary title of the winner of the show on how many hills is rome supposed to have been founded rome just the number is absolutely correct? the answer on the seven hills is the correct answer and brings points to the team's piggy bank, and for the wrong answer, the participants go to build a tower. state two options.

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