defenders collect checks at gas stations. well imagine 100 belarusians, poured gasoline, and two human rights activists quietly kicked out of the box at the checkout, and then counted out in europe from traveling all over belarus out. how much gasoline did you eat a little? shi-t, in fact, you don’t use it at all. yeah, and also empty lines in the receipts, that is, spring hired a performer, say, to walk around with a poster or a journalist to write an explosive article, and then such a payroll with an empty column, spring gives out conditional 100 rub. salaries hired worker puts his signature under an empty column, and then they enter there they paid conditional vasyukin 1,000 rubles. just think, a zero there, a zero here, but in your pocket, it seems, it has become warmer.

i know that the state she refused an acoustic receipt and demanded that she had a letter from a specific person, a check, 90, which turns out to be removed. and also lawyers for police prisoners are, by the way, the most profitable vein of political prisoners you can cook as much as you like. the bigger, the better for bialiatsky, too, a bigger surname means more money. well, and, perhaps , the most outstanding project for sucking money out of the european union is still known for how they like to compose new genders there in the west, and then they say that hunting discriminates, either a boy or a girl. in particular, this applied to toilets and the result of this project was closer when the toilet e, which consisted of two

halves of its own, was cut into half of the connection. here, uh, 50,000 years ago bialiatsky and from the budget of unfriendly countries into the air or into your pocket. spring needs an office to work, byalyatsky receives grants and buys an apartment on nezalezhnosti and takes over this office for human rights. well, there will be no spring, but the apartment will remain. horror, instead of an office , an apartment was purchased, which was registered in the name of bratsky at the time of the first arrest of berd porting. due to the fact that his article is confiscation. it's all been presented. this is an attempt to destroy the human rights center and return for

compensation in the amount of the cost of this apartment already to a figurehead, but with a power of attorney for bialiatsky, so enterprising olesya at the expense polish or tolstoy taxpayers have already received two luxury apartments in the center of minsk not up to the confiscated apartment. he copied to his wife natalia pinchuk and was raised by two apartments and millions. and for this , also an award, he received an instinct being developed. and when you are already so human, you see, and you know that you can from him, uh, mean? mark there? not long the music played this day for the spring was completely bad weather the sun did not shine. on the other hand, a considerable period of time shone . the minsk committee of non-nobel academicians decided to award the laureate, a resort on sanatorium hobby at the state expense on the shkonka without the right to be tempted by grants for a period

of 10 years, because dollar dissidents, as usual, are divided into two, such as up to students and from students. but once in the distant and still soviet young daughter natalia pinchuk was warned by a party worker father. i said that we can not shine the world with such a husband and how. water and the realities of the clinic were crushed. previously, they went to siberia for their husbands, and these men went to lithuania from their husbands to build a political career. natalya pinchuk managed to sigh at stage, receiving her husband's award, oh, and disingenuous. it is said that 300 -odd thousand nobel dollars successfully migrated into the pocket of bialiatski's wife, despite the attempts of some unscrupulous internet resources to hide the information. we know for certain that the money of the nobel laureate was transferred to his wife natalia pinchuk and is being spent for personal purposes. long

interviews, after all, it was she who received the prefix nobel laureate, even for a laureate. well, who cares, western patrons gave out the nobel airtime and wiped out uncomfortable facts of a family biography, like the son of natalia and olesya adam bialiatsky, turning his head backwards at the gates of auschwitz, slaughtered a lamb in the name of peace and europe from the nobel prize in literature, however, the problem was also simply canceled for 2 years in a row. more precisely, three in 2018 , the hollywood syndrome suffered the award, there some photographer touched the ladies, 18. yes, and what does the nobel prize have to do with it? it was the husband, then the woman who awards prizes in literature. and here

the literature remained unknown, but the award was canceled just in case. and here literature was not clear in 2016 award, received by american singer bob dylan a in 2015 svetlana alekseevich journalist. both proved to be titans in the field of literature. i received an important kind of awareness, when svetlana alekseevich received the nobel prize in literature, what can this be given to a journalist? here he still writes badly that they are in fact. and this is, of course, uh, amazing negligence and accustomed to literature. surprisingly, it was ms. alekseevich who was awarded the prize at the same time as the presidential elections in the republic of belarus at that time. and just as amazingly. it coincided with the beginning of the uh, and the operations with the introduction of russian troops to fight terrorists, and international ones, including those inspired by the united states by turkey and on the territory of syria

, we can say the following. well, according to literature , opportunistic in its essence in recent years and the laureate author of books zinc boys of war and a woman's face and some others are also opportunistic in their essence, in their texture. found each other in other words is changing, but only not the political bias in the peace and literature prizes here as a handful of criticism of communism. with him dead nineties we were romantics. it seemed to us that the kremlin wall had fallen and that no one was buried. this is naive, we flavor it with an impressive amount of russophobia, it is imperative that it be in russian and we get an ideal candidate in the field of literature.

2015. here it is naive to believe that she promoted belarusian literature, in fact, her writing career - these are collections of supposedly memoirs of war veterans, that is , belarusian partisans and warriors of internationalists, moreover, with a very, lousy and false interpretation. just like a book of war, not a woman's face , heroism was important to me and victory is not a feat. what kind of victory is when a person dies when it comes to war? this is such a center of our life, nothing else i studied by and large, except for this victory let hmm such a first terrible victory victory, but i was not interested in how some people heroically killed others. i was interested. here is this human madness, which is this god mars who is so decorated, which is so hmm raised on a pedestal, and this is one of the many conferences after receiving the nobel prize, before

such popularity among the foreign public , the journalist writer did not now cause numerous interviews, you know this is another test to listen to they all have the same words. history for americans for poles for italians for germans politics politics politics and again politics and, as they like in the west, miserable, poor russian belarusians, miserable wild beggars. yes, this is europe before which you need to open your mouth. and to think why are we so savages, we are a peasant country, a late nation, of course, here you go on plastic. you see, yesterday i was walking down broadway, and plastic surgery. you see that everyone is a personality.

in minsk, moscow, you see that the people 's body is coming, the people's body, they say, failed, because they wanted all the freedoms and freedoms as in europe or maybe it was perestroika that failed, because she wanted it, it’s a pity a handful with banners on the square, but for us living here or in russia, what then, what now for the common people freedom is not in dancing in thongs on the avenues to remember do not subject americano to european censorship, so you want a nobel prize. they’ll throw it like used material, this is the nobel lavryadka, as

they say, they’ve been ridden by the people and they’ve abandoned accounts in germany , they blocked it, but the view hasn’t been extended yet, where then, through a commission for fugitives, some peaceful cities are bombed in the name of great interests other nations close their eyes and won't write a word for zinc boys 2.0 about how the americans slaughtered children. when they say for these children, spring will never come again, scammers get their hands on fabulous sums. it would be a good thing for them, well, they make money by pouring slop on their country and the heads of their compatriots, and as a bonus they receive world recognition, because this is necessary for a handful of hypocrites and i would like the point to be put in this show of nobel absurdity but alas , and oh, it was ekaterina tikhomirova see you.

that childhood is the

happiest time for every child. sometimes i say that my childhood was stolen. when the great patriotic war began, i was 3 years old. the germans , feeling the advance of the red army, gave birth to our children with typhus. i always admire the belarusian woman, because it seems to me that the belarusian woman hardened her war. my only merit is that i strove, of course, to be useful. if we forget all this, then we will forget the belarusian need.

i was born in the village of rog, oktyabrsky district gomel region in the forty-fourth year, when the offensive of our red army was being prepared. they prepared a very scary place for us. in my opinion such severe it was a concentration camp. it didn’t take much effort to prepare it, because basically it had to be done to fence off the territory of a swampy place and a swamp, which adjoined it with barbed wire in several rows and put up watchtowers, the villagers were all driven out first to the barn, they supported us there at night, and then everyone was thrown out onto the road lined up on all lines, and we went on foot.

go to this camp. it took 8 km. we were very afraid to fall behind, because those who remained were shot for the month of march. eh, the forty-fourth year turned out to be very capricious, because the temperature was changeable, then minus 113 - 13 here, and then plus 7-8, so all the old people. somehow they stood in this swamp in place knee-deep in water. and when at night she already said, then, they turned into ordinary ice cubes, they didn’t give us food for all the time that we were there. we were once brought, only bread, they threw it off the car. who was closer, he grabbed, and that was further away there, he did not get water. we took from the swamp. swamps. it was very dirty, there, they dumped and also the bodies of dead people. the germans, feeling the advance of the red army, gave birth to children.

therefore, we were of course as a bacteriological weapon, so that we could infect our defenders. it was march 19 , 1944, the day of our second birth. if he walked through the village, then they took off his hat and bowed to him and such a teacher. i would like to, because he was the most cultured person, but in a village in general or in a locality, and therefore i wanted to, of course, and to revive this . in addition, of course, also a teacher of the russian language. we began to create such production plants, in each district we did not begin to teach children working professions, and

therefore i also initiated the creation of such a first plant in the sovetsky district, and we built the first one, then this experience of the republic was transferred to others. here are the areas. i would like to leave a mark in the soul of our students ordinary laborers. all wanted to work. i wanted to be useful in some way and aspired to. i and this book has become part of the everyday life of my life. somehow i also have it in the first place, and in such an ordinary binding. with pleasure. now i re-read, sometimes the work. here's something i liked. uh, according to ustupkovsky, i also like to visit these museums at the exhibition, i manage the club of the elders of this, basically such a veteran organization, we like to speak to young people. i believe

that patriots can only educate patriot paul, we went through such a harsh school of life, then we must pass on this experience. of course, i want to say that we must remind them that they not only have rights, but also duties; they must be patriots ; grow up patriots ; , of course, the husband of our belarus of our republic, of course, doubled. our births are tolerant, very kind by nature, and we always strive to do something beautiful or whatever we take, especially belarusian women, they can handle it. we have many more many projects have been conceived, many undertakings need to be done, and for the time being i can, of course, i will help and share my experience and do what is familiar

to me. for me, the most important thing in life would be this family, close people, you always need, because they will always provide help and you can always give advice and somehow draw new strength, because in a difficult situation we are looking for support, of course, from close people, i want to turn to colleagues and prisoners too, so that they do not forget about what they went through they had a terrible childhood and tried to convey. this is all and to your family and friends, and at the same time, and, of course, young. dezhi everything that lives, modern, belarus today , watch on belarus 24 tv channel. this is

the news of the country and abroad. broadcasts of especially important events live broadcasts from the scene current interviews with famous belarusians fascinating travels around the country feature films for all ages, azerbaijan kazakhstan turkmenistan uzbekistan kyrgyzstan tajikistan georgia turkey iranian arab emirates saudi arabia syria jordan

be with tv channel belarus 24 and discover belarus my name is sergey medvedev i work as a director of a youth variety theater. today we’ll talk about how the variety theater lives. and what is it working on? what success have you achieved during this time? hello , you are watching the program, say, do not be silent in the studio victoria popova and tatyana shcherbina and sergey medvedev is our guest today good afternoon sergey vladimirovich for our inexperienced viewers in some matters

of appointments. please explain what if the director in the theater speaks dry language, then this is the person who heads the legal entity. state. here we define all his life, legal , economic, bureaucratic, documentary . everything that concerns life, where something happens. uh, well, wonderful things in the artistic sense, but this, uh , this institution must function, it must be in order, be repaired. well , the director deals with many, many all sorts of issues - this is personnel policy and financial policy and marketing and advertising and sales of the legal side of the issues. well, the general management of the institution. yes, yes, the main person who manages e all enterprises. and who is more important

artistic director or director? excuse me for asking a question, what is more important for a person, the heart or the brain. this is how i define it for myself. this is two. uh, an equally significant and important person for the theater is definitely a friend, and this is a creative person. e of any theater is a person who determines what will be put on stage. which actors will be accepted into the states which will play? what are the roles of repertory policy on this person? this is his area of ​​responsibility, uh, selection of productions. e work with artists with decorators from props with directors. and so, that is, the entire creative part is given away. uh, to the artistic director's area of ​​responsibility. you really answered so correctly who the director can fire whom. can ear friend is the director. i understand how you even became a director.

who appointed you? in general , this whole procedure took place, appointing a director, uh, any cultural institutions of republican subordination the minister of culture, that is, any director in any theater is appointed by order of the minister of culture of the republic of belarus well, it happened. i hmm worked for quite a long time in the system of state administration, but in the field of culture, uh, in the departments of culture, in the districts, i headed the department of culture of my beloved sovietsky district of the city of minsk a. then e worked for quite a long time in the department of culture of the minsk city, and then, uh, well, there are no special some rituals or or rules. well, it so happened that there was a vacancy for this position. i was asked to consider this possibility. well, i thought, well, night is day, well, i agreed, that is, nothing is impossible. yes, the director of the variety theater before that were artists. well

, it's been a long time. yes. well, for you, the stage is, in general, not a foreign place, not a foreign place. yes, i am, and unfortunately, now i have already moved very far from the stage, how is the performer? but i think that i understand what it is and what the person who is there feels we will not hide that the reason for our meeting was the fact that now all the theaters are waiting for a new funding system, let us remind the audience, as the president spoke about this, since the twenty-second year. that's what you earn when it's me and the athletes had such a norm for the club and the federation

earned 2 million dollars 2 million. the theater was cited as an example, they talked about what you have high incomes are high, respectively, the salaries of artists. well, uh, we invited you sergey vladimirovich share your experience. let the rest of the theaters, not afraid of this system , the theater, in fact, do not freeze in anticipation, and the theater is in an extreme e mobile state. uh, in order to be ready, when regulations are required. uh, and this system will begin to operate. eh, there are certainly certain concerns, but mechanisms and algorithms. i, unfortunately, can not somehow give the best algorithm. uh, the head of our state suggested, uh, develop and work. well, we use it all the time in our work, because it is complex, we approach small and big issues. that is, we earn money on what the theaters of the country

can talk about, yes, this is a kind of unique institution, we call the theater, in fact , it’s still not a classic theater in the understanding of drama theater. we have the possibility of various forms to use uh small and large uh, dramatic performances, musicals or variety concerts or small pop concerts and performances by individual artists that one person can hold hmm the hall due to his repertoire of media fame and so on very well, what are you talking about this, because those theater representatives with whom we discussed this topic are colleagues , they talked. well, the variety theater, after all, cannot be compared with us in any way. that is , you are aware of this report, of course, yes. uh-huh, you know, well, anyway, even in our position. i can't name it somehow very privileged or lucky that we're so lucky, aren't we? there, in the same way

, you have to sell your product, that is , after all, well, the market dictates here anyway. i 'm not talking about the creative component, in any case, now the proposal is enough and the variety theater is not the only one. uh, who offers such a form, because we have enough artists who can work. uh, not worse, maybe better in some ways. hmm, so, well, you have to put in quite a lot of effort in order to, uh, well somewhere they were praised, maybe you understand that they were praised and that's it. it's already gone and needs to be continued. after all, not everything does not stop there, there is a place to be high salaries. artists have moments. i cannot say that our artists and our employees can always boast of some kind of high. the fact is that the sphere of culture, in principle, cannot be called a sphere where wages are consistently high. well, we manage. keep

a certain level, although again here for me the simple principle works. better worked. e, more, as they say , we earned more, because the main e share in which the wages of all theater workers are formed is what we earn. well, if, uh, you say that we need some kind of algorithm or some formula for success, but, perhaps, uh, it’s difficult to deduce uh, well, after all, to begin with, what first of all needs to be done in order for the theater became visited is a complex issue. again, the main thing for me, but this is the repertoire of the repertoire. and what, what to offer the viewer, the second is the advertising component advertising. uh, filling filling with your content. e information space, the visual component should be interesting costumes, staging. can be very interesting very cool. well, it can

lose in some visual way. plane that is why we are now very actively using uh, our uh, new led screen, in which we recently appeared. uh, sound lighting equipment. here, well, we try to approach the costumes very carefully. here in children's events, costumes are for the child, which is very important component first of all that catches his eye. then he already ponders all the same listens to music. well, the algorithm , uh, i won’t give you a recipe, you understand that, well, it’s always a search . any any period a quarter half a year a year, so me and the whole team taught me very much in this sense. hmm uh, floury period. this is the same panic when the sanitary authorities demand their own and demand very harshly. uh, well, no one canceled the ministry of culture for me as the director of the word plan. yes, it is a lamp. yes, it is red, it burns with a lamp, everything is everything

constantly throughout the year. that is, we must fulfill the indicators that are brought to us , uh, and here, again, the covid times have learned to somehow get out of finding. uh, hmm, legal grounds, in order to make it more convenient for yourself one way or another, so that you can still bring the audience to the hall, let it be 50% let it be 75 for you had a seating arrangement, special there, yes, yes, theaters continued to work at the same time. well, uh, from what you're saying, i can assume that the director is a producer, no , he's a producer in some way. here the state, after all, will not be completely correct to compare. uh, show business and variety theaters, well, here is the belarusian minsk youth variety theater. why because, after all, production was a business. hmm, labels and large corporations, uh, what is it, if in simple words, they take some artist, one or two can be one team to invest enormous

efforts in it and from childhood and in its promotion in his repertoire, the image of the image is promotion and they hit him at one point. excuse me, but variety theater at the state theatrical entertainment institution. we have 80 people. e different creative artists with different repertoire are aimed at different age audiences for different interests at once different images. well, all of them, uh, the theater, and in my person, and the states are obliged to support, support and promote one thing for you - this is a plan. we already understood, well, you already said what to sell. yes, your repertoire is in the first place, but very often we hear from artists that they are afraid of producers or theater directors sell something new. let's just take a quick look at your poster and see the name for the more familiar ones. yes, marry barabinovich. ah,

the names of the next love formula are all familiar and i even laughed a lot when i saw that your next premiere was being prepared. it's matchmakers, which in itself should attract a certain audience, but this is marketing, well, a kind of. yes, the concert hall of the variety theater is quite small , it has only 256 seats, if i'm not mistaken, here we can even see it. eh, but gradually you you still capture other concert venues. there is some kind of minsk. uh, good concert experience. outside the native walls. yes, we practice it, numbers decide everything. well, 256 seats. yes , it says the republic of 2.700 seats. that is , if we collect 10,700 once, then these are our 10 full houses . it is very difficult to sell a full house today, so well, here, uh, exclusively. e economic considerations expediency, e in economic terms. well

, wears it good. well, that is, you increase income in this way when there are full houses on other venues, or at least approaching them there are full houses . uh, the event close to them is more or less successfully sold, but nevertheless, you understand that at the palace of the republic what is the main stage of the country, if we hold the palace of the republic, this is necessarily a television broadcast of a recorded broadcast. that is, here, again , we are going to close several areas of economic, of course, that is, economic expediency, the second is each of our artists who enters the stage, he receives, uh, a tv broadcast for an artist is media plan. no, you understand that it is to appear on the first belarusian channel or on the second - this is categorically important, well, and an informational reason after all. well, what are we in moscow 18. or is it the palace of the republic on october square from this to conclude that our artists are stage theaters, they have already worked. here is the audience

of the very one who can fight them in the thousands in the palace of the republic, in fact, there are also very popular and honored artists who, uh, regardless of the theater , have earned their image, earned their status not a title. e. well, we have many young performers in one of the tasks of the theater, because it is also the search for young performers, the search for discovery. well, let's put it this way, putting some kind of shoulder, because once again i say hmm we are not pure production centers, but nevertheless a young, talented person who gets on the stage of the theater and stage. he already has a large wing that takes him to various venues, which brings him to the review and judgment of a huge number of theater directors, directors public events cultural directors of mass celebrations and so you know, yes, here in this producer said there are state ledges. it's true, it's

so i've always been interested in the question of how the stars get along on the same stage. let's say the singer janet and the singer alexandra gaiduk get along normally, they don't dispute. which one should. well, for example, close. uh , a concert, maybe somewhere inside so there are some unspoken patterns according to which the concert is made up, well, in general, it is traditionally accepted that all the most significant artists come out in the final, but we have never had such a problem with an acute one, they get along well and alexandra and jeannette play in the same performance, that it’s one thing to invest in one artist, and another thing when there are 80 of them and everyone needs to pick up the key, the artistic director goes very cleverly . yes, she taxis all these situations, of course, all creative people are different from creative ones, well, how few children are, therefore these very much

you need to feel when they need to be scolded, when to regret, when uh to accept and uh, well, understand that a person just has some kind of creative surge. eh, maybe there is some kind of creative crisis, maybe, on the contrary, some kind of creative take-off and inspiration so strong that something unbelievable happens. i also periodically connect to these processes, but hmm vladislavovy everything is fine, it turns out. she, uh, finds a common language with both boys and girls and honored and uh, uh ordinary artists, so there was no such thing that artists came to complain to the director or each other or in general about the artistic leader. well, without intrigue. this i did not believe. well, intrigues, you understand, well, not exactly intrigues, but, of course, all sorts arise. well, that's life. why is it hot in the hall? why is it cold in the hall? why is there no water in the cooler behind the scenes? why is it there? such, of course,

well, well, that is, these are some household questions. this is not an interpersonal relationship. we are probably getting closer to our favorite question with tatyana. sharmit lost the twentieth year. you are entertainers in this period. yes lost lost said goodbye to many with many. i didn't count in pieces, but, well, i had to say goodbye to several people . dishonesty me in this sense. hmm, it jars very much. well, let's take it as a norm that each of us can speak on a particular topic , as he himself thinks, but i get categorical indignation when a person does not speak himself, i think so and so, but he comes out and says, we read the youth variety theater. that's how it is, well, who gave a person the right to say so? well, how are they now left without

a status behind this. for the organization which represent lost dissolved. well, just because, uh, on their own they are, well, a little one of the actresses. uh, the former actresses of the kupala theater work in poland as a sales assistant in a shop on the air as a cashier. but this, of course, is not a reason. e laugh at someone else's grief, but we don't laugh, we sympathize, because his people turned out to be not ready for such a situation, politically immature. now very often we hear that these or those artists of the culture of television are trying to find, uh, the way back. you there are such cases examples probably if we talk about it, then they appeal, first of all. well, probably to the ministry of culture for this, so to speak. hmm, of course, the right way to recover. well, let's get back to your current affairs.

let's look at the soloists of vosklin, from your site today, these are still singing artists of the conversational genre, and there are also a lot of them and they are also famous, but for now, if we are talking about concerts, do you think that someone from can a soloist collect them? here without uh binding to variety theater of the creator of the republic yes, maybe someone is already convinced of this? maybe quite capable? uh -huh, by and large, and alexandra gaiduk and elena grishanova? well, look, we have more. eh, anya has always worked smartly lately. it’s chic just now, you know, as they say, when a person enters a certain age there and blossoms, a woman blossomed, she was a beautiful, pretty girl, everything was everything, yes, well, then she blossomed. it seems to me that they now, well, have flourished so professionally. uh, splendidly maxim parishes. skye agrees with

you that they can collect this problem will no longer be maxim but hmm does he agree with sergey medvedev and we will break for a while , i remind you, we have a telegram channel. say be quiet. subscribe to ask questions. suggest guests we are in touch. memorial complexes of belarus arose no need to know the track of 1944, belarus was called and the camp changed its foundation until 1.000 995. stretched out to the witch of dolgikh, and the son of the savannah of that

pain was almost the pit of the minsk gta gorodeya red faith this place has changed the war you have an announcement accompanying more memory of the padeas their show is hard for a witch to fashion people such a piston stretch in europe because the holocaust for another world war is the most important thing of the devil, a documentary cycle is the memory of my land and look on belarus tv channel 20 shatyrs, we set off for an expedition along the ridges of our ukraine, ours were more expensive to become bright and did not forget us once

250 km, kali. we drank the liquid of the district near the graveyard, we didn’t find the history of the name of the solobrady. we want to markow molodechinsky district of the constitution , according to which the moon persons traveled. and here i gathered whom the wolf gathered, but to change, we will give the second tradition. the new life is everything u-goose that you brought us reason with the project in perth

passed on belarus tv channel 204 countdowns and the entry into the more or less understandable permanent audience of the permanent viewer began with the premiere. uh, the musical burlesque that evoked. well, quite a significant response, and we began to notice that, uh, repeat audiences come to the theater and, uh, express already a lot brighter than before they express their positive opinion about what they watched. i'm on the air again, and tell me, don't be silent and today our guest is the director of the youth variety theater sergei medvedev , the new sensation of the theater is the musical guryanov with

him. you successfully perform not only in minsk , but even tour the country. as far as we know, we can show the audience a fragment of such a striking monologue of an old man performed by ruslan chernetsky. this is your stupid job. after all, this is the dream of every unemployed swear at your useless children, on your children. it's every fucker's dream. rested. i like your little house, but your little house. after all, this is the dream of every homeless person, curse your health, but your health is the dream of every patient with an incurable disease. very soon you will present this musical in vitebsk at the slavianski bazaar. worry, worry about the technical side of the issue , the actors are absolutely not worried about the creative side. here the difference will be even more difficult in that this is a different

scene. we are already gradually running the inspection. uh a week ago were in town mogilev in the house of culture of the region, there is a stage. well, four times more than ours, so there was also the question of how to mount the scenery, how to fit it all in to expand or vice versa to compress. here are some very good reviews. i am sure that at the slavic bazaar. and this topic, well, it will have to be more than ever. it's you in the goblet theater. cola watch play. there, too , everything is big. there already known july 13 in your examples we notice that very nice dignitaries in the hall. particularly the deputy prime minister. igor petroshenko appears and, uh, minister of culture anatoly markevich how do you explain your interest in the theater

? well, such a test for the director , primarily for the convenience of management, but nonetheless. well, on the other hand. it is, of course , very pleasant that people in such a schedule, living, still have time to visit, and stay the whole performance and then exchange opinions. well, so to speak some positive opinion about what they saw during the premiere. the glasurian of one of the shows yes of the musical guryanov, we asked for a very long time, but it’s just that igor viktorovich, i anatolievich vyacheslavovich, it’s very simple, for a long time, the period came when they found an opportunity in the schedule to attend, uh, precisely the performance of guryanov ugu, because for us it was very important works are affected. well, very deep topics are very important and it was important that the leadership of the country and the government

named mr. already understanding this statement from within. if it happens later, somewhere it sounds, uh, we are talking about the music or the biography of the gurians with full confidence, their opinion about what is happening, they gave some recommendations, advice, unconditionally. these are my direct supervisors, so, uh, well, some assignments, of course, are different. that's what we don't show about it. we don't say no, we liked everything very much. they once again repeat very positive feedback. they left under a very positive impression after watching a musical. and this hour is 30 1:35, i have the help of theater critics on duty, who have already gone to the musical twice three times, so it can really be considered a successful production. we

are going to the slavianski bazaar. and what do you think about the need for state support for theaters? she is, of course, necessary. you understand that in the world, as far as i study this topic, there are no theaters that are not subsidized . with rare exceptions when theater e has tremendous support from the councils of sponsors of patrons and so on. but in principle, the theater cannot exist without the support of the state, in particular, variety theaters. mostly. we have some kind of entertaining stage - this is a light genre. this is colloquial variety , pop music and so on, but we have now turned to the experience of staging more serious things, things with meaning that affect, uh, correct and deep strings of the soul, and every theater. well, we must

expand the range of our influence on of people. ah, so were it supposed to be available in the theatre. not only are there no scams, but they are available, therefore, without the support of the state. after all, the theater owes the artist, well, tights and shoes for the ballet of the theater to costumes, scenery and props, this is very much the director of the theater. hairspray check also i think for hair, of course, of course, this is not a crazy expense item our heading today questions from the screen. and he will ask you a question. e man question surprise, which is not a stranger to you, whom we have mentioned repeatedly today, attention to the screen is set expression the theater begins with a hanger, it is attributed to the authorship of konstantin sergeevich stanislavsky, but in fact he never said that. he said

that the audience, entering the theater, should feel the atmosphere of art. and i think that this is very important, and in connection with this, sergey vladimirovich, i have questions for you. when the repair is already done to the youth variety theater, then what am i talking about about the repair. everything is correct. thank you, vladislav. thank you, vladislava igorevna, this is such an urgent need for us now a topic that we deal with every day for the third quarter of this year is scheduled for the current it is the entrance group and the foyer, if we have enough strength the fact is that, well, this is a very sore subject variety theater. it is he who exists. we exist in an adapted building. it's not really a theatre. this is a former dormitory, which has a cinema hall, where dances once took place, films were played here, and then only in 1997. hmm, on behalf of the head of state.

the theater of the variety center of attraction was formed there. hmm , pop stars, who were then the main backbone it is curious that this noble mission passed you by, when the state made repairs in every theater, but they didn’t do it for you. although, as practice now shows, this is the time to be profitable and cost-effective. and in general, a theater is needed. it's a shame you didn't make it. in the queue there are objective reasons that it is only two floors. and our building above us is still three floors of the university of culture with students with lectures and everything else, so they also live with this problem in a building built in 1954 with all the ensuing consequences for vladislava igorevna, who pays a lot of attention to the aesthetic component , not only what happens on the stage , but what happens in, uh, in principle, in the premises of their theater, and i support her very much in this. uh, i really hope that the new season is the twenty-seventh season. we will enter already with

the current repair of the entrance group and with the repaired fae. so, in addition to the repair, from april to october you are holding a marathon of dialogue platforms at once from the bridges. and please tell us more about this format of the meeting of artists with the audience. uh, wonderful format of the meeting has already been held in minsk . on their uh potential colleagues, yes, and potential, including artists. the first time, of course, was exciting. well, a certain skeptic to eat when seventeen-year-old guys come to the hall. uh, sitting on the stage in front of them

six seven, five artists are variety theaters, and in fact, someone is popular, someone is less popular and you know the attitude. come on, come on, what are you telling us? yes, well, this is exactly this form of dialogue, when each of the artists begins to talk briefly, very briefly, about the fact that i am from a large family. i studied or studied at the bobruisk college in mogilev. i always won in this competition or vice versa, i was chosen, in that casting, and i have been for many years. eh, i'm doing this. and here you are you know that these skeptics are seventeen years old. they are so open asking questions, all this officialdom and people who were just belarusian pop artists are leaving. they just become interlocutors at the end, when the concert is already taking place. it is perceived in a completely different way by our people here.

they like such public communication, that is, they willingly ask questions or have to swing for a very long time, there is definitely a buildup in any audience, but i kind of made such a note for myself that this is a very interesting form, when can you listen and interact with, uh, the person you usually share, stage, stage or screen? she, mm, is of some interest even among young people, because young people, well, the most difficult audience, if there is not a super mega star on the stage, a star promoted in tiktok, then for them it is always some kind they are mysteriously so they react with caution, but this is a form. that 's how i was convinced there on my own experience that they are ready to listen and they are interested in listening to the artist of the belarusian stage, his life history. and finally, these are finally opportunities for our artists, because we

got used to it over the years of the slavic bazaar, that a dialogue with a star is a visiting star, and they still have such a status. well, they probably didn't feel anything. yes, that is, it is also for them, in fact, some experience in public such conversational speeches. yes, and for them this is a useful experience, and i’m sure many of them, well, they didn’t experience some kind of inner shaft either, because, well, a whole hall is sitting and you need, but you need to tell about yourself, how you came. that's to the fact that today you fans, you still need to be able to arrange. and they already were, let's say. here's to future meetings. you are planning some requests for specific artists with whom you would like to communicate, the audience of requests has not yet received, we have formed several of them. well, let's just say that the brigades of such groups are hmm creative, so from april to june 1 from september 1 to november 1 throughout the country in all regions, not only the regional center and agro-towns and enterprises and institutions. uh,

secondary and higher education in the field of culture. well, in minsk it will be covered university of culture academy of music of the academy of arts, minsk musical college named after glinka agro-town. eh, it's traditional. what is agrogorodok but this is a completely different approach to the hospitality of the meeting. uh , i don't want to say god's almost bad or not affectionately met. e in minsk well, anyway , some kind of hmm yes, so to speak, some kind of frame. uh, there are officialities, well , you need to understand this agrogorodok, so that you can enjoy it. i watch the program of our colleague sveta borovskoye on saturday and see what it has turned into it’s such hospitality that leaves, really, that it’s just nice to look at the belarusian people, so people are already preparing according to all the rules so that it’s not embarrassing, and you remembered the ninety-seventh year, and i remembered that yes really was like that

when the variety theater was formed and a long time. this theater was associated. we have with the name of vasily petrovich rainchikov. he stood at the origins, what is called and e, c. in general , i probably invested part of my soul in this theater today, what is your relationship with my petrovich problem? founders and guardian angel. uh-huh our theater, uh, he's not a piece of the soul, he's everywhere. well , there, after all, he is all there, he is very long, the time was both the director and the artistic hand. there was a period when he was the director of the dash art director, then he knows everything. this is no organization better than anyone. and i, of course, could not even dream of once thinking that someday i would work together with the master. uh, and at any moment, i can ask him for advice, ask him something, he gladly responds hmm to any request and everything that he knows, e he will tell everything , everything will always help. he has a huge luggage. uh, knowledge experience. he went through such a different

spectrum of different situations. eh, his life was so creatively saturated that, well, now he just sometimes helps out a lot, with good advice from. well, this is a full-fledged employee of our theater. we work together and hmm a common creative language. no you want, i never noticed. no, he is happy, uh, with all our successes and, uh, if something happens, suddenly something is not very pleasant, always very. takes an active part in resolving some issues. uh, evidence of some help. well, i noticed that you have auditions quite often. this means that there are enough of them in the theater. uh, drawing artists in search of everything is constantly connected, yes, it is a constant search. hmm, a constant search. new colors, you understand that for two years wonderful talented people,

but we paint with the same colors, as soon as any but a new person arrives. this is a new character, a new repertoire, a new visual embodiment of some hmm numbers or roles or songs or new musical style appears it's always small, but step forward, so uh, i've already talked about looking for young promising performers. this is also one of the challenges. well, after all , we are announcing castings, not exclusively vocal ones, we are looking for ballet dancers , conversational genre artists, directors, stage directors, screenwriters, e. well, actually the vocalists of the performers. i can't say that we often have auditions. well, several times a year several times a year, they pass. hmm, we already have a lot of performers who are well artists, who came precisely thanks to the casting, that is, we can say that belarus is rich in talents, of course, you understand why