the music fell silent kneading 1.0 after such travels, you will certainly. start collecting the tourist's backpack. find 10 differences. pepper. i say from pinsk, the real pinchuk then bends his finger and lists all his merits, facts about these sights. you can’t find the soviet era on the internet. here you could buy a ticket even for a rocket and go. no, not in space. this was the name of the hydrofoil ship , which, like today's

passenger flights, set off on a journey down the pripyat building. as you can see sustained in a classic style and have been decorating their city for so long that, as faina ranevskaya said, she has the right to independently choose whom to impress, and who does not have gastronomic delights that you should pay attention to, each of them is an average of one and a half kilograms, shell thickness two or three millimeters fits one such testicle from 25 to 27 chickens , you can feed our entire creative team, see the project of the city of belarus on our tv channel.

the history of our ukraine is composed and diverse, which in this saba is not powerful, rather separate from the history of the mouth. so goat soup. uh, i heard an hour uh, we divided into two halins, we will recognize them for the architectural supporters of belarus, in front of us is their uh, the architecture under the shaky eighteenth one hundred and eighty of our construction. it went on very slowly, because it took as many as five years to make only the foundations and the dungeon of this temple, showing a unique place from that bokuma.

the enchanting world of music, what could be better than every note, every chord, this subtlest matter, which speaks directly to the soul, cannot be repeated. human feelings in a pure, almost material form. today. we will introduce you to two amazing musicians and teachers who not only passionately love the great art of music, but also teach their students to love and understand music, open to them a whole world of high feelings of passions of thoughts. turn on

leonardovna. lastovka was born and raised in moldova since childhood dreamed of playing in a symphony orchestra and her dream came true in belarus. she not only managed to make a brilliant career here, but also raised a whole school of artists who successfully perform at the most prestigious music venues around the world marina panchenko comes from russia after high school. she came to minsk and entered. she graduated from the academy of music and successfully works as a teacher, belarus for our heroines has become a source of inspiration and a place where their dreams come true.

when i was at school in chisinau, i had wonderful teachers and the first 8 years. i studied the violin and i was interested in the symphony orchestra in chisinau as an accompanist and the viola group always stands out very well. and so he came and said you know, if you want , there is no alto in our orchestra at school, you yourself said that you like viola. maybe you will switch to viola and bring your viola to play and immediately agreed. this is the environment in which children grow up and

the formation of the direction depends on it. and i really liked it. e play. but of course, like all children , other children play in the street, play with dolls , play with their girlfriends. and i only had my mother at home, she was a housewife, a dressmaker, and she followed that. this is very important when someone directs, because all children want to play, carefree themselves on the street or in the yard in the garden. this is my kind of destiny. my sister e is much older than me by 9 years, and she took me to all the concerts of the symphony orchestra. the most interesting. that's what i liked so much in my destiny, when i came to concerts of symphonic music, i clapped so that my hands were swollen for 3 days, well, i entered a music school. she worked successfully there.

we had many concert festivals, and i attended many concerts. and that's when the fourth year began. i somehow thought. although we had a direction to the village somewhere , we also had to serve there to work, but i wanted to play in the orchestra, because since childhood i have fallen in love with the symphony orchestra. it seemed to me that there, in general , demigod e plays so beautifully. and in my spare time, i came across a newspaper in which there was an announcement that musicians were needed for the symphony orchestra in minsk. the fact is that in our chisinau orchestra there was such a well-established composition, in which, as it were, shone, at least after after the conservatory was not always taken, and after the school, then this is not the same rank simply. and i come to the teacher and say alexei nakinievich

avrosov, by the way, a wonderful teacher. here imagine such an announcement six saltos for a group of six saltos for a group of a symphony orchestra. he says, well, go ahead. your program was ready for another 2 months before the state exam. go, beat yourself up, get some air, get acquainted, what kind of city is this and then we will decide. and this is how my parents came to minsk. eh, very adequately accepted this idea of ​​mine to go to minsk and play and that's it, but they didn't even imagine. what could be the end of it. and when i returned, uh, with uh, the decision was that they took me to the symphony orchestra. that was a tragedy, because as if we had all the conditions and care, and my mother could not imagine and were very against it. but i

said, mom, i want so much that no matter what you do, i will still go. i was born in a small working village in the tula region in russia since childhood. i studied music, but a music school, true, i got it, i must say, it was my personal, my and my brother's initiative. we just argued with my brother parents. they didn’t even know

that we went to take exams at a music school when my grandmother asked what instrument to write an application for. naturally. the first thing that came to my mind was to say the piano, to which my grandmother told me that the piano, most likely, parents, are unlikely to be able to buy, because such an instrument is expensive. i didn't care. i wanted to keep up with my brother, and so i said, well then, grandmother, write an application for the violin, when the commission came to take the exam, they were very surprised that i voluntarily came to the violin. usually everyone is persuaded to go to practice with this instrument. they were even more surprised when they found out that there were no musicians in my family, since mom and dad worked at a chemical plant in the shchekino district in the tula region. well, then, when they checked my data, it turned out that in general, my given ones are quite consistent and i can be fully taught on the violin, and in winter at winter

holidays. my mother and i came here to minsk for a consultation with a local teacher. of course, i was immediately struck by the city itself and the friendly people, but the academy of music, of course, is just a temple, such a building with columns. he could not fail to impress me, so naturally. i already dreamed of entering together, but this year was the year when the olympics were held in minsk, riga, moscow and leningrad, the exams were a little later. and uh, my teacher and my parents are afraid that i might not enter minsk and i will stay, in general, as if with nothing. they sent me at the beginning to rostov-on-don. there was a branch of the moscow knessin institute. i arrived in rostov and realized that

this was not my city. i do not like him. i passed three exams. and after i realized that i would most likely pass, i would do it. well, i couldn't stay there. i took the documents and went home, and a month later i went to minsk to take exams here. our secret is very simple. we just know how to communicate on normal parity e relationships. determine your position and develop tools to strengthen our society. your ability to communicate your thoughts. this is another drop that wears away the stone and which creates not only the international system, but it shows what it should be in the future, but no external

influence. it cannot be productive if there is internal unity, if people are confident in the future, if they have stability to keep. multiply we have our backbone that you have not lost in the 90s . we didn't scatter it around. perhaps because we took a specific course objectively, do not miss it on belarus 24 tv channel. they absorb knowledge with an enviable appetite, and then brilliantly answer the questions of the presenter yaroslav, do you know in response x is a kind of mountain bike? i 'd rather call it a stunt bike, sunshine. it even burns several thousand tons of hydrogen per year, respectively , there is quite a lot of it in the universe considering how many

stars there are in it uh-huh, so i would answer hydrogen. what was the name of such a system of greek warriors? called phalanx no adult can resist. and i remember exactly that the clarinet is a musical instrument, but a wind instrument.

i’m worried hello hello, i visited during the rehearsal and at the same time i worked with you for 32 years, hold

the string talented people are born and may not be anyone, learn nothing, but there are capable people who love music and want to learn and they become diamonds. i can judge by my students, which are a very large number. yesterday, i was counting specially, 48. college graduates have graduated from me. they all do good jobs. but many of them work abroad. this is the role of the belarusians, who glorify their homeland for some reason. uh, sometimes they think that it is not necessary to go there, that

we are not needed there. yes, of course, they are needed, but capable people are needed everywhere. my students are three students of different ages 22 19 and 17, and there the jury was the international italian igor, the rest koreans. i don’t remember the last name, but there was a very famous teacher from hungary and germany. and now they literally know after each performance, they turned into the hall and applauded along with the audience. here, what could be a better advertisement for belarus school, here it is strong and has different instruments. and the fact that our viola school is so developed. this is also very

good. when i was making a schedule, that's who finished with me, they gave me a general list of a bunch of accordion players, violinists, pianists, there were no artists for three or four years. and that's how i started working literally almost everyone, when i worked, i always had even four graduates there. you know no talent depends on nationalities, but on how in that country in this or that country they relate to the creation of such talented people, we have created all the conditions all the conditions. and now i will introduce you to my most beloved teacher, from whom i studied at the academy of music, it was leonardo who was treated for swallows. she still teaches both at the academy

of music and here at the kollegzhanovna gymnasium. finally. i came to you. we rarely see each other, yes, yes, sometimes at concerts, but there is very rarely really free time here. how are you doing? how does your creation? well, i work as artyom shaplyka in a private school. eh, it’s true, it’s not on the viola with a salto , somehow at a music school, of course, it doesn’t work on the violin, but i have a lot of different students. that's five to forty-five years. it's good that our specialty is in demand and our school is developing art, for example, quite er, it has been studying since childhood since the age of five. even now i have a grandson for a whole year, he is 6 years old. he

has been at the preparatory for a whole year now and in all professions now their choir and specially solfeggio and then here gradually up to the fifth grade one selection. then uh before going to college. we have a college gymnasium, entrance exams again. and so, when a person graduates, he already receives a professional education with a qualification, a qualification of an orchestra artist or an ensemble artist or a music school teacher. well, then here is a direct road, as if sometimes they go abroad. sometimes in our conservatory, and then another 5 years of study is very interesting. here are the people. ah, the young ones are older. they want to study in music. it's very difficult to professionally to comprehend all this in such a consistent way. and we have very good fundamental education. already after our education, even college, a completely

independent musician can play, uh, without problems, but after leonardo's treatment, i studied with other teachers. it so happened that i had to change teachers. and, frankly, the relationship somehow did not develop very well. i had understanding. and, well, that's my nature. i first of all understand that the problem is in me, i began to think that it was me stupid. i'm not capable, that i probably need to change my profession. and so, when luchey or anardovna appeared, and she has such a technique in general in the style of attitude. she is like a mother, she is a mother for all violists, now in general for all violists of the republic of belarus, in my opinion, she is a mother, and for students, for sure, and this kindness. that's softness. this is acceptance, this is all the time the desire to help at any moment. i will never forget how you warmed up my hands before the exam. because you also explained to me that yes you stressed right now, that's why you have

circulation. eh, weakened, the blood does not flow to the hands on and there some kind of scarf gave and warmed. you see, this is a purely maternal, kind relationship. its impossible. don't rate forget. well it uh should be. naturally. each teacher, because, well, everyone didn’t have a piece of their heart. thank you very much flew leonardovna. i was very glad to see you, i will definitely come to your concert and bring your students too. to become a good real teacher first of all, you have to love children. here treated leonards on my teacher. she helped me after graduating from the conservatory. she helped me get into my first

music school. and when i called her on the phone before the first lesson and spoke, i was so worried. i'm so afraid, i don't know how to communicate with these children, how to teach them. after that, she gave me several books and one, the smallest book. i remember her for the rest of my life. it was called love children. here's how it all starts.

what i got in belarus for all the time, which i have lived. this is a fairly long period of time. any musician from any country of the world can envy me. after all, i was in america playing a concert and there i also played belarusian music at the boston conservatory. i had a concert and my work was praised. even here the listeners had such a small interview, and i asked the audience. what did you like the most. there, for an hour of music, they said that the work of yevgeny poplavsky i say why you liked it, because it feels spiritual, that's the nature of belarus and that's state of mind is difficult even to enumerate. how many countries i personally traveled with different

compositions, most of them, of course, with my chamber marker sweden finland, and this is not something that we traveled once. we went there many times and for a month. finland norway further france germany holland england further spain italy that is , for a long time and in such very solid festivals. so, the nature of belarus, even the climate, was a very interesting life. he somehow contributes. everything is so bright, and, of course, in any story there are some spots and dark sides, but since i was minding my own business. i met, mostly 95% only good people and