[000:00:00;00] let's go work colleagues, uh, subordinates or bosses , and on the other hand, i've been a teacher for more than a quarter of a century, and i'm increasingly thinking about school about children, and besides, among my acquaintances there are much more friends with whom i work, when i i was and am a teacher of my students. that's why i can say that i'm more of a teacher than an officer. we teachers are energy vampires to some extent. we feed on children, and we give children what, in general , they need this knowledge at the moment,

or rather, not even knowledge itself, but the ability to receive knowledge. it is very important. as soon as they learn to receive knowledge. this will already be the period of their formation as a person. and, in principle, then they no longer need a teacher, but at the moment, while they are in school. they are learning to gain knowledge. and we receive from them the fertile energy that supports us in life. that's why i feel quite comfortable at school. well, children are interested in working with me as a teacher. this is probably the noblest profession there is. uh, 'cause we're doing the right thing business for society for all that, we take very little from this society or state in return. i like being a teacher. i 'm going to be around for a while, even though i'm no longer young. i found the

place where i can be happy. i work all the time at the same school and all the time i work with children.

to this day, from the time of those distant years, they fly and give us voices. isn't that why so often sad, we fall silent looking at the sky. everyone knows how a jazz composition sounds and that this genre originated in the early 20th century in the united states

of america is also no secret to anyone. and what kind of jazz is it in belarusian and who opened its amazing world to the belarusian listener , we will find answers to these and many other questions together with professionals in our field of the national academic orchestra of belarus named after mikhail finnberg for culture. this is the very first place. jazz is a unique form of musical art that, with its unique bright

sound, unites races and nationalities and blurs the boundaries between people and countries. the history of belarusian jazz dates back to the creation of the first jazz orchestra more than 80 years ago, under the leadership of eddie rosner, the state jazz orchestra of the bssr was created in modern belarus , the honored team, the national academic orchestra of symphonic pop music of the republic of belarus, headed by its leader, people's artist , became the successors of the traditions of the great jazzman belarus, mikhail yakovlevich fiberg, together with his team, he organized more than a hundred festivals, among which the beloved by many to music lovers of belarus festival of minsk jazz. unfortunately maestro left. this world, but his

creative legacy continues to live. for 34 years, minsk jazz has been a highlight of the cultural life of the belarusian capital . today, the artistic director and chief conductor of the orchestra is maxim rassokha, winner of international competitions , scholarship holder of the special fund of the president of the republic of belarus to support talented youth. hello maksim nikolaevich, good afternoon, it's no secret to anyone that jazz is far away, not a slavic musical direction, but today it is known and played all over the world. and there is even an opinion that there are roots of belarusian jazz. tell us what was the path of jazz to our country, unique in our country , because no one imagined that something could appear in

the soviet union, as if we had everything like that, academic music and nothing foreign, as if not very welcome, but the fact is that already when in the thirty-ninth year there was, let's say, the beginning of the war, it was and when nazi germany captured part more, then many polish musicians, artists, er, singers, cultural figures, mostly they were of jewish nationality. naturally, they were pursued. they escaped , where did they go? as they say to the east, because one could ask, just now, the city of bialystok at that time turned out to be a soviet city and and such a large number of musicians accumulated there that several orchestras were created and one of these orctis was led by yuri balzatsky, and this one the orchestra he created became the prototype of the first state jazz orchestra of the bssr and the famous trumpet was invited to guide the work, where rosner, who later also became an honored artist of the bssr, therefore, in fact, this

orchestra of migrants, and for 7 years existed from 1940 and forty-seventh year existed on our territory during the war time of the great patriotic war. he traveled to live on a train and, accordingly, all the musicians they did not have housing, there was a separate train lineup that traveled throughout the soviet union, as if in the rear, and at the forefront for the fighters to support their morale, so well , the same events for us and i want to say that even as soon as it was liberated, the city of gomel, the first belarusian city orchestra, gave all americans concerts to the liberated. then there was a market in the city, the city of minsk in the city in the building of the opera house, by the way, there were a lot of concerts, jazz, it’s not just a jazz stage for us. this is the orchestra that forward in the great patriotic war is a big deal and indeed there is our national music and what is most interesting is that compositions were created, in addition to world ones, which are performed by this group, compositions and eddin were also created by many other

belarusian composers. and we're lucky we found it in the archives, and the behavior is called, which is jazz in the night, it dates back to 1940. that is, in fact, this is one of the first works in the repertoire of this orchestra, and we perform them with great pleasure and will tell the public that this is ours, this is our property, almost for for 80 years. last year. we gave a whole big concert within. uh, yesterday belarusian jazz and ontology of belarusian jazz, where here, starting from the forties. here are the oppositionists without the infernal department. then there was yevgeny grishman yevgeny glebov vladimir orlovnikov and in fact that's the whole anthology of belarusian jazz. here are the creations before our times sounded from the stage, where we talked about what it was, that we should be proud of it, that many of us came up and said, but we didn’t know that we had such a story in the forties, the richest pop jazz, so it was very pleasant that we also

perform an educational function unconditionally. there are connoisseurs and listeners all over the world. and this musical direction. eh, developed and continues to develop styles such as winx blues sauce and so on. that's about our belarusian listeners. what style do they perceive and who is your main audience, firstly, of course, in order to listen to jazz, you need to love it, yes, like music, especially since there is jazz more accessible like swing and there is jazz, which is very difficult. he predicts the cursory public, which should be prepared, which is being sorted out. of course, we perform music that is more accessible to people, so that people enjoy the music without sitting. here in suspense, that right now something so crazy is happening, namely , some swing things are available, especially from the forties and fifties from the repertoire of the orchestra, glenn. miller duke anton. that is, those already luminaries masters are recognized, therefore, as it were , the compositions that we play. it's in basically. these are compositions. there is a repertoire. here

are these great artists, our audience. in principle, he loves jazz, we watch it, because, firstly, we have several projects underway. e annual is minsk jazz, three concerts every day in a row different jazz concerts and there we say. so the year was very interesting. three different plans for breeding events. the first at the end was exclusively instrumental music and is called jazz coridosco, the second at the end was dedicated to the youth. in jazz it was called where our young artists are talented. mostly. they were girls, by the way. and we drank gifts, and we dedicated the third concert to e, mikhailandberg's bright string, he was called our concert personality orchestra. the legend summoned outstanding world jazzmen, you probably know belarusian jazzmen as well. and we know about them. well, i want to say. and firstly, our team for the national kolschik-concert for the orchestra of belarus mikhanberg, firstly, this is a team. we're talking about a jazz band. about

this wheel's big band, it's our country's best band of jazz legislators music, pop jazz. it's true if they're the best musicians, uh, playing music in that style. these are wonderful guitarists. this is sergey antishn honored artists of the republic of belarus and if she is korenovsky bass guitar , also honored artists of the republic of belarus is one cell. our wonderful drummer, he also deserves well-deserved people in our country , barankovsky, simply phenomenal keyboardist plus our wind players, who can improvise, not every performer has . we know how. what are the distinguishing features inherent in belarusian jazz was such yevgeny grishman. he worked for 5 years in the radio orchestra under the direction of borisarai. we know that he came from borisarai from china, and just like that jazz came here, too, shanghai jazz. as he was called and in the circus he was a sharp fat and that's it and just evgeny grishin he was a flirtist and arranger for five years. he created a large series of pop jazz works on belarusian themes on the theme of belarusian folk

songs. there dances, that is, in fact, this is the most. main. bach also relied on his german folklore and all composers in their work - this is their national, here is the highlight in the fact that it is folklore or near folklore, and yevgeny glebov also does it, he wrote both on belarusian folk themes and created his pseudo-belarusian folk themes. everyone thinks it's a folk theme. it was the original music of his avtovskaya melodies, so national jazz is very important. this is jazz based on national roots. this is very important from the first number , first of all, what is clear, there is german jazzy american jazz from russian jazzy in the capital of russian jazz, when it was noted, but we kind of have our own special jazz, it is based on the traditions of both european and russian jazz, as always, all of ours in general. ah, classical school. composer school. this is a combination of west and east, that is, we are geographically located right in the middle. we have all these influences, well, of great importance,

therefore ours is sent. it is such a synthesis of different e-jazz styles of epochs. and, of course, it is our value that we can do this and that to do the job and continues to work only with live sound without the use of a phonogram. tell us, what is the magic of live sounding of a tape cassette, when we insert it here it goes the way it is. we know what will happen now. this is it, but it will be in a minute . this is how to sound more and more, if possible several times. listen, you can get used to this sound and already have a standard in your head when you use it. use a live coupon marker. no , he seems to be. this is how i feel today. i want it differently. i can take slower. i can ask the musician during the game. it’s just that you collect with your hands quieter softer, that is, i give out emotions, yes, that is, if there is no conductor. the orchestra can certainly play, it will be just like the music on the disc. here she is, as she is, she is, and in the process of being on duty. he why do you need a tree to create e process? already here is not the result, which is the result. yes, he

already is. we have done everything. they can play, but get what you want and when the concert starts, the most interesting thing is here i, for example, caught such a mood, yes, that is, one thing in the rehearsal process and heartbeat and pulse. it is so even, but at the concert everything is cleared somewhere else, the pace is different and you already catch some other character, and in the process you performed the moment of the performance of the concert, you ask them to show it. so, they don’t expect this, because they didn’t, well, like they were taught alive. we are absent in a completely different way, so of course, in fulfillment of this, that magic is when you trigger an emotion the orchestra and the orchestra gives it to listen, it is important to infect so that the emotions go there, and we finish playing. and they still have euphoria left. here is a live performance for me. what, in your opinion, are the main components of a successful performance, first of all, the repertoire. this is very important, not just the selection of the aperture, but its layout at the end of the program. yes, that is, for example. rooms well put together so

that it was interesting, and not just some kind of confusion. secondly, the preparation for the concert is clear that the musicians have written, but then here, well, it plays as it is written. and if you ask him, softer here, louder here. and here, be careful here. here to show it to him to clean up, that is, and he fixes it all with a kardashik. and at the concert , in principle, we already know that everything will be with them now. and now we are bringing this to the court, as it were , of our listeners, so it is very important to achieve from the musicians what they emphasized especially music. basically, it already exists. yes, here the melody is the development of the melody and the like is very important. something of their own vision of some kind. here i would like to sound like this, but i want, for example, a chimney sweep or so, and trombonis 10 in a different way. and this is the creative process of preparation, when everything is ready. you know, like a cake in success , uh, when it's delicious, how would the music always be delicious? such cooking, you absolutely know, we come to a restaurant menu and see some picture with a dish pulled up. and what would he say here, well, there, here it

is. somewhere cream on top cherry there and with us already now we have stuck a fantasy that works, as it were, bring us this dish, and there are two options, either we eat and are disappointed that we imagined another would be or really tasty, that is, the music is the same, that is, at concerts, i tell, as a waiter, that here, and now it will be, but because. and by the way, by the way, and in general, this thing is like that, and then we play it, it is very important to reinforce it so that people say, yes, it's very simple, music should be tasty. in this project, the main success factor is not strength, but knowledge what kind of sports facility is located at the address, minsk city pobediteley avenue 111, minsk arena, of course

, until recently, this belarusian basketball club was called smokey minsk , but to become a champion you need to turn on your head , i generally think that hate is such a form of development for you, and you will not say the same thing, pay attention to the same thing, because that they will catch you by the tongue, they will immediately poke you with it so well that the most important thing for an athlete in games and sports is difficult to speak. well, let it be diligence playing with your head, watch on belarus 24 tv channel. musicians are real masters of improvisation. the honored collective of the national

academic concert orchestra of belarus named after mikhail finberg annually presents to jazz fans a wide palette of world classics of jazz music, introduces the best composers and performers of this musical direction. if you want to, to feel the beauty and greatness of this elite music at least for a moment, then we invite you to attend such events as the already traditional minsk jazz festival, in turn. you will receive as a gift a real jazz cocktail of enchanting rhythms, bright melodies, virtuoso improvisation and, of course,

harmony. jazz music is strong in the present moment , it has no script, it's dialogue and the musicians decide what emotions to share with their listeners in a split second. based on the fact that feel right now, and you and i have yet to enjoy hundreds of wonderful concerts and bold experiments and witness the emergence of new styles of trends. expand your musical horizons be in the present moment and follow the fashion trends in the cultural life of our country alina was not a war with you and remember to be cultural - it's fashionable see you