two teams of bright erudite belarusians, we work together in the field of construction, so today we will not build, we will answer the question correctly, using all our knowledge. they'll try reach for their dream of honorary title of winner of the show how many hills is rome said to have been founded on ? just the number is absolutely correct? the answer on the seven hills is the correct answer and brings points to the team's piggy bank, and for the wrong answer and the participants go to build a tower , two options.

after such travels, you will certainly. start collecting the tourist's backpack. find 10 differences. pepper. i say from pinsk,

the real pinchuk then bends his finger and lists all his merits, facts about these sights. you can’t find the soviet era on the internet. here you could buy a ticket even for a rocket and go. no, not in space. this was the name of the hydrofoil ship , which, like today's passenger flights, set off on a journey down the pripyat building. as you can see , they are designed in a classic style and have been decorating their city for so long that, as said faina ranevskaya has the right to independently choose whom to impress, and who does not have gastronomic delights that are worth paying attention to , each of them averages 1.5 kg a month, and the thickness of the shell is two to three millimeters. one such testicle from 25 to 27

you can feed chickens to our entire creative group, see the project of the city of belarus on our tv channel. yuri karavaev is a conductor of the bolshoi opera and ballet theater, as well as a conductor of the belarusian state philharmonic symphony orchestra, and today we will talk about the life of a musician and conductor and about my

professions. hello , you are watching the program of distortions of silence at the studio victoria popova and tatyana shcherbina and yuri karavaev is our guest today. good afternoon. hello, we will call you yuri , unlike those who work with you, because i heard that you are already being addressed by yuri alexandrovich after all. yes, the years are running out, but it’s so familiar to us somehow that you yura will remain for us for the time being. yuri and the first question. in childhood. you encountered something very similar to revelation in one interview. you said you came your parents brought you small to the big theater, and there you went up to the orchestra pit for a long time hanging near it and then said that you would

work here soon after sleeping. well, you yes, the pure truth, well , why such a strange choice? explain your thoughts here. why are you a hole? i liked the fact that i planned to be a violinist in the orchestra to play, but it turned out that there was a sofa for the lady. you know, since childhood, music has always fascinated me in general, that is, it’s not that they are singing on the stage. yes , the orchestra. well, in the end it all worked out. and at the end, in march 2022, you became a conductor of the bolshoi theater of belarus, how did you perceive these changes. a very good question, because in fact it's one thing when you come there, and you don't work there , and everything seems so wonderful, bright , beautiful, when you come to work there. only of course, you face certain difficulties with the reality that you expected

to get in reality. i expected that everything would be much simpler, more interesting, you know. and any theater has such a huge number of teams, a director and a choreographer. harmeisters, it's all very simple in general , working with people. she is not an easy official workload, first of all, very big pressure from all sides. and you get like u between two fires of three or four. what is this one? well, look at the orchestra on the one hand, on the other hand, the director of the ballet and the vocalists, when people begin to pull the blanket over themselves and it turns out swan cancer and pike. here comes the time, you have already managed to perform, despite

this pressure. i liked the director of two performances. to this because it is possible to say that i was grown up in such hothouse conditions ivan mikhailovich alexander mikhailovich is an amazing person who created such a microclimate in general in his orchestra. m-th state symphony here are mutual support benevolent people are very kind and open. yes, he has such a manner, conducive to communication. no, there is a lot of this pressure. yes well, they released two. let's discuss these performances, and one of them is this story of kai and gerta, ponevich, let's see the spectacular final ones.

we talked to artists who participated in this performance. for them, there is a difference to play in a children's play or in an adult in a children's one. they say even more return is required, but for the conductor. well, for me there is no difference at all between an adult and a child. ugh the only one. i could add that, of course, in a children's performance , more responsibility is assigned, because the impression that we create for

the future rising generation will influence that they will come again. in my opinion, you don’t experience a big lack of public, in general, on the contrary, you can’t get tickets, it turns out, the production is wonderful, unique, in general. this is the first such experience. of course, we must pay tribute to the director, because in general the director. this is a very important element, as it turned out, anna motornaya dana dmitrievna, she supported you or there were also some from her side. no way. i already have some experience of working with different directors, and in this case i don’t know if you believe in a horoscope or not? i

don’t believe it, but the fact that we were born on the same day on february 23, does it mean that on 98%, but mentally in general in one direction, probably, yes, but he doesn’t believe, but you understand that this is actually the case, that is. well , let's say i'm conducting, you feel something that doesn't suit me, and she comes to tell me something. i already know that she may not say it at all, because i know that something needs to be fixed. well, you know, that's what, i think, when we watched this beautiful final uh ensemble that yuri but you in the orchestra were responsible for yourself. you just had to go to scene, but here it is impossible. i'm just trying to convince you that the big sinator is interesting. you'll get used to it. well, i mean, look how many suits there are. uh, actually interesting to work with. yes, i like to work in

the theater, and the second performance of er, mozart and salieri rimsky kursakov. let's listen now to fragments of the arrest performed by the country's well-deserved bass oleg melnikov we will do everything with the same fair-haired. unusually , the relationship is again from early childhood of his ronda in turkish style. you also played on a toy, the piano is very good prepared. i don't know where you got this from, but it's true in turkish style. tell this love for mozart.

i have already told this story more than once that in childhood we had such a small, small piano there as much as the octave used to be, it turned out to be like this now, probably, it is generally like this and there was a record, e with works for pianos, in particular, there was ronda in turkish style and parents played this record. i sat down for this instrument. he started to play and paradoxically got inside. attraction they friends are invited, and i was touched by the experience, in general, in fact, a very fruitful work, because even such a small opera by rimsky-korsakov. i think that in general it is a masterpiece, because

there is such a psychological tension inside, it was necessary to achieve and create it. here i think we succeeded. we start time in this is not a bad omen, i'm not only in the horoscope. for some reason , ingenious music in general mozart is a genius. uh -huh by the way, he's not my favorite composer, actually, but he's a genius. and how do you define it? these are criteria for me. genius, and in general the criteria for even the success of a performance. so, when you come to the production, it is what the viewer gets is what you feel inside. here, for example, i have music, from which the skin just exfoliates, you know, and the hair stops there. well, the last time it was a performance of faust i was told that this performance would be 3 1/2 hours. i think, well, we weren't very interested. i think no. i'll

still listen. well, i'll choose some comfortable chair to sleep. last resort no yes i was also very good in the same breath, not at all, i never let it in, but in the fall of last year our bolshoi theater. i was on tour in russia and you conducted the wild hunt of king stakh soldan there. well, uh, what can you say about these tours, minsk has won its piece of opera glory from moscow, they will feel it. yes tell us it was very cool, firstly, a full house for these two performances and a storm of applause, generally a standing ovation at the end, which is surprising, because it was actually a little, to put it in modern dumb. why because the moscow bolshoi theater is big, that is the name? yes it is bigger than ours. yes, there these five tiers are crushing, probably, yes, and the walls are prayed there,

in general, there is such a story. there were such people. all this, of course. the price of a responsible performance at the moment when you start the music. wow, it disappears. what do you think? this is where the success of this opera is created. why did the public, but accepted it so to speak unconditionally, right from the first show on april 6, 1989, of course, this is music music, because there are such harmonies inside, such instrumentation is all of a fantastic sense, you understand, and in general, in what opera are you going to see, uh, the introduction of

ancient instruments called surmies? uh-huh horror in general fear. horror that 's how it's done. just a little bit pagan. yes, the atmosphere sets in. well, i wanted to say that you know, in general, our composers are our writers. eh, they don't miss anything. e to your western colleagues. and i know a lot of people who say that oh, we have such a gray one here, everything is gray, it’s better somewhere. uh, but i think that is absolutely not true, because we have the same talented, uh, composers, writers, artists, the only difference is that they simply did not receive world publicity. i agree with you and this thesis is confirmed by the concert that you played recently, where the ninetieth anniversary of the belarusian union of composers of the philharmonic to you. uh, i had to play the waltz of alexander ivanov, our composer, not to be confused with alexander ivanov

, who sang at eurovision, this is a completely different person, but insanely talented. let's listen to a snippet. how

did you choose this particular work of theirs? there were actually three. well, why did you get to play this waltz, for example? it’s like you were pulling all the conductors on matches that participate in a little secret, in fact, this is the choice of alexander mikhailovich, they again decided that it would suit you, i understand why yes, thoughts to us the logic of his thoughts there was another concert e bezon alina for clarinet spiritual work. uh, why ivanov uh, very much like a parking lot, when i worked in the symphony orchestra of the squirrel radio company my very first a serious appearance on the stage in general

recorded made an editorial, although i don’t like this word, that this is my editorial, she constantly, when she makes such a reservation, makes a note, something is not yurina’s editorial. he just put the finishing touches and changed something there. this is my work, i in no way claim any royalties, i just did my job. because i have a task ahead of me. eh, here he brings the composition of his work, and i need to make an inspired masterpiece out of it. and for that hmm change the strokes all sorts of uh do forts drunk. why is she protesting so much? this is generally normal practice. yes, she has no idea, she is very generally very enthusiastic, it happens. oh, your colleague valeria rybinskaya tried it . andrey tsalka's nice little thing was conducted by nutime text. i'm paying attention to the screen.

terrifyingly beautiful, by the way, i wrote it down once when when they showed in these two passages, yes, i interrupt tatyana that they wanted to confirm in your thesis that yes. our music is beautiful authors and there is someone to be proud of,

but before we go on pause, we will make you surprise, yuri listen to the question of the person you have repeatedly mentioned today attention to the screen is very simple. i would say.

tell us, please, your preferences here in this matter. thank you thank you, just adore, and we also have a wonderful question, because it is about you knows that such a question has prepared. and judging by your reaction. this is something very interesting. so, what will we order after such a wonderful concert, well, most likely, it will be, uh, some boiled rice fillet. chicken salad red wine thank you very much for your reply. and we won't be long. subscribe ask questions and suggest guests we are in touch. on

the air say it again, don't be silent. and today our guest is a man from the pit, conductor of the bolshoi theater of belarus yuri karaev yuri here we will continue our conversation about music and perhaps culinary preferences of which of the living composers you would like to invite to dinner, and thank you for an excellent play or aria well, perhaps this filip eye galina gorelova polina at the zaykinskaya arena in the chances were million. and you already night together again. i don't remember why we communicate? well, it didn't get to dinner. you have already admitted that your favorite composer is prokofiev but if you had dinner with him, and how would you talk to him to talk to look at him in the eye at all? to touch the head at all, what

happens there to the brain, especially the work does not like? explain your nature, falling in love is impossible to say specifically, because everything, well, is express, and his violin piano symphony concert touches completely your soul. so what are the strings i am offended that the composer whose work kept me at all in this profession, because i actually had a choice. e in ninth grade. i thought to go along the musical line or go into medicine, could my parents leave medicine or not? no, no, this is purely my choice of aesthetics, the opportunity to help people. well, after all, they chose the music and decided to put the record in the medical clinic almost for free in our bolshoi theater,

because you can still find it, but one from denmark means nikolai karaev's edition with us he is not here. e photographs, unfortunately, the digital age then. e was not developed, and you, too , in my opinion, they did not find great-grandfathers, but illustrative photographs are tools. do you feel the continuity, in fact, his son? oleg karavaev, two-time world champion in classical wrestling from the seven-time champion of the soviet union, and his brother, too, that is, nothing at all foreshadowed me that i would be a musician, and he too. well, like what kind of vralternist you are against the backdrop

of the olympic champions. and there are people who he was known, with whom you communicated, i'm trying to find such people, because i'm really very interested. i only know about him from history and only see the notes, and the editorial is written there. what do you know that the photograph does not see either. yes, of course, it looks like you. well, i don’t know what else i wanted to discuss with you. what do you think, whether the music has changed at least two centuries because of the last one or, as the film says, the times are always the same by and large, nothing changes. no, but certainly changed, of course, apologized, because every time she dictates her own unconditionally. the essence has not changed. strong wind here. well,

you know this layout. she has not changed for many several years. why is that? it so happened. a good question actually. well , because in general a classical symphony orchestra. here he presents exactly such a palette of sound exactly such a set of tools. that's all the colors that are. i understand that the history of music of the xx century. well, i tried to make some paints new and the same remember we had pinteresti, or something, and he was with some kind of miracle to the philosopher. yes they are, of course, and uh, you can say experiment. yes, there is still such a trend. it's all going on, of course, the search. is it close to you or are you for the class, do you know how to put the classics right? it is

rather a question of the composer's hygiene talent in general. regardless of what time we are waiting for it, in what era, if you are brilliant music, then it is immediately visible and the impact is felt, its form does not play a role, in fact it does not, the main thing is genius. yes , of course, there are some songs that they can hook the soul there, force it to open open and close, as they say, but i’m only responsible for myself, personally, i feel degradation, because there are very famous scientists from st. with such modern slang drowns for

classical music, and she explains this by the fact that in general this is popular music. yes, there, everything is clear. there is a square structure. you know what will be there in a few acts. oh classical music. you are not capable guess what will happen next and she yes, she makes you think constantly, when the audience is not sophisticated alexander mikhailovich likes to invite the philharmonic of people of all kinds. uh, with experience in all kinds of music, they start to clap out of place. some conductors. it's just going crazy, how annoying it is, what is happening to you, yuri, if this happens. well, you know, in any case, i am very glad that the audience comes at all, because it is necessary that they come not for us, but for the audience it is very developing and inspiring to creation, as something so creative positive in this world, such a snobbish

attitude. well, why are you clapping at the wrong time? no, it's only a matter of time, of course , when now all online publications are filled with instructions. how to listen to opera so that you take it seriously, just never saw the seven steps. if you don’t understand anything, don’t be upset, either for some reason what is happening on the stage does not match, or it is explained there, well, that is, there are some completely different ones. well, it's generally beautifully stunning, what is it, well, as if they begin to be interested in this art, of course, but have you ever been put into a trance on stage there, listened to, let's say, some vocalist. admired his technique and all and did not enter on time. no, i know such conductors, who suffer from this, it happens. well, i haven't had it yet. i'm so concentrated at the moment or you

are disconnected do not hear the vocalist, how can we not hear? well i do not know. well, maybe you yourself are focused, you understand how everything, in general, happens in your head at the moment of a tough profession is considered the hardest thing in the world to labor a little by you. why because, firstly, in order for the orchestra to sound exactly the way you want, you must have a sound picture in your head at the moment when you start conducting. you listen to what sounds and compare it with what is in your head and analyze it, and instantly you have to figure out what to change for whom to look, how to look in order to make it quieter louder, or maybe you know inside the sound. how much more sound is an emotion in general

altitude, of course, this is such an instant reaction, and therefore, especially when it is an accompaniment. there is also such a thing as vertical. and vocalists often love if they have taken it, especially the laptop, everything vertical is already lost. and what are you doing, well, you have to look, respectively, gennady panteleimonovich is in the general creative. he said that train his keyboard vision, that is, at the expense of how you look, if you have, well, some ways to determine if you have a talented conductor or not? how do you do it? how

first, you listen to how the orchestra sounds. because different conductors orchestras sound differently. are you listening, what kind of music, what is it filled with? does it fill it, how does it sound you watch the technique, although the technique. this is not the main thing, but also a very important element. there are things that are very difficult to explain, it all happens. but when you do not come as a conductor, come to a concert, such and such a performance and listen to a piece of music with the orchestra. are you listening to this as an ordinary viewer, or as conductor, looking for some flaws. i would fix it here. i would abstract here. you know, i like to abstract. in general , turn it off completely, if it's a good performance, then it happens. and if there are some things that catch your eye, and

your ears are like that, that is, if you have already turned off, then it’s good. by the way, yes, the criteria say the public in italy, germany , can scream boo as an opera artist, and they really demand, and after the performance, they also throw rotten tomatoes there, and you toured just around germany happened do you face this kind of reaction, never ever the other way around? is it a myth or indeed, there is such a thing, in general, i hear about it for the first time, to be honest, to my shame, i can’t say anything, i have never come across it. unfortunately, now, fortunately , the german public accepted you. there is some difference between the public and the belarusian russian. eh, german is certainly our audience. she's hmm more so restrained. yes very good that while the german public. they are very receptive and they are open to

interaction. they are so alive. i'm not saying that our audience is bad. well, there is such a moment, of course, that is, you would like more of this relationship. it's always more interesting, although our audience can stir up very easily knock down. there somehow can be an artist performance. wow , the inclusion of such waves are coming, energy issues are very expensive with the state brand-denburg symphonic marker. uh, we talked about the audience about the difference between our german musicians. there is some there is a difference. uh, in a way that's different from school. well, you can hear it, for example, here are the string musicians. they are not that strong. here we have strings. they are beasts.

you just understand, such nordic faces always sit with me, they remind me of the scandinavians in the sense that our very strong ones are incredibly strong . while there is such a small gap in the west, but there are different brass players. she noticed this when legrance came with his wife. here they played for the trombone, you drink, yes, the difference, really, it's just, yes, there is another a little different culture and a different sound cure that they are like that at six o'clock let's go, well, that's it, the rehearsal is over, such were adhered to exactly. fika timing, so we did not delay may be delayed.

after all, the truth is on well, or already no, seriously, everyone already knows what a trade union is, it’s only if you are very good with the musicians on vkontakte, everything happens often, and as if everyone is interested in a good result, so you can linger a little. yes, ask, sometimes you managed to install vkontakte with large orchestra. yes, of course. we have a very, very nice picture of you, where you resemble the leader. can you tell me where this photo was taken and discuss, let's go the other way, so agree that it 's interesting. it's interesting that i don't even track all these gestures at all. this is how you show me. well, i notice in this photo that you have a very large wingspan. even i

notice it today in the studio. uh, too. and we probably what is war and peace lady macbeth because it is the presence of such a number of symphonic orchestras. it is necessary or could be done there, one mass orchestra, as the state symphony orchestra said, also has the highest level of musicians, who cannot be found now with two conductors in a large one. yes, you and four understand. yes, but why not appoint a chief? well, ekaterina nikolaevna is dealing with this issue. she invites him to announce a competition for the chief conductor uh-huh difficult

well, even that's not the point, but the fact is that in order to become the chief conductor you can imagine what kind of experience you should have. you think you're just not ready yet. yes, somewhere the chief conductor. this is the man who can stand up and tear through any opera, any ballet with his eyes closed. and you can't do that. no, i'm working. only a year, in general, in this direction, in terms of opera and ballet from the current repertoire of the theater, which he heads, yes, that is, you don’t have it yet. here it is in the hands of the work. we will take a break for a while after a short pause and return to this studio again, while subscribe to our telegram channel. say don't be silent. hey, leave your comments. offer us guests, and look for all our releases on the youtube channel, belarus is one my hobby. this is the study of foreign languages, as well as the study of yoganaha music at this moment. i maintain my english regarding music. bach, i can say that

this is a crossword puzzle that you can solve all your life. on the air say again, do not be silent, and our guest is the despot and tyrant yuri karavaev, conductor of the bolshoi theater , you once admitted in an interview that musicians are emotional people and you need to constantly extinguish conflicts and all calm down. and sometimes even the despotic yuri would be serious. firstly, i want to say that not everything is not permanent, but such cases happen, another question is, what needs to be done in order for you to become a despot, because it is very simple that you just need to get into a hysterical arc and start to interfere creative process and spread such destructive emotions that are picked up very quickly. but you have to

unfortunately, yes, be prepared to have some special exercises. you learned to make faces in front of the mirror to look more formidable or not, or is it all by nation? well i don't know, he seems to work out. yeah , the development of actors, there is such, and you don’t have everything by nation, everything by nature. and let's listen to a fragment of the lamplighter's song from your performance history.

gentlemen, you will agree, it’s not love that kills the ideas of us with his lamplighter, of course, of course, that is why everyone is crying in the hall at this moment, you also lose a couple of kilograms in one concert. it's true, there is a story. i just recovered almost and i had to go out to live the performance. i thought i'd come if so and i know. yes, and what do you think? well, the show

was on. all was good. the next day my whole body ached. that is. i just analyzed what was going on. you are so grouped, all as before a fight. and so, in the head, such things happen , energy-consuming, so much energy can be understood , and eastern martial arts of their nature. yes , what can be won without entering the fray. everything in you already has victories and defeats. yes, the ingenious is being fulfilled. you prompted me to such i'm sorry yuri but i'm also curious to know how do you restore calories? this is very easy to do, you just need to eat at night and that's it. wow you love. yes? no, i mean, yeah , i'm trying to fight it. you have collaborated for several years with an orchestra, squirrels or radio companies, maybe there are some projects that you remember with particular warmth. let me correct you, please. in fact. it's not a few years. and 10 or even eleven. and in general, i

am grateful to this team for giving me such a school for a young fighter, because i came there at the beginning as a violinist and then gradually he entered the opera siphonic conducting and became at the beginning an assistant, and then a second conductor. and as i said, this is the most serious, the very first performance at the philharmonic with a symphony orchestra. it was precisely a performance with a symphony orchestra to do a radio company. the work of alina bezenson strate swan, the chorus was very serious, by the way, there in this strategim swan, in my opinion, they somehow added no such folk vocalists. yes, there were, of course, this is all a very seriously beautiful work, but you e what is an orchestra took tv and radio companies, today some symphonic works. and tomorrow it's eurovision, you know, this experience was like that tomorrow. this is a recording of belarusian

composers, graduates of the academy of music, which all the rest of my experiments also went through absolutely. well, what do you remember which project i liked the most here. this is the first performance in filar- it's impossible. it is impossible to forget, of course, well, it was, of course, not by itself. well, the first time to go to the philharmonic. i was green then. scary terribly green, but there is some kind of unspoken competition between the orchestras. well, let's say, uh, gaso-state orchestra, our symphony thinks that beltelere radio companies are amateurs or not? or all of each other more or less. well, i'm asking, i don't know, no one said. i, uh, every orchestra does its own thing, that is , in general, the symphony orchestra killed the radio company, it was originally called to perform from the club of belarusian composers, that is, this is a symphony

orchestra for performing symphonic canvases. hmm different composers opera house - it's purely opera and ballet. although, there are also concerts. in which i understand that the direct participation of the director is more prestigious, where to work, but is there such a thing that everything is fine either at the bolshoi theater or there is no difference? i heard that he works very prestigiously in the opera house. yes, well, yes, somehow it is considered with it. i agree that the most difficult thing, what could be, is to work in the opera house. if you want to test the strength of a conductor, then please send him to any theater and see whether he can do it or not. well, somehow the strength of brass should, one might say against this

background. what do you think, well, right-handedness is generally a genius. without any exaggeration at all with decorations, it’s just, well, the phenomenon of yuri when you fly in an airplane, you, well, you are waving your arms. well, that is, i heard this from one conductor that he is not on the beach, nowhere on the plane. can't relax anywhere. he's always something there inside of him all, yes, you know, yes, of course you don't treat them with garlic no. i don't have the need for such. well, imagine what it looks like, what can happen to you with me when, let's say, i opened the score and listen to the recording. yes, i may have this one mechanically. well, this does not mean that when i communicate with you. i don't do that when talking about your childhood about your

choice. you said that you would like to become a doctor. and what kind of doctor would be what specialization of a surgeon means a dentist, maybe a surgeon, and who are your parents? my father is actually a programmer. ah, mother, she worked in a tailor shop. well she's a fashion designer something like a creative profession. yes, and she uh reprimands you because of the way you look on stage. yes, of course, of course, all the time. why no hat? well, this is important for you , you know, you are talking about geniuses, yes, but we know about the right-handed approach that it has a completely static point of view. it wasn't the most attractive thing. and for you it is important. what kind of clean shoes do you have or i think it is important, of course, look. you're so, uh,

medically seriously concerned about that. what processes inside the conductor occur during how he says the concert, that it seems to me that you, well, in general, are interested in health, yes, and very often they say that this conductors are long-livers. how do you explain this and not only the conductor, but also the musicians. the magical power of music, if we return to what my beloved tatyana chernigovskaya says, that musicians even in childhood move alzheimer's in general due to the fact that their brain is developed in a completely different way than that of ordinary people, and secondly and musicians and conductors in particular experience such emotions that the usual human. you may not experience at all in your entire life. when you get in a taxi and there is pop music playing. you say turn off the driver. finally. you saw her. rudisto. i have the best music - this is silence and

ringing why? you know, even at home, when i didn’t plug my ears before going to bed, i can’t fall asleep, because any rustle of any sound is to me. this is some kind of set of notes to give in silence on the beach, when you hear the sea breeze and the sun is roasting. agree, in general, it seems to me, dreamers. well, i don’t know, it seems to me that yura you are here. yes, you look into your own future in case i look into the score. please don't attribute anything to me. well

, i listen to what is happening in the orchestra and compares it with the creative one. if this is a dreamer, let it be what you dream about, because to discover more music, new interesting works, to give it to the public and in general, to inspire as many people as possible to create, so that there is no destructiveness, but to come to the theater or to our concerts, and he was so inspired he wanted something create wonderful. i think this is the most. most importantly, it's just a great toast. let it be so. i think tatyana shcherbina victoria popova we say goodbye to you today. goodbye. goodbye. and now yuri karaev is speaking. dear viewers. with all my heart and soul i invite you to our performances to our concerts. e in order to give you happiness and in general i wish you all the best and please be

happy. and if you have any desire to show some emotions during the performance, please don't hold back. we love it very much.

today begins registration for colored colors. the most expensive barley in the last year

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