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summer from the bearing of 2019 to spend together with your wife with your daughter and son near italy, and specifically about rimini, who found out about prague. i immediately asked him obyaskov to visit the house and federicophilini was born to excavate the grave. slavuta akina director. yu. well, that's it, it was smashed, his wife dina gave me this photo at the fortieth day on the fortieth day after leaving him. new septembers are our homelands of our family.

i am the rymslevs, the creator of the amal exterminator of the belarusian conductors of the generation cheerful trudovok pyotr vonzilovsky we got together sometime

in february 1999 during the staging of a musical performance together with the song of leonid utyosov in the office of the nemiga orchestra on the basis of which we performed this production. alain delovsky should be, so to speak, the musical director of the production. i read under the general laughter of musicians the administration. uh, the script, everyone laughed a lot gradually in the process, so to speak , the relationship during the work learned a lot about him. well, he was born in the village of mali, biological district, mogilev region, that in the family everyone was musicians grandfather, father victor, uncle mother sang very well

, moreover, father victor wanted to acquire for himself not a single rural fun, a necessity without the vandilovsky harmonists. he decided to have a real saratov harmonica. and behind this harmonica. victor, son of peter bandera , they went to saratov and bought a real saratov harmonica. it is still kept in the petrov family saratov harmonica you can count the start of the creative path, the outstanding musician of the wonderful conductor pyotr vandilovsky in the belarusian musical art, the bayanist boy had only one

bayan, a music school, a music school, a conservatory, which he graduated from in the bayan class, and immediately he entered the conducting faculty, the conservatory, which graduated in 1992 as a conductor of an orchestra of folk instruments, but this was not enough for him. he always dreamed of becoming a conductor. philharmonic opera symphony orchestra, but there was no such department at the belarusian conservatory then. moreover, even if such a department had existed, it would not have been accepted, even the documents would not have been taken. why did a have a diploma. a dead end , the collapse of dreams, but fortunately for him at that

time in minsk since 1984 the star of the wonderful shone. soviet conductor gennady panteleimonovich

he once graduated from the conservatory in piano class with the haldogeneweiser himself, and graduated from the conducting department with kirill kondrashin and alexander gauk gauk, between by the way, was a student of richard wagner , you know such a handshake a generation from richard wagner, right? gennady provodorov kondilovsky literally went for the rightness watched asked, learned, comprehended literally followed him and ended up on the stage of the opera house. vandilovsky was entrusted with conducting the opera the tsar's bride. this is petra's acrylic walk-

through. preparation of some documents in letters one of such petitions to moscow to the ministry of education then it was all decided by moscow signed by the rector of the conservatory vladimir vladimirovich lobnikov received a letter of petition to allow, as a great exception, the conductor of an orchestra of folk instruments to study to the conductor of an opera symphony orchestra in moscow that i allowed such a favor from villa, and now the only teacher appears in our conservatory, conductor at a quarter of the rate gennady pravotorov and the only student the only student. pyotr

in 1995, pyotr vandilovsky already headed the conducting department at our conservatory, ironically, as an ordinary the teacher there was gennady protocolov. at the hand of the conductor, the orchestra performs a play by vladimir furyan’s clock, works by galina gorelova of my neighbor viktor voikov oleg khodovsky are performed, and dmitry smolsky states in an interview that without pyotr

vandinovsky, many works written for the chamber orchestra of belarus would not have been recognized at all. along with the performance of such monumental works with choirs by an orchestra as handel's messiah, by the way, the first performance in belarus, peter is engaged in less complex ones. how do we

listeners it would seem like projects, for example, 2 years in a row, starting from february 2014, mario stefan petra darki comes to minsk. with the bondanion instrument, a terrific concert in 2014 and 2015. true, they say that in addition to the task of acquainting minsk residents with a then-unknown composer, singer-songwriter. with the demonstration to our viewers of an instrument unprecedented in our country, the bondanion, the italian harmonist also had personal sympathies, some amorous deeds here and you know it is not surprising that such beautiful girls as in minsk belarus i have not seen, although

i travel a lot in europe and i have something to compare. in 1999 he leads the conservatory, the student chamber orchestra, of course, the turnover. you yourself understand that students are finishing producing new musicians , and pyotr conducted this chamber orchestra until his last performance. at the beginning of 2020

in 2001, i brought petra directly to his class. on chicherin brought him an invitation card to his creative evening. peter took it, but for some reason did not come to me, this is somewhat hurt. how come? i go to all his concerts, he visited all my creative evenings before that, then he suddenly didn’t come and began to find out peter dissuaded himself said, well, there are reasons for that. for what reason, i found out a little later and forgave peter for his absence, the reason was

a divorce. understandably, this is a difficult situation. well, you know, it's a private matter. the italian diva katya comes to minsk at the end of her operatic career, and on the stage of our theater for young spectators pyotr a accompanies her in such a not very complicated way. katya for many years opera arias to italian songs at that time he just it was probably 2001 with his future wife. dina

was, of course, noticeably younger than peter, but she chose him in fact. as they say , dowryless, because , of course, he left his apartment to that family, but dina believed him, believed his assurances that everything would be fine with us and everything worked out. a cultural

phenomenon of heavy music it has grown in popularity to such an extent that it consists of numerous styles and sub-genres from classic heavy metal to heavy grand core or black metal. how developed festival movement of this musical trend in belarus will we visit the metal festival and find out? what is the appeal of heavy music today, and also break down common stereotypes. watch this weekend in the fashion for culture project only on our tv channel. they are ready to amaze everyone with their erudition, let our answer be the brain. yes, why the brain , because we think with our heads, if anything, if anything,

if the construction site is waiting for you, we will focus on the version of the apple, the apple is absolutely the correct answer. this apple. our members compete for the main prize and the title to be better, if you create absolute silence in front of the tv , you can easily hear how the brain gears of our participants are moving, who will win the intellectual fight this time, irony of fate or enjoy your bath? why is intuition a literary question for you, in what city did romeo and juliet live? i saw you in her eyes, the name of which chinese river is translated into russian as the yellow river, see the intellectual entertainment project tower on our tv channel. 2004 me and my wife on my

fiftieth birthday. in which little polina is already swaying, that's interesting. but where? a young family will go after this festivity, but all of us family will go home, and where are they filming? the apartment at the beginning was a one-room apartment, and then, when sasha, son of peter, was born, it was already a two-room apartment. we visited them very often for these, how to say, alien square meters that peter mastered and made them his own. why did he create some partitions from shelves in these

a few square meters, some areas for children for myself for an office where you have to work to write scores to study music, somehow everything was arranged, and i saw that it was all done with my own hands. he was admitted to the warehouse, and there he chose boards, shields, my wife in rusy inspected me so that there was no distortion, so that the layers were even, where did the rural lad get such skill, it turns out that once at the conservatory

they received an application, as was customary in the soviet times for construction students from the city of achinsk after that, peter 10 years in a row with his father, who turned out to be not only a skilled rural harmonica player, but also a nugget civil engineer. we went to siberia well, as they said at the sabbath just to make money, one of peter visited us we visited them in these parts of the apartments. moreover, often not having the opportunity to invite us to their small rented apartments with two children. he took out a folding barbecue, a folding table

, folding chairs, dishes, that is, this is a household detail, he also had it in music. here he was, meticulous thorough person. when visiting the orlovs' apartment or my creative evenings, pyotr came with gifts, knowing that all the walls of my apartment were hung. he knew what to give me, what would bring me joy - these were albums.

in one of the last meetings, he gave me a thick book. the personality of christ in russian fine art of the 15th-20th centuries the album was published for some reason in the republic of san marino of amazing reproduction quality, i feel that the publication. this is very expensive and it seems to me that this is probably the only one in minsk that interesting. for some reason, a lot of initiatives always came from him. here i have a creative evening at the theater of film actors, a presentation of my book , their portrait with the doomed emperor, a screening

of films by groups, peter says vladimir alexandrovich, if you want. m-th vestibule then it was a cinema moscow theater actor will play a string quartet and my daughter will be there, she says. i say, well, i want, please, my next creative evening. all sober. in angelovsky, vladimir sanych, if you want, in the lobby before the start of your creative evening, cameras will play on the orchestra says, like a camera on an orchestra, how is it there, says it's not your problem. not your concern. it's just that my students will conduct. and i tell them, then i’ll give a credit for this, everything was not well looked after. i say, well, it’s necessary to bring some instruments to the double bass. he says it's none of your concern students. for the sake of credit, it will bring 40 minutes of beautiful and beautiful music on the shoulders of a chamber orchestra.

in my house. when asked what i'm going to do next, well, in addition to cinema, what am i going to do next on the stage. i say here marks the 100th anniversary of the birth of alexander tsfasman. and i want to stage this program for the centenary of alexandra tsfanovna vendilovsky right away. and who will play? what orchestra? here i will stop and make a little bit

of such a retrospection. back i got into the hands of a vinyl record, a branded melody released for the fiftieth anniversary of alexander spasovna by simple means. i figured out the calculations that it has been a hundred years since you have been with me. this is an old record. who am i calling, of course, arkady eskin, a world-class jazz musician i say to the pianist, arkasha, your idol and teacher turns 100 years old. we need to do a pop program in the arcade. i did the answer to everything. where, how, when, with which orchestra, it didn't matter anymore. the main thing is that we were together with arkady. there were two of us. we knew what we want and how we will do it for the beginning was already enough.

and here i am answering peter's question, what am i going to do. i say, here is alexandra's century-long pop production saved by the pianoforte. he says which orchestra we don't know. eskin he knew why he enjoyed playing eskin in the renaissance restaurant is right opposite the conservatory and often often he and dina, after finishing work at the conservatory , crossed the street and dined at the renaissance restaurant where?

arkady eskin played the piano and two musicians, pyotr and dina, simply enjoyed his ira. so, in this way, there were already three of us cape eskin plus vonzilovsky, but then the question arose of how to transfer the jazz scores to the on-camera composition. the fact is that with fasman's repertoire in the same composition bent i heard in the performance. benda george goryanyan. yes, you know from the notes, but

there everything was played very accurately. well, you know what it was like, there was no feeling of primacy of some kind of freshness. that is, as if it were all this and not that, i shared this with my business. he thought and said, but you know, let's go then, let everything be different. i say, well, like this, he says, you understand? we need to make special jazz arrangements for the chamber staff. but we both knew, both peter and i, that such a person is able to transcribe a jazz score there is only one person on-camera orchestra in minsk, this is the former. and at that time , the virtuoso guitarist, honored artist of belarus vladimir nikolaevich tkachenko , vandilovsky and i tried to interest him and

, you know, tkachenko agreed that it seemed creatively interesting to him. he began to bring the scores. peter taught them by the trumpets. from vasmonovsky, jazz, they played violins for trombones. they added a cello, a drummer, a wonderful saxophonist, a tenor saxophonist, a virtuoso, vitaly emteev, pyotr came with a rehearsal every time and said, how everything is already beginning to sound, how everything is beginning to be built. but there weren't four of us. that was four. minus one was gone.

arcadia eskin's most complex most complex piano pieces by alexander tsfasman, who, of course, he played on that record and who played the arcadian played in our musical performance, beloved, eskin's student, he taught at the stage department at the bogdanov university of culture it was generally a wild success.

the opposition of the orchestra opposed him leading the orchestra he was reminded everything and the fact that he began to work there part-time. and the fact that he was in general in the last battle and that he slipped from the classics of chamber music to jazz was saved by everyone. and peter was forced to leave this position, remaining at the philharmonic, but just m-th regular conductor for some time of the chamber choir. and then he said such a very sad phrase to me. you know a corpse orchestra,

in general, any creative team is happy twice when a new leader comes to them, and when they get rid of him. how did the history of circuses in belarus begin?

it began, it is believed that since 1850, that is, for the first time the team brought to the belarusian land. eh, the german prince golem berg, this happened in the place of decor. we're all good. she is known in belarus. what is the secret of the success of the bolshoi theater? what performance will you not come to? here you will enjoy. that's what i guarantee you, never fell into the dirt face. we have always held the bar high and our face at the world level is a sign of quality, we learn all the most interesting things, and belarusian organizations and people who they work there, beauty, warmly cozy, what do they say? come, show your art and enjoy. on tv channel belarus 24 we

will introduce you to people who keep the history of the road of war. the largest hall of our museum, and here are presented various types of equipment and weapons. and this is real, that is, here the child goes and asks this question all the time, especially when he looks at tanks or planes with those who help us not to forget. most importantly, we are bringing missing soldiers home. every the subject, in fact, has its own history and we tell everything about their difficult business about it. i have been working in the museum for about 10 years and not a single day of mine is like another from the side of a person. it may seem that the work of a restorer is to tint, grease, patch up, but no, in fact, you need to work, before watching, follow again, delve into the story one day on belarus tv channel 24.

years old pyotr gets an apartment. finally, they have a family of four with them. your own apartment your nest, of course peter is a handy man, again he will make himself again boards, shields, beams, there and so on and so on, he transforms. the loggia is insulated; it conducts electricity there; it makes its own office there. there he has a computer shelves with disks shelves with musical procedures he writes a fresco in the children's room in the kitchen. something

is transforming. that is, he turns a typical three-room apartment into a typical one for me. and now, when once again my wife and i come to visit, as always. we are met by a joyful beaming dina comes out of the kitchen wiping her hands in aprons. pyotr vonzilovsky. their daughter polina rushes to us with hugs yes, and music sounds classical music from a ten-year-old sasha conducts a boy conducts. we watch a boy conduct. well, excuse me. what else can a child do to a boy in a family of two conductors. dina also teaches conducting. we waited for the end of conducting. you know, it was like a conductor's karaoke

applauded. sasha, he bowed majestically and we were invited to the table. the vandilovskys always had some gourmet recipes, which, of course, peter borrowed somewhere, touring abroad, and peter, as a rule, prepared them himself, which he was very proud of. well, a handy man and there were always some fine wines. well, they didn’t know that the orlovs would appreciate both food and drinks, and then, of course, conversations about art, and music in general about life. what is always so nice? these conversations are with the soul friends of your home.

it is difficult even to enumerate the itineraries of tours of orchestras under the direction of portugal

spain barcelona the royal theater of madrid 770 performances 70 performances of traviates on tour, in france, three shows in the congress hall 4,000 seats, the audience is all orchestras, dnepropetrovsk, volgograd , rostov-on-don, peter got there minsk musicians vocalists. he knew everyone , he formed this program and drove it around europe, but not only around europe, in the last feast at their house in 2019. who knew it would be the last. peter told how his birthday is in july. he met while on tour. and that it was a tour in syria in a domaska ​​concert in a temple of the first century?

in the amphitheater, the syrians are russian soldiers in domaske, concert at the opera house last concert in january 2020. well, who knew he was the last one? well, again in the amphitheater behind the little garden i sit next to me. with dina vandilovskaya, who, of course, is worried and we are listening to the concert instrumental music is very beautiful music, but like a highlight, or what? it was a divertissement by mikhail glinka on the theme of the opera berline somnambulist. orchestra under the direction of vandilovsky and pianist vladimir dulov. you know, in such creative ecstasy they merged together, that the hall

chanted. on friday, april 17, 2020, peter turned red as a donkey somehow at home, the only thing was , dina said, call an ambulance. a wild jump in pressure, an ambulance took him immediately to the hospital. at first, peter was still

talking, then he began to sink into irrevocable. fellow countrymen and students of peter at the music school at the conservatory told me that recently peter has been working with a colossal overload, several orchestras, several positions, students , some public duties. his last present - this is a photo from the graves of federico fellini the last gift so modest a gift always so generous

peter modest gift well, very light