galina architecture is called frozen music, and what kind of music inspires you? i 'll be here, maybe not in the way you sometimes want to hear. i'm looking for music, but still in the sounds of nature. here she is inspiring. and this, it seems to me, is very important. this silence.

my guests was born in a very eminent family since childhood. she was surrounded by parental love, an atmosphere of creativity and respect for her profession. it certainly affected her life. today. my guest is architect galina levina galina hello, you were born in the family of architects your mother is the author of the planetarium project in gorky park and among the works of your father he is a real khatyn complex, how did your parents meet parents met. at university. they studied together in the same group and it so happened that they continued this life path together,

as well as my husband and i. we also met. at the institute and work together, that is, architecture brought them together. i won’t get acquainted, thanks to architecture we met, thanks to minsk, thanks to architecture, this happened after after graduation, when they got married, after already, when they started working, at the institute , mom and dad were finishing one group of public buildings, but after that, uh, observatory planetarium, she left to deal with the general plan of the city. that is, she had a slightly different, and specificity of architectural activity, and her father's life was connected, of course, with monumental ones. e from kosmos instant architecture. this is the end of the fifties, the beginning of the sixties and, uh,

the architect of minsk and not only. well, by the way, vdnkh vdnkh yes, which, unfortunately, no longer exists, cinema pioneer that is, it is generally pearl belarusian architecture of the sixties. well trinity items. uh, upper town. this is probably everything and his object, and he headed, well, in the eighties, a workshop for building the city center at the institute. we had a chair in the kitchen, like all people have it , and in fact, when the family gathered, everything was discussed in the evening. uh, what happened, but it was still when i was in school, and dad told me what he had at work and and mom, so for me it was so everything natural all this hmm uh, architectural history, and the whole architecture kitchen with dad. i had a very close spiritual spiritual

creative relationship. and uh, i think he's from childhood since my childhood. he was very respectful of all my creative, but with a miracle. eh, working on khatyn and vdnkh he e v. at the same time, he wrote poems to me, which were preserved in a small album, when you start to explain, it seems, well, what is dad writing poetry and who doesn’t write, maybe poetry, but he wrote, wrote down and gave me here this is happiness, uh before going to bed. you must have noticed that you are not growing up in an ordinary family. this is what this unusualness was expressed in. no, i apparently did not feel that an unusual family, but at school, when we already started i came to school in the seventieth year. this is the year when the group of authors received the lenin prize in the field of architecture for

creating the material complex of the khatyn ensemble, uh, and naturally they began to invite dad to everything meeting at school, well then i already understood that something was different, how are you different, but you have to understand that after all they were. he was a creative person. and uh, all his wealth is creativity. this is not a position. this is not a position. it's in some sort of service hierarchy. uh in architecture. it was creativity, and creativity is impossible. hmm, to end with some one object of laughter, that is, laughter, not ah, everything could not end for him and and his whole life all those objects that he created, including related ones with the memorialization of historical memory, they

show that he was very calm and restless creative person. well, as i understand it, being born in a family of architects , you simply didn’t have a choice of another profession. no, i had a choice. i had a wish . my friend and i participated in an international architecture competition. that is, you can imagine the time. this is the soviet union iron curtain. we study in the studio of the young architect at the union of architects and participate in an international competition, which was held by the architect freud and such bio-organic famous for children was called nature and architecture. and we suddenly get second place. and of course

it changed. well, it kind of focused, because it was a success and it was. well, at that time it was, in general, a recognition of thinking. that is, your project was very unexpected. and then, well, something played its role. well, his father's wise words, that if you want to write and you can write, you will do it, but you have not frightened. uh, such a moment, uh, in among architects there is such an expression architect - this is a draft a horse with a beautiful name architect. no, it didn't scare me. nothing scared me. that is, i knew what was behind this and what kind of work and, as it were, possible, and blows and possibly

some kind of confrontation and the need to defend. i don't remember that i was very, uh, persistent in wanting to enroll and, uh, i remember that we worked a lot, people learned how to draw before entering. your surname is known in the world of architecture and for sure, it opened all the doors for you. but it did not exclude sideways glances and comparisons, your surname, she helped or hindered you more. i never asked myself this question at all. i asked. yes, i entered and went, that is, i entered architecture, and i went, i knew all the possible options for development, but otherwise, well, what, otherwise it was necessary to go to another profession or a and you need to understand that

after all in that time was still, uh, the fifth count mattered. that is, there were some moments that laid the character and that formed. here is overcoming such, and perhaps them on the way. plotted, i'm already i was already prepared. although, of course, it brought more to the child, but for some minutes it was all there. these years of study, how would you characterize them, what did you experience from you during this period, part of our architecture. it's familiar. it was instant happiness. we had great teachers, and i'm so surprised how we learned art history from slides. history of architecture. and

they sketched. and we, uh, later, when the opportunity opened up to travel , we could come and say, this is a palace same. and this is what we were taught. in the sense of yes, it's not my fault that lenya traded you for me. who are you? i'm helping here.

at night, the heart stopped from the hospital , they called and said, i'm sorry, unfortunately, i cannot guarantee you that after such an injury, artyom will be able to move independently.

dmitry basketball club minsk basketball club minsk just to become an athlete it is enough to pump muscles, but to become a champion, you need to turn on your head and in general i think that hate is such a form of development for you, and you will not speak turn the same thing for the same thing, because i will immediately catch you by the tongue with this so good, which is the most important thing for an athlete in team sports. it's hard to speak.

well, let it be a head game, watch on belarus 24 tv channel. in one of the interviews , you described your relationship with your father as one breath for two, so that you could have the works of our and his creative workshop, which he created, lived on the theme of the objects that he created and, uh, because it is so difficult for someone to understand you, he trusted, because he knew what would happen done the way he did, if he was leaving somewhere, and it was necessary to report this or that project. he knew that i would find the same words as he and be able to report to him. ideas in such a way that it will express his thoughts and be heard. didn't you ever have creative differences with the father of the differences.

if you were more likely to work in the workshop on some such administrative issues, to work on this or that object or not to work on it, you were still a child when your father began work on the project of the khatyn memorial complex. here you are now already, as it were, you understand and evaluate the work of your father already, so to speak, from the position of the profession of the past years. and you can say, what was the starting point in creating an artistic image in this imperial? well, of course, kamenskikh. here, the meeting with kamensky became the starting point for his coloring, how he held the map, how he showed up here, and i stood in the barn right here, and i carried my son out. adam but it's theirs. the creative wisdom and audacity that they were able to tell in the architectural language

show his story of the lark, which then, like sound, formed the basis of the bell ringing. what difficulties did the father of his colleagues have? when working on the complex , there was great support from peter mironovicharov, who came to the architectural workshop and they consulted, he understood them. this is also, by the way, very important, and the moment we, uh, are talking about the work of architects, but it is always important, and uh , the components of who orders the customer were many nuances, and how they worked to create, and the eternal flame is also a well-known story. eternal flame at that time it was necessary to do hard, following. it was like this a sacred topic, that is, it was necessary to make a star, from which, in terms of a star, from which

he beat. e, the eternal flame, and the father writes in his memoirs that they were advised not to play with this topic, not to come up with any hmm other elements , but to do it. although they understood that it was not in their e, the character and made another option. and when pyotr mironovich watched the project. he said, but i would do the same. i don't believe you don't have another suggestion. and then they showed him, this is the option with three birch trees, and he said, father writes. it is in his book that this will become a symbol. belarus speaking, about the father you eh? they said that he created honest monuments. and what died out in mind, he created an honest monument, he

told the hard truth, he made them on the ground. where the events took place. and this too. it is very important to erect a monument to the victims of the holocaust. partisans or concentration camps in the center of the city as a sign of memory, it’s another matter to put uh, as in a city, as in david gorodok , put on places of destruction, and places destruction is, as a rule, 5-7 kilometers from settlements or in a field or in uh already in places that are overgrown. and this is also

courage, and he did it only a person who survived that pain, who lost loved ones, can create such talking works how the war has touched your family. with e incredible love of life open from openness to respect for other people readiness for dialogue. it seems to me that the war also played a role in this. war, he always said, one must live with one's head turned forward, and he very much did so that there was a dialogue between

belarus and other countries. i think this is the greatest humanist humanist step as well. a man who survived the war, who lost loved ones and who hmm raised his hand for dialogue. from germany and with those who listened to him in order to understand what war means, an amazing sense of humor, the irony of working to create a dream city of creating a monument to a monument to love. the literature that he wrote is all this is all that he acquired by coming out of

this. the aching feeling of war, well i know that in your family, letters from the front that were written to each other by grandparents have been preserved. here are the lines from this correspondence for you, each word is especially dear, too, and there are a lot of these words, because after my father i also found a large box, which i sorted out and described and laid out by day. but i really like the way his dad wrote to his mom. in one of the letters he makes such a postscript. and now i will write in

hebrew so that my mother understands what war is. how emotional is it at all, how much is it for me when you see this this picture through the eyes. your grandmother, whom you did not see, she died and great-grandmothers. which is difficult to understand, which is also already aged. it is difficult for her to understand what war is and no. he has such words in russian, to explain to her what war is? your father passed away 9 years ago in an interview. you said that before you died, and your father left a list of things to complete that was

on that list. a monument that he left for you, but the creative legacy of his father, what managed to be made of what he thought? we have been working on the second phase. 150.000 people, most of whom were jews, and we did almost everything for the minsk ghetto, except for the sculptures that were conceived on the paradox square, they were realized, but i really hope that they will be made sooner or later, because

we left the foundations . the foundations have been laid. under them, the work on blagovshchina was formulated as a paradox of the 20th century. here is an inverted world, a man began to kill a man. he formulated it this way, and he showed in his e, in this architectural art space, upside down world, upside down house upside down tree. uh, an inverted minor well , we didn’t manage to establish these signs, while it is often possible for ordinary people to hear that monuments are just a waste of money, in order to remember it is not necessary to create some kind of memorial complexes. do you think monuments they help keep memory in place of memory. it is very important to come to places of memory

to remember by textbooks and dates. only history. will make it. so ritually formal, but to study the history of the great patriotic war world war ii. in my opinion, it is important in this very space where certain events took place, in my opinion. why are monuments now becoming objects of political manipulation? i mean that now there is a demolition of monuments to soviet soldiers in the countries.

carefully treat the preservation and creation of memorials, and my life experience. we visited a lot of memorial complexes in germany in poland where there were concentration camps and where museums work? unfortunately, we have not survived. here's how was done, let's say the rampart of sweden, we have not survived the war. so the nazis destroyed everything , retreating destroyed all traces of the crime, so we don’t even say tin or a stolags in youth 342 or stalag in masterkovshchina 350 second, we don’t even have those, uh, remnants. here, in that volume, there is not even

that structure of concentration camps that have been preserved on the territory of western europe , which made it possible to preserve and show them. uh, so i'm very, uh , respectful of those who hmm preserve this memory in uh different places in the world. think, so that we can. to remember the common history, not only the history in belarus, but also the history of belarus in the context of a great war. it is very important for us to continue to create monuments. the newly identified places are very important to preserve and maintain those monuments

that were created, and by our famous sculptors and architects in their original form, and this exchange is very important. uh, an exchange between young people so that the places we have can be visited by young people from other countries as well as our youth. i think i should go to other places to understand what war is, what it brings. i will be right if i say that creative people live by their works. this is the project that is now occupying all your thoughts and all your time. we are currently working on. historical workshop named after leonid levin reconstruction, and the historical

workshop is located on sukhaya street on the territory of the former gta and uh, where it was planned to create such a center somewhere before the revolutionary edition. we have made a project harmonization, and i hope that will be realized is called the meaning of life for you. in what is the meaning of life in search of meaning and it seems to me that now is a time when it is very important. the meaning of life galina i know that creative people feel comfortable when they are in demand. i wish that creative inspiration never leaves you . thank you. thanks a lot. this was the meaning of galina's life in these days of great creations

, let's look back. the village of 1800 peaceful people was destroyed.

good morning and in this issue. when did the words of the anthem appear, what is encrypted in the elements of the coat of arms and what is the meaning of the ornament in the new series?