and tell it in the language of architecture. i did not attend any art circles of the studio art school to visit the studio of the young architect at the union of architects of belarus in. it's the same time. my girlfriend and i are taking part from the studio in an international competition called nature architecture and was organized by a famous german

architect. and our work among numerous participants receive the second prize. this was the first recognition and it became the defining choice of profession. well, of course, the formation and knowledge of the world went on in the family. mom, also an architect, designed planetariums and an observatory in gorky park and her architectural education. her support also played a decisive role in choosing a profession. at the institute in 1980, after 5 years, she chose topics for diplomas for the restoration of the manor house of his park complex with a recommendation for the possible implementation of the project. on december 2, 1984, i

opened the door to the horse house for the first time, and from that moment my long journey began. eh, love. uh, horse park history. hallelujah there's a photograph where we're young in the eighties years a large group of architects historians. worked on the study of this building , photographs were taken at this place, where we are now on the steps of the manor house with this place. i have kept an album from that time, in which samples are selected for each room. here, let's say

the rooms have four ceilings, that is, there is a plan on which all the colors of the horse are indicated, and i call this such a herbarium at home. at the institute, these were wonderful years of my life. starts working with his father. although i am working on restoration. we performed with him some projects too. and i participated in the work of his team for a permanent job. creative workshop of architect levin was established in 1986. it was one of the first private personal architectural workshops, founded by the lenin

prize winner for the creation of khatyn and twice the state prize of the republic of belarus, honored architect of belarus , academician of international architecture , architect levin leonid mendelevich , a creative workshop of the architect. levin - it is philosophy. this is non-standard thinking of places of memory in belarus and i would say that architectural literature is our project written by the means and according to the author 's idea of ​​​​leonid levin, and architects and artists took part in these projects,

including me as the author of many works. my schedule is set. so i have to travel a lot, but the workshop works and my husband works as the chief architect , employees and other specialists work, there are objects and public buildings and monumental works. the workshop is always open. she always lives and the work continues from the fact that i open the door to the workshop and the first thing that greets me is the smells, the smells that store various stories and the smells of the workshop

reminds me of my childhood when a little girl came to the workshop on a trolleybus, brought lunch and his colleagues to the time when they worked on various objects of belarus and in the studio we kept the atmosphere that was under leonid levin, and we didn’t touch anything, even for the workplace at the desktop, i don’t sit down, and uh, put the folders on the table, who were accepted. after the death of his father. i have already become the head of the creative workshop and all the responsibility of the work

of the workshop is no longer in a lively dialogue with my father. she began with such a verbal dialogue with the memory of his life. how god helps people, and he comes before us, how to teach us the truth of justice love what is known about the ancient miraculous icons does not apply in sorrows and in everyday problems. so when you rector says, when it is in prayer, when it is with faith, then she helps. what secrets do saints hide in themselves? belarusian land now we open a white

discreet door and without their prefaces we will move to the eighteenth century. what is prayer? and what is its meaning in prayers, this is the very thing and thus khalits, you just come and your weakness and just in silence you kill your pozner educational projects on belarus 24 tv channel

. as far as possible, time has shown that when there is a change in supply or logistics does not violate the usual rhythm and everyone who comes to the store finds everything they need, how we fill the union market together and solve issues on the sanctions agenda. and we will also find out when mutual trade with this region will step over the bar of a billion dollars, the main topics on the main air. watch on tv channel belarus 24. m, which

our workshop devoted time to was the largest place of extermination of the inhabitants of belarus for years, including belarusian jews and the place of the largest extermination of jews in western europe, this is an important place in the event of the second world war, it is very important that everyone who comes here has passed this path , these 800 meters are the last path for those who were destroyed. it was a path of memories and still hope, but for us , for contemporaries, it is a path to ask questions and to feel this

incredible tragedy, we start from the square of hope, it was conceived in white. the germans from minsk wrote to berlin that in the transport that went to western europe in minsk there were 0.47 m² for each person in the car? therefore, these benches appeared here. here is the place 0.47 we sit down. here and when either your family or your friends are coming, we are all here, we all sit down on this

bench and understand. this is the feeling of the space of war. it is interesting that after the creation of the memorial, this square was called the waiting room, and what is the deep meaning? we go through the halls of memory wagons. there is no other way to the place where the footpaths are destroyed . there are no random details here. moments of hope are in every architectural element. here are concrete walls through the window, we still see a little bit of the sky, we see the crowns of trees, we we see the landscape. by the way, for those who were brought in and destroyed in trissen, the belarusian

sky was the last thing they saw. this is the square of death, the end point. where people came from, they were already led to the firing squad. of course, this is a special place, because you understand that these are the last steps of 150.000. in general, i really like the places in belarus in creativity, which are so beyond attention. and in those places that are not chained, not the central square and not pompous places. and this is exactly what is in the focus of interests of such depths belarusian. mountain address of the mountain and more the place

of mass extermination of three thousand blouse jews in 2009, he addressed me in umsendamir. at that time he was the head of the gluska city newspaper. he asked to make this monument. i started working and suddenly i had an idea. i introduced them as people who gathered them in the wilderness. there are older women with children. eh, dads, moms, and they were led along this road. that's just the war began. they still had hope that it would all end. soon i realized that could be in the mind. in the feelings, how the hearts of these people had bright moments that were in their families in their homes. of course

, photographs. and i thought that this story memories of a family photo that was torn apart by the war, destroyed, broken frames could become an idea for the memory of the jews. any place it's history people. for me, this place has become, bobruisk alley of the righteous among the nations, the memory of those who saved the jews during the war years in bobruisk and the bobruisk region and the first trees that were planted by the righteous among the nations. this

the title is awarded by the institute to those who unselfishly saved jews during the second world war. this title is awarded in all countries. at the moment , incredible in terms of the color of jewish life before the war and suddenly the war, which

crossed everything out, and how important it is for the modern generation to understand how multinational belarus was, there are two. we are located on the territory of the bobruisk fortress and for me this place is very interesting, it is very typical for belarus when the history of different centuries. e is connected in one place. here created a memorial it was conceived by the architect leonid levy called courage and sorrow. my father worked a lot with historical documents. i saw that prisoners of war and the civilian population of bobruisk were transported in winter on open railway platforms, and they froze. therefore, we see here such

an open platform and on it there is a sculpture of an exhausted soldier covering a man who ended up in the same camp with an overcoat. the cube of horrors we see is such a closed space of a concentration camp in which our soldiers kept courage and dignity in saving the civilian population. i was in the lead architect of the project and, of course, after the departure of e, father and life in march. year fourteen. we have fully dedicated ourselves. e work on these memorial. this is the turning point of the departure from the life of a person close to you and the realization that you must continue what he started and we did it. a very interesting

moment of my observation, this appeared in the last maybe 10-15 years. people are calling ready for their money or there for some collecting to put up a sign, but they want to do it in a way that not everyone has. what we do, we want to show that it can be done with dignity with the memory of these people. here in dzerzhinsk we are making a monument, and for one day of a person whose grandparents died in godnovsky, this monument is not created or constructed by the construction of a memorial complex.

i call it the steps of memory, because as we approach the places of destruction to the large pit, which was 40 meters long and in which on october 21, 1941 1900 people in two and a half hours. this is the story further, we take steps, we turn back, and we see that the sculptures are cut off, as the war has torn into two parts both families and destinies. what is interesting about the work of an architect is that only a job offer is received at an exposition of some kind, we all

plunge into this topic. the work of our architectural workshop, it also has a research character, because we only deal with design in the modern world. it's not very accurate. moreover, having this material, which the father created my work. therefore, we cooperate a lot from school and with students to open and transfer to the national archives of the republic of belarus documents that were related both to the creation of khatyn and to memorialization. memorial complex death of fascism opening opening opening this opening footage opening. yes, they give

an idea of ​​how the memorial looked exactly at the moment of its opening. our family is very happy that this will be professionally kept and open to the public. we will try to keep, uh, safe and sound. and well for sure this will be the decoration of the fund. this is a collection. red coast for work on one of leonid's favorite places. i love coming here. he went to this idea all his life, because

the military will in modern life. she haunted him, his father wrote that a lot of monuments were created to military events and the military commander, but there was no monument to the children. and by the way, there was none in the world either, not only in belarus. during the great patriotic war there was a transit camp in krasny bereg where children were collected. first they took the blood was checked whether it was healthy or not, and then sent to germany to work. that is why this place was determined by leonid levin to create a monument to the children of the war.

and architecture and an empty life and an empty house, but in this big story on september 1, 44 in belarus , these were empty school classes in villages in cities, because children did not sit down at school pastas, and teachers did not stand at the teacher's table. here there is a story here there is this black beam of war with the empty ones. and here is the most amazing world of children, post-war

belarus gave their parents drawings. the father of the work on this monument turned to the eviction bykov to write a text that would be an appeal to vasily bykov having already read it. this letter, which the museum of the great patriotic war handed over to the memorial, said it was better. e of how this girl wrote, not a single writer, not one, will find a word. these two lines are very emotional, your

daughter. katya susanina my heart sees the letter will reach. military history, when she writes that she eats pigs together it was a joint work. and, of course, for for me, it is more than a joint architectural work, because i understand that in these projects there is this invisible thread between the generation that went through the war, whose childhood was taken away and the generations that did not know the war, which parents protect from they did not take away the childhood of katya susanina, who writes to her

dad, but the letter did not unite them. that is, it did not find a father. i suddenly realize that the red coast is a message to me too. a letter has been preserved that he wrote to me when i was finishing school and the question was o admission to the institute. i confess to you, thinking about your future more than ever now , you really want everything to work out well for you. well it doesn't mean easy, but not as hard as mine, really. i understand perfectly, don't be. i wouldn’t have such difficulties if i didn’t have such an interest in work, i wouldn’t be happy in the poems that he wrote,

there are two small lines that i really like when fate extinguished a candle for you, my daughter drew strength and they are very small, they are very short they are very personal, but i am now too i return to him and draw in his works in his architecture the strength for work. every day we experience millions of emotions. we can be happy, angry, surprised, sad, sometimes

our emotions. we are not subject to, and music expresses our emotions much more strongly. this is an emotional force, literally takes back and has already hit. in us. it becomes an integral part of life. after all, the secret of music is that it finds an inexhaustible source of expression, where speech is silenced by music instead of a thousand words.