i am a musician my parents are not musicians, which happens often enough, but rarely enough. these people and these children remain in the musical profession. my dad is a doctor, and my mom is a teacher by education. still, they decided to send me to the musical profession. i had certain vocal abilities. that is, i have the purity of the nation, when i sang it was clearly clear to my parents that i have some kind of musical talent and i entered the republican college of music and went to the preparatory department. very young went to learn the piano first and miraculously. i stayed there. and what surprisingly has remained so far. you can already say. i haven't been out of there for 20 years, because i'm

a student. all this smoothly flowed into our teaching activities at the same educational institution, a year later, for admission to the first grade, my teacher decided to suggest that i try to go and try to play the cello. it was a little shocking information, as my parents. i have no idea at all what a cello is, little looked at my hands my teacher vladimir pavlovich berlin brought his class to his class. it's like a big house you go there and you don't want to leave because there was a lot there was a very good atmosphere everything in general. it is intended for you to develop and engage in precisely this creative work, my profession is called yes academic musician, cellist, the profession is quite elitist , not everyone at the moment. at least. unfortunately ready to listen to e classical

music. many musicians are now trying to prove, uh, and show, uh, that it is very interesting and definitely necessary. to be ready to listen and, in addition , enjoy, uh, classical music, but for this you need to know a little more. why was a particular work written? for what it is written, to whom this state is dedicated, a certain atmosphere so that the listener understands why and why he is listening to it at the moment and receiving immediate pleasure. from this. i think that is the moment on the stage there the word competition is already difficult. me personally. difficult imagine, since everyone is doing the same thing, everyone is playing music. ah, but in general, there is certainly competition , because there are a lot of classical musicians in the world and there are certainly such concepts

as competitions, there are such concepts as management, which takes or does not take this or that musician, that's why it's so big. you can say business, including classical music, it is also by and large . it works in the same way as pop music , only for other audiences, in principle, i like to walk a lot, especially when you put in your headphones, you listen to music, you think, but in my plans for classical music lately, i've been listening. i really love this composer to me from classical music. i often listen to sting, the queen group is such an inspiring performer for me too , classical music does not get bored. and i was very lucky with this, because often it

turns into such a job. sometimes the main thing is that this state does not leave the state. when you really like it. i don't think she will ever leave me. i do what i want to do and i think that if i didn't want to do it, that's fucking doing it. my parents found out. i have certain musical talents from my childhood. this i think is somewhere around 4-5 years. i already went to some circles, choral circles began to sing. i am already warning my students now, too, and they warn their parents that this is very, very, very hard work. and what is most difficult and difficult in this

is to understand that later, when you receive a diploma from an educational institution. nothing ends here. because the the profession of a musician requires training. just like athletes. the same. we have this job. you learn new pieces , repeat old ones, practice. you reach some new interesting heights in creativity and performing in general, if you treat classes as a kind of meditation, you yourself remain alone in freedom at this moment, then this gives great inspiration, of course, this draws a lot of interesting things, but there are such outbreaks. suddenly unexpectedly occur when opa something interesting now came to mind and something want to do. i don't know on what principle it works, but creative people. they are the same, uh, it can happen unexpectedly and it's hard to tell how i mine. here is

the inspiration. i don’t mine it, it comes by itself, and, frankly, i don’t really want it. even know how it happens. let it remain such a mystery phenomenal musician such a concept. not just me, of course, i really like it, but many artists i listen to records a lot, who do something very well. basically, of course, good, well, to reckon yourself. no i do not want even to think so, because i am very critical of myself. sometimes even too much. i think that this is a good feature, it does not give me a chance to even stop there, because all the time is not enough for me. i want to achieve something else and something interesting to try music. this is my profession. this is my life. this is how i make my living, music is everything to me music.

i inspire other people with music i inspire my students. at the moment , over time, i begin to understand all the same that of course, i want the majority of people to fall in love with classical music, so that they begin to understand it. i believe that classical music is an academic sphere, and it is quite elitist, and in order to understand it, you need to have certain knowledge. and at least the desire to understand, well, people walk on the other side. e, for opera examples in order to dress beautifully and show yourself, including, well, due to the fact that, well, to communicate in most cases, it is still musical, and mostly. i communicate with musicians, it's not so difficult and everyone understands everything, what it's about, but on the other hand. i have childhood friends. uh, with whom i maintain excellent friendships.

they are not musicians, and they go to my concerts with great pleasure and enjoy it, because they see this is my friendship. gathers large halls, for example, that's what i'm doing classical academic music. this does not mean that everything else does not exist for me. naturally. i know, i listen to everything that is popular now, i try to be. how fashionable talk in a trend and so on. that's why i'm very familiar with the music that's popular right now. i have certain relationships. listened to the oxymorons. the fact is that i didn’t really listen to oksimiron, but since he was noisy, i was just interested, and i liked the words quite interestingly, writes the text. this is no secret. i don't know what the secret is. i don't know what success is, you have to work just to practice. it doesn't matter. you are musicians and anyone else any profession

requires some kind of personal investment of desires as well. and so on. i am sure of a great desire. something is bound to work. of course, i like to think about the future about what i would like to do, but more than thinking about what i would like to do, i like to do it anyway, so i have such a position that i need to come up with something, if anything dreamed of coming up with something, if you want it, then you need to strive for it. so, of course, do not make any grandiose plans. although why not at all, i am sure that even with a strong desire there is no limit or limit here. well, at the moment i do not put the idea that i want to fly into space to play for now. here but nevertheless, i think that it is necessary to insert

goals to go to it, simply not necessarily some kind of large-scale one. the goal can be inserted into small goals with small goals, there are always some others that are more interesting and more detailed, so this one. it seems to me that the path is more suitable for me, because there is a specific goal. as i came here to work as a teacher, this actually happened. well, you can say quite unexpectedly, because i'm a concert executor. i still have and will have certain concert plans . pavlovich suggested that i come here as his assistant to work, including to work with his students to rehearse his orchestras.

here, uh, it's working, except i'm filming as an assistant. i have my students. these are children who, like me and my parents, once had no idea what it was, some are also not musicians, but mostly children who start from scratch and who generally have no idea. how, how, in general, what to do with this tool, in general, teaching is not an easy thing to do with children. some ideas do not have what is a cello. it is necessary to put hands on it is necessary to explain in general what music is and how it is made, and how it is played in part more work is done with parents there,

because well, that children are small. they are not yet. not everyone can understand, so everything must be invested first of all, to whom, of course, the burden of responsibility is incredible therefore, because you give a start in the life of a person, by and large, or vice versa. therefore, this is such a difficult moment and when , again, comparing my childhood and the perseverance of my parents. you always need to explain that this is a very hard and painstaking work. and everyone should really take this very seriously and understand that if you give your child to study music, then this is to be taken seriously. if you want to make a musician out of him, then you need to make unrealistic efforts. it must be huge interested in achieving something, each student has his own approach, he cannot have the same approach. well , for example, you work with a boy or

you work with a girl. these are already, in principle, different things and different approaches. some may react to some comments very sharply others. on the contrary, in poika, someone perceives something, someone does not perceive something. it is very difficult. how is that? psychology should be , by and large, a psychologist, in order to understand and find the right approach to the student. i have learning is not easy, because i am and besides what i teach. i still play, that is, you need to understand that the lack of a teacher. it's not always. fine. some of the students are talented too. it's just that they accidentally got into my class, but nonetheless. i am also very, very satisfied already after the fact found out about who to teach or so on. this again, we are not a family of musicians, let's say, who understand, they have in general e what is happening and who is, who is different students are, who grasp on the fly, and then they begin a little more calmly, already

more slowly to bring everything to the end, because the start was too fast, there are students who are very slow. everything takes a very long time to think, and so on, but then they give out a cool belarusian result for a reason. the music school is known all over the world, because belarusian musicians are scattered all over the world in the good sense of the word, for all the best teams the best conservatory of the world is not without reason, and often. these are people, including from e, our music college. i love, teaching activity. i have before my eyes a vivid example of my teacher vladimir pavlovich a. he inspired me, you can say, to start doing this, so i really really like it, and in the future, perhaps i will not mind continuing

to be engaged in teaching there are a lot of interests in my life that i try including not trying to do. uh, there are many interests in my life that i also want to do and continue to do. concert activities and so on. well, the main thing is that there are only 24 hours in a day.

every week, the heroes of the project go in search of adventure, let's follow me. we didn't come here for nothing. we have assignments. they don't even realize. where will their fate take them this time. you are going to the grodno region, the ostrovets district, the nobles ran with them to explore interesting places and sights of belarus. where krichev now stands, there was once a place for sacrifice. come on, what's the little pashenka found? and pashenka found the entrance, they say that here in this palace the ghost of barbara, the wife of ivan golynsky, is introduced. they say that from a bird's eye view, it has the initials e and p. watch the program stone, scissors,

paper, on our tv channel their way of life cannot be called familiar to most people, a part-time job. i say super , i worked three days at home, all my friends are like that, they are all moving, we don’t have enough time to call. where are you? i'm at home. let's shine. okay in 10 minutes i'll be thinking outside the box allows them the usual ordinary things. build into something beautiful. well, in a sense, if some kind of engine flares up with him, that is, he is for scrap metal and for remelting. and i give them a second life, the arc burns, this is a metal flange. sparks is beautiful. i like. for example, i will do something i bring home delighted. this is a project to break stereotypes. watch on belarus 24 tv channel

. we are the recording studio of our republican music college during the pandemic, of course, this is a very difficult time for classical musicians, because many, of course, had to reformat, in general , online concerts in general are always recorded without an audience, so that this audience is actually safe in this regard , of course, i personally, uh, don’t have much experience in terms of online concerts, but we recorded one concert. eh, and it's certainly

very difficult, because it's very difficult for a musician without an audience without certain reactions and emotions. but nevertheless, such times to be able to somehow maneuver and be able to somehow competently use this time. well i've always been for using real acoustic instruments and always in situations where, for example, there is no, uh, piano live instrument on the venue where i have concerts. i was offered in exchange for e, digital keys. i still tried to bring e, a real acoustic instrument, because it’s completely different. i often record other sensations in studios, but not classical pieces of big and pop pieces for my friends, so i already have enough experience. i have such a rule that you should not yourself

if you are an academic musician, then you play only academic music and you can't afford to play anything else. i think that you should do everything you like, because time , by and large, is fleeting, you want to have time to try everything that is interesting, and what you like. that's why it's not difficult for me to absolutely record, for example, covers or some song that i really like or help my friends to record there. uh, for them there's a cello part in some album, if i like their music, if i'm ready to help, why don't you 2011 also 10 years ago, at the mundi music festival in belgium, i met one such very famous one. uh, a british cellist. his name is stevensors. that's where the festival orchestra was, and he actually. i played in this festival orchestra and steven and salared with this

orchestra. and that's the first time i heard it. ah, the composer's work. ernesto bloch. uh, the piece is called a prayer. in english, i was just shocked, in general, this and music, but i was lucky to have some incredible simple impression. i wanted to play it, and six months later. i played it and made the actual arrangement for the chamber orchestra and with the orchestra of my teacher vladimir pavlovich perlin as a gift for the anniversary. vladimir pavlovich did not know about this, i performed the philharmonic on his. well, billin's concert is a work. and it was , probably, one of such important generally important events in my life, because it changed something, in my head at that moment in in the class of vladimir pavlovich perlin, in principle, there was such a tendency all my life that for some reason everyone there, basically everyone wore long hair, wore bell-bottoms, scarves, and so

on. that is, it may even have been inculcated part of it, including some kind of love, for example, for m-m horn of music, so i'm not sure what it is itself. it came to me. i think that since vladimir pavlovich's class has always been such a home, one might say a second home. uh, and we've always been a big family, so i think it's one of the most iconic for me a festival. this is the mundi music festival in belgium which i entered at the age of 11 as a little boy student. this is my first support. my parents let me go, of course, they were terribly worried, because then there was no plane yet. and it was possible to fly somewhere quickly enough. it was necessary to take a train and go for a day. and then i was playing as a student with all sorts of the same young musicians from different countries. there are a

lot of representatives there, there are 60 somewhere strange, in my opinion, they are represented at the festival. chamber music festival where everyone plays with each other. this is so very cool. an interesting moment in general communication and acquaintance with other peoples can be said, representatives of others, nations, and so on. it is very interesting. here so far. i go to this festival, but for the last 6 years she has already been there. as a teacher, it is necessary to attend various festivals and, again , to see what is happening in the world of classical music and in no case close oneself. i think that you can teach to listen to the classics. to do this, you need to explain, just what, for example, using the example of a work, what does it

mean by and large? by whom is it written? why it was written, what happened at the time when it was written, and this will give , after all, some definition for this work, because this is not just not just music, but some emotions must be written for something . eh, the composer must have experienced it when he wrote this work. i think that this is a huge painstaking work to explain yet to explain in such a way that it was interesting four strings for reso there is also a bow a bow is often attached, but you know, a bow, after all, it is also an expensive pleasure. it costs just like that. it's just not even like the tenth iphone . well, you can already say, and not even like 13 iphones and it's unlikely to cost like 14. it's a good workman's bow, it can cost more than the cello itself. it often happens that famous cyclists buy bows that are more expensive than the instrument itself,

because it is very important what you have in your hand, because it is the voice of your old instrument, e.g. 17th century 18th century. here imagine the work of violin and cello, including cello work of stradivarius they cost millions and few people can afford to buy. e, including e, these instruments are often purchased by banks and prices, which keep them in their collections and give them to cellists or other instrumental violinists for use. for example, for temporary use for especially talented people. if you look inside the tools. there is such a sticker on which is written the year of the release of the instrument. and first name last name masters to be there is not a cheap story, because you always need to buy a second place for the cello additionally next to you on

the plane, often on the bus, so you pay twice, or the organizers pay. i really like minsk was born here. here is my family. here are my roots and at the stage of the moment when i stayed here, nothing prevented me from doing here what i want in the creative creative field, and also traveling to perform abroad. in belarus, in order to be successful, you need to work, and most importantly, in addition, you need to work, so that you can enjoy it. because if you get really real pleasure and inspire and get inspired by what you do, so that

the public certainly cannot but feel it. i enjoy this is what i do, looking for some new goals. for me, this is life. it's just for me this is the most important thing, so happiness, if you just answer there, i feel.

they say that according to the clothes they meet the appearance of a person, his style and manner of dressing. this is all that constitutes not only the first an impression of his taste preferences, but also of culture in general. so what do belarusian fashionistas prefer to wear today? and fashionistas still look only at foreign designers and brands, and most importantly, how the belarusian fashion industry lives , let's talk about this with you today. alina is not a war. and it is fashionable for culture. fashion is a changeable and fickle phenomenon, it is a certain

taste that is popular at a particular time , they say in one form or another, fashion has always existed, it was dictated by religious beliefs representatives of the rich strata of society symbolism, however, in the form in which we know it. it originated in the twelfth and thirteenth centuries, at that time, the sewing craft was actively developing, new models of clothing began to appear, and the very concept of fashion appeared only in the seventeenth century , italy, france and even spain fought for the title of trendsetter. and only france managed to become them in the second half of the xix century . the fashion industry began to emerge, fashion for the high fashion season appeared, fashion houses arose, which still exist, but revolution. rational became the twentieth century, trends no longer dictated