tv [untitled] BELARUSTV May 24, 2023 4:50am-5:46am MSK
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this is the way the war started. they still had hope that it would all end. soon i imagined what could be going on in my thoughts. in feelings, how the heart of these people beat. surely they remember the bright moments that were in their families in their homes. of course, photographs. and i thought that this story memories of a family photo, which was torn apart by the war, destroyed, the frames were broken, could become an idea for the memory of the jews. any place it's history people. for me
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it has become such a place, bobruisk of the peoples of the world, the memory of those who saved jews during the war years in bobruisk and the bobruisk region righteous among the nations, this title is given by the institute, poison to those who unselfishly saved jews during the second world war. this title is awarded in all countries of the world. in belarus, at the moment, 800 names are known. the land that was broken and righteousness. this gesture of righteousness
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united people of different nationalities during the war years. jewish life before the war and suddenly the war, which crossed everything out, and how important it is for the modern generation to understand how multinational. we are located on the territory of the bobruisk fortress and for me this place is very interesting, it is very typical for belarus when the history of different centuries. e is connected in one place. a memorial was created here; it was conceived by the architect leonid levin and is called courage and
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sorrow. my father worked a lot with historical documents. i saw that prisoners of war and the civilian population of bobruisk were transported in winter on open railway platforms, and they froze. therefore, we see here such an open platform and on it is a sculpture of an exhausted soldier covering a man who ended up in the same camp with an overcoat. we see horrors in such a closed space of a concentration camp, in which our soldiers retained their courage and dignity while saving the civilian population. i was the lead architect for the project. and, of course, after the departure of uh, father and life in march. year fourteen. we
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have fully dedicated ourselves. e work on these memorial. this is the turning point of leaving the life of a person close to you and the realization that you should continue what he started and we did it. a very interesting moment we observed it appeared in the last maybe 10-15 years. people are calling and ready. here, with their own money or there, for some fee, put a sign, but they want to do it in a way that not everyone else has. what we do, we want to show that it can be done with dignity with the memory of these people. here in dzerzhinsk we are making a monument with the money
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of a man whose grandparents died at the poidunovsky vent. we are currently completing work on the creation and reconstruction of the memorial complex this monument. i call it the steps of memory, because as we approach the places of extermination to a large pit that was 40 m long and in which 1900 people were killed on october 21, 1941 in 2.5 hours on the edge of the pit. we come into contact with this story further , we take steps, we turn back, and we see that the sculptures are cut off, as the war
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has torn into two parts. what is interesting about the work of architects, only a job offer is received at the exposition of some kind of us all of us we plunge into this topic the work of our architectural workshop, it also has a research character, because it is not very accurate to deal only with design in the modern world. moreover, having this material that my father created and my work. therefore, we cooperate a lot from school and with students to open and transfer to the national archives of the republic of belarus documents that were related both to the creation of khatyn and to
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the memorialization of the place of memory of the death of fascism, a discovery is a discovery. yes footage they give an idea of what the memorial looked like. our family is very happy that this will be professionally kept and open to the public. we will try to keep it safe and sound. and well, for sure it will become a decoration of the fund. this is a collection.
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red coast in relation to work on one of the favorite places of leonid livin, and mine, too, i like to come here. he went to this idea all his life, because military pain in modern life. she haunted him , his father wrote that a lot of monuments had been created to military events and military commander, but there was no monument to the children. and by the way, in the world. during the great patriotic war, there was a transit camp in krasny bereg where children were collected. first, they took blood from them, checked whether they were healthy or not, and
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then they sent them to germany to work. that is why this place was determined by leonid levin to create a monument to the children of war. and architecture leonid levin but he brought a large creative team. finds here is an image of an empty class. and an empty life and an empty house, but in this big story on september 1st. this there were empty school classes in the villages of the cities, because the children did not sit at the school desks. here there is history here there is
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this black ray of war with empty parties, and here there is an amazing world. children of post-war belarus gave their parents drawings. come here. we understand how fragile the world is. the father of the work on this monument is to write a text that would be an appeal. this letter, which the museum of the great patriotic war handed over for the memorial, said that it was better
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than what this girl wrote writer not a single word. these two lines are very emotional, your daughter. katya susanina my heart sees the letter will reach. in this military story, when she writes that she eats pigs together, her heart believes. it was a collaboration. and, of course, for me it is more than a joint architectural work, because i understand that in these projects there is this invisible thread
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between the generations who went through the war, who were taken away from their childhood, who did not know the war, which parents protect from that they don't have. and reading a letter to katya susanina, who writes to her dad, but the letter did not connect them, that is, it did not find her father. i suddenly realize that the red coast is a message to me too. i have a letter that he wrote to me when i was finishing school and there was a question about entering the institute. i confess to you like never before. now he is thinking about your future because you want everything to work out
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well for you. good doesn't mean easy. well, not as hard as mine, really. i understand perfectly, don't be. i have no such difficulties. if there was such an interest in the work, i would not be happy. which he wrote, there are two small lines that i really like too when fate extinguished a candle for you. my daughter drew strength and they are very small; they are very short ; strength architecture to work. every
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day we experience millions of emotions. we can rejoice, be angry, be surprised, sometimes sad, our emotions. we are not subject to music expresses our emotions much more strongly. this emotional strength literally takes back, and has already hit. in us. it becomes an integral part of life. after all, the secret of music is that it finds an inexhaustible source of expression, where
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architecture of whole ukraine, which is for us, the great pattern of defenses on the move, which, according to the charter, is not just a watch of itshine history , a huge block of shatyrysthod is like a smallpox day on the holvay spiritual tortures of midnight land in belarus, a unique memory-crown and belarusian architecture the church of st. john baptist. carried away kamai. tnyh defensive church in her great carrier kamai, who filled belarus funded by the settlers of these lands, the komai temple appeared to be a kind of shivanis of the meat gentry. yana rudomina of dusyatsky star about him was choked up and he
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was an army brotherhood in that he beat the volost pakul more than men and went to war and gave relatives. from 1.603 to 1600, this is served on the money of the temple , which was stored for the grand duchy. yes, and the temple of the house of god is conceived not only as places of self-little a lasha and a place where people joke this paratay, and lefty changes, changes into a thicket, changes into a gromatic-political one, and changes into a dense architecture. the great bone of the buddha frightens its
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staggering lynxes, but when it is new, then fires of roses are given for the cataclysms of war and the skin is renewed once in the temple. everyone has. this also rebounds on the architecture of the shaky seventeenth den on our lands panoira nissans from its defensive motives. a defensive duel, we can generally at the orthodox architecture on jumped at the zinc, and the youth will decide. we so the bottle itself is large there, round on the sides, and near this period, jasu, round vezhs of helmiractics about timti, looked like it, and it founded about until the end of the seventeenth city of the one that we are the youngest church of kai, uh, in this precious reception. and the okeevs were baptized at the mashed potatoes. here are caramel architectures for and for gtr architecture in
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the film, one of its tires is characteristic. i had a temple, the great moreika. i'm gobush. yes, she was torn off fashionably by pershipashakov. stranger, contemplating the semite market of the three wrathful temple the eyepieces were good for him. the yakukh principle was told by all the wonky roundabouts, and the vezhi u have stars on the facades. only completed this classic in the image of where sometimes military military conflicts. e, the temple, it suffered and after the fire there was a country pershat layout of the temple, e, not near the yard. here is such a hall space, which was divided by the assault, and the slips of this soup, uh, required riveting, and the slab had no
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pattern, excellent for ribs. with such a vigilant cluster. yes, with the ticking effect of ekio, i will cut off all the silly thing from getting architecture defense temples. komai church of meltreopsis. true, after the great reconstruction, one of them or two wives found an oxide facade, however, the defense years will end. the lunar façade was not allowed. well, twain severe, we bam, there are two semicircular vezhs of them and one of them is a decorative element of small niches on a triangular pediment. the facade wall is the most scrubbing element, that the poisonous church is a gray-weightless castle, and more than this effect , the loopholes, stirred at different levels, see the bottom
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a hike from khovanakha through the interveneers, and from the upper tier it was possible to shoot at the wives on the great , massive beliefs were distracted, and he zahahaval his archaic, closer than 16 m, above 6 m for nothing. there's a massive peak. not only do they give such harsh, uh, windows and loopholes, then, this most immediately transfers the defenses vertically, but hospitals. the two-meter-high massive walls are cut through by vaulted completions, sunken at niches high in the windows. and with a decorative
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decorative element , one can deprive the stone cores marred near the wall. is it true. this is bigger later deposits. yakiya showed up, and then after the aroconstruction, yak, for a mention of the midnight war for tito's church, the swedes. they fired at the temple of jazz, the yahu of defense, tito simply dismantled the potency, where could the thief of memorandums about the fact that the temple was christened for samrej for defense, the ukrainians did not catch. here to say that in this castle near akim they defended themselves. we ourselves can not, well , about the reluctance of such shelling. not only the midnight war, the alleys of the pyramids near the architectural thickets replace the temple near the motherland of the eighteenth otoronde color nisans
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for a long time now, having entered places with a new aesthetic architectural escape to the church , a chapel with six windows is brought to them , this is cardinal, knowing its departure. his arthur defensive arises once the teaching of the chapel, we can tidy up the dumka and tidy up the temple and take away the trees from the same jet volume. and when completed, it was a round obsida with a reduced one. today's morning crush from the pit of the repair of 1726, then on the crypts, the church are razmalyok at the technician gnawed at the suspicion of painting. i eve forged with pink shades of one color, moty is based at the kamai gnaw on the okant yakisu, a solid davan, braiding cartouches and
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medallions with monograms and symbols on the girth arches, ornamental ribbons. shuffling around with medallions. later applied in his homeland of the nineteenth godzia. so the chapel is painted with the most snarling and rosin motifs. there, the ornament is symmetrically mixed on the pyro-coverings, and under the district arch they are filled with a cut-out ornament. inside were from wood-burning altars from nastavami. what were the vykons of the other half of the 18th boundary so 1.775-78 years in this traditional one and a half for that period jazz, and it is likely that our belarusian bridges have been carved. what periods of jasu have already broken the takeoff under the relay, but better than the forest of the prussian and polish mains, i rode in these, well, in a unique
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way. if only there were explosions of such a fractional through and through. then, among the orthodox donation , they began to call klim carving and were baptized by flemin foreigners. this undermining pierced the imitation of coruncle, which is why the acanthus leaf is so prickly. i am the roslin who played the role of the witch in the formation roadside decor? the altars are the largest, the most ticking of which is the central two-tiered altar. the basis of the first hayarus is laid by the shatyrs of the columns of the korynf order, along the niches near the niches, the droulians stand on polychrome sculptures, and at the centers of the altar in the image of the mother-boss with the child of razbinog doilerism do not believe, i wanted to remove the menoliths. this
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break can be said, well, so okay about the same object rudders fire insects trinity. well, that is, there they spoke of these objects, another sexual of the seventeenth table, characteristic altar mentor. there are such elements as the arc de triomphe, the crankshaft triumphal arch and the structure, then something similar we can form the central field occupied. on the sides come from the sculpture at the niche, albo, especially standing on a pedestal
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, the order elements of the altar are painted in friendship and marmur at once with gilded ornamental robbery and a polychrome sculpture of geto. creating took away. louis and the rushy composition after danya on the morning expanses of a single nave form is the magnificence to place a tutan. wu watch renaissance architecture of this instrument of its own has become a place. at times, wars and tads were tidied up, and frankly they tidied up immured pores. and kali updated it, then zrobili for and platoons sensibly, but alleg. it was a downfall. and so so. ah, there is an organ in the choirs, and that time there are organs. it was
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the devil ah, typical of the periods. uh , the counter-reformations, they carried such snot to the stroi for the verniks, the fire would rather improve his organ music, then it was the witch who succumbed, or rather, the organs wanted. hair organ uh it's velma, dear speech and mine the sisters hunted near the wild cities and not skin. and then they bought positives, these are such small organs. the history of kalihram's outbursts did not
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start with a craving for all its four hundred moves , and the foundations of no war, nor the political pyramids closed it. the exchange for what this church did not repair everything, and in the soviet period the temples spent their bearing value. yes. helped to choke. eh, the interiors of the temple, yes, and kolya, we know this is all that is snotty in the nabiltar part. it choked up there. she 's not tearing the ribs right now. new work is not going well here.
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